• 간호행정학회지
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• 제4권1호
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• pp.5-17
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• 1998

The Purpose of this study is to find out differences among the leader's traits on the hierarchy of Nurse managers in Nurse system of the hospital. In this study 152 managers over head nurse working in 6 University hospitals and 5 general hospitals were selected and the questionary paper answered by them was collected from 1st to 30th in September in 1997. The measuring instrument used in this study is the one integrated and classified by Stogdill (1981), which nurse professor and 2 students of the master's course translated and modified with myself. And its validity was verified through making a test on 130 nurses. The measuring instrument used in this study is made up of 4 items about physical characteristics, 3 items about social background, 4 items about intelligence and ability, 17 items about personaity, 6 items about task-related characteristics, 9 items about social characteristics and 8 items about general background in the triats of leader. And this instrument is made to be marked using five point Likert type. It's reliability is Cronbach's Alpha =.93. The data for study were analyzed through SPSS/PC+ The result of this study are as follows: 1. The order in importantly perceptible degree of the leader's traits showed like these: the intelligence and ability (M=4.683), the task-related characteristics (M=4.605), the personality (M=4.39), the social characteristics (M=4.327), the social back-ground (M=4.056), the physical characteristics (M=3.601). 2. The order in degree to percept the importance of 44 detailed items of the leader's traits showed like these: the judgement and decisiveness (M=4.967), the sense of responsibility (M=4.904), the activity and energy (M=4.796), the self-confidence (M=4.776), the creativity (M=4.748), the intelligence (M=4.743), the responsibility in the pursuit of objectives (M=4.743), the enthusiasm (M=4.717), the objectivity (M=4.704), the moral sense and ethical conduct (M=4.704), the ability to enlist cooperation (M=4.694), the strength of conviction (M =4.678), the enterprise (M=4.691), the administrative ability (M=4.678) and the cooperativeness (M=4.638) 3. As the result of analyzing the leader's trait differences on the hierarchy of nurse managers in six factors of the leader's traits, the social background showed the meaningful differences(F=4.983, P=0.008). 4. As the result of analyzing the leader's traits defferences made from the upper first to 15th rank among the detailed items of the leader's trait factors on the heirarchy of nurse managers, the meaningful defferences appeared in the following items: the objectivity(F=3.413, P=0.033), the creativity (F=3.550, P=0.031), the sense of responsibility(F=3.345, P=0.049), and the administrative ability (F=3.363, P=0.037). 5. As the result of analyzing the leader's trait factors in general background, only the social background of 6 leader's trait factors showed the meaningful differences according to the working place (F=4.057, P=0.008). The study shows that we should consider the above leader's trait factors in selecting nurse managers and that we should develop the educational program for hierarchy of nurse managers urgently.

• 한국콘텐츠학회논문지
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• 제19권5호
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• pp.138-146
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• 2019

본 연구에서는 규범적 사회의 영향이 강한 동북아시아 문화권에서 SNS 이모티콘 소통의 특징을 찾아 전통 인문사상을 기반으로 이 특징들을 해석하고자 하였다. 국가별 주류 SNS가 상이하므로, 구체적으로 중국의 위챗(Wechat)을 중심으로 이모티콘 사용에 있어서 동기요인을 도출하고, 도출된 요인에 대해 해석을 진행하였다. 연구 진행을 위해, 문헌연구와 21명에게 인터뷰를 진행하여 38개 사용동기 항목을 도출하고, 272명에게 이모티콘 이용동기에 대한 조사를 진행하였다. 연구 결과는 다음과 같다. 첫째, 위챗의 이모티콘 사용동기로 6개의 요인들이 도출되었으며 각 요인들을 감정 표현, 심미성, 유용성, 인상관리, 재미, 소속감으로 명명하였다. 둘째, 위챗 이모티콘 사용의 동기요인들 중 규범적 사회의 특징에 부합하는 '인상관리'와 '소속감' 요인을 중심으로 유가의 인문정신인 '화(和)'와 '예(禮)'사상이 이모티콘 사용에 있어서 어떻게 발현이 되는지에 대해 해석하였다. '화(和)'는 이모티콘을 이용하여 대화방에서의 소속감을 강화하고 적극적으로 자신의 존재를 부각하여 소통 과정에 잘 어우러지고자 하는 '소속감' 요인에서 나타난다. '예(禮)'는 도덕적 윤리 규범을 강조하는 것으로, 도덕적 윤리 규범에 적합한 자신의 이미지를 형성하고 이를 통해 보다 나은 관계를 조성하고 유지하는 '인상관리' 요인에서 나타난다.

