• 제목/요약/키워드: gold-silver

검색결과 405건 처리시간 0.026초

중국 윈남성 소수민족 복식의 장신구 특성 - 바이족(白族), 좡족(壮族), 다이족(傣族), 장족(藏族), 하니족(哈尼族)을 중심으로 - (Characteristics of fashion accessories of minorities in Yunnan, China - focused on Bai, Zhuang, Hani, Dai, and the Zang nationality -)

  • 조선맹;윤정아;이연희
    • 한국의상디자인학회지
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    • 제20권1호
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    • pp.109-124
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    • 2018
  • This study focused on the accessory of clothes of minority groups in Yunnan province to further the research about specific accessories' development in the future. Among the minorities in Yunnan, this study centralized characteristics of ornaments, hats and belts among five minority groups such as the Bai, Zhuang, Hani, Dai, and the Zang as representatives to study in detail because these five ethnicities have a relatively long history and plentiful information. The results are as follows: First, exaggeration means large gorgeous patterns that attract attention. Generally, there are many natural resources that can be used in places where these minority groups live such as gems, gold, silver shells and animals' horns, bone, teeth and the like. Headdress includes combs, loops, hairpins and other similar articles. Second, nature is a very fundamental part that people rely on for existence and development. The production and living that people need in life all depend on nature. The design of accessories is made from animal forms and patterns of clothes are presented through embroidery and wax printing. Designers always tried to add natural elements to their works. Third, symbolism consists of two aspects: One is the people's imagination, which related to actual materials, and the other is the product of imagination that provides better conditions to inspire people when they design. In China, most minority groups believe in Buddhism. The symbols in the clothing show their devout faith. Even the method of wear has many special implications like the use of accessories and length of clothing. The pattern of dragons and use of golden, red and other colors all have a proper symbolic significance in modern designs.

Evaluation Indicators for Green Libraries and Library Eco-friendliness

  • Noh, Younghee;Ahn, In-Ja
    • International Journal of Knowledge Content Development & Technology
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    • 제8권1호
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    • pp.51-77
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    • 2018
  • This study aimed to determine eco-friendly factors on the aspects of library service, materials provided or handled by the library, and programs including educational programs. Furthermore, it was setup to perform a trial evaluation for the eco-friendliness of the library based on the determined evaluation standards by this study. Results are as follows; First, regarding the question of 'Do employees of the library think that establishment of green libraries is necessary?', the employees of the libraries responded yes by 65.52%, but only 4.6% responded that it would not be necessary. Second, in analyzing the most important evaluation areas of green libraries according to the opinions of the libraries' employees, they were ranked in order: the indoor environment, energy and prevention of environmental pollution, and material and resource areas. Third, 11 areas were determined to evaluate the level of greening in the libraries; the highest averages were scored 510 for the area of energy and prevention of environmental pollution, 415 for the area of library resource, and 320 for the area of indoor environment. Last, the libraries were graded based on actual data according to the results to measure the level of greening, two libraries were graded as Diamond, the highest grade, accounting for 15.39% of all libraries; Gold and Silver grades accounted for another 15.39%, together five Certified graded libraries accounted for 38.46%, which was the highest rate among the libraries. Any library scoring less than 20% when compared to the full score was graded as Non-certified, and one library, which scored 15.06% fell into this category. The results of this study set up to serve as basic data for the direction of development for green libraries in our country, as well as reference for the employees of libraries in constructing or remodeling library buildings, establishing service infrastructure, providing information service, and planning library duties in an eco-friendly way.

은조사 구장복의 채색안료 분석 (Analysis of Paint Pigments on King's Silk Ceremonial Robe with Nine Symbols)

  • 윤은영;강형태
    • 박물관보존과학
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    • 제15권
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    • pp.66-77
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    • 2014
  • 국립중앙박물관에 소장되어 있는 은조사 구장복은 조선 말기에 고종이 착용하였던 것으로 기록된 구장문이 그려진 대례복의 하나이다. 이 장문은 왕이 나라를 통치함에 있어 필요한 덕목을 상징적으로 표현한 것으로, 적색·황색·청색·녹색, 회색의 안료로 채색되어 있다. XRF 분석 결과, 적색 안료는 진사/주, 황색 안료는 금·황동, 청색 안료는 청색 유기안료와 연백, 녹색 안료는 구리-비소로 구성된 합성안료인 양록, 회식 안료는 은으로 판단되었다. 또한 유사한 시기에 제작된 국립중앙박물관 소장 적의본과 폐슬본의 안료 성분을 비교 검토한 결과, 차이점과 유사점을 확인할 수 있었다. 이러한 분석 결과는 19세기 말 궁중에서 사용된 안료에 대한 기초적인 자료로 활용할 수 있을 것으로 기대된다.

