• 한국콘텐츠학회논문지
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• 제14권8호
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• pp.84-94
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• 2014

신사임당의 작품 중, '초충도'는 애정 어린 관심을 갖지 않고는 볼 수 없는 미물을 화폭에 담아 생명의 경이로움과 소박미, 그리고 여성스러운 섬세함을 살린 작품이다. 그러한 그녀의 작품을 통하여 한국적 정서와 한국의 미의식을 알아 볼 수 있다. 전통문화가 정체성을 잃어가는 현대 산업사회 속에서 우리의 고유한 문화를 살린 고부가가치 문화상품을 개발하는 것이 필요하다. 따라서 본 연구에서는 소박한 한국적 정서와 독창적 예술혼이 담겨 있는 신사임당의 작품을 이용하여 스카프 직물디자인을 개발하고자 하였다. 먼저 신사임당의 예술세계와 예술작품을 문헌을 통하여 살펴보고 그 중 여섯 점의 작품을 선정하여 컴퓨터 그래픽 프로그램인 아도브 일러스트레이터를 이용, 여섯 점의 스카프 직물디자인을 개발하였다. 그것을 디지털 프린팅 시스템을 이용하여 견100%의 새틴에 출력, 소재를 개발하고 개발된 소재를 이용하여 여섯 점의 스카프를 제작하여 제시하였다.

• 한국콘텐츠학회논문지
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• 제11권3호
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• pp.137-146
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• 2011

스마트폰과 태블릿 PC 같은 모바일 기기의 보급과 콘텐츠 사용 증가로 모바일 환경에서의 컴퓨터 그래픽스 연구가 활발하게 진행되고 있다. 그러나 아직까지 수묵화 및 담채 렌더링 기법과 같은 비실사적 기법을 모바일 기기 상에서 효과적으로 구현하기 위한 연구는 부족한 편이다. 모바일 기기는 데스크 탑 환경에 비해 하드웨어적 한계를 가지고 있기 때문에 비실사적 렌더링 기법이 적용된 콘텐츠를 렌더링 하기 위해서는 단말기의 제약성을 고려한 특화된 렌더링 파이프 라인이 필요하다. 본 논문에서는 비실사적 기법중에서도 수묵화 기법과 담채화 기법을 모바일 환경에서 구현하기 위한 3차원 그래픽스 렌더링 파이프라인과 쉐이딩 파일 전처리 기법을 제안한다. 제안하는 기법을 이용하면 비사실적 렌더링이 적용된 다양한 3D 모바일 콘텐츠를 생성할 수 있고 사용자는 모바일 디스플레이 환경에서 실시간으로 수묵 담채 렌더링 된 콘텐츠를 볼 수 있을 것으로 기대한다.

• 만화애니메이션 연구
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• 통권48호
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• pp.23-44
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• 2017

본 연구는 추상애니메이션의 태동기에 발생되는 양상과 상호매체적 특징을 살펴보고 추상애니메이션의 기호학적 의미에 대해 알아보고자 하였다. 추상애니메이션은 아방가르디스트가 주축이 되어 형성되었고 그것의 기반에는 추상회화가 있었다. 추상회화를 퍼스의 기호학으로 살펴보면 '상징적 기호'에 속하며 특정한 대상을 재현하지 않는다. 이에 추상애니메이션 또한 그 대상성이 사라지고 추상애니메이션 스스로가 대상이 되고 있음을 알았다. 추상애니메이션은 상호매체성을 기반으로 추상회화와 음악이 결합되는 '매체조합'의 범주에 있다. 새로운 매체에 대한 아방가르디스트의 과감한 실험과 도전은 추상애니메이션의 태동을 가져왔다. 추상애니메이션은 추상회화를 기반으로 시작되었지만 음악 및 시간성과 결합되며 새로운 매체로 진화되었다. 추상애니메이션은 독일에서 발터 루트만, 비킹 엘겔링, 한스 리히터 등의 아방가르디스트들에 의해 시작되었다. 그들은 음악을 기반으로 추상애니메이션을 각자의 시간으로 풀어나갔다. 오스카 휘싱어는 발터 루트만의 영향을 받았으며 <스터디 시리즈>를 완성하고 미국으로 건너가 작품을 이어나갔다. 휘싱어 이후 존 휘트니는 컴퓨터그래픽을 활용하여 추상애니메이션의 계보를 이어나갔다. 추상애니메이션은 재현하고자 하는 대상의 부재 속에서 매체의 근본적 의미에 충실할 수 있었다.

