• 제목/요약/키워드: silver decoration

검색결과 29건 처리시간 0.025초

현대 한복치마에 사용된 장식기법의 유형과 특성 - 2001~2010년도를 중심으로 - (The Types and Characteristics of Decorative Techniques Applied to the Korean Traditional Skirt of Contemporary Style - Focusing on 2001 to 2010 -)

  • 옥명선;박옥련
    • 복식문화연구
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    • 제19권4호
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    • pp.712-722
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    • 2011
  • The purpose of this study is to examine the types and characteristics of decorative techniques applied to the Korean traditional skirt of contemporary style. For the purpose, this researcher selected 167 pieces of Korean traditional skirts which were shown in relevant monthly magazines published between 2001 and 2010. Then, the researcher classified the types of decorative techniques found in those selected pieces and analyzed the characteristics of decoration technique for each area of the pieces and the characteristics of patterns used in relation to those techniques. The Korean traditional skirt, otherwise called 'Hanbok chima', was classified into two types, single and composite, in accordance with which technique of decoration was used to it. The single type was characterized by so many embroideries, while the composite type, a combination of two decorative techniques, seonchigi and jatmulim. In the Korean traditional skirt, decorative techniques were applied to the knotting and entire of the skirt. Patterns used to decorate the Korean traditional skirt were usually in form of embroidery, gold or silver foil or painting. Out of the patterns, those which were embroidered or painted were shaped flowers, while those which were plated with gold or silver are shaped bosangdangchomun and flowers. There were other decorative techniques than mentioned above, for example, applying two or more different colors to the hem of the skirt, attaching pads to the knotting of the skirt and padding a decorative cloth on the front center of the skirt.

뉴실버 여성을 위한 브래지어 착용실태 및 선호도 조사 (The Actual Wearing Conditions and Preferences for New Silver Women's Brassiere)

  • 박자영;장정아
    • 한국의류산업학회지
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    • 제16권4호
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    • pp.635-644
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    • 2014
  • This study provides basic reference data for brassiere wearing conditions, design preferences of new silver women (50s-60s) and development of brassiere products. We compiled and compared 163 pieces of brassiere (considering of 105 domestic general brassieres and 58 foreign silver brassieres) analyzed using SPSS Statistics 21 program. A survey was then conducted on the actual wearing, purchasing conditions, design preferences for 176 females (50s-60s). The result of this study are as follows: First, comparing actual product conditions (domestic general products and foreign silver products), the ratio of full cup in cup height, V-shape type in neckline shape, long type in front-end length, wide type in wing width, U-shape type in shoulder strap form, wide type in shoulder strap width, no-wire brassieres in breast wire type, all-in-one type in shoulder strap separation, back type in closure type appeared higher than other types of brassiere in domestic general product. Second, a study also showed that 60s women's wearing time is lower than 50s women's; however, 60s women expressed a higher figure and preference for the purchasing ratio in the department store, full cup in cup height, short type in length of brassieres, wide type in wing width, U-shape in shoulder strap form, small type in shoulder strap width, back type in closure type and no-wire brassieres than those in their 50s. It was found they prefer fabric with a high natural content, nude tone color without decoration & pattern and camisole brassieres.

$\ulcorner영화물언\urcorner$에 나타난 복식자료 연구 (A Study on the Expression f Clothing and Textiles Recoreded in "Eigamonokatary")

  • 문광희
    • 복식
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    • 제35권
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    • pp.293-304
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    • 1997
  • This paper is a study on the expression of Clothing and Textiles recorded in $\boxDr$Eigamono-katary$\boxUl$This book is a novel de-scribed the Royal Court from 883 till 1107. In this book many kinds of Garments Orna-ments Colors and Materials were mentioned. But in this paper 69 kinds of Garments and Ornaments were reserched and the rest will be reported in the next paper, The discoveries of this paper were as follows. 1. All the things of this book were reflections of the reality in Heian period. 2. The main styling of that period was a little bit soft but the straight silhouette were fashioned, . In that time Clothing had a special meaning and the manner for a fashion was very important, .3 In the female garments Karakoromo were developed many kinds of pattern by dyeing method, Especially the Surizome was fashioned very much. 4. there were many kinds of gray tone like as clerical robe and mouning dress. This was the effection of Buddism style. 5. The decoration of fablics and garments were usualized for instance smooding and luster by beating and starch sewuing a piece of gold silver and shell nakabe and knot bend. Shawl Yumaki and Kosizasi was a charming point of that time, . 6, hair decoration shose parasol rain coat etc, . were developed and use freuently.