三國史記의 服飾硏究 Ⅵ -色服의 服飾 附屬品을 中心으로- (A Study on the Costume Accessories of Shilla in Sam Kuk Sa Ki(三國史記))

  • 김진구
    • 복식문화연구
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    • 제7권3호
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    • pp.1-16
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    • 1999
  • This study in concerned with the costume accessories appeared in Sam Kuk Sa ki. The accessories of both sexes were analized. Results of this research can be summarized as follows : It was appeared that names of accessories of men were fewer in number than those of women. Men\`s accessories such as a hat, bok-du, a belt,boots, shoes, and sock were mentioned in Sam Kuk Sa Ki. Women\`s accessories appeared such as a hat, a comb, a hair pin, a belt, shoes, and sock. A bok-du, boots, and a hared belt were used exclusively by men, while a hat, kwan(冠), a comb, a hair pin, a scarf, pyo( ) were worn exclusively by women. All men from different classes including true bone class as well as the common class wore bok-du, a hat, a hard belt, boots, sock ; however, class distinctions were made from materials used for those items. Also women\`s accessories were used as means of differentiating social status of the wearer by means of materials employed for each item. Especially, woman\`s hat and scarf were a symbol of the noble class. Only two classes of women from the true-bone class and women from the sixth du-pum class entited to wear hats. Wearing a scarf was not allowed to women from the common class. Class dirrernetiations were made by the materials used for hats and scarves. Materials for a scarf such as gold and silver leaf, pecock tail, and king fisher fly feather were restricted to women from true-bone class. Such as man\`s hat bok-du( 頭), use of women\`s comb and hair pin, scarf, leggings were items drived from Tang China. It clearly showed that costume accessories of Silla were heavily influenced by the Chinese. At the same time the costume accessories were sued to make sex difference among the people of Silla. Woman wore a soft belt made of cloth while man wore a hard belt. Woman\`s hat, a scarf, a comb, a hair pin, a belt or sash for a shirt, and leggings were woman\`s sex symbol. Thus, costume accessories of Silla appeared in Sam Kum Sa Ki functioned as means of differentiating social status of the wearer such as sex,class and rank in the society. Also, they showed that Silla kingdom had close cultural relationship with Tang China.

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신라시대 천마총 출토 직물의 유형과 특성 -현 경주박물관 소장직물을 중심으로- (Type and Characteristics of fabrics excavated from Chonmachong of Shilla Era - focused on the fabrics which are in the Kyongju Museum′s collection -)

  • 권영숙;조현혹;장현주;김종오
    • 복식
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    • 제50권7호
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    • pp.129-139
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    • 2000
  • The Chonmachong (Tumulus No. 155 in Whangnam-dong, Kyungju, Korea), which was unearthed in 1973, is an ancient tomb built in the Shilla Era between the 5th∼6th centuries by the method of Juk-suk-mok-gwak. With the excavation of this tomb more than 11,500 articles of luxurious and splendid relics including gold and silver ornaments, weaponry and horse gears were obtained. Among the excavated articles, the saddle flap with a drawing of flying horse on it is the first relic of its kind from the Shilla Era. and 'Chonma'(a flying horse), the name of the tomb. was named after this drawing. The saddle flap is highly valuable in that it provides the idea of how goad the people of Shilla were at drawing. Although a lot of researches have been released about the relics from the Chonmachong, this study is to focus on the fabrics from the excavation, all of which are in the Kyongiu Museum's collection. The findings of this study are as follows : 1 The subject of this study is mainly on the fabrics used in horse gears, the pieces of cloth that were used to spread on a saddle or to underlay beneath a saddle. As the Shilla Dynasty tried to restrict excessive ornamentation on horses and it is assumed that the fabrics used are different. according to the social status. 2. The subject articles are four plain fabrics, three fabrics of combined -construction and one braid, the warp-faced compound woven silks of combined-construction was found for the first tinge in Korea, and is the typical quality sick with patterns woven with dyed threads in different colors. 3. It is ascertained by the Chonmachong excavation that polychrome woven silk was used not only for the clothes of the upper classes but also for the ornaments of their horses in the Era of the Three Kingdoms.

