• 제목/요약/키워드: pattern cutting design

검색결과 110건 처리시간 0.024초

국내 스크럽 의료복 현황과 디자인 선호도 조사를 통한 스크럽 의료복 디자인 개발 (Design Development through the Survey of Design Preference and the current Scrub Uniforms of Hospital Medical Staff)

  • 김소영;김민영
    • 한국의상디자인학회지
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    • 제16권4호
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    • pp.99-116
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    • 2014
  • The purpose of this study was to examine the state of scrub wearing among scrub uniforms medical staff. The results of the research is the following. First, As for the state of scrub uniforms, they wore scrubs only while they gave medical treatment and took care of routine work. Regarding the design of their current scrubs, type 1 was dominant, and the most common color was dark sky blue. Second, Concerning considerations for scrub design, they answered that scrubs should be designed to give no inconvenience during job performance. As for the image, they placed the most importance in a clean image due to hygiene. In relation to preference for color, pattern and materials, they had the most preference for dark blue, no pattern and materials that would not easily be contaminated. Third, As to preference for the length of the top, they were most fond of hip length, and short sleeves were their favorite length of sleeve. Concerning the design of the front and the back of the top, they had a liking for a box style with no straight cutting line. As for the design of the neckline, hem and pocket of the top, they had the most preference for round neckline, square bottom and round patch pocket respectively. Fourth, when the design preference of the respondents was analyzed, there were a difference between the men and the women in preference for neckline design. The women had a liking for round neck, whereas the men were fond of V neck. And the women showed a higher preference for rubber waistband than the men for the waist design of the pants. No gender differences were found in preference for color, pattern and the length of the top.

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CAD/CAM을 이용한 구두창 금형 가공 (Machining for Outsole Mold of Shoes Using CAD/CAM)

  • 박용복;염정노;황인극
    • 산업경영시스템학회지
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    • 제28권1호
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    • pp.24-31
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    • 2005
  • The outsole mold of the shoes has been manufactured using electro-discharge machining by graphite electrode or using casting etc. The study is concerned with the pattern design for the outsole of shoes by CAD, the modeling and the generation of NC data by CAM system and the machining by CNC machining center. The ball end mill and the engraving cutter is used as cutter and the cutting conditions are adjusted according to the shapes and sizes of the cutter and part in cutting. The method showed the possibility coping with the rapid change of shoes industry and proposed the possibility for higher productivity and quality on mold-manufacturing of shoes outsole.

십자패턴을 이용한 LGP의 설계 및 제작 (Design and fabrication of LGP using cross type pattern)

  • 최규만;이준모;이윤식;권혁상;이상훈;최용우
    • 대한전자공학회:학술대회논문집
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    • 대한전자공학회 2008년도 하계종합학술대회
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    • pp.493-494
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    • 2008
  • LGP for the small size exit was designed and fabricated. Pattern design method, which is the most important thing in the design of the LGP, was converted from the line type into the cross type. By using this new method, the brightness unevenness, which was very difficult problem to be solved in V-cutting method, was improved. Currently products had 78% of the brightness uniformity but newly developed product in this research had 87% of the brightness uniformity. Also the optimized design rule provided the improvement of the brightness of the LGP developed in this study, that has brightness of $871cd/m^2$ whichwas 98% higher than the common products.

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19세기 말 서양 여성 재킷의 구성기술에 관한 연구 (A Study on the Construction Technique of Western Women's Jacket in the Late 19th Century)

  • 류경화;김양희
    • 복식
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    • 제65권7호
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    • pp.60-74
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    • 2015
  • It is considered that jacket was widespread in the 19th century due to its simple and convenient production technique. This study aims to explore the western women's jacket in the late 19th century, which is the basis of modern women's outwear, and we focused on the patterns and construction, the technical aspect of the jacket. We researched pattern books and preserved costume materials, and the study methods are as follows: First, we analyzed the pattern of the jackets from the pattern books and preserved costumes. Second, we analyzed the construction of the jackets from the preserved costumes and compared it to previous researches. The study results are as follows: 19th century jacket consisted of a bodice, a back bodice, a side panel, two-piece sleeve and a collar. The front bodice had cuttings and a dart to make the jacket fit the shape of the body and the two-pieced leg of mutton sleeve, puffed at the shoulder. Various styles of collar and neckline existed. The pattern suggested diverse ways of designing a jacket, such as cutting with partition, dart and pattern expansion that focused on three-dimensional effect at that time.

