• 제목/요약/키워드: korean traditional furniture

검색결과 164건 처리시간 0.021초

국립수목원 산림박물관 소장 전통 목가구의 연륜연대 및 수종 분석 (Analysis of Species and Tree-Ring Dating of Traditional Furniture in Forest Museum of Korea National Arboretum)

  • 이현채;이광희;황근연;이해주;김희채;김성식;손병화;남태광;김요정;박원규
    • 한국가구학회지
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    • 제23권1호
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    • pp.84-94
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    • 2012
  • We present the species and the dendrochronological dates of Korean traditional furniture in Forest Museum Collection of Korea National Arboretum. Seven of thirteen were successfully dated. Chest with a flap door (84-55-1) was dated A. D. 1623. Others dated were cabinet (83-41-1: A. D. 1759), Chest with a turnover door (83-39-1; A. D. 1801), Cabinet with two horizontal section (88-39; A. D. 1843), Rice chest (82-27-3; A. D. 1849), Cabinet with two horizontal section (83-40-2; A. D. 1877), Chest with a flap door (84-50; A. D. 1918). Most of existing cabinets were made in 1800s. The 84-55-1 chest was one of the earliest pieces of furniture in the collections of Korea museums. The furniture is usually composed one species. The major species was Pinus densiflora. Bedside cabinet (83-41-1) and Cabinet with two horizontal section (88-39) were made from Korean pine (Pinus koraiensis). Becasue they were dated by the tree-ring chronology of Mt. Bekdu, the timber of their boards could be from the area of Mt. Bekdu.

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전통목가구의 연륜연대 측정: 뒤주의 사례연구 (Tree-Ring Dating for Korean Traditional Furniture: A Case Study on Rice Chests)

  • 김요정;김수철;박원규
    • 한국가구학회지
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    • 제18권3호
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    • pp.188-194
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    • 2007
  • Tree-ring dating can be used to date scientifically prehistoric timbers, historical buildings or woodcrafts. It can give a calendar year to each tree ing and produces the felling dates of logs or wood panels. In this study, we applied tree-ring dating to three rice chests, whose dates of manufacturing are unknown. According to the shape of frame, we assumed that they should be made in Cholla Province. The last rings of the woods of three rice chests were dated A.D. 1830, A.D. 1870 and A.D. 1901, respectively. Tree-ring patterns indicated that two of them were collected from Kangwon province.

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한지(韓紙)를 이용한 사랑방가구 디자인 제안에 관한 연구 - 전지기법(剪紙技法)을 중심으로 - (A Study on Suggestion of Sarangbang Furniture Design Using Korean Paper - Focus on paper cut technique (剪紙技法) -)

  • 김지수;윤여항
    • 한국가구학회지
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    • 제27권2호
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    • pp.145-153
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    • 2016
  • Today, furniture design, which is changing and diversified, a movement to search a new formative world while reviving our traditionality is continuously proceeded, that implies a new possibility in our culture. In respect of such diversified materials, Korean traditional paper, Hanji (韓紙), has already been acknowledged with its excellence. Also, Hanji is a material that fully contains aesthetic consciousness of Korean people, accordingly, this research investigated and analyzed mainly with Sarangbang furniture among Joseon antique furniture, in order to study the possibility of Hanji decorated furniture as the objet in our interior space. This research utilized Paper cut technique (剪紙技法) among Hanji Crafts technique of expressive elements of Sarangbang furniture using Hanji, which is to make patterns and attach them by cutting out or engraving colored papers using scissors or graver to the wooden frame (白骨). Through this, this research could investigate production process utilizing Paper cut technique, also, Sarangbang furniture utilizing such Paper cut could be settled down as the objet with functional aspect and aesthetic completion in our interior space. Also, the researcher presents value of our original furniture by suggesting final output and considers that systematic researches should be conducted continuously on furniture henceforth utilizing Paper cut technique.

