• Title/Summary/Keyword: 경계의 해체

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Trans-boundary Characteristics of the Post-dramatic Play as a Cultural Content (문화콘텐츠로서 포스트드라마 연극의 탈경계적 성격)

  • Song, Eun-A
    • Journal of Korea Entertainment Industry Association
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    • v.13 no.4
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    • pp.157-164
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    • 2019
  • If a drama play is interested in recreating the play text on stage, the post-drama play aims at a drama that has been liberated from the play text. In this process, the boundaries created by drama theater are dismantled. Actors and audiences, fiction and reality, theater and non-theater, works and events, language and non-language are the names of typical boundaries. The demolition of these boundaries is an opportunity to restore the festival character of ancient Greek theater, which was forgotten by drama theater. This has led to the dismantling of language-centric and play-centricism, which has dominated the play since Aristotle, and has led to a new play. If language-centered, play-centricism has brought about the crisis of drama, the post-dramatic play dismisses them and finds ways to communicate with the audience as new cultural content. The method is found above all in the restoration of dramaturgy. This is because the post-drama plays are more dependent on theatricality than literature. The demilitarized nature of post-dramatic play with enhanced theatricality will be a stepping stone to popularization, and this shows the possibility of post-dramatic play as cultural contents.

Applying Web Services to Manufacturing Industry (제조산업의 웹서비스 적용 방안)

  • 김제욱
    • Proceedings of the CALSEC Conference
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    • 2004.02a
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    • pp.217-222
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    • 2004
  • □ Value Chain 혁명을 통한 Real-Time Enterprise 실현 -비즈니스 환경 변화 ·Value Chain의 해체 및 재통합 ·Globalization(조달, 생산, 분배의 세계화) ·기업의 가상 기업화 ·비즈니스 프로세스 아웃소싱 ·지식 기반 사회 ·영역 간 경계의 붕괴 및 융합

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경계연구의 동향: 중$\cdot$동부 유럽을 사례로

  • 김상빈
    • Proceedings of the KGS Conference
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    • 2002.11a
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    • pp.25-28
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    • 2002
  • 지난 세기의 마지막 10년은 유럽의 정치 지형상에서 수 많은 변화가 일어났다. 독일의 통일과 소련 연방의 해체와 신생독립국가의 탄생, 이들의 독립국가연합 결성, 과거 소련의 위성국가로 간주되었던 동유럽국가들의 국경개방 및 체제전환, 남동부 유럽의 발산 반도에서 유고연방의 해체와 그 후속국가들의 탄생등등 이러한 정치적 변동들은 엄청난 사회 경제적 변화를 가져왔을 뿐만 아니라, 또한 공간구조에도 많은 변화를 가져왔다.(중략)

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Service R&D Strategies in the Era of Boundless Industries (산업간 경계해체 시대의 서비스R&D 전략)

  • Kim, Hyunsoo
    • Journal of Service Research and Studies
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    • v.7 no.2
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    • pp.79-90
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    • 2017
  • The current research investigates the service R&D strategies from the service's nature perspectives. In the current economy, manufacturing and service industries are becoming boundless, and thus, they are competing with each other in a customer-centric environment. Because customers' needs and wants are realized through services, service industry has become one of the most important industries in the world. However, there have been conflicting opinions about service R&D policies due to different definitions of services. The current research specifically focuses on the nature of services to discuss strategies for service R&D. Service R&D strategies are suggested considering the nature of the current economy where industries are becoming boundless. In addition, the current research considers the service's relational, bidirectional, horizontality, and harmonization nature of services, and also, intangibility, inseparability, heterogeneity, perishability were considered in suggesting strategies for service R&D. For manufacturing industries, strategies to strengthen servitization R&D were proposed, and for service industries, strategies to strengthen manufacturization R&D were proposed. The results from the current research can be used for developing corporate service R&D strategies, and developing policies for developing both service and manufacturing industries in the current economy.

