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검색결과 135건 처리시간 0.02초

한국의 과학교육 종합 지표 개발 연구 (The Development of 'Korea's Science Education Indicators')

  • 홍옥수;김도경;고수영;강다연
    • 한국과학교육학회지
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    • 제41권6호
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    • pp.471-481
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    • 2021
  • 지능정보사회가 요구하는 역량 함양을 위해 과학교육의 중요성은 점차 강화되고 있으며, 과학교육에 대한 국가의 역할 및 책무성은 법으로 명시되어 있다. 과학교육을 효과적이고 효율적으로 지원하기 위해서는 관련 정책에 대한 지속적인 모니터링이 필수적이며, 이를 위해 과학교육의 현황을 종합적으로 분석하기 위한 지표 개발이 필요하다. 본 연구에서는 우리나라 과학교육 정책의 성과를 지속적이고 체계적으로 진단·점검할 수 있는 종합 지표를 개발하고자 하였다. 이를 위해 문헌연구를 토대로 '학습자'와 '과학교육 맥락'의 2개 차원과, '투입', '과정', '결과'의 3개 범주로 구성된 과학교육 종합 지표 체제를 도출하였으며, 국내외에서 개발된 과학교육 관련 지표의 내용을 검토하여 지표의 요소와 세부요소를 도출하였다. 이후 과학교육연구, 초·중등 현장교육, 과학교육정책, 교육과정, 과학기술 분야의 전문가 25인을 대상으로 총 2회에 걸친 델파이 조사를 실시하여 지표의 체제와 요소의 적합성과 타당성을 검증하였으며, 과학교육 종합지표의 조사대상 및 조사도구를 확정하였다. 연구 결과, '투입' 범주에 대해서는 '학생 특성', '교사 특성', '교육 인프라'의 3개 요소가 도출되었으며, '과정' 범주에 대해서는 '과학 교육과정 운영', '과학 콘텐츠 보급 및 프로그램 운영', '교사 전문성 신장 프로그램 운영'의 3개 요소가 도출되었고, '결과' 범주에 대해서는 '과학 역량', '참여와 실천', '정의적 성취', '인지적 성취', '만족도'의 5개 요소가 도출되었다. 또한 학생, 교사, 교육청/기관으로부터 데이터를 수집할 수 있는 조사도구를 개발하였으며, 문항양호도 및 신뢰도를 검증하였다. 본 연구에서 개발한 '과학교육 종합 지표'는 우리나라 과학교육의 여건, 성과, 인식 등을 종합적으로 측정할 수 있는 지표로서 보다 효율적이고 효과적인 과학교육 정책 수립 및 추진에 기여할 것으로 기대된다.

일부지역 고등학생의 성교육 실태와 성경험에 따른 성교육 요구도 조사 (On Investigation of Status of Sex Education and Sex Education Needs of High School Students by Their Sexual Experience)

