• 제목/요약/키워드: rage and fear

검색결과 9건 처리시간 0.024초

유발뇌파의 감성지수평가에 관한 연구 (A Study on the Estimation Ergonomics Index for Evoked Potential)

  • 김창석
    • 한국정보통신학회:학술대회논문집
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    • 한국해양정보통신학회 2004년도 춘계종합학술대회
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    • pp.434-438
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    • 2004
  • This paper has proposed presumable method of ergonomics estimate index from evoked potential of visual stimulation for establishment a fixed ergonomics estimate index. The proposed method presumes continuance time and amplitude of ergonomics using prony method. Band characteristic of alpha and beta band, and that of background and evoked potential was analyzed using FFT method. And, that were presumed continuance time and amplitude of ergonomics using porny method. As a result of that proposed method presumed band characteristic, continuance time and amplitude of ergonomics, classification of ergonomics of impatient, rage and fear were practicable.

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신체형 장애의 정신치료 (Psychotherapy for Somatoform Disorder)

  • 이무석
    • 정신신체의학
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    • 제4권2호
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    • pp.269-276
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    • 1996
  • 신체형장애의 정신역동에 대하여 이론적 고찰을 하였다. 신체화(身體化)란 본능적 욕동을 방어하는 과정에서 생긴 갈등을 정신적으로 처리하지 못하고. 신체 증상으로 처리하는 것을 말한다(Moore 1990). Ford(1983)는 인생을 사는 방법 중의 하나라고 하였고, Dunbar(1954)는 정신 에너지가 신체증상으로 바뀌어진 것이라고 했다. Schur(1955)에 의하면, 신체화(身體化)는 갈등에 의해서 일어나는 하나의 퇴행현상이라고 한다. Schur는 이런 현상을 '재(再) 신체화(身體化)(resomatization)'라 했다. 갈등의 신체화(身體化) 반응중 가장 흔한 것이 통증(痛症)(pain)이다. 통증(痛症)은 어린시절의 경험에서 유래한 무의식적 의미를 가지고 있다. 통증(痛症)(pain)은 사랑 획득의 방법이며, 잘못한 행동에 대한 벌로 사용되기도 하고, 속죄(贖罪)의 수단이 되기도 한다. 통증(痛症)중에서도 흉통(胸痛)(chest pain)은 특별한 의미를 갖는다. 일반적으로 '가슴이 아프다'는 말은 '마음이 아프다'는 의미와 같이 쓰인다. 그리고 가슴은 마음을 상징하고 마음은 심장을 생각나게 하여 마음의 아픔을 심장의 통증(痛症)(pain)으로 인식하는 경향이 높다. Kellner(1990)는 적개심과 분노, 특히 억압된 적개심이 신체화(身體化)의 중요한 인자라고 하였다. 정신분석가인 Bacon(1953)dms '심장동통(心臟疼痛)에 대한 정신분석적 관찰'에서 정신분석 시간에 사랑받고 싶은 욕구가 좌절된 환자가 이로 인한 분노와 두려움 때문에 왼편 가슴에서 왼쪽 팔로 뻗쳐 내려가는 심장동통을 호소하는 증례(症例)들을 발표했다. 그녀는 심장동통과 관계된 욕구들이 의존욕구와 공격욕구라고 하였다. 신체형장애의 정신치료에서는 공감적인 관계와 치료적 동맹이 필수적이며, 증상시작의 시점을 중심으로 유발인자를 가려내고 증상과 유발인자의 관계를 이해하도록 돕는 것이 출발이다. 증상을 통하여 표현되고 있는 환자의 심리내적인 갈등을 발견하여 해석해 주는 것이 치료의 과정이다. 이런 기법을 기초로 치료한 세 사람의 신체형장애 증례를 소개하였다. 첫 번째 소개한 히스테리성 실어증을 가진 H군은 억압된 분노가 역동적인 원인이었다. 유발인자와 관련지어 해석을 해주었고, 이차이득을 얻은 후에 회복되었다. 두 번째 소개한 심장노이로제에 빠진 치과의사의 경우는 아버지의 사랑을 잃을 것에 대한 불안이 역동적 원인이었다. 유발인자와 관련지어 증상을 해석하였고, 아버지의 사랑을 잃을까봐 두려워하는 마음속의 아이를 보여주었고, 이제는 어른이 되었으니 자신의 주인이 되어 살라고 교육적인 해석을 듣고 호전되었다. 세 번째 부인은 심한 흉통발작으로 내과에서 의뢰되어 왔는데 의존욕구의 좌절과 이로 인한 분노, 그리고 분리 불안이 역동적 원인이었다. 이 부인은 holter monitor를 메자 증상이 극적으로 사라졌는데 이것을 계기로 자신의 중상이 심인성이라는 것을 알고부터 치료동맹이 이루어졌고, 그 후 정기적인 정신치료 시간에는 증상과 유발인자들 사이의 관계를 해석해 주었다. 이를 통하여 분리불안이 증상과 관계되어 있다는 것을 이해하고 환자는 증상이 일어나도 덜 두려워하게 되었고, 해외여행이나 사회적인 활동이 가능해졌다.