Genre Oriented Characteristics of Virtual Reality Programs (가상 리얼리티 프로그램의 장르적 특성)

  • Hong, Sook-Yeong
    • The Journal of the Korea Contents Association
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    • v.10 no.1
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    • pp.202-212
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    • 2010
  • The purpose of this study is at clarifying what the genre oriented characteristics of virtual reality programs are. For this, the tests of 'We Are Married' being broadcasted in 'Sunday, Sunday Night' Part 1 of MBC from episode 1 to 8. As a result of analysis, this program was mixing together virtuality and reality by placing the image of virtual couple's life and presentness of entertainers existing in reality appearing at the studio. Also, it was forming sympathy with users as it satisfies fantasy and sense of reality toward marriage by the entertainer couples showing love and conflict that may happen between real couples after setting various categories of couple types. Also, through the device for the public space to confess private feelings through television, it shows the boundary between public domain and private domain breaking up. Along with this, it has implemented amusement characteristics by inspiring enjoyment of users by a substituted satisfaction through various forms of impressions presented to spouse such as materials, effort, gesture or language, etc. Accordingly, the virtual reality program shows authenticity, fiction and amusement by being mixed together and we can see that such genre oriented characteristics act as important strategy appealing to users based on breakup of boundary and genre oriented ambiguity.

A Study on the Meaning of 'House' in Chi Li' s Novel (츠리(池莉) 소설에 나타난 '집'의 의미 고찰)

  • Choi, Eunjung
    • Cross-Cultural Studies
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    • v.47
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    • pp.291-312
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    • 2017
  • This paper examines how 'house' is meaningful in Chi Li's novel. Chi Li focuses on the house as a symbol of status, and the house as a place of gender performance. First, as a sign that symbolizes an individual's identity, 'house' is divided into intellectual and petit bourgeois, and constitutes binarism into civilization/non-civilization, knowledge/non-knowledge, spirit/anti-spirit and superior/inferior. In recognizing the irrationality and unfairness behind house symbolizing intellectual and petit bourgeois, Chi Li shatters the boundaries of the binaralized house as a sign of identity. Second, it dismantles the house as a place where gender is (re)produced. This is accomplished through two aspects. One is to re-define a private area house as a public area in which economic activity occurs. The house, as a public area in which economic activity occurs, becomes a place where women are reborn as economic entities. Passive, dependent femininity is reconstructed as independent and subjective. The other dismantles the definition of the house which is identified with masculinity. The house identified with masculinity is a place that symbolizes the socio-economic capacity of men. According to the socio-economic ability of males, the house is a place symbolizing the realization of masculinity, and it becomes a place to fix the gender order while reproducing masculinity. It may become a place to experience the weakening or defamation of masculinity. At that moment, the house becomes a place where the gender order of masculinity and femininity is overturned. Through this, Chi Li reconstructed, and in a sense revolutionized the definition of the house as a place where traditional gender is (re) produced by dismantling the definition of fixed femininity or masculinity.

접경지역연구의 이론적 고찰

  • 김상빈;이원호;이현주;박삼옥
    • Proceedings of the KGS Conference
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    • 2003.05a
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    • pp.19-24
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    • 2003
  • 경계 및 접경지역 연구는 일찍이 근대지리학, 특히, 정치지리학의 시작과 함께 중요한 연구 주제였으며, 2차 대전 이후 전후 유럽의 재편과 함께 크게 각광을 받았고, 꾸준히 정치지리학의 주요한 주제였다. 1990년 이후 유럽 사회주의 국가의 물락 이후, 동서 냉전 체제의 해체는 전 세계적으로 수많은 접경지역의 변화를 가져왔다. 또한, 전 세계적으로 전면적인 전쟁의 위험이 사라진 대신 국지적인 전쟁에 의하여 국경분쟁이 자주 발생하여 접경지역에 대한 연구는 많은 관심을 불러 일으켰다. 특히 이스라엘과 팔레스타인간의 갈등 그리고 파키스탄과 인도간의 갈등. 러시아 연방내에서 러시아 정부와 체첸간의 갈등은 국경분쟁의 대표적인 예이다. (중략)