  • 이선숙;조순자;신연순;최인숙;이덕원
    • 한국학교ㆍ지역보건교육학회지
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    • 제5권
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    • pp.85-105
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    • 2004
  • The purpose of this study is to provide basic data for practical and concrete program development, which can give students satisfaction in sex education. To achieve this purpose, an actual status of sex education for high school student and their sexual experience were investigated. And then tried to find out if there is difference of satisfaction in sex education and contents that they want to learn based on having sexual experience or not. For this study, a questionnaire of sexual awareness was conducted on 562 students among first graders and second graders of high school located in Kongju city, from on October 4th, 2004 to on October 15th. But only 550 answer sheets among 562 were analyzed, for 12 answer sheets were not proper enough to apply to this study. The collected data was computerized using SPSS WIN in frequency and percentage for actual condition of sex education and sexual experience and for satisfaction at the result of sex education based on having sexual experience or not. And then the $x^2$-test was verify the difference. The requirement for sex education, based on having sexual experience or not, was analyzed using t-test by computerizing the average and standard deviation. The conclusion of this study are as followings; 1. 93.8% students have ever been taught for sex education by teachers, but nursing teacher among them was the higher percentage than any other teachers. They took courses for sex education in discretion class, and the teaching method was a kind of lecture. 2. After taking sex education, 37.6% students said that it was boring, for they had already known the contents of the courses, and 43.8% students said that they acquired sex knowledge through the Internet and mass media. 3. It was highest percentage that 36.9% students had no agony about sex. The most serious worry was a sexual impulse and the sexual psychology of the opposite sex. To solve these worries, 61.6% students said that they consulted with their friends. 4. It showed that 89.9% male students and 71.6% female students had experiences various lascivious materials, 81.4% male students, 7.2 female students experienced masturbation, 52.7% female student and 44.8% male students experienced kissing or hugging, and 13.7% male students and 9.9% female students experienced sexual intercourse. 5. The satisfaction for sex education based on having sexual experience or not was different. In short, it showed that the students who experienced sexual experiences such as accessing to lascivious materials, kissing, hugging, and sexual intercourse except masturbation thought that sex education was important than the students who didn't experience sexual experiences. On the other hand, the students who didn't experience sexual experiences were more satisfied with the contents and level of sex education than the students who experienced sexual experiences. 6. The requirement for sex education based on having sexual experience or not was also different. The students who experienced sexual experiences wanted to learn an acquaintance with the other sex than the others. On the other hand, the students who didn't experience sexual experience wanted to learn friendship and love. The students who experienced sexual experience except masturbation was more desirable for taking sex education than the other students. In conclusion, it is fully required that sex education should be regular subject in school and teachers who are charge of sex education should be experts in this field, for only expert can teach systematic and adequate sex knowledge to students. In addition, it is also essential to understand contents of sex education which can be satisfactory for students' requirement. So we should develop concrete and practical programs for sex education.

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가정과교사가 인식한 학교 평생교육을 위한 가정과 자원의 활용 실태 및 활성화 방안 (A Study on the actual conditions of the use of them and the moves to strengthen home economics resources for school lifelong education in home economics teachers' view)

  • 김성희;채정현
    • 한국가정과교육학회지
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    • 제18권4호
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    • pp.127-141
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    • 2006
  • 인간의 전 생애에 걸친 삶의 문제들을 지혜롭고 창조적으로 해결할 수 있는 능력을 길러주는 가정과교육의 인적 물적 자원이 학교 평생교육에 어느 정도 활용되고 있으며 이를 활성화시킬 방안은 무엇인지 알아보고자 전국의 중 고등학교 가정과교사들을 체계적 무선표집하여 질문지를 발송한 후 최종 회수된 135부를 분석하였다. 분석 결과 가정과교사들의 학교 평생교육 업무 참여 실태는 낮은 편이며 주로 컴퓨터 강좌를 맡고 있어 전문성 발휘가 안 되고 있는 실정이다. 가정과 교사들은 학습자를 가르치기를 원하지만 강사의 역할보다는 학교 평생교육 관련 제반 업무를 여러 가지 맡고 있어서 과중한 업무가 부담되고 있다. 학교 평생교육을 실시하는 학교 중 1/5 정도에서 가정과와 관련된 프로그램을 실시하고 있으며 주로 자모들을 대상으로 하는 $\ulcorner$취미 여가생활 프로그램$\lrcorner$인데 이는 가정과교사들이 미래사회에 가르쳐야 할 중요도가 가장 낮다고 여기는 프로그램 내용이다. 가정과교사들과 학부모 및 지역주민이 가장 중요하게 생각하고 개설을 희망하는 프로그램 내용은 $\ulcorner$자녀교육 프로그램$\lrcorner$으로서, 학습자의 요구도에 걸맞으면서 그들의 가족생활을 강화하거나 지지할 수 있는 직접적인 프로그램 강좌개설이 필요하다. 가정과 관련 실습실의 실태는 조리실습을 할 수 있는 정도의 형태여서 개방을 위해서는 실습실의 확충 및 시설 면에서의 보완이 필요하다. 가정과 관련 학교 평생교육의 활성화 방안으로 가정과교사들은 교육 연수를 통해 전문성을 길러 양질의 프로그램으로 학교 평생교육의 강사로서 참여할 의향이 있으며 이를 뒷받침해 줄 정부의 지원과 노력한 만큼의 적절한 의상을 바라고 있다.

