• 한국의류학회지
• /
• 제33권9호
• /
• pp.1361-1373
• /
• 2009

This study analyzed female motives and psychological experiences related with high-heeled shoes. Data was collected through in-depth interviews with seven females having more than forty pairs of high-heeled shoes. Exploratory data are classified into physical aspects and mental aspects, and the meaning of wearing high-heeled shoes were derived and discussed. First, with high-heeled shoes, the participants tried to make an ideal physical appearance, 1) to make an aesthetic illusion of a longer, more slender body 2) to make a more glamorous bodyline and toned legs. Second, the psychological experiences were as follows: 1) Wearing high-heeled shoes, they felt self-confidence in appearance and had feelings of satisfaction, fulfillment, and superiority. 2) High-heeled shoes gave wearers an increased sexual appearance in addition to a feminine attitude and independent mind. Accordingly, wearers thought they could make males compliant with a better sexual look in private and public life. 3) Through buying or putting on high-heeled shoes, women could change their mood, have mental stability, and channel sexual desires. 4) Some women made the secret self with the collected high-heeled shoes for sexual fantasies. 5) They thought that painful bodies or feet were not cumbersome. In addition, some wearers thought high-heeled shoes were a natural extension of their bodies.

• 한국콘텐츠학회논문지
• /
• 제13권9호
• /
• pp.260-269
• /
• 2013

오늘날 남성노인들은 급변하는 세태에 적응해가면서 성역할정체감의 위기를 경험할 수 있으므로 이들의 관점에서 성역할정체감을 이해하기 위해 그 유형과 특성을 파악하고자 하였다. 주관적이고 개별화된 경험으로서의 성역할정체감을 확인하기 위해 Q 방법론을 적용하였다. 남성성과 여성성을 나타내는 40개의 Q표본을 이용하여 40명의 남성노인을 대상으로 자료 수집 및 분석을 실시하였다. 남성노인의 성역할정체감은 다음 네 가지 다양한 유형으로 확인되었다. 파워 표출형은 전통적인 남성성의 특성을 나타내는 유형으로 일을 추진함에 있어서 박력이 있으며 용감하고 지배적인 성향으로 카리스마를 겉으로 표출한다. 파워 과묵형 남성노인은 독립심이 강하고 소신이 있으나 이를 드러내기 보다는 묵묵히 행동으로 표현하는 성향을 지니고 있다. 파워 온정형 남성노인은 추진력 있게 큰 일을 잘 처리하며, 부드러운 성향의 소유자이다. 온정 돌봄형 남성노인은 가정과 아이를 돌보는 것에 보람을 느끼며, 남을 먼저 생각하는 이해심과 참을성이 있으며, 유순하고 부드러운 속성을 지니고 있다. 본 연구에서 분류된 노년기 남성의 성역할정체감 유형에 대한 결과를 바탕으로 성역할정체감 유형 별 심리사회적 적응양상, 건강행위, 신체 건강과 정신건강상태에 미치는 영향을 규명하는 연구가 필요하다.

• 디자인학연구
• /
• 16호
• /
• pp.225-234
• /
• 1996

본 연구는 최초의 합성염료인 보라색을 중심으로 보라색의 유래 및 이미지를 고찰하고 그 이미지의 특성을 규명함으로서, 디자인에 활용할 수 있는 보라색의 종합적인 색채 자료를 제시하는 데 있다. 본 연구의 결과는 다음과 같다. 1) 색 이름의 특성에 의한 고찰 결과, 보라색은 퍼플, 바이올렛, 모브, 마젠타 순의 색 명으로 사용되어왔으며, 어두운 붉은 보라계열에서 합성염료의 개발에 의한 밝은 보라계열까지로 확대되어 온 것으로 나타났다. 2)보라색은 색채 표현적 특성상 심리적, 상징적, 감성적으로 양극단의 성격을 지닌 빨강과 파랑이 혼합되어 양면적인 속성을 지닌 중성 색으로 나타났다. 이에 따른 긍정적인 이미지는 고귀한·신성한·신비한·수면·진정·관능적·여성적, 향기로운 이미지로 분류될 수 있었으며, 부정적인 이미지는 연약함·슬픔·우울, 죽음(왕가의 상복), 타락한 힘의 상징, 미신 등의 이미지로 분류될 수 있었다.

