• 컴퓨터교육학회논문지
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• 제19권2호
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• pp.73-85
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• 2016

컴퓨터기반 협력학습도구를 사용하여 한 공간에서 다양한 관점을 가진 사람들이 토의하고자 할 때, 작성된 글이 과제내용 중 어느 부분에 해당하는 것인지를 파악하는 것이 어렵고 서로의 지식과 의견을 공유하는데 어려움이 따른다. 본 연구에서는 컴퓨터 기반 협력학습에서 공유지식 형성을 방해하는 요인을 문헌연구를 통해 분석하고 도출된 원리를 기반으로 협력표상도구를 설계하였다. 설계된 도구는 평가 준거에 따른 체크리스트와 F.G.I를 통해 교수자, 설계자, 학습자의 다양한 의견을 수렴함으로써 반복 조정되었다. 최종 조정된 도구는 복합 과제를 해결해야하는 컴퓨터 기반 협력학습상황에서 학습자 간 지식 및 의견을 공유하는 데 방해요소를 최소화하여 협의를 촉진하고 고차원의 해결책을 도출하는 데 기여할 것이라 기대한다.

• 한국조경학회지
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• 제24권3호
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• pp.150-163
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• 1996

This study was carried out to find the general representation methods of wall with respaect to the Korean treaditional atmosphere based on case studies, 16 case studies were classified into two categores : traditional walls and designed walls expressing the treaditional atmosphere. And the representation methods of walls were viewed by two sides : the type of message and the role of sign. The results were summarized as follows ; ■ To reproduce the traditional walls is possible, in this case the role of sign is icon. ■ To reproduce or represint the visual element of the traditional walls will be also possible, in this case the role of sign is index. It is recommended to use 3 types of message in representing methods of walls expressing the Korean traditional atmosphere. ■ Shape ; Approach to shape is more effective than maerial or figure. It is possible to represent the shape element of the traditional walls. Specially, it will be effective to utilize the capital of traitional walls as shape element. ■ Material ; Conventional materials with less artificial processing used at traditional walls will be better suited. ■ Figure ; To utilize the traditional figures is possible. Specially, it will be effective to utilize the traditional figures as design approach with respaect to the sense of place. Futher research is required to find out the relationship between the meaning and the design mechanics.

• 한국조경학회지
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• 제35권3호
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• pp.71-81
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• 2007

This study focused on the one and only temple of on the coastline of the West Sea, Kimje's Manghae Temple and Mt. Jinbong. The purpose of this study was to research the unique sense of place of the area by researching the location and view that clearly shapes the identity of the landscape. The following are the results. 1. The cultural landscape of Manghae Temple and the natural landscape of Mt. Jinbong have characteristics which take in the coastline and skyline, respectively. Specifically, from the existential vertical-horizontal images of "sky - land - Mt. Jinbong" and "moon - cloud - sea", an ascending reflection of the landscape surroundings can be found. 2. The "Sea - Manghae temple - Mt. Jinbong - sky" is the representation of the moderate 'inside-space' which belongs to the particular landscape area and which also shows the topophilia to Manghae Temple. Through this kind of interpretation, the sense of place of Manghae Temple and Mt. Jinbong reveals an intra-structure of an Imaging Landscape implying harmony and moderation, which is a unified organization of the surrounding phenomena(Temple and Mountain) and the essence (the doctrine of Buddhism) that matches Jin-muk's asceticism and lifestyle. 3. While the cultural landscape of Manghae Temple has a strong religious reference, the natural landscape Mt. Jinbong emphasizes the geography of the landscape. In other words, the motivating factor of Manghae Temple is a metaphorical sense of place such as through the "prospect of the sea" or "the Western Sea Paradise" and Mt. Jinbong, the landmark of the Kimje-Mankyung Plains and the focal point of the West Sea sunset, is highlighted as a simile for this sense of place. 4. Keeping this sense of place and territory respectively and showing the. bond with the sense of place which develops rhythmically and continuously, Manghae Temple and Mt. Jinbong are sublimated into a unified intra-structure, which reflects the Imaging landscape characteristics of "Mt. Jinbong, a focal point of the Mankyung Plains facing the West Sea" and "Manghae Temple, looking out to sea".