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니키 드 생 팔의 트라우마를 통해 살펴본 아상블라주와 사격회화의 양면적 특성 (A Study on the Ambivalent Characteristic Displayed in Niki de Saint Phalle's Assemblages and Shooting Paintings by Looking Into Her Trauma)

  • 유가은
    • 미술이론과 현장
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    • 제6호
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    • pp.77-99
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    • 2008
  • The purpose of this study is to show that the reason behind the ambivalent characteristic displayed in Niki de Saint Phalle's works is in her trauma and how such characteristic can be extracted from her works. During her creative years, Saint Phalle worked on various materials from different genres such as assemblages, shooting paintings, a series on Bride and Monster, 'Nana', 'Tarot Garden'and public sculptures. One commonality found among her various works is the ambivalent characteristic that contains contrasting elements simultaneously. Saint Phalle suffered a terrible psychological damage inflicted by her parents during her childhood. Specifically, she was sexually assaulted by her father and emotionally neglected by her mother, the trauma that affected her for the rest of her life. As a result, she came to develop extreme love- hate relationships with her parents and this became the main reason for the ambivalent characteristic displayed in her works. The love-hate relationship Saint Phalle developed can be identified through various researches done on the subject of the affect of sexual assault. It is common for incest victims to develop ambivalent feelings towards the perpetrator and Saint Phalle was no exception. Dissociation disorder and a snake well explain the trauma from her father. It is a generally accepted belief in the field of psychology that dissociation disorder commonly occurs to children who experience incest. And dissociation disorder is similar to the characteristic of ambivalence in the sense that a single entity contains more than two contrasting elements at the same time. In addition, the amputated doll objects used in her assemblages coincide with the expression of body detachment of people with dissociation disorder. These facts clearly indicate that the trauma from her father is showing through in her works. A snake is a subject matter that reflects the ambivalent tendency of Saint Phalle that resulted from her trauma. She remembers her father's rape as an image of a snake which is related to a phallic symbol in mythology or art reflecting her trauma. Moreover, she displays a similar pattern of ambivalent emotion like love and hate or fear towards a snake and her father. This is also confirmed by her portrayal of a snake as a monster or reversely as a creature with fundamental vitality in her works. The lack of affection from her mother can be explained by her mother's maternal deprivation. It appears that Saint Phalle's mother possessed all the causes for maternal deprivation such as maternal separation, personality disorder and inappropriate attitude towards child rearing. Especially, a study that shows mother's negative attitude towards child breeding tends to increase dissociation experience of children is another important evidence that supports Saint Phalle's dissociation tendency. These traces of Saint Phalle's trauma are clearly revealed in her assemblages and shooting paintings. The violent objects in her assemblages such as a hammer, razor, nail represent the rage and defensiveness towards her father. The objects such as fragments of broken plates of feminine patterns, pots and mirrors that her mother used symbolize the affection towards her mother. On the other hand, the destructed objects can be interpreted as her hate and resentment towards her mother. Shooting paintings contain her extreme fury and hate. Things such as acts of shooting and the image associated with blood after shooting are blunt expressions of her bursts of emotions. I have tried to define and classify the ambivalent characteristics shown in her assemblages and shooting paintings as hate, rage, violence, calm, love and pleasure according to the frame of Thanatos and Eros. Out of the six, hate, rage, violence and clam are associated with Thanatos while love and pleasure are associated with Eros and they correspondingly form an ambivalent structure. These ambivalent characteristics can be found in her assemblages and shooting paintings. The objects in her assemblages such as a razor, saw, hammer imply hate, rage, violence and the silence felt throughout her works represent calmness. And, as mentioned, the feminine objects can be seen as symbolizing love. In shooting paintings, hate, rage, violence can be found in the use of force and in the traces of watercolor after shooting, and a sense of pleasure in her feelings of catharsis after her shooting. Moreover, a shielded calmness can be found on the plywood all covered with plaster before the shooting. This study looked into the ambivalent characteristic of Saint Phalle's works by examining her trauma to find its correlation, and a meaning of this study can be found from the fact that it refocused the origin of Saint Phalle who is generally known as a feminist artist. Additionally, a meaning of the study can be found also from the fact that it examined the ambivalent characteristics of her works through a frame of Thanatos and Eros.

