• Journal of the Korean Institute of Landscape Architecture
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• v.29 no.5
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• pp.60-70
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• 2001

This landscape design proposal was presented to a design competition for Gwangjin-gu Community Center and Assembly Hall. The site is located in 227-7 Jayang-dong, Gwangjin-gu, Seoul and is part a block designated as \`Kunkuk University Detailed Planning District\`. The judging criteria for landscape design set by the Gwangjin-gu could be articulated as follows: an identity of Gwangjin-gu, a relationship with surrounding environment, a locale as a community center of Gwangjin-gu, and an environment-friendly design. An identity of Gwangjin-gu was expressed by introducing lends and decks around the building which were transformed from the image of the old Gwangjin Ferry. The concept\` was strengthened by \`Nori-madang\` or Korean version of \`plaza\` which was designed by a motive of \`mungsuk\` or Korean old fashioned straw mat. An ambiguous relationship between the site and the surroundings was set by \`transparent exhibition frame\` which not only bleaks the massive Chungdam-daegyo, an elevated road, and frames it into small parts, but also attracts pedestrians toward the site-the \`park\`. Pedestrians from the adjacent\` Nengdong-ro Walkable Streets\` views the site through the many parts of frames. By introducing diverse resting and dynamic spaces for many kinds of cultural activities the site could function as a locale of the Gwangjin-gu community. The main paving system reflects the environment- friendly design. It was detailed by \`PC-block-deck-paving\` which was elevated from the ground so that rains could be absorbed.

• Journal of Agricultural Extension & Community Development
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• v.14 no.2
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• pp.417-436
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• 2007

The purpose of this study was to prepare for developing rural house remodeling techniques utilizing the traditional residence factor. The study was carried out through both literature research and on-site research. The traditional residence space factors were identified through literature research and on-site research was carried out through analysis of the rural house remodeling cases. The results of this study was as follows ; 1) Traditional space factors were derived by literature research i. e. space arrangement (topography, direction, plane arrangement), exterior factors; walls, madang, interior factors; roofs, ondol, floors, colours. 2) The traditional residence factor utilizations of remodeling were applied a result through investigation case and analysis. Five rural houses in Namsa village, Danseong-myeon, Sangcheong-gun, Gyeongsangnam-Do were analyzed as remodeling cases including traditional residence factors. There were limitation of budget problems and material selection in the traditional residence factor utilizations of remodeling. The researchers have chosen target rural houses which applied for traditional residence factors to remodel the rural houses, and the most important factor to consider was harmony with rural unique characteristics. The researchers suggested considerations should be placed on development with energy savings and convenience in rural house remodelling.

• Journal of architectural history
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• v.19 no.4
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• pp.91-108
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• 2010

The objective of this paper is to clarify the architectural characteristics of the Korean-Western eclectic houses at Ojeong-dong Missionary Village in Daejeon city, focused on the spatial and structural changes due to eclecticism. The consequences of the comparative analysis between the eclectic houses and two reference buildings, Myeongjae residence and Moore house, are as follows. The diverse aspects due to eclecticism can be summarized as two concepts; transformation and simplification. The transformation has appeared in the characteristic spatial elements such as an-madang, entrance and corridor, in the territory organization and the connection between building and yard, and in the roof and wall structures. The simplification has appeared in the layering of the building space, and in the joint of roof and wall. The methods of eclecticism and the resultant aspects from them that are clarified through this study are expected to be referred in examining the new possibilities of the hanok.

• Journal of the Korean housing association
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• v.14 no.6
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• pp.125-133
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• 2003

The purpose of this study is to reveal the characteristics of Kan as a compositional unit in relation with its usage, building base, structural system, and roofing system in Seo Baek Dang and Gwan Ga Jeong. The results are as follows： Seo Baek Dang and Gwan Ga Jeong share a common characteristics： Kan module forms the plan to be 1：1 in shape and enables flexibility in usage and regularity in compositional aspect. In Seo Baek Dang, there are active level differences in base, room floor levels and column heights to achieve intended roof design while minimizing the deviation of module (500 mm) of four sides enclosing the an-madang (inner courtyard) and, in Gwan Ga Jeong, instead of differentiating levels, maximizing the module control (up to 1,560 mm) and lowering the roof slope are found. They are regarded resulting in a rather plane manner. Through a comparative analysis, it is found out that these two houses have a common characteristics of Kan to form a quadrate plan while they have differences both in conceptual and tectonic manner that is 'how to build a house' in similar conditions of region, period and society. In addition, Kan as a module is clarified to have a relative value that regulates both structural and aesthetical aspects.

• Journal of architectural history
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• v.25 no.6
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• pp.73-80
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• 2016

A discourse on the Independence Hall of Korea, a representative cultural project of the 1980s, has been understood as a repetition of the traditional debate of the 1960s. It was considered as a petrified propaganda aimed at ensuring the fragile legitimacy of the military regime, and the architect as a sympathizer. Even if all these facts are true, it does not give any explanation for the architecture. Scrutinizing the building process and the change of discourse in the Independence Hall of Korea, this paper tries to explore a section of contemporary Korean architecture in the 1980s. The architect who designed the Independence Hall of Korea is Kim Kiwoong, however, it was Kim Won who took charge of overall scheme for it. Kim Won replaced the role of a technocrat in the 1960s, who deprived architects of his autonomy. Against this backdrop, Kim Kiwoong attempted to explain his own building via various concept like postmodernism, which gave him very proper context. But, later, he appropriated words like void and madang. These derived from some architectural historian's researches in 1970s, and were to predict the architecture of the 1990s.