• 철학연구
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• 제120권
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• pp.109-130
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• 2011

이 논문의 주된 목적은 퍼트남의 새로운 윤리학적 논의를 검토하고, 그가 제안하는 '실용주의적 다원주의'가 자신의 이성주의와의 내적 비정합성을 극복하기 위해서 훨씬 더 적극적으로 자연화되어야 한다는 점을 지적하려는 것이다. 지속적인 입장 변화 속에서 퍼트남의 최근 논의는 윤리학적 탐구로 확장되고 있으며, '존재론 없는 윤리학'이라는 기치를 앞세운 퍼트남의 논의는 명시적으로 실용주의를 향하고 있다. 퍼트남은 보편적 도덕원리에 대한 탐구로 특징지어지는 전통적인 윤리학이 존재론을 가정하고 있다고 지적하며, 그것이 객관성에 대한 요구에서 비롯된다고 본다. 퍼트남의 과제는 존재론에 의지하지 않으면서도 우리가 원하는 객관성을 확립하는 일이며, 그것은 그가 제안하는 '실용주의적 다원주의'로 압축된다. 실용주의적 다원주의는 전통적 객관주의를 거부하면서도 허무주의를 비켜서려는 제3의 입장이다. 퍼트남의 이러한 제안은 그 자체로 옳은 것이지만 자신이 유지하는 이성주의적 미련은 퍼트남의 제안에 내적 정합성 문제를 불러온다. 이 문제를 극복하기 위해서 퍼트남의 철학은 훨씬 더 적극적으로 자연화되어야 하며, 그것은 규범적 이성 개념에 대한 근원적 수정을 요구할 것이다.

• 동양고전연구
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• 제37호
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• pp.411-439
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• 2009

부산(傅山, 1607~1684)은 명말청초에 매우 현실참여적 삶을 살았던 인물이다. 부산이 바라보는 당대의 지식인들은 정주(程朱)의 빈껍데기에 의지하여 도학선생이라고 허풍을 떨면서 자리만 지키고 있는 허수아비들이었다. 그는 리(理)와 기(氣), 성(性)과 정(情) 등만을 논의하는 것은 현실세계의 활발한 실용적 측면을 도외시한 채 추상적 사유에만 머물게 하여 현실 세계의 다양성을 무시하는 부작용을 낳는다고 보았다. 부산의 이러한 사유는 정치사상이나 문학론에 고스란히 드러난다. 그는 기적 세계보다 먼저 그것을 규제하고 통제하는 리가 존재한다는 송명 리학(理學)의 주장은 일종의 도덕적 이데올로기를 창출하여 봉건적 전제주의를 이론적으로 합리화하는 논리 틀을 제공한다고 보았다. 따라서 부산에게 있어 성인은 이러한 사회의 불합리한 요소를 척결하는 사회 개변가이며 혁명가였다. 부산은 문학도 활발발한 기의 세계를 표현할 수 있어야 한다고 보았다. 자유분방한 광(狂)의 경지, 창조적인 경지가 진정한 문학이라고 보았다. 옛 문체나 흉내내면서 고답적인 작문을 하는 것은 천기(天機)의 자연스러움을 거스르는 행위였다. 글은 변화무상한 활발발한 세계를 표현할 수 있어야 하는 것이었다.

• 영어영문학
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• 제57권3호
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• pp.367-389
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• 2011