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2차대전 후 영국 청소년 하위문화 스타일 -Teddy Boys, Mods, Hippies, Skinheads 와 Punks 스타일의 상징성에 대하여- (Youth Subcultural Styles in Britain Since World War II -the symbolical meanings of Teds, Mods, Skinheads, Hippies, and Punks-)

  • 김민자
    • 한국의류학회지
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    • 제11권2호
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    • pp.69-89
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    • 1987
  • The objective of this paper was to identify the general concept of subculture; to assess the symbolism of youth subculture style, such as Teds in the 40's, Mods in the 50's, Skinheads and Hippies in the 60's, and Punks in the 80's, giving an inspiration to many high fashion designers. The data were collected from eye-wittness reports, interviews, magazines such as Vogue, The Face, and The Sunday Times, postcards, and photos taken by authors. Youth subcultures were symbolized as 1) a social protest and disaffection against social class and racism, 2) an expression of shock value for nihilism, anarchism, and vandalism, 3) a meaningful sexual fetishism concerning gender confusion, and 4) an emotion of rage, fear, and alienation among working class youth. One cultural form in a subculture is its 'style.' Costumes, appearances, and accessories such as hair style, make-up, and jewellery were playing an important role in forming a subcultural style. The symbolism of youth subculture was well depicted on their clothing styles, which had influences on Zandra Rhodes's, Body Maps', and Hyper and Hyper's fashion design.

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정량화된 감성지표 측정을 위한 파라미터 개발 (Development of Parameter for Measuring Quantitative Engineering Ergonomics Character)

  • 유병욱;인준환;김승겸;김창석
    • 대한전자공학회논문지TE
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    • 제37권1호
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    • pp.79-88
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    • 2000
  • 유발뇌파의 감성지수파라미터를 뇌파의 지속시간과 크기로 설정하고 감성지표화하려는 뇌파에 Prony모델을 적용하여 감성의 지속시간과 크기를 추정하였다. Prony모델을 적용하여 유발뇌파를 실험분석한 결과 대역별특성을 분석할 수 있었고, 감성평가지수 파라미터인 감성지속시간과 크기를 추정함으로써 안타까움, 분노 및 공포의 감성을 감성평가지수로 분류할 수 있었으며, 추정된 파라미터가 감성평가지수로서 적합함을 확인하였다.