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모로코인(人)의 장신구(裝身具)와 화장(化粧)에 관(關)한 연구(硏究) (A Study of the Personal Ornaments and Make-up of Maroccan)

  • 이순홍
    • 패션비즈니스
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    • 제5권2호
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    • pp.15-34
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    • 2001
  • Ornaments are accessories for the decoration of the body or dress. They aren't unavoidably required one, but serve to make one's dress perfect as decorative industrial art objects. In Morocco, ornaments were initially used as a sign of social position or the class or an incantatory symbol. In effect, they were originally employed to adjust one's dress, not just for decoration, and they were of use for household economy. Gold, silver and handcraft available for exchange were a means of increasing one's property and an indication of social standing and wealth. In particular, the dress and jewelry of a bride was a measure of her family's wealth, regarded as a symbol of her chastity and value. The ornaments symbolically back up people's faith in supernatural power, and their real value is based on implicit form or way of decoration, not the external shape. Specifically, there is a tendency to use the form of animal as a protector, not one to frighten people. In the artistic tradition of Morocco, fish pattern stands for water and rain, and eagle and bird are considered to be related to fate. Scorpion and lizard are depicted as an inquirer of sun, and snake is a symbol of abundance and sexual instinct, being viewed to have an ability to cure disease. Turtle pattern is a symbol of saint because it protects one from the evil. The ornaments are made of gold, silver, amber, clam, garnet, glass, nielle, enamel, glaze, coral or tree, and symbolic patterns are used, including hand(a symbol of five numerals), turtle, lizard, scorpion, eye, triangle, bird and eggs. They are very big and diverse, being categorized into ornaments for the head or the chest, neckless, fibula, earring, bracelet and ring. For Moroccans, make-up is a sort of instinctive behavior to meet aesthetic and sexual desire. They also wear make-up for practical purpose of protection, intentionally inflict a wound on the skin for ceremonial or religious purpose, paint the skin with pigment, or have the part of the body tattooed for incantatory purpose. All this actions are regarded as make-up. The raw material of cosmetics is aker, a vegetable dye. They get the lips or cheeks turn red and paint eyebrows with yellow saffran powder to have a bad devil lose its strength. Tattooing is mainly done by women and viewed as a sign of their value or social organization they belong to. Sometimes that is used to represent a woman's being old enough to marry or getting married already or the frequency of marriage. Besides, tattoo is believed to prevent or remedy loose bowels or cough, depending on its location or pattern, and they often change tattoo according to the change of beauty art.

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이집트 복식의 재해석을 통한 미적 특성에 따른 조형적 특성에 관한 연구 (The Aesthetic and Formative Characteristics of Egypt Retro Trends)

  • 김은실
    • 복식문화연구
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    • 제17권3호
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    • pp.383-395
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    • 2009
  • The purpose of this study was to provide a formative charateristics by analyzing aesthetic charateristics of Egypt costume expressed in contemporary fashion. The result of this study obtained through this process were as follows. Aesthetic characteristics were expressed as a primative-retro characteristics, and a erotic-retro characteristics and a decorative-retro characteristics. Based on these trends, this study analyzed formative charateristics in an aspect of form, color, material, and decoration. In the modern fashion, unlike the H-line silhouette given by a natural fit in the primitive retro, the erotic retro was characterized in the shape by a tight H-line silhouette. For the color, peach, yellow green, gold, light blue, red, and black were used as the main color. For the material, see-through, gauze, mesh, organdy, and tight vinyl were utilized to emphasize an erotic image and expose a body secretly. For the decoration, the characteristic of erotic retro using the simple or same colors frequently was the use of similar accessories colors matched with material colors. The decorative retro was characterized in the shape by a H-line silhouette connected as a part of clothing which applied passium and a greatly modified silhouette from an Egyptian simple style which was well-matched with splendid accessories. For the color, the broadest range of color changes was found from light pastel such as white, yellow, light pink, burnt orange, blue, purple, silver, gold, and red to strong vivid tones. For the material, modern materials such as organdy, tulle, leather, and furs were often used. For the decoration, passium, an eagle pattern, scarab earrings, a crown, a sneak-shaped coronet, and pictograph printed on the fabric were frequently used.