The aesthetic attitude, in general or in particular, represented in matters of taste through aesthetic ideas and value judgments postulates a certain literary logic. And this literary logic reveals itself a sense of morality, philosophy, or moral aesthetic consciousness through the moments of act and thought demonstrated in the characters invented in literary works. Henry James, among many others, offers a very special cultural paradigm for transnational argument because of his diverse ways of shaping transatlantic relations in terms of aesthetic consciousness. And this international paradigm produced varied expressions referring to Henry James as "an American expatriate," "an Anglicized American artist," "a Europeanized aesthete," "a cosmopolitan intelligence," "a bohemian cosmopolitan" to designate his literary career and its characteristics shaped in Europe. Such expressions resonate with Transatlantic Sketches, James's first collection on travel and cultures in 1875 which heralded his long "expatriation" in terms of self-distantiation. James's temperament of mind, far from being always identified with shared values within an ideological framework, never avoided friction with fixed ideas but rather absorbed it fully for another friction which intervenes in his house of fiction. My question arises here regarding his cultural belonging or dislocation: where is the place of his mind or what could be his ultimate destination? In this essay, I'd like to define a place or rather the place of James's literary mind by proving a certain "sympathetic justice" for his literary logic. For this purpose, I'll try to examine: how James used transatlantic perspective, a spatio-temporal assessment to formulate his moral aesthetic consciousness; and how the aesthetic framework functions in assessing his literary logic of aesthetic consciousness. To start with the first argument, I'll analyze some essential aspects of aesthetic attitude of his characters to postulate a persona capable of theorizing James's aestheticism conditioned by the transatlantic context. And for the second argument, I'll examine how the persona functions in formulating a proper cultural stance of James's aesthetic consciousness in transatlantic perspective to illuminate the way of how Jamesian individuality reflects the American mind. This process of theorizing a place of James's own will lead, I hope, to our discovering James's ultimate destination on the assumption that it'll prove or create a certain "sympathetic justice" for his humanist aestheticism, a Jamesian absolute morality.

• 조형예술학연구
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• 제12권
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• pp.125-143
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• 2007

The politics penetrating through the contemporary art since modernism to postmodernism is to accomplish the 'Non-representation' in the artworks. This study argues that postmodernism did not put an end to the formalistic feature of modernism but intended to accomplish it. Modernist art aimed at purity, i.e. self-referential and self-definition art advocated by Clement Greenberg, and it carne to the end by accomplishing flatness and materiality. It was an 'evasion to the matter' which allocated the object from visuality of outer object to the psychic image of the subject. It failed being 'non-representational' as what it really achieved was transition of object. Jean Baudrillard's theory tried to overcome the representational quality by 'being simulacre'. In the representative artworks of the past, the meaning of artworks was reverted under the outer context or object. The meaning again failed being 'Non-representational' as it was restored to the psychic image of the subject in modernist artworks where the definite illusion was demolished Meanwhile, artwork advocating simulacre acquired Non-representational quality by liberating from both models. It did not deconstruct the self-referential tendency of modernism but maximized the Non-representational modernistic principle. After creating 'Non-representation' through simulacre, the existential status and function of an artwork is the inclination and moral of contemporary art as 'Non-representation'. The image theory of Henri Bergson sets the existential status of 'image' as it does not belong to either subject nor object. It provides significant foundation for arguing the existential status of simulacre. Moreover, though an artwork as a fragment forming a movement image in the world cannot represent the object, it can however sustain certain kind of fractal resemblance with the world by letting the two parties communicate. The theory of sense by Gilles Deleuze is of profound significance as it specifically indicated way how the stage of absorption through the unity of subject and object is realized in forms of artworks, and configured the latent and invisible energy.

• 시큐리티연구
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• 제17호
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• pp.195-220
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• 2008

현대사회는 급격한 경제사회의 변화와 향락적 풍조, 가치관의 혼란 등 정신적 변화와 도덕성이 결여된 과학기술의 발달로 각종 사회병리현상과 우리생활의 안전을 위협하는 범죄는 갈수록 증가하고 있다. 또한, 공공경찰이 치안서비스를 효과적으로 공급하는데 있어서 한계에 직면하고 있는 상태에서 수익자 부담 원칙에 의한 민간경비제도를 도입하여 개인 및 집단의 안전과 보호를 위해 노력해왔으며, 각종 국제행사를 치르면서 민간경비산업은 첨단장비 및 기술을 활용한 복합적인 형태로 발전하였다. 그러나 우리나라 민간경비산업은 사회의 팽창과 더불어 국가의 공공분야 서비스 영역이 점차 확대됨에 따라 민간경비의 영역도 빠르게 확대되어가고 있으나 질적 향상은 이를 따르지 못하고 있는 것이 현실이며, 질적 향상의 근간이라고 할 수 있는 민간경비의 신임 교육에 대한 연구는 공공의 치안을 담당하고 있는 경찰, 군인 등의 교육연구에 비하여 미비한 실정이다. 따라서 본 연구에서는 민간경비원 중 비중이 가장 높은 기계경비와 시설경비 종사자의 신임 교육을 중심으로 업무현장에서 필요한 교과목과 필요성이 떨어지는 교과목 및 조사대상자의 특성에 따른 각 교과목의 활용성 차이를 분석하여 민간경비원의 신임 교육 발전에 기여하고자 한다.