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브라운부인의 『시간들』: 마이클 커닝햄이 재현한 『댈러웨이 부인』 (Mrs. Brown's The Hours: Michael Cunningham's Represented Mrs. Dalloway)

  • 김희선
    • 영미문화
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    • 제13권1호
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    • pp.29-57
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    • 2013
  • Patricia Waugh once regarded modernism fiction as 'the struggle for personal autonomy' against the opposition existing social institutions and conventions. Michael Cunningham's characterizations of Virginia Woolf and Septimus in The Hours show the two contrasting reactions to individual alienation and mental dissolution in the modern era. As the personifications of endurance and self-destruction against the mechanical power of contemporary world, Woolf and Septimus consist of just the world of diptych where the woman's role is confined to the angel in the house. By creating Mrs. Brown based upon his own alienated mother image, however, Cunningham succeeds in representing the more dramatically vivid world of triptych where woman can have her own room and self-realization despite still facing the dilemma of the traditional family. Accepting Joycean Bloom's optimistic and relaxing way of life in part, Mrs. Brown connects the labyrinths between the author's (and also Richard's) alienation with the theme of celebration of the life. Clarissa in postmodern New York setting is still a concealed and mystified character. Similar to Mrs. Dalloway, on the one hand Clarissa watches other people's tragedy with compassion. Cunningham's Clarissa, on the other hand, is no longer seeking for either winning or defeat in the spectacular world unlike her predecessors. In many resilient attitudes of everyday life Clarissa is closest to Mrs. Brown whom Virginia Woolf originally hopes to describe. Without any fear or rage toward the society Clarissa witnesses and achieves "the humanity, humour, depth" of female values by successfully turning the trivial life into an epic journey.

한의학의 정신(精神) 개념(槪念)에 대한 연구 (Study on the Mind in the Oriental Medicine)

  • 김경신;강정수
    • 혜화의학회지
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    • 제16권2호
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    • pp.87-98
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    • 2007
  • Generally, mind-body medicine is the field of studying neurose or diseases induced to body by psychological cause in a broad sense. It is said that, by definition, the medicine means the field of medicine with psychosomatic disease as its main object of research, and that it aims at utilizing the study of the relationship between mind and diseases to diagnoses and therapy of many physical diseases. Oriental medicine, the mind is classified into 'O-shin'(五神, five minds) and 'Chil-chung'(七情, seven mental states). O-shin are related to the five viscera each other. The liver contains the soul, the heart does the mind, the spleen does the consciousness, the lungs do the spirit and the kidneys do the will Chil-chung are seven mental states such as joy(喜), rage(怒), anxiety(憂), thinking(思), sorrow(悲), fear(恐) and horror(驚). If these Chil-chung are excessive, they induce physical diseases by hurting the five viscera as well as they cause mental problems. In oriental medicine, five mental is a concept for understanding of man's mental structure. Spirit and body is inseparable relation in oriental medicine. Function of spirit and body is regarded as one in oriental medical physiology. Spirit is the essence of a function which an organism reveal, and it is regarded in the same with life. For this reason, identification spirit with life is special feature of oriental medicine.

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소방 공무원에서 간접 외상이 정신 건강에 미치는 영향 (Effects of Vicarious Trauma on Mental Health in Firefighters)