• 한국실내디자인학회논문집
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• 제18권2호
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• pp.25-32
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• 2009

To the human being, the space as the objective for fundamental thought called 'Being', and the space as the place for actual experience containing 'Life and Experience', have coexisted. Such dual characteristics owned by the space have come to the present creating various spatial viewpoints. As for the space as the objective for various thoughts and interpretations, its emphasis is nowadays being moved to the existence from such being. There is the event in the core of such change. Human's recognition for the space is originated from the observed events, which appears as an immense meaning, as it 'is accumulated as the experience. Therefore, the importance of the event in another viewpoint thinking the space is becoming bigger. This research has tried to grasp the tendency for the place-orientation by grasping the meaning owned by the event through the course that the viewpoint for such space has been changed. This research put its focus on clarifying the relationship between the place and event that are brought into relief by tracking down the transitional process of the viewpoint of space in the history of Occidental philosophy. Through this process, this research came to have a grip on the relationship in which a sense of place obviously stands out in bold relief as a result of an event, an emblem of an event, condition of an event, and as an event itself. Such four patterns are not mutually individual phenomenon, but form a discourse on modern space by traversing each other crisscross.

• 대한지리학회지
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• 제44권3호
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• pp.301-322
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• 2009

본 논문은 국지적 이동성의 도시 기계 공간인 지하철 공간의 기호적 재현을 공간, 시간, 장소의 의미에서 탐구한다. 제2절은 기존 연구에서 제시된 이동성의 도시 공간의 전반적 특징을 '기계 공간', '(비-)장소', '인지 지도'의 개념을 중심으로 검토한다. 제3절은 대구 지하철 공간에 대한 '공간적' 및 '시간적' 재현의 기호들을 해석하고, 그 기호적 재현의 의미를 제시한다. 이를 통해 지하철 공간에 상호 조화적으로 혹은 모순적으로 공존하는 기호 경관들이 그 공간을 다중적, 복합적인 기술-사회 공간으로 생산한다는 것을 밝힌다. 지하철 공간의 공간적-시간적 재현은 한편으로는 '(비-)장소', 다른 한편으로는 '장소'의 공간을 형성하며 또한 한편으로는 '기억', 다른 한편으로는 '망각'의 공간화를 수반한다. 지하철 공간은 사람들이 이동하는 '이동성' 의 공간만이 아니라 기계 및 도시 공간을 바라는 방식에 영향을 주는 '정체성'의 공간으로 생각되어야 한다.

• 한국지역지리학회지
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• 제16권2호
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• pp.110-122
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• 2010

본 연구에서는 지명연구 방법의 다양화를 위해 장소정체성과 스케일 정치 그리고 영역경합의 세 가지 개념을 사용하여 충주지역 지명의 특성을 밝혀보고자 하였다. 먼저 장소정체성과 관련하여 새로 바뀐 충주시 '수안보면'은 이전의 지명인 상모면보다 지역이 가지고 있는 천연자원인 온천의 속성을 크게 부각시킬 뿐만 아니라 정체성의 구성 조건인 '수적 유일성'과 '질적 동일성', 그리고 '자아 동일성'을 가지고 있어 이 지역의 장소정체성을 잘 드러내고 있다. 둘째, 지명을 통한 스케일 정치는 스케일의 상승과 하강으로 구분하여 살펴볼 수 있는데 지명 스케일 상승의 사례로는 충주시 이류면의 옛 지명인 이안면을 들 수 있고, 하강의 사례로는 조선시대 읍호승강제에 따른 충주의 읍호승강과 1917년 행정구역개편 때 충주군현 지명이 충주면으로 축소된 경우와 일본에 의한 월악산의 한자지명의 변경을 들 수 있다. 셋째, 지명 영역변화의 사례로는 지명 표기자가 지명 영역과 더불어 변화한 경우와 그렇지 않은 경우가 있는데, 먼저 지명 표기자가 지명 영역과 함께 변화한 사례로는 충주시 용두동과 이류면 금곡리가 있다. 지명 표기자가 변하지 않으면서 지명 영역이 변화한 경우는 현재 충주시를 동서로 흐르는 달천을 들 수 있다. 결론적으로 본 연구결과는 지명이 장소정체성을 재현하고 구축하는데 활용될 수 있다는 점을 시사한다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.260-263
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• 2007

A church architecture which has an important meaning as a place which is for worship God, relationship, education, evangelism, service and formative meaning that express as a specific form. It has been changed by age or changes of theology, also its structure and form has been changed so as to change of a rutual. the church architecture that has been authorized as a architecture which is a representation of the age does not represent the age and it has weaknesses for expression of unique identification church has. Also, because it is lacking thoughts about regional viewpoint, it loses the characteristic of regional "landmark" like the past. In addition, a place of worship has been changed materiality of space like auditorium or seats so as to change of consciousness of worship, and it is exposed problems of expression of identification. Therefore the church architecture of twenty first centry needs to holy and be able to deliver their new standards and needs that fit original purpose of church for users.