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흉노(匈奴)의 복식문화에 관한 연구 (A Study on the Costume Culture of Xiongnu)

  • 김용문
    • 복식
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    • 제63권3호
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    • pp.1-16
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    • 2013
  • Xiognu people were the first of the Central-Asian nomads to establish a nation in 209 B.C. They always moved around looking for places to breed their animals and fertile grounds, so they wore clothes made of fur and leather and covered their tents with felt from the livestock. This research studies on the literatures, costumes and the achievement of archaeological excavation. Furthermore, to investigate on costumes excavated of Xiongnu, we visited the Mongolian National Museum and the Hermitage Museum. A corn-hat made of felt, a felt hat with ear flaps and a golden crown with a bird on the top were unearthed from a tomb of Xiongnu in Inner mongolia. Women usually wore pigtails, and men wore pigtails or ponytails but they cut their hair short when holding a funeral. Many pigtails discovered in Noyon uul tombs can be considered as their funeral customs. The Xiongnu wore a round or v-neck caftan attached straight sleeves reaching knees in the left folded style, and because they always rode horses, having the length of the caftan not go past their buttocks would have made it more convenient for them. During the period of Western Han, Ho refered to Xiongnu and it became a common name for northern races. They used leather belts and an animal-designed buckle was found. Women commonly rouged their cheeks for a vivid and cute look, and many ornaments were excavated including bracelets, rings and decorations made of gold, silver, copper and jade, among which there were hair ornaments used to identify one's class. A horse pattern with wings and a horn of Golmod T20 was substitution for the Schythian use of deer. Patterns or shape of unearthed articles present in the Xiongnu culture in Noyon uul had a close relationship with Altaic, Greek and Persian cultures. The Xiongnu clothing was made of animals' skin and fur, woolen textiles and felt. It was folded to the left for upper garments, and the pants were adjusted using a belt and shoes were made of leather, which was very suitable for protection against the cold and horse riding. Mobility played a significant role in their clothing.

멕시코 시나올라주의 지질 및 금속광물자원 (Geology and Metallic Mineral Resources of Sinaola State in Mexico)

  • 남형태;허철호
    • 자원환경지질
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    • 제46권3호
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    • pp.257-266
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    • 2013
  • 멕시코 시나올라(Sinaola)주의 지질은 하부로부터 선캠브리아기 변성암(Sonobari Complex), 두 개의 고생대층(하부: 미분화된 변성암, 상부: 석탄기 퇴적암), 변성화산암, 쇄설암, 탄산염암으로 구성된 5개의 중생대층, 화산암으로 구성된 신생대 암석, 제 4기의 쇄설성 퇴적층과 화산류로 구성되어 있다. 시나올라주는 잠재적으로 금속광물자원이 풍부하며 비금속광물은 적은 편이다. 광상들은 다양한 지질환경과 관련되어 있고 지형학상 시에라 마드레 옥시덴탈(Sierra Madre Occidental)에 부존되어 있는 것이 특징적이다. 주로 알려진 광상은 금과 은이며 뒤를 이어 아연, 연, 동과 일부 철이 분포한다. 시나올라주는 가끔 가행하고 있는 몰리브데늄, 텅스텐, 비스무스 광상도 부존되어 있다. 니켈과 코발트도 부존이 알려져 있으나 단지 소규모로 개발되었음이 보고되고 있다.

아프로 패션에 관(關)한 디자인 연구(硏究) (A Study Conceming the Designs of the Afro Fashion)