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극저온용 오스테나이트계 Fe-30Mn-0.2C(-1.5Al) 고망간강의 수소 취화 특성 (Hydrogen Embrittlement Properties of Austenitic Fe-30Mn-0.2C(-1.5Al) High-Manganese Steels for Cryogenic Applications)

  • 이상인;이지민;황병철
    • 열처리공학회지
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    • 제31권6호
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    • pp.283-289
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    • 2018
  • This present study deals with the hydrogen embrittlement properties of austenitic Fe-30Mn-0.2C(-1.5Al) high-manganese steels for cryogenic applications. They were electrochemically charged with hydrogen and then subjected to tensile tests for evaluating hydrogen embrittlement behavior. Tensile test results showed that after hydrogen charging the tensile strength and elongation of the Al-free steel were more remarkably decreased with increasing current density when compared to the Al-added steel. After hydrogen charging of the Al-added steel, it was found that the measured hydrogen content was small and silver particles were relatively less decorated. Therefore, the Al-added steel has a superior hydrogen embrittlement resistance to the Al-free steel because the addition of Al suppresses the injection of hydrogen during electrochemical hydrogen charging.

백제시대 수촌리유적 출토 환두대도의 복원제작 (Reproduction a Loop-handled Sword from Suchon-ri Site During the Baekje Kingdom)

  • 정광용;이현상
    • 보존과학연구
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    • 통권27호
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    • pp.83-102
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    • 2006
  • The Suchon-ri tomb No. 1 is the earliest one among the Suchon-ri tombs excavated in 2003. The Suchon-ri tomb No. 1 yielded a number of valuable artifacts furnished with burial goods such as gilt bronze items of a crown, a pair of earrings and shoes and a loop-handled sword with inlaid silver decoration. In particular, a loop-handled sword drew scholarly attention in that it showed characteristics of Baekje such as wave patterns on a silver plate decorated in the handle and sheath and inlaid dragon design on the loop-handle. In the process of the reproducing the loop-handled sword, classification methods of the loop-handled swords, iconography decorated on the swords, unearthed loop-handled swords of the Three Kingdoms Period have been investigated along with studying the reproduction cases in Japan. In addition to the study focused on the shape of the swords, manufacturing techniques have been thoroughly analyzed through scientific methods. Finally, based on the synthesis of a series of studies and analyses, traditional manufacturing techniques employed by Baekje artisans had been inferred and a replica of the loop-handled sword was manufactured with the traditional methods.

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무령왕릉 출토 금동은제식리 보존처리 및 제작기법 (Conservation Treatment and Production Method on the gilt-bronze-and-silver shoes excavated from the Tomb of King Muryeong)

  • 장수비;최덕순;김성곤;곽홍인
    • 박물관보존과학
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    • 제26권
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    • pp.119-142
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    • 2021
  • 금동은제식리는 무령왕릉에서 출토된 무령왕의 식리로 결실된 부분이 많아 재조사의 필요성이 꾸준히 제기되었다. 이에 과학적인 보존처리 및 분석을 진행하여 제작기법을 연구하였다. 보존처리는 형태 복원 및 편 접합에 중점을 두고 실시하였다. 그 결과, 우측 식리 상연과 뒤축 일부 편을 접합하여, 결합방법 및 발등 결합에 사용된 원두정의 개수를 확인하였다. 성분 분석결과, 외판 등은 순동에 수은 아말감 금도금을 한 것으로 추정되며, 내판은 순은을 사용하였다. 금동은제식리의 주문양은 봉황문, 연화문, 6엽 화문이며, 전체적으로 연화문의 비율이 높다. 각 판의 결합은 영락사, 금동사, 원두정, 사면정을 사용하였다. 내·외판 결합은 영락사를 사용하였는데, 내측판의 중앙과 후면에는 금동사로만 결합하여 장식 기능과 결합 기능을 구분하여 사용한 것으로 추정된다. 또한 제작과정에서 금동제판과 은제판의 외면에는 광쇠질한 흔적이 확인되지만, 은제판의 내면에서는 확인되지 않아 내면보다 외면의 마무리에 중점을 둔 것으로 추정된다.

