• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2009.05a
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• pp.135-138
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• 2009

포토닉 의류는 의류에 다양한 광원과 광전달 소재를 적용하여 빛을 발현하는 디지털 기술을 적용하여 의류의 색채를 제어함으로써 착용자의 감성을 시각화할 수 있도록 하는 스마트 의류의 일종이다. 앞서 개발한 포토닉 의류의 중 LED램프와 광섬유의 조합으로 색광을 발현하는 기능은 특별히 RGB 색조합을 통해 의도하는 색채를 다양하게 구현할 수 있다는 특징이 있다. 현재 색채 발현 방법은 Red, Green, Blue의 3가지 색상의 LED의 적절한 조합을 통하여 색채를 발현하는 방식을 가지고 있으나 색체계 상의 기준 색상과 실제 발현되어 육안으로 확인되는 색채의 차이가 있어 의도와는 다른 색채가 나타나 디자이너의 색채 기획의도를 포토닉 의류에 적용하기 힘들며, 기존의 색체계에 의해 생산된 다른 텍스타일 색채와의 컬러 조합에 있어서 필요한 정확한 데이터를 얻기 어렵다. 따라서, 포토닉 의류에 의도하는 색채를 발현하기 위해서는 기존 색상과의 차이점 보정과 효과적인 데이터 베이스 구축이 필요하다. 본 연구에서는 포토닉 의류의 색채에 관한 보다 체계적인 연구를 통해 웹 컬러와 광섬유를 이용한 포토닉 컬러에서의 색채 이미지를 비교, 분석하고 RGB값과 색차값을 통한 차이점 보정을 참고하여 광섬유를 사용하여 제작되는 스마트 포토닉 의류의 제작 시 색채선정 기획에 있어서 기초적인 자료로 활용될 수 있도록 제시하고자 한다.

• Science of Emotion and Sensibility
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• v.12 no.4
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• pp.545-556
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• 2009

The purpose of this study was to investigate the sensibility image of necktie according to width and color combination of checked pattern. The experimental materials developed for this study were a set of stimulus and response scales. The stimuli were 18 color pictures, in which the width(small: 0.2cm, medium: 1cm, large: 2cm), tone combination(similar, contrast), and hue combination(WR: white+red, WB: white+blue, WG: white+gray) were manipulated. The 7-point scale was used for evaluation of sensibility image. The subjects of this research were 216 female college students living in Gyeongnam. The investigation was carried out at September 2009. The data were analyzed by using SPSS program. Analysis methods were ANOVA and Duncan-test. The results of this study were as follows.; The analyses of sensibility for necktie according to width and color combination of checked pattern revealed that the concerned factors are five characteristic dimensions of attractiveness, youth, appeal, elegance, and warmness. Width showed an independent effect on appeal. Tone combination showed an independent effect on attractiveness, appeal, elegance, and warmness. Interaction effects of width and tone combination on attractiveness were found. Hue combination showed an independent effect on all dimensions. In addition, significant interaction effects of width and hue combination on attractiveness, youth, appeal, and elegance were found. Significant interaction effects of tone combination and hue combination on attractiveness, youth, and appeal were found.

• Proceedings of the Korean Society of Computer Information Conference
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• 2016.01a
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• pp.343-345
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• 2016

본 논문에서는 아동이 그린 그림에 대해 ART2 알고리즘을 적용하여 색채 정보를 군집화하고, 군집화 된 색채 정보의 중심 벡터 값들을 퍼지화 한다. 퍼지화 된 색채 정보의 소속도를 퍼지 추론 규칙에 적용한 후에 비퍼지화 한다. 비퍼지화 된 결과를 적용하여 아동의 심리 상태를 분석한다. 제안된 방법을 실험하여 알슐러와 해트윅(Alschuler and Hattwick)의 색채에 따른 심리 상태와 비교한 결과, 제안된 심리 분석 방법이 알슐러와 해트윅의 색채에 따른 심리 상태 분석 결과와 거의 일치하는 것을 확인하였다.

• Science of Emotion and Sensibility
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• v.13 no.4
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• pp.789-796
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• 2010

The purpose of this study was to test a large screen and rear-projected virtual reality (VR) interface in color choice for environmental design. The study piloted a single three-dimensional model of a bedroom including furniture in different color combinations. Using a mouse with an $8'{\times}6'$ rear-projector screen, participants could move 360 degree motion in each room. The study used 34 college students who viewed and interacted with virtual rooms projected on a large screen, then filled out a survey. This study aimed to understand the interaction between the users and the VR interface through measurable dimensions of the interaction: interest and user perceptions of presence and emotion. Specifically, the study focused on spatial presence, topic involvement, and enjoyment. Findings should inform design researchers how empirical evidence involving environmental effects can be obtained using a VR interface and how users experience the interaction with the interface.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.20 no.6
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• pp.1203-1208
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• 2016

For young children who are not spontaneous or not accurate in verbal communication of their emotions and experiences, drawing is a good means of expressing their status in mind and thus drawing analysis with chromatics is a traditional tool for art therapy. Recently, children enjoy digital drawing via painting tools thus there is a growing needs to develop an automatic digital drawing analysis tool based on chromatics and art therapy theory. In this paper, we propose such an analyzing tool based on dominant color analysis. Technically, we use ART2 clustering and fuzzy logic to understand the fuzziness of subjects' status of mind expressed in their digital drawings. The frequency of color usage is fuzzified with respect to the membership functions. After applying fuzzy logic to this fuzzified central vector, we determine the dominant color and supporting colors from the digital drawings and children's status of mind is then analyzed according to the color-personality relationships based on Alschuler and Hattwick's historical researches.