• Human Ecology Research
• /
• 제57권3호
• /
• pp.395-406
• /
• 2019

This study examined what meaning East Asian women showed in their costume history through a discourse of hair adornments such as wigs and that Gache was not just a luxury decoration. In addition, we examined Gache hair trends with Eonjeun-meori (braid wraps around the entire head) in the Joseon dynasty (Korea), Gigye(旗?) hair in the Quing dynasty (China) and Mage(?) hair in the Edo period (Japan) during the $18^{th}$ and $19^{th}$ centuries. The significance of the phenomenon of East Asian Gache culture in the $18^{th}$ and $19^{th}$ centuries was analyzed from the internal desires of women. The details are as follows. First, the magnification by the hair decoration was identified with self-authority and used as a sign to express self-respect or a desire for self-esteem. The extended Gache was an external body extension to raise self-authority and increase activeness. Second, self-satisfaction through showing off was associated with a women's search for identity. There was excessive consumption to boast status, wealth and femininity, but the mania continued because women obtained psychological satisfaction by feeling that their sacrifices for the Confucian order were compensated. Third, the frenzy of Gache was accepted as a way for women to resist social regulations and find themselves as main participants in social activities. Showing their appearance in East Asian Gache culture was a way of inner self-searching and a process for women to find themselves as a social entity.

• 비교문화연구
• /
• 제25권
• /
• pp.363-389
• /
• 2011

Modern Chinese Literature, the so-called 'feminist' is a very modern and the traditional criticism and took an important position in the double action. Because a woman's freedom from the bondage of traditional ethics of restoring the social status equal to men but to women does not give, that compared to men and women just the dimension of the problem of isolation is not just. It is dominated by yugajeok worldview by streamlining the whole Chinese society to build a modern society and the country was a critical task. However, multi-cultural life of Lin, Hui-yin and Ling, Shu-hua in the history of the world's attention to the shrine was worried attention to soils, rather than East-West dualism law by taking a mixture of both women in modern Chinese literature and Western literature from the center of efforts to overcome the traditional point hayeotdaneun feminist literature that may be different. Lin, Hui-yin and Ling, Shu-hua to overcome the Western-oriented culture really the true dream of China's globalization and localization could be regarded. She naesewotdeon the banner of feminist literature in the traditional 'anti feudal', 'free personality' silcheondoen under such slogans as well as women's liberation from traditional, male-oriented perspective away from the women's unique experiences and new understanding of the value of the superiority the concept of a woman, and was to create. In particular, the femininity of these women who traditionally associated with women and the unique culture - the creation of a new consciousness, a re-evaluation of traditional feminine skills and talents was to try to.

• 동의신경정신과학회지
• /
• 제30권3호
• /
• pp.153-164
• /
• 2019

Objectives: The purpose of this study was to examine the correlation between CSEI (The Core Seven-Emotions Inventory) and MMPI-2 (Minnesota Multiphasic Personality Inventory-2). Methods: We analyzed the correlation between students' demographic characteristics, blood type, MMPI-2, and CSEI using the SPSS (Statistical Package for the Social Science) 24.0. Descriptive Statistical Analysis, independent t-test, analysis of variance (ANOVA), subsequent analysis duncan (post hoc multiple comparison), and correlation analysis were conducted. Results: 1. According to the demographic characteristics of 91 participants in this study: 60 males (65.9%), 88 unmarried (96.7%), 58 without religion (63.7%), 54 who have experienced stress in the last three months (59.4%), and 82 in their 20s (90.1%) comprised the majority. 2. As a result of verifying correlation by subfactors of CSEI, Hui (喜) showed statistically significant negative correlation with U (憂), Bi (悲), and Gong (恐). Six emotions except Hui (喜) showed statistically significant positive correlation, except for the relationship between U (憂) and Kyeong (驚). 3. Hui (喜) of CSEI had negative correlation with eight factors of MMPI-2 Clinical Scales except Pa (Paranoia) and Ma (Hypomania), whereas Bi (悲) had positive correlation with nine factors of MMPI-2 clinical scales except Mf (Masculinity-Femininity). Sa (思), Bi (悲), and Gong (恐) had similar tendency of positive correlation with six factors of MMPI-2 Restructured Clinical Scales. Conclusions: Based on the above results, we concluded that CSEI's sub factors had consistent correlations with MMPI-2. Thus, CSEI could contribute to psychiatry clinical use.

• 한국의상디자인학회지
• /
• 제21권3호
• /
• pp.121-136
• /
• 2019

The fashion market is expanding and competition is intensifying due to the contraction of consumption in response to the economic recession and changes in trends. In this study, design characteristics reflecting the brand identity and trend are analyzed as important factors for success. In this study, we will look at the design characteristics of knitwear among SPA brand products and help to plan knit designs. First, six brands were selected based on the sales and the number of stores in domestic and foreign SPA brands. The selected brands include UNIQLO, ZARA, H&M, SPAO, TOPTEN, and 8Seconds. We have selected weft knitting knitwear products(1,736 pieces), which are currently sold in domestic and foreign SPA brands, as silhouette items, knitwear design items, gauges, colors, patterns, images, and items as analysis items to analyze the causes of the differences in the design characteristics of domestic and foreign knitwear. The SPA brand has a wide range of tattoo floors, emphasizing practical aspects, a silhouette that fits the body, and a comfortable daily style. Domestic and foreign SPA brands did not show much difference, but Korean brands had a lower diversity of organization and used color for stable sales, showing a lower concern in trend and strong point color applications. If foreign brands pursue femininity based on a sexy image, Korean brands displayed a difference, emphasizing cute images. As for other design factors, it was found that brand identity was reflected more than domestically. As the cycle of trends becomes shorter, fast fashion is expected to continue in the future, and it is hoped that this research will be used as useful data for design projects of domestic companies.