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The Artisan of Bauhaus and Deisgn Democracy: Collision and Collaboration of Art and Technology (바우하우스의 장인과 디자인 민주주의: 예술과 기술의 충돌과 협력)

  • Ryu, Seoung-Ho
    • The Journal of the Korea Contents Association
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    • v.15 no.12
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    • pp.61-72
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    • 2015
  • The capitalistic resistance movement attempted in most modern art areas was carried out through a complete convergence of the art and skill, which was the new formation of the symbolic boundary. Although this resistance movement was aimed at restoring artisan art through the revival of tbe work of handicraftsmen, it consequently caused the stratification of the art and became a de-artisan art excluding the autonomous labor. Hereupon, this study would focus on Bauhaus which attempted to dismantle the symbolic boundary through the convergence of the technology and art which actively used the condition the great industry brought only as an effort for the restoration of artisan labor, and would examine the actor-network of Bauhaus. Therefore, this study would examine the Bauhaus' artistic trend, the 16C Renaissance art promotion movement, and the 19C art crafts movement in the network-oriented relation, and would analyze the Bauhaus' ideological source which expressed design democracy through the bridging role of and analyze the artisan art and the mechanism that had the new technology fused. Furthermore, the convergence possibility of the 'collaboration spirit' being embodied as a philosophy of the democracy in the design continues with the tremendous influence of the new technology.

An Experimental Study on Confined Steel Structure Blasting Demolition (폭약을 이용한 밀폐압력용기 해체에 관한 기초적 실험연구)

  • Lee, Ha-Young;Kim, Yong-Kyun;Yang, Kuk-Jung;Hur, Won-Ho;Kang, Dae-Woo
    • Explosives and Blasting
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    • v.30 no.2
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    • pp.43-51
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    • 2012
  • The Demolition blasting has been applied for buildings and structures so far. In this study, however, a confined vessel blasting filled with water has been focused. A small amount of explosives were placed in a sealed vessel with water, perfect elastic body, supposed as a relay agent in it, and the blasting aspect was observed. Blasting pressure was standardized by Abel's equation of state. In result, if there was a relay agent in it, the pressure vessel was torn apart with smaller power than its tensile strength. If there was not, it needed 7.1~8.5 times as much power as the previous one, and the blasting pressure had not also affected the demolition and it had gone or vanished until it reached a certain point, In terms of pressure vessel made by steel, the elastic-plastic failure was took a place, and the first yield point happened along the welded area as a form of heating plastic failure we thought.

Identity of Jainichi-Korean Diaspora as a Marginal Man After the Division of the Korean Peninsula (양영희 영화에 재현된 분단의 경계인으로서 재일코리안 디아스포라의 정체성)

  • Lee, Myung-Ja
    • The Journal of the Korea Contents Association
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    • v.13 no.7
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    • pp.38-50
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    • 2013
  • This paper analyzes director Yang Yong-hi's documentary films "Dear Pyongyang"(2006), "Goodbye, Pyongyang"(2009) and her fiction film "Our Homeland"(2012). These films were produced on the base of the director's autobiographical experience, and raise issue of Jainichi-Korean diaspora who be caught in nation-state; North Korea, South Korea and Japan. With the family narratives crossing Jeju, Osaka, and Pyongyang, these films doubt boundaries be set by nation-state, and seek new breakout space. This paper traces restructuring identity in the tensional heterogeneity of nation-state exaction; Integration, unity, uniform education. In conclusion, these films foresee Korean diaspora's future identity from hybrid identities. It shows Korean diaspora's potential of receptivity, openness and solidarity which are required for Northeast Asian peace and the solution of two Korea's hostility.