• Archives of design research
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• v.21
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• pp.219-231
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• 1997

Now, Clothing has new position which is a part of aesthetics and symbolic code. To investigate this phenomenon, three works which express the meaning with "absence of body" in clothing were analyzed. In results, 1) the confrontation of male/female was represented by positive/negative, active /passive, present/absent. 2) male/female means sociaVprivate, body/clothing the relevant/the irrelevant subjective/additive. 3) one/numbers, simple/various, limited! free present the various way of wearingrious way of wearing

• Proceedings of the KAIS Fall Conference
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• 2009.12a
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• pp.198-199
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• 2009

인간의 경험에 대한 지각은 다양하다. 일차원적인 직접 경험에 대한 것은 확신의 문제이다. 또한 보편적인 다른 경험은 알게 되면서 인식하는 또 다른 경험의 결과이다. 미디어에서 또한 리얼리티의 담화 작용을 통해 수용자에게 경험에 대한 인식과 가치를 제공하고, 새로운 간접 경험에 대한 경험을 재현을 통해서 그 의미를 전달하고 있다. 그러므로 본 연구에서는 리얼리티의 담화작용과 의미전달에 있어서 수용자의 믿음적 상징체계의 특성과 사회문화적 현상을 고찰하고자 한다.

• Proceedings of the Korea Society of Design Studies Conference
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• 2000.11a
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• pp.88-89
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• 2000

대중문화의 용어는 독일어로서 '마스'(Uass)와 '쿨투어'(Kultur)의 복합어이다. '마스', '마센'(복수: 많은 정도를 의미함)이란 유럽사회에서 비귀족적이고 교육을 받지 못한 계층으로, 오늘날 중하 이하 계충의 사람들을 칭하는 말이다. '쿨투어'(문화라는 의미)는 영어의 '하이 컬처(high cultur) 즉 고급문화'로서 유럽사회의 교육을 잘 받은 엘리트 계층이 수용하는 미술, 음악, 문학 등과 상징적 산물인 건축의 실내외 장식, 조경 등을 가리킬 뿐만 아니라 이러한 문화예술의 애호가들인 교양인, 지식인의 감정이나 사고의 유형 등까지도 포함하는 말이다.(중략)

• Proceedings of the KAIS Fall Conference
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• 2010.05b
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• pp.876-879
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• 2010

본 논문에서는 음악이 음악 아닌 다른 대상의 이미지나 분위기를 의미 있는 구조로 만들어주는 연상 작용을 전제로 하여 하나의 음악적 아이디어, 선율 라인, 또는 음악 스타일이 영화 속 캐릭터와 결합되는 예들을 실제 작품에 근거해 고찰하였다. 여기에 포함된 음악 자료는 1950년대를 전후한 미국 영화의 주요 작가들의 작품들로서, 영화의 결합력에 기여하는 음악이 주로 어떤 방식으로 특정 인물이나 집단, 상징적 의미 등을 캐릭터화 하는가를 분석하였다.

• Aerospace Industry
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• s.106
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• pp.36-38
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• 2010

2010 벤쿠버 올림픽에서 보여준 세계 5위권 우리 선수들의 선전은 국민들에게 벅찬 감동을 심어 주었을 뿐만 아니라 대한민국의 국가 브랜드가치를 높이는 데 커다란 기여를 하였다. 특히 우리가 예상치 못했던 분야인 스피드 스케이팅에서의 금메달 획득은 어떤 분야에서건 목표를 향해 도전하는 자에게 꿈이 현실로 열렬 수 있다는 희망을 상징적으로 보여 주었다. 곧 발사를 앞두고 있는 통신해양기상위성(이하 통해기)의 발사성공은 또 다른 분야인 항공우주분야에서 우리나라 위성개발 역사에서 처음으로 시도되는 정지궤도 위성의 개발성공과 이를 이용한 다양한 분야에서의 활용 시대를 여는 의미 있는 이벤트가 될 것이다 통해기 발사에 즈음하여 현재까지의 위성준비현황을 중심으로 그 동안의 개발과정과 그 개발이 가지는 의미를 되짚어 본다.

• Science of Emotion and Sensibility
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• v.21 no.3
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• pp.115-128
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• 2018

Tibetans who live in the Tibetan highlands, the Roof of the World, have their own unique lifestyle wherein they conform to its long history, natural environment, and their own form of clothing culture. In their costumes, the use of colors, patterns and designs express religious meaning and represent the hopes and heart of life, which respects nature. This study aims to analyze the colors used in Tibetan costumes and examine the meaning of these colors. In addition, this study intends to understand the specificity of Tibetan culture through a consideration of the symbolism of the colors of ethnic costumes. By examining the literature and conducting case studies, colors of Tibetan costumes were analyzed through the I.R.I HUE-TONE system. We analyzed 96 photographs of the costumes photographed during the Tibet ceremony costume, photographs seen at the Qinghai Tibet Culture Museum and photographs from the Internet museum. The results revealed the following: First, the most important element of the costumes is connected to the five colors of JangOsaek, which gives meaning to each color. Red, navy blue, yellow, white and green symbolize fire, the sky, earth, clouds or snow, and grasslands, respectively. Second, Tibetan costumes are characterized by bold color contrasts such as red and green, black and white, red and yellow, and yellow and purple to achieve an intense harmony of colors. Third, these fancy costumes express the unique aesthetics of the Tibetan people. The primary colors follow general emotions, but they can also include their own emotion.