• 미술이론과 현장
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• 제2호
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• pp.27-48
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• 2004

Robert Rauschenberg's artistic career has often been regarded as having reached its culmination when the artist won the first prize at the 1964 Venice Biennale. With this victory, Rauschenberg triumphantly entered the pantheon of all-American artists and firmly secured his position in the history of American art. On the other hand, despite the artist's ongoing new experiments in his art, the seemingly precocious ripeness in his career has led the critical discourses on Rauschenberg's art to the artist's early works, most of which were done in the mid-1950s and the 1960s. The crux of Rauschenberg criticism lies not only in focusing on the artist's 50's and 60's works, but also in its large dismissal of the significance of the imagery that the artist employed in his works. As art historians Roger Cranshaw and Adrian Lewis point out, the critical discourse of Rauschenberg either focuses on the formalist concerns on the picture plane, or relies on the "culturalist" interpretation of Rauschenberg's imagery which emphasizes the artist's "Americanness." Recently, a group of art historians centered around October has applied Charles Sanders Peirce's semiotics as art historical methodology and illuminated the indexical aspects of Rauschenberg's work. The semantic inquiry into Rauschenberg's imagery has also been launched by some art historians who seek the clues in the artist's personal context. The first half of this essay will examine the previous criticism on Rauschenberg's art and the other half will discuss the artist's 1955 work Rebus, which I think intersects various critical concerns of Rauschenberg's work, and yet defies the closure of discourses in one direction. The categories of signs in the semiotics of Charles Sanders Peirce and the discourse of Jean-Francois Lyotard will be used in discussing the meanings of Rebus, not to search for the semantic readings of the work, hut to make an analogy in terms of the paradoxical structures of both the work and the theory. The definitions of rebus is as follows: Rebus 1. a representation or words or syllables by pictures of object or by symbols whose names resemble the intended words or syllables in sound; also: a riddle made up wholly or in part of such pictures or symbols. 2. a badge that suggests the name of the person to whom it belongs. Webster's Third New International Dictionary of the English Language Unabridged. Since its creation in 1955, Robert Rauschenberg's Rebus has been one of the most intriguing works in the artist's oeuvre. This monumental 'combine' painting($6feet{\times}10feet$ 10.5 inches) consists of three panels covered with fabric, paper, newspaper, and printed reproductions. On top of these, oil paints, pencil and crayon drawings connect each section into a whole. The layout of the images is overall horizontal. Starting from a torn election poster, which is partially read as "THAT REPRE," on the far left side of the painting. Rebus leads us to proceed from the left to the right, the typical direction of reading in a Western context. Along with its seemingly proper title. Rebus, the painting has triggered many art historians to seek some semantic readings of it. These art historians painstakingly reconstruct the iconography based on the artist's interviews, (auto)biography, and artistic context of his works. The interpretation of Rebus varies from a 'image-by-image' collation with a word to a more general commentary on Rauschenberg's work overall, such as a work that "bridges between art and life." Despite the title's allusion to the legitimate purpose of the painting as a decoding of the imagery into sound, Rebus, I argue, actually hinders a reading of it. By reading through Peirce to Rauschenberg, I will delve into the subtle anxiety between words and images in their works. And on this basis, I suggest Rauschenberg's strategy in playing Rebus is to hide the meaning of the imagery rather than to disclose it.