• 한국공간정보시스템학회:학술대회논문집
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• 2005.05a
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• pp.459-462
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• 2005

위성화상 또는 항공사진을 이용하여 산화지를 탐지하고 정량화하기 위한 여러 가지 방법적인 시도가 있었다. 보다 정확한 산화지 탐지를 위해, 본 연구에서는 기존의 고해상도 범색화상과 중 저해상도 다중분광 화상의 융합(fusion)에 주로 이용되었던 IHS(Intensity, Hue, Saturation) 색채변환을 산화지 탐지와 정량화에 적용하였다. IHS 색채변환을 이용한 Hue 조합화상의 산화지 최대우도분류 결과는 Landsat-7 ETM+ 7:4:1 조합화상보다 놀은 사용자분류 정확도를 나타냈으며 색상(Hue)과 채도(Saturation)가 명도(Intensity)에 비해 ETM+ 화상의 분광특성을 잘 반영하였다.

• Archives of design research
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• v.17 no.3
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• pp.27-38
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• 2004

It is important for designers to be supported with their decision-making on colours which is often based on personal distinction rather than logical dialogue that may lead to confusion within communicating with others. To help these problems and to gain productivity, we would like to propose a way to define colour grouping method. In other words, the purpose of this study is to help to improve the communication and productivity within the design and designers. The grouping was based and inspired by from the studies of Kobayashi, Hideaki Chijiawa, Allis Westgate and Martha Gill. The study of grouping is based on the "tones" of each group, as they seem to reflect a designer s sentimentalism of chosen colours the best. Each of these groups will be named Bright , Pastel ,Deep and Neutral The general concept of each groups are: - Bright: high quality of pixels of primary colour - Pastel: primary colour with white - - Deep: Primary colour with gray or black - Neutral: colours that does not include any of above Each of the colour group has been allocated into Si-Hwa Jung's colour charts and colour prism to visualize the relationships between the colour groups. These four groups and the colours included in them will be broken down to smaller groups in order to make colour palette. This would break the barrier and result in using colours in groups as well as crossover coordination. This study would result in new ways of using colurs for designers designers

• Journal of the Korean Society of Clothing and Textiles
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• v.36 no.10
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• pp.1028-1039
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• 2012

This study identified color emotion factors of naturally dyed two-color combination fabrics focused on yellowish and reddish shades to examine the relationship between color emotion factors and physical colorimetric variables (as well as tone combination groups) to provide prediction models for color emotion factors of naturally dyed fabrics with a two-color combination. Each of eight different stimuli were prepared by paring two pieces of silk fabrics colored in red and yellow by natural dyeing respectively; in addition, their color emotion descriptors were evaluated by human subjects using semantic deferential scales. 'Joyful', 'Natural', 'Classical', and 'Soft' were extracted as color emotion factors for the naturally dyed yellowish-reddish combination fabrics. They were found to be significantly affected by physical colorimetric variables such as CIE $C^*$ and $L^*$ and tone combination groups. Finally, prediction models for all color emotion factors were established using physical colorimetric variables and tone combination groups that led to the conclusion that they could be applicable to design a color combination for naturally dyed fashion fabrics.

• The Journal of the Convergence on Culture Technology
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• v.5 no.4
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• pp.203-208
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• 2019

Medical color graphic research will serve as the basis for globally expanding and disseminating the design quality of the company's products through the era of production of medical robots. This study was based on technologies and contents suitable for the era of medical robot bed expansion, universal medical color application, ergonomic color, etc. In addition, the medical bed robot's color research direction was presented from the perspective of universal design. Accordingly, a universal color design was proposed, taking the functions of a medical robot under development by a domestic company as an example. The characteristics of this robot bed can be divided into three types of functions: first, treatment characteristics for prevention of pressure ulcers with curative, second, automatic seat exchange with cleanliness for medical environment, and third, Convenient, which can implement patient transport. The main idea is to present a combination of functional colors appropriate for this. The resulting color analysis and universal color design techniques could be a useful methodology for illustrating the appearance and function of a modern medical robot bed.

• The Journal of the Convergence on Culture Technology
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• v.8 no.6
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• pp.801-806
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• 2022

In the modern era, the necessity of color capability in the digital era is the demand of the era, and research on improving color practice on the subdivided digital four areas that are not in the existing practice is needed. For digital majors who are difficult to solve in existing paint color practice, classes in digital color practice in four more specialized areas are needed, and the use of efficient artificial intelligence was studied for classes in digitized color and color sense. In this paper, we tried to show the expansion of the color practice area by suggesting digital color practice and color matching method based on Photoshop artificial intelligence and big data technology that existing color and color matching were practice that only CMYK could do. In addition, based on the color quantification data of individual users provided by the latest Adobe Sceney program artificial intelligence, the purpose of the practice was to improve learners' predictions of actual color combinations and random colors using filter effects. In conclusion, it is a study on the use of programs that eliminate ambiguity in the mixing process of existing paint practice, secure digital color details, and propose a practical method that can provide effective learning methods for beginners and intermediates to develop their senses through artificial intelligence support. The Adobe program practice method necessary for coloration and main color through theoretical consideration and improvement of teaching skills that are better than existing paint practice were presented.