This study investigates the preferences and purchase intentions of ZEPETO users regarding fashion brands that have recently joined ZEPETO, a leading metaverse platform in South Korea. The study surveyed 279 users in their 20s to 40s about their usage patterns, preferences, and purchase intentions toward products from brands like MCM, DKNY, Nike, and Puma. The results reveal that users in their 20s exhibited higher preference and purchase intention for Nike products, as well as greater purchase intention for Puma products. On the other hand, users in their 40s displayed a higher preference and purchase intention for MCM and DKNY products and a stronger preference for Puma products compared to other age groups. Users in their 30s showed a lower preference and purchase intention for both MCM and Puma products, a lower purchase intention for DKNY products, but a preference for Nike products compared to other age groups. Furthermore, men showed a higher preference and purchase intention for most brands, including MCM, Nike, and Puma. These results suggest that fashion brands on ZEPETO need to implement effective marketing strategies targeting users in their 20s and 40s, as well as male users. This study lays the groundwork for further research on the ZEPETO metaverse platform and provides foundational data for understanding user behavior, essential for establishing effective promotional strategies.

The traditional style of Chinese women's dress was formed during the Zhou Dynasty (周), further developed during the Qin Dynasty (秦漢), and reached its peak during the Tang Dynasty (唐宋). Additionally, the garment classification system was solidified during the Ming Dynasty (明). This study focuses on the patterns and 3D reconstruction of the Wave Ju garment (曲裾深衣), a traditional Chinese aristocratic women's garment representative of the Han Dynasty period. This study analyzed the style, dimensions, patterns, colors, and fabrics of the Wave Ju garment based on literature studies and excavated archival materials. Moreover, its shape, dimensions, and patterns were reconstructed using a CLO 3D program. This process aimed to recreate the original appearance of the traditional clothing as much as possible, and data on aspects such as pressure and deformation force were compared and analyzed to comprehensively evaluate its functionality and the effects of wear. The goal of this study is to contribute to the protection and legacy of traditional Chinese women's clothing through historical documentation, clothing analysis, and 3D reconstruction.

This study analyzes the discourse of Korean internet users regarding patient clothing and identifies the changes to structure and content of clothing resulting from infectious disease outbreaks. The analysis draws on texts from Korean blogs, internet cafes, and news articles from 2011 to 2021 related to patient clothing. Using Ucinet 5 and NodeXL 1.0.1 programs, network density, centrality, and cluster analyses were conducted using the Wakita-Tsurumi algorithm. Additionally, Latent Dirichlet Allocation (LDA) topic modeling was applied using Python 3.7 to further explore thematic patterns within the discourse. Throughout the period of study, it was found that users consistently discussed the specific purpose and functionality of patient clothing. Following the outbreak of COVID-19, the distribution and influence of keywords related to the functional aspects of patient clothing, such as "hygiene and safety," significantly increased. An increased focus was placed on elements such as functionality, activity, autonomy, hygiene, and safety during the pandemic as public health concerns grew. It can be seen that patients increasingly share their experiences online and hospitalization rates surge during health crises; this study provides valuable insights into how the design of patient clothing can be improved through various informatics techniques. It underscores the evolving perception of patient clothing as essential medical equipment during health emergencies. In addition, it offers practical guidance for enhancing designs that better reflect shifting societal concerns, particularly regarding health, safety, and patient comfort.

This study explores the contemporary reinterpretation of traditional suit design through the lens of post-structuralist philosopher Jacques Derrida's concept of decentralization. The objective is to systematically analyze the diverse expression methods of decentralized suits in contemporary fashion and identify their design characteristics, thus exploring various design possibilities for decentraliz suits. To achieve this, the study examines the deconstructivist fashion collections of notable designers such as Martin Margiela, Rei Kawakubo of Comme des Garçons, Alexander McQueen, and Thom Browne, analyzing 269 decentralized suits from their men's collections from 2009 to the present. The methods of decentralization are categorized based on the structure (composition), details, and materials of the garments, are classified into deconstruction, discontinuity, and disorder. Specific expression methods include irregular wearing, layering, asymmetry, and distortion for deconstruction; omission, heterogeneous insertion, material transition, and separation for discontinuity; and tearing, graffiti, and unfinished elements for disorder. The identified design characteristics are as follows: gender-neutral and category-free, which dismantles the rigid formality and masculine image of suits to allow flexible and diverse gender expressions; integration of unconventional elements, which combines traditional suit design with non-traditional details like ruffles, strings, unfinished edges, and graffiti to create new designs; and sustainable design, which utilizes the deconstruction and recombination of existing suits to recycle discarded suits, making it suitable for upcycling.