• 한국연극학
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• 제48호
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• pp.549-569
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• 2012

Since 1995, the Local autonomy era has opened, local festivals have been increasing throughout the country. Traditional culture festivals are also increasing. Performing traditional culture festivals is effective for maintenance and transmission of traditional culture as well as creation and nurturing of local culture. They are also effective promoting local economy. Depending on realization level of character, place and costume based on historic research, traditional culture festivals are classified as the "Representation event" or the "Reenactment event". But there are two problems. The first is unexacting classification method for festival types made by Central government yearly. The second is unable to meet one of two goals which are protecting traditional culture and stimulating local economy throughout increasing tourists. The purpose of this study is to suggest improvement of classification method for festival types, and to offer two suggestions for ensure successful local festivals. First of all, I suggest advanced classification method for festival types. For more sophisticated collection process of national festival status, local government department should ensure purpose of festivals, and central government department should add 3 steps to existing process. For example professional committee for judgement of festival types should be founded for consulting of local and central government department. The second suggestion is reinforcement of historic research for the Representation of traditional culture event. The representation of traditional culture should focus on protection of tradition, and could be perfect by continuous historic research. The last suggestion is cooperation with local governments each other for the Reenactment of traditional culture event. The Reenactment of traditional culture should focus on promoting local economy by increasing tourists. So local governments who have similar traditional events should cooperate to get preventing loss of resource and overcome weakness of promoting.

• 한국지능정보시스템학회:학술대회논문집
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• 한국지능정보시스템학회 2001년도 The Pacific Aisan Confrence On Intelligent Systems 2001
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• pp.410-420
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• 2001

A primitive conceptualization is defined as the set of all intended situations. A non-primitive conceptualization is defined as the set of all the pairs every of which consists of an intended knowledge system and the set of all the situations admitted by the knowledge system. The reality of a domain is considered as the set of all the situation which have ever taken place in the past, are taking place now and will take place in the future. A conceptualization is defined as precise if the set of intended situations is equal to the domain reality. The representation of various elements of a domain ontology in a model of the ontology is considered. These elements are terms for situation description and situations themselves, terms for knowledge description and knowledge systems themselves, mathematical terms and constructions, auxiliary terms and ontological agreements. It has been shown that any ontology representing a conceptualization has to be non-primitive if either (1) a conceptualization contains intended situations of different structures, or (2) a conceptualization contains concepts designated by terms for knowledge description, or (3) a conceptualization contains concept classes and determines properties of the concepts belonging to these classes, but the concepts themselves are introduced by domain knowledge, or (4) some restrictions on meanings of terms for situation description in a conceptualization depend on the meaning of terms for knowledge description.

• 한국지역지리학회지
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• 제13권5호
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• pp.543-562
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• 2007

어디에서나'를 전체 주제로 개최된 2006 부산비엔날레는 세계화/지방화를 추동하는 자본주의 문화를 지양하고, 도시의 지역성과 일상성 그리고 예술적 상상력의 중요성을 강조하면서 이를 다양한 유형의 예술작품들에 반영하고 전시함으로써 공공예술을 도시의 일상생활과 접목시키고자 한다는 점에서 유의성을 가진다. 그러나 부산비엔날레는 시민을 위한 공공예술의 고양을 위한 장이라고 할지라도, 후기자본주의의 상부구조로서 포스트모던 문화의 일부, 즉 자본을 위한 새로운 장소마케팅 전략 또는 도시 재이미지화의 성향을 다분히 내포하고 있다고 하겠다. 이 글은 한국의 두 번째 대도시이고 동아시아의 중요한 거점도시로 성장한 부산에서 개최된 2006 부산비엔날레를 평가하기 위하여, 현대 자본주의 도시에 대한 성찰로서 도시의 공간적 재현과 공공예술의 특성들을 논의한 후, 206 부산비엔날레의 전체 및 개별 행사들에 구체적으로 반영된 지역성과 문화예술적 성향들을 고찰하고자 한다. 본 연구는 글로벌 도시로서 부산의 재이미지화 전략보다는 시민들의 참여를 전제로 한 국지적 장소예술을 지향할 때, 부산비엔날레는 지속적으로 발전가능할 것이라고 결론지운다.