한국전통가구의 금속 손잡이 영문표기 연구 - 한국 및 서구를 중심으로 - (A Study on Terminology of Metal Handles in Traditional Korean Furniture - Focusing on Korean and Western Furniture -)

  • 문선옥
    • 한국가구학회지
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    • 제23권4호
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    • pp.449-459
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    • 2012
  • The article aims to making a comparison between traditional Korean and Western furniture metal handles to give the detail information of the handle terms by analyzing the related literature including internet and interviews. In terms of that, the Korean and Western metal handles are compared in the types, components, materials, methods, and terms affecting the development made by the craftsmen before the Industrial Revolution about the mid or late 18th century. As a result, first, ring and drop pull handles were mostly and wooden knobs were a little used to open the furniture doors and drawers. The Korean drop pulls, Deulswae, came out after the ring pulls, Gori, while the Western drops called loop or bail handles as well, came out before the ring pulls. Second, the components were composed by ring, Gori, loop or bail, Deulswae, Post, Baemok, washer, Baemokbatchim, and backplate, Deulswaebatchim. Most of the Western handles were fastened by the bolt and nut, while the post of two strips, Baemok, fastened the Korean metal handles. Third, the metal handles were created of brass and iron mostly, gilded gold and silver. Forth, the method were largely used by casting, engraving, forging, plating, and hammering in the Korean handles, and by casting, molding, engraving, and stamped in the Western handles. Finally, the terms such as "knobs, pulls, drops, ring and drop pulls, loop or bail handles, posts, washers, backplate, casting, molding, engraving, forging, plating, and stamped" were clarified by the two comparison in Korean and English.

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현대가구에 나타난 모듈라 시스템에 관한 연구 (A Study on the Modular System in Contemporary Furniture)

  • 박영순
    • 대한가정학회지
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    • 제20권1호
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    • pp.79-85
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    • 1982
  • The objective of this study is to apply the modular furniture system, which has been developed actively in western Europe and America since 1970's, to Korean contemporary furniture having converted into western style gradually. The factors requiring the modular furniture system in today's residential environment are as follows; 1. Population increase and urbanization 2. Development of industrial technology 3. Improvement of living condition and change of life style. As these factors increase the problem of diminishing space, multiple functional modular furniture concept has become a solution. Reviewing the current scene of the western modular furniture system, it is classified into modular seating system, mopular wall system, modular commode system and modular storage system. Korean wardrobe, which is am mixed style of traditional and contemporary furniture, should change to a closet eventually because of the grand size and unpractical use of space. Since most Korean family, however, have wardrobes already, it will be necessary to have a turning period to systemized the closet space in Korean residential interior. For the turning period, application of the modular wall system would be one answer to substitute the wardrobe.

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인도네시아 레스토랑에 나타난 전통 공간구성요소의 현대적 표현 특성 (The Characteristics of Comtemporary Expression of Traditional Space Components Appearing in Indonesian Restaurants)

  • 강유나;오혜경
    • 한국실내디자인학회논문집
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    • 제20권6호
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    • pp.254-261
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    • 2011
  • The purpose of this study was to investigate the characteristic as to how the Indonesian traditional space is expressed in a contemporary space. As for the study method, We visited 12 Indonesian restaurants in Jakarta from Oct. 16 to Oct. 20, 2010 for a case study. The study result is presented as follows: First, as a factor of facade components, the roof part revealed its identity as a Joglo structure. Walls, windows and doors reflected Indonesian tradition, or were transformed in passive or aggressive ways. Second, as a factor of interior space components, ceilings were predominantly designed by reflecting a structural exposure ceiling or Tumpang Sari as it was or by passively transforming them; Interior walls, windows and doors were transformed in aggressive ways. Third, regarding the factors of interior decoration components, traditional furniture was not used, but instead, furniture with contemporary form and local materials were dominently used, and traditional accessaries were used as they were. Therefore, in the case of designing spatial componentss in Indonesian restaurants located in Jakarta, roofs and ceilings, floors, furniture, and accessaries reflected Indonesian tradition, or were passively transformed, whereas walls, windows, doors, and some ceilings aggressively reflected modernized tradition so that they were formed in harmony with traditional and contemporary styles.

공예적 융합(Craft Consilience)의 가구디자인 연구 -자수기법 및 민화를 이용한 가구디자인- (A Study on furniture Design of craft consilience- Furniture design using embroidery techniques and folk tales)

  • 송윤섭;최기
    • 한국가구학회지
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    • 제21권4호
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    • pp.293-303
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    • 2010
  • With changing systems of wealth creation around the 21st century, crafts(traditional and industrial crafts) are affected by the trend of changes or lead the trend, that is to say, a turning point of paradigm has come. Values of crafts give the value of users, and the tradition and modern coexists in the trend of times changing from the tradition to the modern so crafts artists’ works are diversified and used in design industries. Based on a place of expression showing various beauty of crafts, identity of design is established through ‘Craft Consilience’ of intangible cultural assets, master craftsman, crafts artists, crafts industries, and crafts departments. As master craftsman and furniture designers meet together to mix master craftsman’s idea with designers’ idea, the new Korean crafts furniture is suggested.