• 대한지리학회지
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• 제19권
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• pp.41-51
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• 1979

Since 1971 when the nation wide 'New Community' movement was launched to improve rural standards of living, dol and thatched-roof houses have been reshaped or removed, thereby making it hard to find time-honored people's living structures in the countryside. Since 1977, the improvement work of rural houses has started throughout the country, so many new rural residences have been constructing along the highway, main roads, railways and around the sightseeing area, New rural houses do not show, for the most part, the traditional architectural style and the nation's unique conventional ways of living. The writer tried to find solutions to the problems derived from improvement work of rural residence, in a comparative method of traditional rural houses and newly constructed rural ones. The greater part of new rural houses' types, painting colors, and fence types had been recommended by provincial administrative trative officials. Officials recommended them to the farmer with their standards, which did not consider farmer's convenience of traditional way of life, but a fine sight from the highways or railways. Korea's three basic roof types are the HAPKAK roof (gabled and hipped), the UCHINKAK roof(hipped), and the BAKKOONG roof(gabled). However, the gabled roof houses, having their entrance on the gabled side, are found more ofter in new rural village. As mentioned above, architectural style is not harmonious with the topography and climate i Korea, because it is not Korean traditional type, but one of the western styles. And new rural house plans are inconvenient in the conservation rural family system, because of the same category with urban houses plans. Other problems derived from ton-traditional architecture style are roof painting in 4-5 colors in a new village, types of wall and fence, and attached building in the site.

• Journal of Preventive Medicine and Public Health
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• 제30권4호
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• pp.830-839
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• 1997

직업성 피부 질환을 일으키는 주요 작업 공정의 하나인 도장작업자들의 피부 질환의 실태를 파악하기 위하여 모 조선업체 도장 부서의 남자 근로자 379명을 폭로군으로, 같은 회사 비도장부서에서 근무하고 유기용제를 취급한 경력이 없는 근로자 151명을 대조군으로 선정하여 피부과 전문의의 진료와 설문 조사를 통하여 아래와 같은 결과를 얻었다. 피부과적 진찰 결과 도장부서 근로자들이 이환되어 있는 가장 흔한 피부질환은 족부 백선으로 폭로군의 유병률은 48.0%였으며 대조군에 비하여 이환될 비차비가 3.18로 통계학적으로 유의한 차이를 보였다. 접촉성 피부염과 한포진의 유병률도 각각 11.9%, 11.9%로 대조군보다 유의하게 높았으며 질병에 이환될 비차비가 4.95, 6.64로 통계학적으로 유의한 차이를 보였다. 이외에도 비특이적 습진, 자극성 피부염, 모낭염, 두드러기 등과 같은 피부 질환이 관찰되었으나 대조군과 유의한 차이는 없었다. 접촉 피부염 소견을 보이는 폭로군 중 71.1%가 피부 증상이 휴일이나 휴가시에 호전된다고 응답하였고, 68.9%가 옷이나 보호구에 가려지지 않는 노출부위에 피부 병변이 발생한다고 응답하여 접촉 피부염이 작업과 관계가 있음을 시사하였다. 근로자들의 보호구 착용률은 비교적 양호한 편이었지만 보호구 착용과 피부질환과는 연관성이 없어서 보호구 착용이 피부질환의 예방에 큰 효과가 없는 것으로 나타났다. 대조군과 유의한 차이를 보인 접촉 피부염, 한포진, 족부 백선의 유병률을 수행직무별로 스프레이군, 터치업군, 혼합군, 전처리군으로 구분하여 비교한 결과 유의한 차이를 보이지 않아 피부 질환의 위험도는 수행직무에 따라서는 큰 차이가 없음을 보여주었다. 도장 부서 근무 년수에 따른 비교에서도 근무 년수가 증가함에 따라 유병률이 증가하는 소견을 보이지 않았는데 근무 기간에 길어질수록 피부 저항이 증가되며, 피부반응이 둔해지며, 숙련된 작업으로 접촉물질에 대한 노출이 감소되기 때문이라고 판단된다. 이상과 같이 조선업체 도장부서 근로자들에게서 접촉 피부염, 한포진, 족부 백선 등 작업과 연관된 질병을 발견할 수 있었다. 앞으로 도장 부서 근로자들의 피부 병변을 예방하기 위한 대책 마련이 시급하다고 생각한다.

