• Journal of Korea Entertainment Industry Association
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• v.15 no.6
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• pp.35-54
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• 2021

This study examines the characteristics of CBS's Kim Hyun-Jung's News Show(hearafter News Show) and the change to transmedia. The distinguishing characteristics of News Show compared to radio-based current affairs programs are as follows. First, despite its time limit, it adopts the form of investigative reports or investigative documentaries to uncover the truth of the events through 'Detective Son Su-Ho', etc. Second, News show's interviews have avoided biased stance in the reporting of minority issues by interviewing the affected parties anonymously including people involved in incidents and accidents, bereaved families, and other victims. News Show has been producing a transmedia content called 'That Honey Show' (a show that reads comments as fun as honey) since November 2018. 'That Honey Show' is broadcast in real time on YouTube right after the News Show radio broadcast ends. As a form of spin-off content, 'That Honey Show' breaks down the boundaries among staff, MCs, and guests, as well as shifting roles by using 'vice characters'. The female host, Kim conducts interviews with the main characters related to various issues and extends the fixed identity of current affairs shows to the everyday politics and cultural realms. Thus she draws active participation and responses audience. This paper analyzes two representative broadcast cases of 'That Honey Show'-first, the case of resistance and activity of the BTS fandom ARMY in the US presidential election, and, second, the case of reporting on the Nth room incident. This analysis considers the critical participation of digital citizens and the effect of fostering a sense of community in the current affairs show in the transmedia era.

• Journal of Digital Convergence
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• v.16 no.3
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• pp.439-449
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• 2018

The purpose of this study was to examine the effect of VR news focused on recall, understanding, enjoyment, visual fatigue and reuse intention through experimental study. Using Window SPSS 21.0 and AMOS 21.0 program, the data was analyzed by exploratory/confirmatory factor analysis, reliability analysis, correlation analysis and path analysis. The Results are as follows. First, presence and immersion among VR news characteristics influenced positively on users' recall of VR news. Second, presence, interactivity and immersion among VR news characteristics influenced positively on users' understanding of VR news. Third, presence, interactivity and immersion among VR news characteristics influenced positively on users' enjoyment of VR news. Fourth, presence among VR news characteristics influenced negatively on users' visual fatigue of VR news. Fifth, presence and immersion among VR news characteristics influenced positively on users' reuse intention of VR news. This study will provide on an important implication understanding VR news characteristics and VR news users.

• The Journal of the Korea Contents Association
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• v.16 no.3
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• pp.403-414
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• 2016

The purpose of this study is to explore how South Korean TV news programs represent the image of North Korean defector through analyzing South Korean TV news contents portraying North Korean defector. In order to conduct this research, the study analyzes the main subjects of the South Korean TV news contents, the image of characters on the TV news contents, and frames which the TV news contents mainly used. According to the results of this study, the TV news programs represent the positive image of South Korean government whereas they criticize North Korean government while representing North Korean defector issues. However, the TV news programs showed no interest in real problems which the North Korean defectors are experiencing. Further, the findings of this study are very similar to the results of previous studies that were analyzing the representation of news media about minority groups including North Korean defectors. Most studies analyzing how news media represent minority groups show that the groups have been identified not by their own opinions and relations but predominant culture and lifestyles in the society, and they are also represented not by their own voice but predominant perspectives of the society.

• The Journal of the Korea Contents Association
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• v.16 no.11
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• pp.731-741
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• 2016

It has become five years since comprehensive programming licenses were rendered in Korea. Allocating a lion's share of their air time on live news and news commentaries, those channels have established a unique live production system or a broadcasting system which is heavily live production-oriented, to be exact. The live commentaries are filled with a mixture of news flashes, conventional news commentaries, and debates. Those channels get their news and commentary programs made through subsidiaries' where production directors and studio staffs belong. They, being very sensitive about viewer rating, tend to be aggressive about reruns of highly rated programs and they do not even seem to care when the regular programs actually went out. This kind of reckless strategy to pursue a higher viewer rating could limit not only new programming attempts but also exposure diversity.

