• 동굴
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• 제1권1호
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• pp.17-22
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• 1975

The Kosudong-gul Cave at kosu-ri, Daegang-myon, Danyang-gun, Chung Chong Bug-do, Province was surveryed by this author on the 3rd of Nov. 1973, 6th of Jan. 1974, 30th of Aug. and 13th of Sept. 1975 through over several times field trips. Yoechon-gul Cave at Yoechon-ri, Gagok-myon, Danyang-gun, Chung Chong Bug-do, Province was surveyed by this author on the 30th of August, 1975. The enviromental factors of both caves checked the siftations for air temperature, water temperature, moisture and pH, as well as the faunae f both caves and ecollogically studieel them. Kosudong-gul Cave (1) The environmental factors checked was the same as table 1. (2) The fauna is 5 classes and 18 species and they classified as Troglobite......2 species-11.1％, troglophile.....5 species-27.7％, and trogloxene....11 species.-61.2％. Yochon-gul Cave (1)The environmental factor Checked was the same as table 2. (2) The fauna is 5 classes and 8 species and they classified as troglobite......1 species-11.1％, troglobite....4 species-44.4％ and trogloxene.....4 species-44.4%.

• 복식문화연구
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• 제17권3호
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• pp.407-423
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• 2009

The purpose of this study is to analyze Bakst's stage costume illustrations for Ballets Russes. The Russian Ballets has renown in the West since the early 20th century. Diaghilev first made his name as the organizer of art exhibitions in Russia and Western Europe. Diaghilev risked presenting only ballets in 1909, that time Bakst designed $Sch{\acute{e}}h{\acute{e}}razade$, L'Oiseau de Feu and Le Carnival. $Sch{\acute{e}}h{\acute{e}}razade$ was something new which overwhelmed the French people by then. It was seen to be the achievement of Wagner's idea where all the elements; the music, the design, the choreography, and the dancing fused into a perfect whole. The entire production was a hitherto unseen harmony of colors, sounds and movements. For the 1911 season in Paris, Diaghilev planned to present six new ballets and Bakst designed four ballets. Bakst's design of the set and the costume greatly shocked the audience. His "Originality" shines on the fact that he introduced a palette of colors in theater for the first time in history. He used a magic of colors to suggest the secret meaning of what was happening on the stage. The results can be divided into three distinct characteristics. First, oriental designs such as $Cl{\acute{e}}op{\hat{a}}tre$, $Sch{\acute{e}}h{\acute{e}}razade$, L'Oiseau de Feu, La $P{\acute{e}}ri$ and Le Dieu Blue with Russian, Indian and Persian traditional design in headdress and accessories ars found. Second, Le Carnival and La Spectre de la Rose used romantic styles with oriental details. Third, Greek chiton and Himation are used in Narcisse, $H{\acute{e}}l{\grave{e}}ne$ de Sparte, $L'Apr{\grave{e}}s-Midi\;d^{\grave{\;}}un$ Faune and Daphnis et $Chlo{\acute{e}}$ inspirde with various colors and geometic patterns. Bakst's orient of lush colored costumes, head dress, cushions, rugs and hangings became the immediate fashion imitated by Parisian couture houses and interior decorators.

• 한국응용곤충학회지
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• 제31권1호
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• pp.10-22
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• 1992

자연목을 개벌하고 잣나무를 조림했올 때 조림년수의 경과에 따라 토양중의 날개응애 군집에 어떠한 변화가 일어나는가를 조사하기 위해 경기도 남양주군 수동지성에서 1988년 6월 부터 1989년 5월까지 매월 1회씩 6지역을 조사하여 날개응애 목록을 작성하고 종구성 및 우점종, MGP분석을 실시하여 다음과 같은 결과를 얻었다. 조사기간중 38과 64속 109종의 날개응애가 동정되었으며, 전 조사지역에 널리 분포하는 광역종은 35종, 일정한 단계에만 출현되어 비교적 환경 선호성이 있다고 생각되는 협역종은 49종, 전지역에 산발적으로 분포 하는 산발종은 25종이었다. 날개응애 종수는 조임후 3년 경과지에서 조임후 5년 경과지까 지는 증가했으나 조림년수가 경과할수록 종수가 감소하는 경향이다. 우점종은 골무잔날개응 애, Ceratozetes japonicus를 포함해서 6종이었으며 우점종과 약세종수는 조임년수가 경과함에 따라 점차 감소되며 중세종수는 증가하는 경향이었다. 종수백분율은 조임초기에는 P형, 중기는 G형, 후기에는 M형으로 나타났고, 준광역종도 M형으로 나타났다. 개체수백분율에 의 한 MGP분석 II 의 결과는 1, 2, 4구에서는 G형, 3, 5 6구에서는 P형으로 나타났다.