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조선조와 모더니즘의 가구디자인 비교연구 - 사상과 디자인을 중심으로 - (A Comparative Study on Furniture Design of Chosun Dynasty & Modernism - Focused on Thought & Design -)

  • 김건수
    • 한국가구학회지
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    • 제18권1호
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    • pp.1-12
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    • 2007
  • Korea has a dark age in terms of culture in the last 20th century. Korea had been struggling between the Great Powers of the world in the imperialism and had sacrifice to keep our own culture itself. Japanese imperialist's a invasion, culture liquidation by Japan, Independence from Japan, Korean war and Influence by US are major bitter historical affair after close of Chosun Dynasty in the process of modernization. Therefore Korea couldn't stay in the center of world cultural core parts and was degraded as cultural consumption country which was provided oversea culture by other countries. Then Korea couldn't develop our unique traditional idea and culture. In the meantime there are both extreme phenomena; one is expulsion of other cultures absolutely and the other is only following western culture unconditionally like trimming policy in the end of colony age. These discreet and unfiltered western culture had been influenced Korea culture over the wide range strongly and resulted in cultural colony situation to produce western imitation culture without philosophy and traditional spirit. Even though Korea has met opportunity in the culture, we called "Han Trend", no formation of own culture is main reason for psychological panic. Korea furniture design is one of parts of lost of tradition culture and typical parts in reproducing western imitation culture. As a result furniture industry's major reason for loss value as exporting industry compared to other industries result in most of the furniture products without our unique identity. This situation become more deepen unfortunately. This report would like to suggest the direction of design with global competition capability and cultural identity to boost Korean furniture design industry by comparing, analyzing and speculating between design of Chosun dynasty and philosophy of modernism in western.

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고가구에 대한 현대인의 사회 심리적 관심 요인 분석 (Analysis of Sociopsychological Interest Factors in Antique(Yi-dynasty) Furniture for Modern Living)

  • 윤복자
    • 대한가정학회지
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    • 제17권2호
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    • pp.39-47
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    • 1979
  • The objective of this study was to examine antique furniture in the cultural tradition. Through a survey of use and interest in antique furniture for modern living. the methodology included a review of literature in order to determine characteristics of wood furnitures of the Yi-dynasty. A survey of use and interest in antique furniture for modern living was also conducted. The study of interest in antique furniture was limited to five factors of sociopsychological variables : traditional, aesthetic , status symbolic ,economic, and fashionable. Questionnaires were given to the randomly selected men and women in Seoul. Data from 289 respondents were analyzed by $X^{2}$, analysis of variances and correlation. The results were 1) Wood furniture of the Yi-dynasty continued to be of practical usefulness, Antique furniture, therefore, had multiful functional , practical , and aesthetic usefulness in modern living. 2) Interest in antique furniture today was not related to possession or nonpossession, age, and occupation but was related to educational level and socioeconomic status. Suggestions for further research include the study of the organized history of Korean furniture in form, color, materials , and texture. And also included the use additional factors in further research on the study of interest in antique furniture.

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실용가구용어사전 편찬을 위한 연구 1 (Study for Encyclopedia of Furniture Ⅰ)

  • 문선옥;조숙경;전수경;강호양;한규성
    • 한국가구학회지
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    • 제21권4호
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    • pp.338-346
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    • 2010
  • This study intends to gather terminology as a first step for encyclopedia of furniture from four areas such as traditional Korean furniture and architecture, modern and contemporary furniture, wood science, and wood culture by each expert. Since China, Japan, America, and European countries have chronologically influenced domestic furniture culture, the furniture terms are currently used by mixed languages such as Chinese characters, Japanese, English, Russian, Korean, etc., in the furniture fields and education. Domestic furniture companies and schools have had lots of difficulties in carrying out works due to the furniture terms not unified. This paper carried out through domestic furniture fields, internet, and furniture books from the inside and outside of the country, including the references of architecture, interior, crafts, and wood science and culture in order to research the terminology, results in the confusing language use of furniture terms at the furniture companies, schools for furniture education, and wood workshops having their own furniture terms. Therefore, for unified and standard furniture terminology, the terms gathered must be reviewed and conformed through the committee composed with the relevant experts so that it will be able to help the relevant business and education carry out their work better.

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