• 비교문화연구
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• 제34권
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• pp.115-146
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• 2014

Cyclical stories on Caucasus and Sebastopol Sketches, including War and Peace, have generally been said as masterpieces dealing with the theme of war in Leo Tolstoy's literature. Among them, it is no doubt that War and Peace is absolutely the best one describing the grand panorama of people's lives and war itself. The plot of this novel consists of the so-called Napoleonic War of 1812 and of diverse lives both from the upper class and lower class, more essentially it dramatically presents how these pictures made all literary participants experienced their destiny and lives. Throughout these texts, war, including of its cause and effects and participants, re-considers and re-evaluates all of each features. The most important themes in War and Peace is war itself as the novel's title says. Rather than a just backdrop to the novel, the war plays a significant role in providing the reader with various realistic, philosophic, moral and existentialist perspectives. Moreover, War and Peace for the writer shows contradictory two views about war; he severally criticizes the Napoleonic war of 1812 in the sense that it violets people's reason and nature. At the same time, however, Tolstoy considers that the war as liberation is justified and necessary for guarding people's nation, otechestvo in Russian. What the writer attempts to show from this novel, however, goes beyond the simple descriptions which were done above. Leo Tolstoy successfully offers and what he tries to show in the long run is that how people go through all kinds of sufferings and hardship and their spiritual resurrection, thereby leading to the vital force making history. For the writer, the essential force that makes history and people's lives is not heroic military leader like Napoleon, but those common people. And the novel serves a wonderful prelude expecting the Decembrist revolt in 1825, because all of the vital and active streams that Tolstoy emphasizes turn out true in Russian history.

• 영어영문학
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• 제60권2호
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• pp.315-338
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• 2014

In The Great Hunger (1942) Patrick Kavanagh opens an Irish postnationalist discourse. Taking advantage of historical revisionism and postcolonialism, he not only demystifies a romantic nationalist ideology rooted in rural Ireland but also searches for an autonomous literary tradition free of the Irish Literary Revival, supposedly an outcome of a colonial influence. As a farmer-poet, Kavanagh deconstructs in two ways myths of rural areas, to which the Revivalists aspire. Contrary to Revivalism, he reveals that rural Ireland is not an idealized place where national identity arises and individual spirits are restored. It is instead a cruel place where farmer Maguire, deprived of health, wealth, and love, is tortured by hard labor in the field, moral regulations imposed by the Church, and his mother's domestic authority, all of which leave him unmarried until age sixty-five. Kavanagh also challenges the Revivalist tradition, led by W. B. Yeats commonly referred to as the poet of the nation, by indicting its reliance on former colonial authority and its lack of a sense of communal autonomy, both of which are diagnosed as "provincialism" by Kavanagh. Given that modern Irish literature has been strongly colored as nationalistic during the course of anticolonial resistance, Kavanagh's critique of the Revival in The Great Hunger, whose proponents blindly beautify the lives of farmers, runs directly against the grain of the founding ideology of the Irish nation-state. His voice, like that of a whistle-blower, disclosing the harsh realities of rural Ireland, ushers in a "post"-nationalist perspective on nation and national myths in Irish poetics.

• 윤리연구
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• 제77호
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• pp.281-300
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• 2010

이 글의 목적은 전문직의 정체성, 이른바 프로페셔널리즘(전문직업주의, professionalism)을 심도 있게 규명함으로써 통합적 관점에서의 전문직윤리의 중요성을 살피는 것이다. 구체적으로는 프로페셔널리즘에서 전문직윤리로 이행하는 과정에서 규범적 필요성을 강조함으로써 우리 사회에 적실한 전문직윤리의 가능성을 살펴볼 것이다. 해당 전문직종사자 간의 피할 수 없는 생존경쟁이 격화되고 있는 현실에서, 이른바 전문직의 희소가치가 감소 추세에 있는 오늘의 상황에서 프로페셔널리즘과 전문직윤리는 어떤 의미를 지니는가? 직업적 영향력과 경제적 보상이 전문직의 권력(professional power)을 구성하는 가장 큰 요소라고 할 때, 그 권력이 뚜렷하게 약화되고 있는 지금의 상황은 과연 통상적인 윤리(ordinary Morality)의 수준을 넘어서는 전문직윤리의 가능성을 확보할 수 있는가? 이 글은 전문직윤리를 통합적으로 다루면서 이러한 질문에 대한 답변의 실마리를 찾아볼 것이다.