• 한국의류학회지
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• 제36권5호
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• pp.512-522
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• 2012

This study examined the work environment and wearing conditions of industrial protective clothing in shipbuilding workshops. It also investigated the relationship between the wearing sensation of industrial protective clothing and overall comfort, according to work process. In addition, the work posture according to work process was evaluated based on ergonomic factors. The wearing rate of industrial protective clothing was 73.3%, 66.7%, and 60.1% for workers engaged in welding, grinding, and painting, respectively. The harmful work environment factors, listed from most harmful to least harmful, were found to be high temperature pyrogens, noxious fumes, organic solvents, UV rays, and heavy dust. The aspect of wearing performance of industrial protective clothing that was most related to user dissatisfaction was poor sweat absorbency. In terms of the correlation between the overall comfort and the wearing sensation of industrial protective clothing, the satisfaction was low shown in orders of physiological comfort, sensual comfort, and movement comfort.

• 대한인간공학회지
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• 제31권1호
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• pp.177-183
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• 2012

Objectives: The objectives of this study are to discuss the importance of job stress and to introduce a model of job stress at the shipbuilding industry considering the characteristics of the shipbuilding works. Background: Shipbuilding works consist of grinding, painting, interior works, welding, and assembling and using heavy equipment in narrow space or work at outside or at high and dangerous places. The working environments aggravate the stress to the workers. Methods: Studies of job stress in industries including shipbuilding industries were reviewed and the characteristics of jobs of shipbuilding were analyzed to find causes of job stress. Results: A model was constructed based upon these findings and reviews. Conclusions: Job stress of shipbuilding workers are very high and thus job and working conditions need to be improved to attenuate the level of job stress of shipbuilding workers. Applications: This model can be used to identify the highly stressed workers and sources of stress.

• 한국환경보건학회지
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• 제35권3호
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• pp.153-161
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• 2009

The purpose of this paper is to evaluate 1) blood lead levels of workers at auto repair shops as Biological Exposure Indices (BEI) of toxic substances such as lead and toluene that are produced during automotive painting process, 2) the differences depending on personal characteristics of workers who have been exposed to toluene by using urine hippuric acid concentration as a marker and 3) the correlation between the concentration of hazardous chemicals in each workplace and the BEL. All subjects were male with a mean age of 36.2 years. In terms of age, most were in the 30 to 40 age group (13 persons, 48.1%). In relation to the length of work experience, the highest proportion had experience of 10 years of less (18 persons, 66.7%). Twenty three workers were cigarette smokers (85.2%) while 4 (14.8%) were non-smokers. In addition, more than 80% of the workers drank alcohol. Dust concentration and toluene exposure during automotive painting showed no significant difference with age, length of work experience, smoking and drinking while a significant difference (p<0.05) has been detected between lead concentration and smoking. The geometric mean of dust concentration, lead concentration and toluene concentration were $0.38mg/m^3,\;0.0021mg/m^3$ and 1.08ppm respectively. In addition, the geometric mean of blood lead levels and urine hippuric acid concentration were $1.70{\mu}g/dl$ and 0.25g/g respectively, which were lower than the standard levels suggested by the Ministry of Labor. To determine the influential factors on blood lead and urine hippuric acid concentrations, a correlation analysis has been conducted with variables of air, lead and toluene concentrations, age, length of work experience and amount of cigarette smoking. According to the analysis, a relatively high correlation (p<0.01) has been observed between air lead concentration and biological sample concentration.

• 대한기계학회논문집
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• 제19권1호
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• pp.22-37
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• 1995

Industrial robot has played a central role in the production automation such as welding, assembling, and painting. There has been, however, little effort to the application of robots in machining work(grinding, cutting, milling, etc.) which is typical 3D work. The machining automation requires a high stiffness robot arm to reduce deformation and vibration. Conventional articulated robots have serially connecting links from the base to the gripper. So, they have very weak structure for he machining work. Stewart Platform is a typical parallel robotic mechanism with a very high stiffness but it has a small work space and a large installation space. This research proposes a new machining robot arm with a double parallel mechanism. It is composed of two platforms and a central axis. The central axis will connect the motions between the first and the second platforms. Therefore, the robot has a large range of work space as well as a high stiffness. This paper will introduce the machining work using the robot and design the proposed robot arm.