This study aims to develop a detailed sizing system for lower body clothing for elderly obese women, using data from the 8th Korean Anthropometric Survey. The research targets 296 elderly women aged 60 to 85, selected from 805 participants in total, who meet the following criteria: Rohrer Index of 1.6 or above, Body Mass Index of 25 or higher, and Waist-Hip Ratio of 0.85 or greater. Elderly women with abdominal obesity exhibit shorter lower body proportions and greater fat accumulation in the torso, around the chest and waist. The findings show that women in their 60s have the highest level of obesity, while waist width and thickness are greatest in women in their 70s, suggesting that abdominal obesity increases with age. According to the KS standards, the main measurement categories were divided into 5cm increments for height, while waist and hip girth were categorized into 5cm and 3cm, respectively, to analyze the distribution of sections. Clothing size standards for lower garments that require a precise fit, such as skirts and formal pants, are presented in 13 sizes, corresponding to a waist girth range of 85-100cm and a hip girth range of 88-97cm. Detailed measurements are categorized into primary and reference areas. Additionally, sizes were presented differently based on whether a precise fit was necessary. For items that did not require a precise fit, ranges were indicated with letters, or ranges were indicated with measurements. Detailed sizes were categorized into primary and reference areas.

The purpose of the study was to develop clothing that enhances comfort for children using gastrostomy tubes while maintaining a design that is no different from that of non-disabled children. The discomfort experienced by children with gastrostomy tubes wearing regular daily clothing was investigated through medical papers and blogs of their parents. The designs were then created to address the issues. The results were as follows: Because the location of the gastrostomy tube is in the upper body, four types of clothing items were developed: one sweatshirt for boys, two one-piece dresses for girls, and one windbreaker suitable for both boys and girls. Considering practicality for children's clothing, cotton fabric was prioritized. For sweatshirts and windbreakers, a patched pocket with a dog pattern was placed over the area containing the gastrostomy tube to hide it. Frills were used to conceal the gastrostomy tube in one-piece dresses and designed to allow easy access for eating or disinfecting the area. This study aimed to address the challenges children with gastrostomy tubes face when wearing the regular daily clothes of non-disabled children while also offering aesthetically pleasing designs that enhance convenience for those using gastrostomy tubes. We believe this study will not only raise public awareness of disabilities but also inspire research on future clothing for both children and adults using gastrostomy tubes.

This study aims to gain insight into society and culture in the 10th to 7th centuries B.C. by exploring the clothing in Assyria, which was the most powerful force in Mesopotamian civilization at the time. As a research method, literature and empirical studies were conducted in parallel, focusing on a total of 127 Assyrian artifacts held in domestic and foreign museums. The results of this study are as follows. The basic forms of Assyrian clothing are tunics and shawls. The tunics have short sleeves and are knee or ankle length with a special type of tassel decoration. They have a wide belt at the waist, and a decorative panel is attached vertically below with a strap. In addition to the basic clothing, there are loincloths and overskirts, with some having open right sides and fringe decorations to denote a higher status. The overskirt has a third or fourth-tier skirt structure with an open front and fringe decorations on the edges. Most military members, except for archers, wore knee-length tunics as uniforms. As for armor, they wore short-chest or knee-length coat-type lamella armor. Headwear mainly consisted of cylindrical hats and headband-type decorations. In the case of bracelets, mainly rosette-shaped decorations and simple ring-shaped bracelets with three or one turn were worn. For shoes, sandals were mainly worn, and soldiers mainly wore boots. As a result, each costume element is expressed in various ways depending on the wearer's status, clearly showing Assyrian costume culture.