17-18세기 서양 남자바지 패턴변화 (Evolution for Construction of Trousers in the Western World -during the 17th and 18th centuries-)

  • 김양희
    • 복식
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    • 제56권7호
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    • pp.68-84
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    • 2006
  • The aim of this study is to examine a structure of trousers worn by males in the western world during the 17th and 18th centuries in order to understand the characteristics of evolution in construction. it mainly examined engravings from these era because they provided me fine and detailed portrayals of what it needed to observe. Then, it classified them into models according to each era. it supplemented a flaw of depending on single type of studying material by examining other types of historical materials such as historical paintings and documents for comparative analysis of materials and decorations and previous studies on preserved historical documents to observe the examples of structures of trousers. Secondly, it studied both historical documents and previous studies on the trousers patterns used back in those days, analyzed the characteristics of each designing method by actually draping these patterns, and observed the differences in these completed patterns to understand the characteristics of changes in fashion design skill. As for the changes in length, these patterns show only a slight difference around above and below the knee line. However, the widths of waist, hip, girth and hem were significantly altered over the years to reduce wrinkles and the cutting lines became more refined to make the clothes fit to the body. As a result, a simple but fine patterning technique was born. In particular, new methods in cutting and sewing were invented for detailed parts such as waist, pocket, front and slit.

뉴시니어 여성을 위한 자전거의류 개발 (The Development of Bicycle Wear for New Senior Women)

  • 정희경;이정란
    • 한국의류산업학회지
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    • 제18권4호
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    • pp.498-508
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    • 2016
  • The purpose of this study is to develop an aesthetic and functional bicycle wear for new senior women in their 50s and 60s. Based on the results of the survey, we developed bicycle wear that is friendly to bicycling posture and reflects the preference of new senior women. The results are as followed: First, emphasis is placed on the simple and functional design of the experimental wear consisting of jacket and pants. Jacket is different from the color scheme with the armhole princess line in order for the waistline to look slim. Pants are designed to hold the leg muscles tightly in order to help reduce the muscle fatigue on the bicycle ride. Second, cutting lines and coloring materials are used for the wearer to look slim and the safety of the wearer is planned to secure by inserting the reflective material along the cutting lines on the bicycle ride. Third, the pattern of the experimental wear is designed in consideration of the riding motion of the bicycle. Jacket is designed to have back length longer than front length as compared to the bicycle wears available on the market. Sewing lines in the armpit are designed to be eliminated in order to move the arms smoothly on the ride. Pants are designed to minimize the seam line in consideration of the movement of muscles and ligaments and the experimental wear is produced by combining the material with the functions of cool comfort and stretch.

자동취형기 개발을 위한 설계 및 제작 (Design and Fabrication for the Development of Auto Pattern Maker)

  • 이영일;김정희;박지현
    • 한국안광학회지
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    • 제18권3호
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    • pp.231-239
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    • 2013
  • 목적: 안경테의 형판제작을 위한 자동취형기 개발을 위해 설계하고 제작하고자 한다. 방법: 자동취형기의 주요 설계도를 캐드로 그려서 제작에 필요한 정보를 얻었다. 이 데이터를 기본으로 자동취형기 개발을 위해 시제품을 제작하였다. 결과: 자동취형기는 형판가공부, 조작판넬, 안경테장착부, 탐침자부로 구성되었다. 형판가공부는 절삭부, 플라스틱 형판 고정부, 형판 이탈핀 그리고 형판 절삭시 소음을 최소화시키기 위한 방음덮개로 구성하였다. 조작판넬은 메인 P.C.B.와 서로 연결 및 작동되게 설계하였다. 탐침자가 $1.8^{\circ}$ 각도로 안경테 삽입부를 스캐닝해서 얻은 좌표값에 대한 엔코딩한 값을 통해 삽입부의 정보를 얻게 되었다. 스캐닝이 시작된 후에는 오른쪽 방향과 왼쪽방향으로 작동된다. 통신연결부는 RS232C 전송방식으로 자동취형기에서 외부 장치로 안경테 렌즈삽입부의 정보를 전송하여 형판 없이도 안경렌즈를 가공할 수 있었다. 형판의 절삭치수의 오차율을 평가하기 위해 일원배치분산분석한 결과 F값과 P값은 0.510과 0.601로 나와서, 자동 취형기에서 가공된 형판의 ${\Phi}22mm$, ${\Phi}55mm$ 그리고 ${\Phi}62mm$ 절삭 치수의 오차율은 크기에 따라 차이가 없는 것으로 나타났다. 또한, 개발된 자동취형기의 평균 절삭 오차값은 0.0274 mm으로 나타났다. 결론: 자동취형기를 설계 및 제작하여 시제품 제작에 성공하였다. 자동취형기의 역할은 안경테를 측정하여 안경테에 맞는 정확한 렌즈삽입부의 크기를 얻는 것이다. 자동취형기로부터 얻어진 정보값은 외부장치로 보내져 형판 없이 안경렌즈를 연삭가공 한다. 또한, 시제품은 안경테에 맞는 형판을 만들 수 있다. 연구개발 된 시제품을 통해 안경사들이 편리하게 형판제작이 가능하고, 과거 보다 안경 조제가공이 보다 효율적이게 작업이 이루어질 수 있을 것으로 예상된다.

