• Journal of the Korea Furniture Society
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• v.22 no.2
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• pp.126-131
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• 2011

The purpose of this study were to analyze the species and tree-ring dates of coffin woods excavated at Yerim site in Yesan, Chungnam, Korea. We sampled 12 pieces of woods from two coffins. The species of all coffin woods were identified as red pine group, most likely, $Pinus$ $densiflora$. The last rings of both coffins were dated A.D. 1557 and A.D. 1601, respectively. The tree-ring dates indicated that the coffins were made in the late 16th and early 17th century.

• Journal of the Korea Furniture Society
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• v.28 no.3
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• pp.233-247
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• 2017

Woodcraft activities have an inseparable relationship with our daily life, and it is a field that needs to be continued because of the value of education for the growing students. The interest in woodworking from childhood to old age is rapidly expanding nowadays, therefore this study has been done to provide images to those who are engaged in woodcraft business and also those who are interested in this field. If we look at the use of wood in our daily life, We can classify it into Architecture, Civil engineering, Furniture, Musical Instrument, Packaging, Recreational instrument, Exercise instrument, Stationery, Daily commodity, and Industrial use. Among them, We examined kinds of stationery and which type of woods were used. As a result of classifying 101 stationery products in 22 countries, stationery materials using wood can be used for Business cards, Envelope houses, Box houses, Pen holders, Locker plates, Stationery baskets, Book holders, Stamps, Paper knives, Bookmarks, and Photo frames. It was found various wooden stationery are made in USA, Japan, UK, Canada etc. And the most frequently used species are hardwoods such as Walnut (Juglans regia), Maple (Acer spp.), Cherry (Prunus serotina), Birch (Betula spp.), Mahogany (Swietenia macrophylla), Tulip (Liriodendron tulipifera Linnaeus), Bubinga (Guibourtia tessmannii J. Leonard), Wenge (Milletia laurentii De. wild), Cocobolo (Dallbergia cultrata Grah), Zebrawood (Microberlinia brazzavillensis A. Chev.) and Ebony (Diospyros spp.).

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2009.10a
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• pp.811-814
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• 2009

The cost competitive products buyers through the e-commerce are growing steadily every year due to the development of the Internet. Furniture and home appliances buyers through the e-commerce, on the other hand, aren't growing cause it's impossible to check the size and harmony with interior. Therefore, in this paper, we introduce arrangement system for furniture and home appliances based on augmented reality and motion recognition to provide service which checks the size and harmony with interior by arranging them virtually before purchasing.

• Archives of design research
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• v.14 no.4
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• pp.117-126
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• 2001

A new functional meaning has been given as natural resource to bamboo through reanalysis. Bamboo products contributed to creating added-value of pro-environment. In this study, a potential efficiency and vision of bamboo products and crafts are presented. As bamboo plywood and bamboo decorating paper were developed followed by academic and technological support, an activation of markets has been pursued and bamboo pattern tiles for new furniture was developed. This study examined kinds and characteristics of bamboo and processing of raw material and how to express with the material. Through advanced technology, it identified traditional functions and technological mistakes and analysed domestic and overseas applications to enhance utility of plywood made of bamboo. Bamboo pattern tiles were developed for decorating of furniture doors based on bamboo pattern paper. For patterns, 'tortoise, cranes, and deer'meaning eternity and new millenium among Ten Korean Longevity Animals are simply and lively represented. Series of the sun and mountain use effects of bamboo pieces to present bright images and to maximize quality of bamboo. A pattern of '卍'incorporates mystery of the cosmos and meaning of temples together with traditional patched wrapping cloth, Arirang and Chilgyopannori for beautiful ornamentation. Bamboo decorating tiles are made through accumulation of technologies by a cooperation with industries of bamboo equipment and production of furniture in Damyang Bamboo Products Complex. Processing of raw materials is peformed with equipment of Damyang. Development of samples and production and delivery of bamboo goods are handled in Design Venture of Chosun University Chamber. Developed goods decorating doors of furniture are in sale by an order from furniture industries.

• Journal of the Korea Furniture Society
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• v.21 no.6
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• pp.486-498
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• 2010

The purpose of this study was to analyze the species of 82 furniture in the late Choseon Dynasty (mainly, 19th century), which are housed in the Seoul Museum of History. Total of 22 species were found. The species shared 43% as hard pine(Diploxylon), 9% as Zelkova serrata Makino, 7% as Paulownia spp., 7% as Tilia spp., 6% as soft pine(Haploxylon), 5% as Ginkgo biloba Linn., 4% as Cedrela sinensis A. Juss., 3% as Diospyros spp., 3% as Abies spp., 2% as Alnus spp., 2% as Picea spp., 1% as bamboo, 1% as Populus spp., 1% as Betula spp., 1% as Juglans spp. The other minor ones were Torreya nucifera Sieb. et Zucc., Pyrus spp., Castanea spp., Ulmus spp. and Kalopanax oictuse (Thunb.) Nakai. Thirty seven furniture (45% in total) was made of single species, 19 (23%) of two species, 16 (20%) of three species and 10(12%) of 4 to 6 species. For frames and panels, hard and strong woods, such as hard pines, Zelkova and Cedrela, were used. For drawer, however, light woods having low shrinkage, such as Paulownia and Tilia, were used. The origin of woods could be specified by the habitats of the species identified. Both Hwanghaedo- and Parkcheon- Chests used basswood (Tilia), which grow in the cold regions, indicating the origin of woods as North Korea.