• Archives of design research
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• v.14 no.3
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• pp.197-210
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• 2001

There are symbolicity and special meaning in the materials which are supposed to be used metalcraft from ancient to present. These are basical resources of hermeneutics and play a role as moaning elements. Generally, the precious Cold and Silver are mainly to be used with precious stone. But recently, ordinary materials like glass iron aluminum has begun to be used with them. Several artists are intentionally using them, and special skills which could be revealed by only the matherials are developing by them. In these skill, there are original material's texture and character of matter are looking like other matter. Well, special skills are adapted in these matters to magnify the possibility of expression, the originally codified meaning resources are disturbed. For example, The metal craft artist June Schwarcz is using the skills of electroforming, copper foiling, enameling, wire brush patina, fine wires fusing, etc. He is doing abstract forming and making various textures. And his works are very big size, and done by the skills of painting and sculpture. The outer form is very structural, special touches of the artists are heterogeneously mixed with the symbolic abstract expressionism color field. Further, there are mixed with Primitive original life atmosphere, Medieval ornamental aspect, Minimal, and Chaotic aspects. The meaning particles of these aspects are directly/indirectly joined but special skills and basic material languages are mixed together, the originally codified material language are disturbed. These disturbed material languages are becoming optically special effect and be illusion. It is making expressing way of tile metalcraft more fertile and be infinite.

• Korean Educational Research Journal
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• v.42 no.1
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• pp.35-72
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• 2021

This study is to form develops an effective teaching method centered on the Korean "symbol adverb + predicate" type, helping Chinese students to learn Korean to communicate more accurately when expressing detailed complex feelings and various emotions.Manyforeignlanguage learners try to memorize individual words when they acquire the new vocabulary, this may lead to a problematic in that they cannot use Korean vocabulary accurately and naturally because they do not value the combination of vocabulary words. Since symbolic adverbs are not used in isolation and being frequently used with certain vocabulary words, it is more effective to teach them in the form of instruct learners using "symbol adverb + predicate" forms rather than individual vocabulary words. Accordingly, this research considers a particular vocabulary following symbolic adverbs or vocabulary groups with common semantic qualities that could be frequently introduced. Seven Korean language textbooks used by university in domestic Korea and China are compared and analyzed to reveal the aspects of differences in the use of descriptive words after symbolic adverbs. Finally, based on the textbook analysis results, the government propose a plan to improve the Korean "symbol adverb + predicate" type for Chinese learners. However, this study was limit to being unable to present specific educational measures for Chinese learners in the form of "symbol adverb + predicate". This is expected to complement the limitations of this study in subsequent studies, and lead to more specific discussions.

• Journal of Korean Philosophical Society
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• v.131
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• pp.223-244
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• 2014

In this paper, the author interprets Juyeok (The Book of Changes) as a philosophical book on self-culture instead of a book on divination. Juyeok, originally, was a book on divination written to tell fortunes; however, it has been a rich source producing the discourse of the humanities. This is because it has a unique system of linguistic symbols. Gwae-Hyo (Hexagrams and Horizontal Lines) system of Juyeok has a number of symbolic features, and there is too much room for new philosophical, cultural interpretations. Thus, Juyeok can be applied to any information and events, and it can, accordingly, help solve the problems of life we are facing. Moreover, Juyeok's unique characteristics are revealed very well in active intervention of persons who read and interpret it. Carl Gustav Jung is the very person who argued that one should interpret Juyeok through this active intervention. In the foreword of Juyeok translated by Richard Wilhelm, he mentions a possibility of the interpretation of Juyeok applying 'synchronicity.' According to him, Juyeok is a material not to predict the future or tell the fate ordained, but to look back on oneself or find the solutions of problems oneself. It allows the inquirer to interpret Gwae-Hyo-Sa (Explanations) not simply through the result of fortune-telling but the act of telling one's fortune. He applies 'synchronicity' to the finding of answers to one's problems in the given Gwae-Hyo-Sa. Synchronicity refers to 'the principle of non-causal relationship explaining a phenomenon of meaningful coincidence.' Here, simultaneity, unlike contingency the principle of causality refers to, means 'meaningful coincidence.' He presents a theory that the divination signs derived from Gwae-Hyo-Sang (Images) through synchronicity is a reflection of the psychology of the unconscious the fortune-teller or a man who receives the results of the divination signs has under certain circumstances on the outside. This is because Jung interprets it like this because the way of communication of Juyeok using symbolic language is not direct but indirect. Juyeok's system of symbolic language aims not at delivering objective knowledge, but the reader's self-transformation. This point can be applied in clinical philosophy. People who suffer from agony and pain in their daily lives may find meaningful and helpful advice for themselves no matter what Gwae-Hyo-Sa they choose in Juyeok. This is because it was originally hidden in their inner space and just revealed concretely through Gwae-Hyo-Sang or Gwae-Hyo-Sa in Juyeok. In this sense, we connect the meaning Gwae-Hyo-Sang or Sa contains from Juyeok to their circumstances, read counsel or advice needed ourselves and make it our own to be able to have power to change and help ourselves. And at this very point may be evaluated as an important role of Juyeok.

• 건강소식
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• v.31 no.9 s.346
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• pp.28-29
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• 2007

한가위의 대표 음식하면 송편을 빼놓을 수 없다. 온 가족이 한자리에 앉아 송편을 빚으면서 즐거운 담화도 나누고 맛있는 송편도 나눠 먹는다면 가족간의 사랑도 커지고 추석 분위기도 살릴 수 있는 정겨운 행사가 될 것이다. 송편을 빚을 때 동그랗게 만들었다가 다시 반달 모양으로 접는 것은 달이 변하는 모양을 상징하는 것이고 송편 안에 콩이나 밤, 깨 등을 넣어 꼭꼭 주무르는 것은 씨를 흙 안에 심어서 내년에도 풍년이 들기를 기원하는 의미라고 한다.