1795년 봉수당 진찬(奉壽堂進饌)으로 보는 조선 후기 채화(綵花) 고찰 (A study on artificial flowers in the late Joseon Dynasty, focusing on a birthday banquet inBongsudang Hall in 1795)

  • 이경희;김영선
    • 헤리티지:역사와 과학
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    • 제56권1호
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    • pp.182-205
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    • 2023
  • 1795년 화성 행차를 정리한 『원행을묘정리의궤』에서 도식과 기록을 통해 왕실 채화의 용도와 사용방법이 비로소 체계적으로 정리되었다는 것을 알게 되었다. 봉수당 진찬에 사용된 채화의 용도를 구분하고 형태, 사용자, 사용방법을 고찰한 결과는 다음과 같다. 조선시대 채화 기록을 고찰한 결과 전기에는 금·은·견사 등의 고급 재료로 만들었으나, 후기에는 재료에서 종이의 비중이 높았다. 채화의 척도는 예기척 28.4cm를 적용하였다. 채화의 용도는 관모를 장식하는 수공화(首拱花), 공간을 장식하는 준화(樽花), 잔칫상을 장식하는 상화(床花)로 구분되었다. 사권화(絲圈花)는 왕실 구성원의 수공화인데, 상품(上品)의 것을 어잠사권화(御簪絲圈花)라 하였다. 봉수당 진찬에서 정조와 혜경궁이 어잠사권화를 사용했고, 관모의 오른쪽에 꽂았다. 백관 이하의 수공화는 홍도이지화(紅桃二枝花)가 사용되었고, 관모의 왼쪽에 꽂았다. 홍도이지화는 수공화의 가장 기본적인 형태로, 관직의 유무나 높고 낮음에 따른 차등이 없었다. 악공과 여령의 수공화는 백관 이하의 수공화보다 비싸고 화려했다. 정재에 따라 관모에 수공화를 여러 개 꽂기도 하였다. 준화는 2개의 용준(龍樽)에 홍도화와 벽도화를 꽂아서 2개의 주칠한 아가상(阿架床)에 각각 올렸다. 아가상과 용준을 홍색 무명 얼기로 서로 묶어서 준화가 넘어지지 않도록 고정하였다. 정조·혜경궁·군주들만 사용한 상화는 대수파련, 중수파련, 목단화, 월계화, 사계화, '별(別)'자가 붙은 홍도화 등이었다. 내빈과 신하들이 사용한 상화는 소수파련과 홍도화였다. 봉수당 진찬에서 수공화·준화·상화에 가장 많이 사용된 것은 복숭화꽃[도화(桃花)]으로, 복숭아는 장수와 벽사의 의미가 있었다. 그 외에 사용된 여러 종류의 꽃과 문양은 길상적인 의미였다. 이상의 연구 결과가 정조대 채화의 용도별 특징과 사용방법에 관해서 이해하고, 궁중잔치 재현행사와 전통문화콘텐츠 및 궁중채화 제작에 도움이 될 것으로 기대한다.

중국 묘족(苗族) 복식을 특화시킨 현대적 패션 디자인 개발 (The Development of Contemporary Fashion Designs Specialized in the Traditional Costume of the Miao)

  • 이금희;윤지원;한정아
    • 복식문화연구
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    • 제15권5호
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    • pp.902-915
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    • 2007
  • This study examines decorative features found in the traditional costume of the Miao, one of the minority groups in China, and adapts them for the development of modern Korean-style fashion designs in order to present visual sample data and to introduce techniques. As for the research method, both literature and visual data are examined: the former includes Miao-related books and theses; the latter, pictures from various documents and real-life data in the possession of Seoul Women's University. The study result is as follows: 1. The basic structure of Miao costume is consist of a Caftan-type upper garment and an accentuated lower garment, pleats skirt although they are decorated luxuriously with various techniques such as delicate embroidery and dyeing. 2. Details and trimmings in modern shapes are developed and presented by adding modern materials to satin, twists, cross-stitch embroidery, stripe patterns, geometrical patchwork, machine pleats and smoking, trimmings of fringe & feather, and the border line decoration of coloration, braids, piping, embroidery, belts tied and wound with colorful threads. 3. Detachable accessaries such as front reinforcement strips, back reinforcement strips, belts, decorative aprons and patchwork skirts are developed and designed by adapting highlighted layered effects. 4. The silver decoration used as an necessary by the Miao is suitable for modern fashion design in futuristic sense. Various techniques and decorative features of Miao costume display their true value all the more in modern fashion stream in which ethnic trends draw much attention.

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