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학교 공간 디자인을 주제로 한 과정중심평가 프로그램 개발 및 실행: 중학교 가정교과 주생활 영역을 중심으로 (Development and Implementation of a Process-Based Evaluation Program on School Space Design: Focusing on the Housing Life Area of Home Economics Curriculum in Middle School)

  • 강은영;박미정
    • 한국가정과교육학회지
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    • 제32권4호
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    • pp.81-101
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    • 2020
  • 이 연구는 중학교 가정교과 주생활 영역에서 학교 공간 디자인을 주제로 하여 과정중심평가 프로그램을 개발하고 실행하는 데 목적이 있다. 이에 따라 ADDIE 교수설계 모형에 따라 관련 문헌 및 선행연구 분석을 통해 학교 공간 디자인을 주제로 한 과정중심평가 프로그램을 개발하고, 총 93명의 학생을 대상으로 실행한 후 학생들에게 프로그램 실행 평가를 실시하였다. 이 연구의 결과는 다음과 같다. 첫째, 2015 개정 가정과 교육과정 분석을 통해 학교 공간 디자인 프로그램 평가 계획을 수립하고, 평가 과제를 개발하였다. 이에 따라 채점기준을 마련하고 학생용 평가 자료 8개, 교사용 평가 자료 2개, 총 9차시의 수업·평가 과정안을 개발하였다. 전문가 타당도 검증을 실시한 결과, 모든 문항이 평균 3.6점~4점(4점 만점)으로 내용타당도와 내용구성이 적절하다고 검증받았다. 둘째, 학교 공간 디자인 프로그램을 실행하고 학생들에게 설문조사를 실시한 결과 학교 공간 디자인 수업, 과정중심평가, 관심 및 흥미 3가지 영역 모두 평균 4.12~4.27점(5점 만점)으로 높게 나타났다. 설문 조사와 심층면접 결과를 종합해볼 때 프로그램이 학교 공간 디자인에 대한 새로운 학습기회를 제공하고, 학생들은 제시한 성취기준에 도달할 수 있었으며 자기평가, 동료평가 및 교사의 피드백은 학습 과정 중에 학생들에게 긍정적인 영향을 주어 학습 활동에 적극적으로 참여할 수 있게 된다는 것을 확인하였다. 연구 대상이 일부 중학생들으로 연구가 이루어져서 연구 결과를 일반화하기에는 한계가 있으며 후속 연구로 연구 대상 및 평가의 영역, 학교 공간 디자인 수업의 확대를 제언하였다. 이 연구는 가정 교과에서 활용할 수 있는 과정중심평가 프로그램을 개발하여 이론과 실천의 토대를 마련하였으며, 가정과 교육의 주생활 내용 요소를 중심으로 교사와 학생이 학교 공간 디자인에 주도적으로 참여하게 하는 가능성을 제시한 것에 의의가 있다.

미술교육에 있어서 시각적 미디어를 통한 조형교육에 관한 연구 (Visual Media Education in Visual Arts Education)