금속판재의 하프피어싱 공정에서의 틈새 영향 연구 (Influence of Clearance in Half-piecing of Sheet Metal)

  • 연시모;이슬기;정완진;김종호
    • 소성∙가공
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    • 제22권8호
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    • pp.437-441
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    • 2013
  • Recently, the engraving of letters or a pattern on a product surface has received more attention especially in trying to satisfy the customer requirements. Half-piecing is a protrusion forming process that pierces only 40~50% of the material thickness. In the current study, the half-piercing technique for making clear letters by protruding sheet material was selected and studied. The influence of clearance and penetration depth was investigated by measuring the camber and extruded length of a protrusion after experiments. In addition, a numerical analysis was performed for the same working conditions and compared with experimental results. It is shown that, as the clearance increases, the camber of a protrusion increases rapidly and the extruded length decreases slightly. The deformation pattern around the cutting edge during half-piercing changes from an extrusion mode to a shearing mode as the clearance changes from minus to plus values. It is also confirmed that the experimental results show a good agreement with the numerical analyses.

선암사 소장 <용문자수탁의(龍紋刺繡卓衣)> 연구 (Study on Housed at Museum of Sun Am Temple)

  • 심연옥
    • 복식
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    • 제67권2호
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    • pp.88-100
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    • 2017
  • This study is for the textiles of at Sun Am Temple and characteristic of embroidery. Tak Ui was composed of orange body and green upper cover, and had no strings. The body plate was covered with embroidery, with Gauze base, and upper part was appliqued, by cutting dragon pattern, cloud pattern on satin damask. The thread for embroidery was silk floss, silk twisted thread, rapped gold thread, and rapped silk thread. For padding, it was used cotton thread in the part of dragon's scales. It was used satin stitch, outline stitch, split stitch, couching, and counted stitch, etc. as method of embroidery. In particular, it embroidered counted stitch of diamond shape consecutively on the whole of Tak Ui, it does so with counted stitch of same effect of weaving Brocade in the part of cloud. Besides, it is one of the characteristic for couching rapped silk thread. Such lead embroidery is the popular method in the Ming dynasty of China, in the 16~17 century. The design of Tak Ui is dragon, cloud, and wave in the theme. In the center, 'Seong-su-man-nyeon' was placed on the heads of dragon. This is similar to Dragon Robe of Four-petalled medallion patterns, period of Ming dynasty in China. Therefore, it confirmed that Tak Ui was remodeled the embroidered textiles, made for royal robe, originally, with Tak Ui at temple.

18세기 프랑스 꼬르 아 발렌느(corps à baleine) 고증제작 연구 (A Study on the Historical Reconstruction of Corps à Baleine in 18th Century France)

  • 김양희;나영주;김현주
    • 한국의류학회지
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    • 제35권8호
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    • pp.991-1005
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    • 2011
  • This study researches the historical production, process, and design method for 3 pairs of corsets in $18^{th}$ century France. In the analytical stage of historical materials, it grasped the kind, form, origin, and change in style through a lexical definition of relevant terms. Through a precedent study on Garsault's 'L'art du tailleur', preservation costume, and historical reconstruction of pattern in preservation costume, it confirmed corps size, silhouette, pattern form, and material for historical production. The sewing method and the producing sequence were analyzed. In the production stage, 3 selective models in corps plein baleine, corps demi-baleine, and corset were historically produced. With neckline of forming broad Letter U, the bust part is covered roundly. The bodice was composed of 10 panels based on the corps form in the mid-$18^{th}$ century of following a curve of a human body. A shoulder strap was allowed to make the arm movement comfortable by producing and attaching it separately. The cutting line except the center in the front and the back of vertical line was distributed according to the natural flow of a form and movement of the human body. The curve-based pattern line was confirmed.