• Journal of the Korea Furniture Society
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• v.20 no.4
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• pp.307-316
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• 2009

Seoul, the capital of Korea, is worldwide city; Seoul is 600 year-old city as a capital and more than 10 millions of population live in Seoul, Image of Seoul has began to be known to the peoples in the world through 1988 Seoul Olympic Games and 2002 World Cup. However, in the public design and trees lining street system, Seoul hasn't been escaped from the image of a city which lacks of the characterization in the culture and identity aspects. This paper applied a protective fence designing simulation for Cultural Street in Seoul to develop much more the identity of Seoul and characterization of local culture. Also, It's examined and analyzed R&D data, and applied traditional patterns to design to set developmental capacity of design and a direction of fence design in the past, present and future. It's analyzed the present condition of domestic manufacturers and examples for installation, selected randomly 7 places of domestic cultural places as an alternative to compare the previous design to the present design with 3D design and photos composing method, and developed the related situation. Also, It's visualized this method to let the citizens and all levels of society determine the design. besides that, developed the traditional patterns to apply the patterns to the design, considering the characteristic of each region and characteristic of each road. It's suggested this fence design to apply the image of advanced Korea and Seoul as a creative cultural city, and the international status of Korea and Seoul to the trees on the historical and traditional street. Also, put an importance to bring the identity of Seoul and Korea in the world into relief.

• The Journal of the Convergence on Culture Technology
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• v.5 no.3
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• pp.289-303
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• 2019

This paper presents research on furniture making based on Hojangjul, which is an engraving technique that highlights the wooden patterns of traditional furniture. Somokbang, one of the 12 workshops in Tongyeong, has used Hojangjul as an engraving technique since Imjinwaeran. It was inherited by the late Cheon Sang-won, who was No. 59 of National Important Intangible Cultural Properties, and developed into Samhojang, Ohojang, Seongtoinoimun, Hotguinoimun, and Gyeopguinoimun. It was then spread to Masan, Ulsan, and Gwangyang via marine routes and further into the inland areas via land routes, developing in various patterns and forms. The present study investigated and examined the making techniques and characteristics of Hojangjul engraved in joinery furniture in Tongyeong, Masan, and Ulsan in the Gyeongsang region and Gwangyang and Dongbok in the Jeolla region, thus shedding new light on the traditional techniques that have been gradually disappearing and promoting the transmission, inheritance, and development of the traditional techniques.

• Journal of Digital Convergence
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• v.17 no.5
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• pp.353-360
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• 2019

The research paper for lacquer design furniture design development utilizing the shape of the clean vase investigates and analyzes the vase ceramic deformities of the most prominent Qing's era in Chinese ceramic history, and shows it in a vase to find the basic form of the vase ceramic of that era Applied the shape of the vase itself, and tried to provide a plastic basis for the design of lacquer works. Focusing on the shape of the shaping element shown in the Qing Dynasty vase, we analyze the type of the type, and examine the shape of the bottle china in China Qing period through the investigation of materials used and various documents. Based on the data obtained through the experiment, the design of furniture to sit by applying Chinese clean vase ceramic malformation to Hyopjotalte(Ottchil) lacquer ware in the lacquer making method.

• Journal of the Korea Furniture Society
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• v.10 no.1
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• pp.51-56
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• 1999

This research was carried out to investigate the Hanji sludge(black color)-wood fiber and wood particle composited applied by waste sludges arising from the making process of Hanji (Korea paper). In experimental design, four levels of the mixed ratio of Hanji sludge to wood fiber or wood particle(10:90, 20:80, 30:70 and 40:60), three kinds of the resin(PMDI, urea and phenol resin)and three kinds of the specific gravity(0.6, 0.75 and 0.9) were designed to determine the tensile strength of Hanji sludge-wood fiber and wood particle composites. From the results and discussion, it may be concluded as follows: In Hanji sludge-wood fiber and wood particle composites, tensile strengths showed decreasing tendency absolutely by increasing Hanji sludge additive, but clearly increase with the increase of specific gravity. In Hanji sludge-wood fiber composites, there were no differences between PMDI and urea resin-bonded composites, but phenol resin-boned composites were made possibly until the addition of 30% Hanji sludge. On the other hand, Hnji sludge-wood particle composites(SpGr=0.6) have very low tensile strength values. But they were made favorably until the addition of 20% Hanji sludge in Hanji sludge-wood particle composites(SpGr=0.9).

• Archives of design research
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• v.16 no.1
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• pp.63-72
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• 2003

The purpose of this study is to understand the character of concerned local area through using roadside space that is space for daily experience of citizen as target, extracting symbolic image reconsidering the historical and cultural character and clarifying the local identity on the basis of it. Through applying image of local symbolism and future-oriented roadside to street furniture, I tried to express local symbolism and through composing symbolic roadside of local that can be newly recognized as unique street, I tried to give a local symbolism and compose active roadside environment. Through providing basic material and actual design example, this paper tried to activate characterized local culture. As the method to approach design of symbolic roadside, the researcher divided local symbolic image into present local image and future-oriented image through selecting the roadside that historical element is lost and urbanization is achieved as target. The researcher characterized local roadside, using street furniture as symbolic tool of future-oriented roadside on the basis of symbolic image extracted from image evaluation testing. This paper has the meaning to suggest one direction for extracting symbolism when organizing distinguished roadside through applying symbolic image to roadside environmental facility, helping for of local resident's sense of place, his self-esteem and love for his hometown and public authority's establishing and promoting the policy concerned to the context of this paper.