  • 백준혁;정영은;채정미;명준표;임현우;채정호
    • 대한불안의학회지
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    • 제6권1호
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    • pp.65-70
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    • 2010
  • Objectives : Indirect contact with trauma may occur when a person empathically listens to detailed descriptions, exposing the person to intense emotional pain from trauma victims. Although less severe than direct trauma, indirectly traumatized persons may experience the same fear, rage, and despair as direct trauma victims. This phenomenon has been variously termed vicarious trauma, traumatic countertransference, burnout, compassion fatigue, and secondary traumatic stress. Using a psychiatric symptoms questionnaires, this study investigated the effects of indirect exposure to co-worker's trauma on the mental health of firefighters who had not directly experienced traumatic events in the previous year. Methods : We administered self-report questionnaires, such as the Impact of Event Scale-Revised (IESR) and Alcohol Use Disorder Identification Test (AUDIT), to firefighters working at two fire stations in a metropolitan city. We analyzed 188 of 232 collected surveys, after excluding falsely entered data (28 cases) and questionnaires by directly-traumatized victims (16 cases). Results : Alcohol consumption and posttraumatic stress disorder (PTSD) symptoms, as determined by the AUDIT and IES-R, were significantly higher in the indirectly-traumatized group. The ratio of high-risk members scoring higher than 23 in IES-R was larger in the indirectly traumatized group, although this was not statistically significant. Conclusion : Alcohol consumption was significantly higher in the indirectly traumatized group. This group also included more members at high risk for PTSD. Further research, with a larger group of indirectly traumatized firefighters and ongoing investigation of PTSD development and other psychiatric symptoms, is needed.

국내 주요 10대 기업에 대한 국민 감성 분석: 다범주 감성사전을 활용한 빅 데이터 접근법 (Public Sentiment Analysis of Korean Top-10 Companies: Big Data Approach Using Multi-categorical Sentiment Lexicon)

  • 김서인;김동성;김종우
    • 지능정보연구
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    • 제22권3호
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    • pp.45-69
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    • 2016
  • 최근에 빅 데이터를 활용하여 감성을 측정하는 시도가 활발히 이루어지고 있다. 통신 매체와 SNS의 발달로 기업은 국민의 감성을 파악하고 즉시 대응해야할 필요성이 생겼다. 우리나라의 경제는 대기업에 대한 의존도가 높기 때문에 10대 기업에 대한 감성분석은 의미가 있다고 할 수 있다. 이러한 측면에서 본 연구는 다 범주를 기준으로 구축한 감성사전을 활용하여 우리나라 10대 기업에 대한 감성을 분석하였다. 빅 데이터를 이용하여 감성을 분석한 기존의 선행연구는 감성을 차원으로 분류하는 경향이 있다. 차원적 감성으로 감성을 분류하는 것은 분류의 기준이 학술적으로 증명되었기에 감성 분석에 주로 사용되어 왔지만 전문가 정도의 지식이 있어야 분류할 수 있어 보편적인 감성을 대변하는 데 비효과적이기에 보완이 필요하다고 할 수 있다. 개별 범주적 감성은 이 점을 보완할 수 있는 분류 방식으로 일정 수준의 주관성이 개입되지만 보편적으로 느낄 수 있는 감성을 측정하는데 효과적이다. 따라서 본 연구는 보편적인 감성의 측정을 위해 감성을 차원으로 분류하지 않고 개별 범주로 분류하여 9가지 영역으로 나누었다. 선행 연구에서 추출한 9가지 범주에 해당하는 감성 단어에 기초하여 감성사전을 구축하였으며 감성 단어가 검출된 빈도를 기준으로 감성을 분석했다. 대상 데이터는 2014년 1월부터 2016년 1월까지 우리나라 10대 기업에 대하여 축적된 뉴스 데이터이다. 대상 데이터에서 검출된 감성 단어의 빈도를 기준으로 각 기업에 대한 감성 순위를 나누고 분포를 확인하였다. 기업에 따라서 감성이 다를 수 있는지, 특정 사건이 각 기업에 대한 감성에 영향을 줄 수 있는지 가설을 세우고 검정하였다. 결론적으로, 다 범주 감성 사전을 활용한 감성 분석은 기업 간 비교와 시점 간 비교에 유의한 것으로 나타났다. 본 연구는 빅 데이터에 산재해있는 감성을 국민의 시각으로 측정하는 하나의 대안으로서 의의가 있다.