• 디지털융복합연구
• /
• 제19권5호
• /
• pp.407-414
• /
• 2021

본 연구는 1910~30년대 여성과 미술교육의 관계를 살펴보고, 여성이 젠더화된 미술교육을 통해 어떻게 봉건적 여성관을 허물고 여성에 대한 인식변화와 사회진출을 하였는지 살펴보고자 한다. 여성은 근대 교육을 통해 존엄성을 회복하고 자유와 남녀평등을 실현하기 위해 노력하였다. 그럼에도 불구하고 일제의 식민지 정책으로 여성은 부덕함양을 위한 수예(手藝) 교육을 받으며 다시 전통적 여성성의 공간으로 회귀하였다. 하지만 일본 유학을 다녀온 소수의 신여성들이 여성의 자립을 위해 수예보급에 앞장선 방법과 수예가 공식적으로 미술공예적 성격을 부여받아 전시공간으로 들어올 수 있었던 상황을 그 당시의 기록과 인터뷰, 신문기사를 통해 밝혀보고자 한다. 결과적으로 본 연구를 통해 수예교육과 여성성의 관계를 살펴보고, 여성을 사회적 존재로 성장시키는데 미술교육과 전시가 어떠한 역할을 하였는지 고찰해 볼 수 있는 계기가 되길 기대해 본다.

• 영어영문학
• /
• 제57권2호
• /
• pp.315-337
• /
• 2011

This paper aims to examine a truth about love - the close relationship between a person's passionate love and that same person's loneliness and suppressed desires, a relationship that Carson McCullers (1917-1967) portrays in The Ballad of the Sad Cafe. McCullers, one of several brilliant writers from Southern America, managed to overcome her cruel situation and showed deep insight into the human condition, particularly in regard to the relation between love and isolation. The Ballad of the Sad Cafe, like her other works, examines the spiritual isolation and the agony of love that three lovers experience. The love in this story is a triangular relationship among the three main characters, Amelia, Lymon and Marvin Macy. The distinctive characteristics of love described in this story are that each character falls into blind and passionate love for the person he/she loves, no matter how the beloved responds. Love also changes the lover, not the beloved, revealing the completely opposite nature of the lover. The opposite nature and the inner secrets that the love reveals about the lovers reflect their frustrated and suppressed desires, which is femininity and motherhood for Amelia, non-violent masculine power for Macy, and physical attraction and power for the hunchback, Lymon. These suppressed desires are rooted in the deep sense of frustration that they had to experience in their childhood. In short, the seemingly unconditional love of the main characters is not an ideal, altruistic love, but a reflection of their inner desires. This story, however, does not seem to criticize this kind of love but simply tries to give an honest picture of what love might be. It also admits that 'deformed' love is still better than no love (and consequently no stimulus) because what really damages and causes decay in human beings and in a community, is the state of boredom.

• 한국의상디자인학회지
• /
• 제25권2호
• /
• pp.1-16
• /
• 2023

Due to the current seriousness of environmental pollution and the eco-friendly movement of the fashion industry, research on sustainable fashion design is being actively conducted. In this study, consumer perception of upcycling products, are divided into image, function, and meaning; and image is further divided into shape, color, and material. It was redefined as pattern, and image recognition was evaluated among men and women in their 20s and 30s, and men and women in their 40s and 50s used as subjects. First, factors that determine each image were extracted based on qualitative analysis of the precedent cases of upcycling bags, and quantitative analysis of the subjects was induced through a questionnaire. As a result of the analysis of evaluation items related to image association, the average frequency analysis of all subjects for each stimuli and the cognitive variance of the frequency analysis by generation by gender were found to be similar. However, awareness of some stimuli by generation showed a significant difference. Overall, in the three stimuli with high overall preference, common features, such as the basic box-shaped symmetrical structure, the monochromatic color of the Munsell system, solid and practical texture, and appropriate use of patterns were identified. In addition, it was confirmed that there was a difference with factors such as femininity, simplicity, touch, and splendor in the measurement factors. In conclusion, it is considered that the main significance of this study is that it excluded the recognition and meaning of upcycling products and explored the original design and image elements of products. Therefore, it is expected that this study will be used as a basic data for responding to the gender image of each generation as an alternative method of sustainable fashion design, and it will be an opportunity to expand the scope of the study to a detailed study beyond the biased topic.