• 동위원소뉴스
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• no.11 s.107
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• pp.11-13
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• 2005

• Korean journal of communication and information
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• v.71
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• pp.194-223
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• 2015

This study explores a value chain structure of TV program including news, drama, and comedy. The purpose of this research focused on factor analysis and the relationship among viewer's program selection motivations. This research explores correlation between personal value and viewing motivation. This study was to identify the value structure of respondent on TV program(news, drama, comedy) based on means-end chain theory. The research used structured APT laddering questions and 251 data was analysed. Through such analysis, category difference by stage and relationship difference were identified and hierarchical value map was compared. There are four different value ladders: first is attributes, functional consequences, psychological consequences, and final value. The result shows that on news program the basic function is viewers are want to visual factor and quickly acquire social news and they pursue a value of personal social relationship. Whereas, on drama program, the viewers are reflected by around person, and they selected a program based on closed related person. In addition, the viewers are influenced by program's social nomination, production's brand in drama, and performer's nomination, producer and program prominence on comedy. The program selection is highly correlated on program selection's credibility, vital energetic life, and social relationship. The results shows that there was no significant difference between low involvement group and high involvement group for main category involvement group respondents.

• 프린팅코리아
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• v.12 no.10
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• pp.86-89
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• 2013

대한인쇄문화협회(회장 김남수)는 8억원의 국고를 지원받아 품질표준화 친환경 인쇄를 위한 PUR접착제, 인쇄세척액, 한자서체, 인쇄품질 공정진단 프로그램 개발 등 4개 부문에서 문화체육관광부 2013년도 콘텐츠산업기술지원사업을 주관하고 있다. 2013년도 콘텐츠산업기술지원사업은 한국콘텐츠진흥원(원장 홍상표)이 주관하는 프로젝트 사업으로 글로벌 진출이 가능한 차세대 전략 R&D 과제 개발로 콘텐츠산업의 글로벌 경쟁력 강화를 목적으로 추진된다. 2013년도 콘텐츠산업기술지원사업 콘트롤타워 역할을 하는 유창준 전무이사가 소셜네트워크 뉴스 서비스 업체인 (주)소셜뉴스가 운영하는 인터넷뉴스 위키트리와 진행한 인터뷰 내용을 전재한다.

• 정보보호뉴스
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• s.134
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• pp.14-18
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• 2008

KISA가 웹 서버 보안강화를 위한 웹쉘(WebShell) 탐지 프로그램 '휘슬(WHISTL)'을 일반 기업에 보금한다고 밝혔다. KISA 인터넷침해사고대응지원센터가 침해사고 예방과 대응을 위해 자체적으로 개발해 사용하던 탐지 프로그램인 휘슬은 기존 프로그램을 기업 서버 관리자가 편리하게 사용할 수 있도록 보완해 재배포하는 것이다. 기업 서버 관리자에게 편리함을 안겨 줄 휘슬의 주요 기능을 살펴보자.

• The Journal of the Korea Contents Association
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• v.6 no.8
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• pp.184-191
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• 2006

The purpose of this case study is to understand the characteristics and implication of videojournalist's image expression techniques in the television news programs, comparing with television camera reporter's image expression techniques. Texts chosen in this thesis are 120 programs of KBS2TV 'News Time' which had been on air from July to December in 2005. Shot size, camerawork, shot duration and camera angle of the images were analysed, which had been extracted through the processes of thematic classification. The results of the analysis of thematic classification shows us that videojournalist covered mainly social, economic and cultural news items, almost completely alienated in the fields of hard news as political and health-scientific news items which were very sensitive and influential on the life of the entire people of the nation. The results of the analysis on the characteristics of image expression reveals that videojournalist used one-shot more often than the camera reporter, showing us videojournalist's preference of close news gathering, and videojournalist used following and zooming much more often than camera reporter, showing us videojoumalist's preference of mobile and dynamic cameraworks, and videojournalist used low angles more often than camera reporter, also showing us videojoumalist's preference of candid camera style news gathering.

• Archives of design research
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• v.18 no.1 s.59
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• pp.39-48
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• 2005

In the age of digital culture, TV broadcasting is exercising more influence as a information and communication medium compared to past. With the appearance of satellite broadcasting service in 2002, the broadcasting environment became a diversified field of local TV, cable TV, satellite, internet, etc. and created the time of multi-media and multi-channel. This ongoing change of broadcasting environment made the passive audience of the past, active image makers and new accepters, participants and users of communications, who know how to choose and use media as the active centerpiece, The active acceptor as the centerpiece of channel selections has become the center of the broadcasting, whereby they pick up and enjoy their favorite TV programs and came to remember the list of their favorite channels and zap them finally. In this point of spotting their favorite channels and improving the degree of recognition for the channels, the development of the noticeable brand for a particular program has made a great contribution. The aim of this study, therefore, is to recognize the factors, which are important in the habits of watching TV and to develop professional brands for TV broadcasting programs. The range of the survey for this study was home news programs and broadcasting stations abroad, which were on air from March to May in 2004. The focus of the survey was universal and professional news programs. Through this study, it was ascertained that, in the case of news, developing a brand for an anchor as well as for a professional brand of TV program could be an important element.