• Proceeding of Spring/Autumn Annual Conference of KHA
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• 1992.11a
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• pp.53-61
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• 1992

This study aims to find out about the traditional life and consciousness of the Yi dynasty used its residence as the place where rites of passage were heid. This study is tuying to classify the rites of passage according to the procedures by which those rituals are being held and to analyze them based upon the space where rituals take place. The results of research and analysis are as follows : 1. The most frequently used area in the house as a variety of ceremonies were held includes SARANGBANG and DAECHUNG belonging to SARANGCHE and ANBANG and DAECHUNG that belong to ANCHE. So naturally these areas are located in the main space of the house. 2. ANMADANG as well as SARANGMADANG was used as the main walkway in the house and as the main place for the ceremonies such as marriage and funenal. MADANG space in the house played a semi-indoor-space fole andperformed the functions which limited indoor space couldu's carry out when ceremonies took place. 3. It seems that SADANG had net been utilized in the daily routine but located within the residence due to the ritualism.

• Korean Institute of Interior Design Journal
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• v.18 no.3
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• pp.20-28
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• 2009

Recently, the interest is increased rapidly about the New Hanok as contemporary house. Therefore, the purpose of this paper is to recognize New Hanok as valuable things, which represents traditionality of urban, and to seek how it can be developed as contemporary house. This research analyze the characteristics of New Hanok is built since 2000. The result are as followings. First, many contemporary architects used only the roofing tiles and traditional Hanok elevation design as the design vocabulary of New Hanok. In future, the design vocabulary of New Hanok must be developed variously. Secondly, the construction of New Hanok is possible from the land of minimum $100m^2$ in a city can be found. Thirdly, as a result of having analyzed at the form and the spatial side, it has been analyzed that New Hanok can be divided into 3 types in the form side, which is 'the transfiguration of format', 'the motive borrowing of traditional elements', 'the vertical extension and reconstruction'. In the spatial side, it has been analyzed that New Hanok can be divided into 3 types, which is 'the center of Madang', 'the integration of circulation', 'the transfiguration of design principle'. Lastly, The contemporary architects were analyzed into having a thought that New Hanok must maintain an appearance of Hanok.

• Journal of Digital Contents Society
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• v.19 no.1
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• pp.19-26
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• 2018

A shared work platform is needed to legitimately activate shared works. To facilitate the use of copyrighted works by streamlining licensing procedures and by expressing and distributing the scope of use by authors themselves. In this study, five interface areas and fifteen evaluation items were selected to analyze the interface types and characteristics of the Korean shared work platform, and analyzed based on the national operating platform. We will analyze and compare the situation of the web interface of the Korean shared works by analyzing the types and characteristics of the web interface of the public opera platform, the Gongu-madang, Gonggong-nuri and private leader, Europeana.

• Korean Institute of Interior Design Journal
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• v.19 no.1
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• pp.190-199
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• 2010

Nowadays the increasing improvement of quality of life have been required more diversified housing environment. And it also focused on concern about Korean traditional housing style, Hanok. There were several studies applied to traditional style design on Hanok. but few on Hanokstyle apartment. So the purpose of this study were to identify the consumer awareness on Hanok style apartment plan and its design details. The research were done by questionnaire methode. It were distributed to 130 city and rural residents. 109 questionnaires were analyzed by frequency, Percentage, $x^2$-test, F-test, ANOVA, t-test, and factor analysis. The major results were as follows. First, 70% of respondents revealed their intention to live in Hanokstyle housing if it has improved conveniency and lowered maintenance expenses. Second, they preferred under 5 story row house type or apartment type Hanok located in suburbs. Third, Hanokstyle apartment characteristics were expected to have visual openness, good view, traditional decor, functional, rhythmical and transitional space. And also they wanted traditional Madang(inner garden) and Maru(a wooden floor room) located next to living room.

• Journal of the Korean Institute of Landscape Architecture
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• v.21 no.4
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• pp.101-111
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• 1994

This study deals with the degree of enclosure on the Court Space in 'Suh-Won' that has warious perceptual composition elements. 1. The size of Court Space in which we can read the complexion of others and easily understand every behavior of them is similar to that of the 'Madang' in the Korean traditional houses. 2. The angles of elevation are within the range of suitable enclosure as going from the center of the court Space to 'Kang-Dang' and the space -from the center of the Court Space to 'Kang-Dang'- is restricted and surrounded. It is also within the range of the least enclosure as going from the center of the Court Space to the 'Mun-Ru'. 3. The degrees of enclosure based on the horizontal angle are within the degree we can perceive the objects of structure easily. 4. The degree of enclosure based on the ratio D/H is increased as approaching from 'Mun-Ru' to 'Kang-Dang'. The distance as approaching from 'Mun-Ru' to 'Kang-Dang' is changed from social distance to personal distance. To conclude this the Court Space in 'Suh-Won' represents the hierarchical system with variety and the degree of enclosure and the size of space are within the range of human scale.