  • 김지은;조규화
    • 패션비즈니스
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    • 제2권1호
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    • pp.25-34
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    • 1998
  • This study has it's purpose in examining the materialized background. characteristic of African traditional costume and the A fro fashion of the year 1960. and it's influence on the contemporary fashion. Then the findings are applied to suggest a new way of image creation. 1960' s was the year in which people tried to free oneself from the ruling culture of the social standards. war. and the development of science. By such movement. people started to get interested in the environment and ecology. This then lead to the interest of the rights of the minority. With the youngs as the central figure A fro hair style and dashiki appeared as the street fashion. The characteristics of African costume applied to A fro fashion in 1990' s is as below. First. the North African style. Djellaba. and wrap style in the most common silhouette. Second. heavy materials such as stone. copper. silver. and gold are used. Necklace can be classified according to it's simple but. modern style. delicate but grand style. Bracelets are however. broad in width and many rings are worn widely. Third. Multi colored stripe and prints inspired by tattoo and deformation using red brown. dark beige. and orange are printed on textiles such as see through. Fourth. image of tattoo and deformation are applied to make-up. A fro hair and corn beads are also African taste. Fifth. African taste in recent fashion showed off the black beauty by appointing black models at the collection. In analyzing the study done above. characteristic images of African costume. accessaries and body painting was applied in presenting 3 creative designs. The first design named "Geometric I", took it's motif from the geometric pattern of the body painting with the afro hair. "Geometric II", the second design, showed it's application of geometric pattern of mutilation and the silhouette of the costume by using the see through. The third design called the "Geometric III" showed that the aesthetic and decorative side of clothing can be satisfied by applying various form and color of accessaries as the motif. A fro fashion is chosen as one of the folklore mood and it's beauty is conveyed on till today.

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고려시대 경상(鏡像)의 보존처리와 표면기법 조사 (Conservation and Investigation of Buddhist Image Engraved on the Bronze Mirror(Gyeongsang) in Goryo Period)

  • 조남철;허윤현;권혁남;유혜선;허일권;안주영
    • 박물관보존과학
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    • 제5권
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    • pp.23-30
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    • 2004
  • 고려경상들은 1986년과 1996년에 1차 보존처리하였으나 소장품 점검과정에서 분말화된 동제부식물을 발견하였고 이에 대한 재처리가 필요한 상태였다. 따라서 안정화와 강화처리 등의 보존처리를 실시하여 더 이상의 부식이 진행하지 않도록 하였다. 또한 경상표면의 문양을 채우고 있는 분말과 조금(彫金)기법을 실체현미경과 휴대용X-선형광분석기로 조사한 결과 경상의 문양을 채우고 있던 분말은 금분, 은분, 호분(또는 석고) 등이며 또한 경상표면의 문양을 시문한 주된 조금(彫金)기법은 점선조각, 모조각(삼각선파기와 둥근선파기), 축조각 등을 사용하여 표현한 것으로 보인다.

모악 금·은광산에 방치된 폐석이 주변 수계 및 생태계에 미치는 환경적 영향 (Environmental Effects on the Hydrologic and Ecologic System around the Wasted Ore Dump of the Moak Gold-Silver Mine)

  • 나춘기;전서령
    • 자원환경지질
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    • 제28권3호
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    • pp.221-229
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    • 1995
  • The heavy metal contents and their dispersion patterns in stream water, stream sediments, land plants and aquatic larvae collected from the hydrologic system flowing via the wasted ore dump of the Moak Au-Ag mine were investigated systematically in order to evaluate the environmental impacts of the abandoned metal mine. The heavy metal content increases abruptly in the vicinity of the wasted ore dump, then attenuated with increasing distance from the mine area. Attenuating rates were stream water > stream sediments > land plants > aquatic larvae. On the other hand, the cumulative content of heavy metals was stream sediments >aquatic larvae > land plants > stream water. Each element tends to be enriched selectively according to media; Zn > Cu > Cd > Pb in stream water, Zn > Pb > Cu > Cd in stream sediments and land plants, and Zn > Cu > Pb > Cd in aquatic larvae. These results show that the degree of enrichment and dispersion of pollutant extruded from the wasted ore dump are different according to elements and media, and that the circulation system of materials of each medium is different. The heavy metals, especially Cu, Pb and Zn, of polluted downstream sediments occur in high proportions of Fe-Mn oxides and organic bounded forms, which show high potential of a secondary pollution source. The content of heavy metals and their dispersion patterns in stream sediments are different from those of ten years ago; pollution levels of heavy metals were degraded in various ranges. The Zn and Cu-polluted areas were widened whereas Fe and Pb-polluted areas were reduced. In crops collected from the farm lands in downstream area, the pepper was more concentrated in all heavy metal than rice. The pepper showed some contaminated level in Cu(9.7ppm) and Zn(149ppm), and the rice in Zn(90ppm). However, both crops showed no significant level in Cd(<0.2ppm) and Pb(<0.5ppm).

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