  • 박지숙
    • 조형예술학연구
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    • 제7권
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    • pp.64-104
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    • 2005
  • Visual media transmits image and information reproduced in large quantities, such as a photography, film, television, video, advertisement, or computer image. Correspondence to the students' reception and recognition of culture in the future. arrangements for the field of studies of visual culture. 'Visual Culture' implies cultural phenomena of visual images via visual media, which includes not only the categories of traditional arts like a painting, sculpture, print, or design, but the performance arts including a fashion show or parade of carnival, and the mass and electronic media like a photography, film, television, video, advertisement, cartoon, animation, or computer image. In the world of visual media, Image' functions as an essential medium of communication. Therefore, people call the culture of today fra of Image Culture', which has been converted from an alphabet convergence era to an image convergence one. Image, via visual media, has become a dominant means for communication in large part of human life, so we can designate an Image' as a typical aspect of visual culture today. Image, as an essential medium of communication, plays an important role in contemporary society. The one way is the conversion of analogue image like an actual picture, photograph, or film into digital one through the digitalization of digital camera or scanner as 'an analogue/digital commutator'. The other is a way of process with a computer drawing, or modeling of objects. It is appropriate to the production of pictorial and surreal images. Digital images, produced by the other, can be divided into the form of Pixel' and form of Vector'. Vector is a line linking the point of departure to the point of end, which organizes informations. Computer stores each line's standard location and correlative locations to one another Digital image shows for more 'Perfectness' than any other visual media. Digital image has been evolving in the diverse aspects, such as a production of geometrical or organic image compositing, interactive art, multimedia art, or web art, which has been applied a computer as an extended trot of painting. Someone often interprets digitalized copy with endless reproduction of original even as an extension of a print. Visual af is no longer a simple activity of representation by a painter or sculptor, but now is intimately associated with a matter of application of media. There is some problem in images via visual media. First, the image via media doesn't reflect a reality as it is, but reflects an artificial manipulated world, that is, a virtual reality. Second, the introduction of digital effect and the development of image processing technology have enhanced a spectacle of destructive and violent scenes. Third, a child intends to recognize the interactive images of computer game and virtual reality as a reality, or truth. Education needs not only to point out an ill effect of mass media and prevent the younger generation from being damaged by it, but also to offer a knowledge and know-how to cope actively with social, cultural circumstances. Visual media education is one of these essential methods for the contemporary and future human being in the overflowing of image informations. The fosterage of 'Visual Literacy' can be considered as a very purpose of visual media education. This is a way to lead an individual to the discerning, active consumer and producer of visual media in life as far as possible. The elements of 'Visual Literacy' can be divided into a faculty of recognition related to the visual media, a faculty of critical reception, a faculty of appropriate application, a faculty of active work and a faculty of creative modeling, which are promoted at the same time by the education of 'visual literacy'. In conclusion, the education of 'Visual Literacy' guides students to comprehend and discriminate the visual image media carefully, or receive them critically, apply them properly, or produce them creatively and voluntarily. Moreover, it leads to an artistic activity by means of new media. This education can be approached and enhanced by the connection and integration with real life. Visual arts and education of them play an important role in the digital era depended on visual communications via image information. Visual me야a of day functions as an essential element both in daily life and in arts. Students can soundly understand visual phenomena of today by means of visual media, and apply it as an expression tool of life culture as well. A new recognition and valuation visual image and media education is required to cultivate the capability of active, upright dealing with the changes of history of civilization. 1) Visual media education helps to cultivate a sensibility for images, which reacts to and deals with the circumstances. 2) It helps students to comprehend the contemporary arts and culture via new media. 3) It supplies a chance of students' experiencing a visual modeling by means of new media. 4) There are educational opportunities of images with temporality and spaciality, and therefore a discerning person becomes to increase. 5) The modeling activity via new media leads students to be continuously interested in the school and production of plastic arts. 6) It raises the ability of visual communications dealing with image information society. 7) An education of digital image is significant in respect of cultivation of man of talent for the future society of image information as well. To correspond to the changing and developing social, cultural circumstances, and the form and recognition of students' reception of them, visual arts education must arrange the field of studying on a new visual culture. Besides, a program needs to be developed, which is in more systematic and active level in relation to visual media education. Educational contents should be extended to the media for visual images, that is, photography, film, television, video, computer graphic, animation, music video, computer game and multimedia. Every media must be separately approached, because they maintain the modes and peculiarities of their own according to the conveyance form of message. The concrete and systematic method of teaching and the quality of education must be researched and developed, centering around the development of a course of study. Teacher's foundational capability of teaching should be cultivated for the visual media education. In this case, it must be paid attention to the fact that a technological level of media is considered as a secondary. Because school education doesn't intend to train expert and skillful producers, but intends to lay stress on the essential aesthetic one with visual media under the social and cultural context, in respect of a consumer including a man of culture.

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