• 복식
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• 제66권8호
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• pp.14-32
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• 2016

This study examines the morphological expression type and formative characteristics of women's shoes designs that integrate 3D printing technology. The results of the study are as follows. First, the morphological expression types of contemporary shoes that integrate 3D printing technology express a structural form created by repetition. Second, it expresses a dynamic form, which combines organic curves that create an external volume. Third, it expresses a surrealistic form centered on an object with the creation of a unique shape that utilizes objects easily experienced in local surroundings. Fourth, it expresses a hybrid form on a partial derivation. Each of the other system's components are fused to create another beauty that develops a new value in a colorful variation on the shape of 3D printing shoes. The first formative characteristic of women's shoes designs that integrate 3D printing technology is continuity. This creates an invisible form of a new space through repetitive unidirectional layers with a gradual expansion of a unitary seamless curves. Second, it is an exaggeration. This exaggeration elicits an enormous aesthetic quality by structuring the outward space in the difference of the volume formed based on the maximization of a specific part and the volume of a line's atypical movement. Third, it is a decoration. It displays the beauty of a decoration that evokes a unique artistic inspiration by partial unification or a practical representation of a specific form. This can also be seen as superimposing a 3D printing figure that has an outstanding shape onto part of the fashion shoes. Fourth, it concerns a geometrical characteristic that formulates a new structure with rationality in combining basic shapes such as circles, triangles and squares with lines, hexagons and interconnected geometrical forms to create a multi-dimensional space for shoes in a systematic and unidirectional pattern.

• 한국의류산업학회지
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• 제18권3호
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• pp.261-271
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• 2016

The aim of this study was to gain an understanding of the element playfulness in fashion photographs related to openness and multiple significance in contemporary art. A total of 105 fashion photographs from US and UK Vogue magazine editorials and advertisements for the last five years were selected for the study. The photographs were analyzed in two main categories - the contextual element of themes, and the elements of visual expression; composition, models, objects and editing technology. The element of playfulness in the photographs were found to be divided into themes of infantile fantasy, social satire and situational dissonance, and elements of visual expression were found to express image distortion, expansion, exaggeration, reduction, and optical illusions. A photography type termed as infantile fantasy and social satire have descriptive characteristics and usually deliver the message by using models and objects to present a certain situation or express social satirical viewpoint and reflective attitude by using objects and photographic skills. A photography type termed as situational dissonance is characterized by immediately understood expressions and usually clarify the message by using a photographic technology such as editing the printed image or expect the model to express an exaggerated poses and ridiculous expressions, causing an optical illusion. Visually expressed and composed scene using composition, models, objects and editing technology is a specific character of photograph and due to the advances in computer editing technology it has been able to express the various playfulness.

• 교육녹색환경연구
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• 제19권3호
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• pp.1-10
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• 2020

제주도의 인구추세는 독특한 지역적 특성을 보이고 있어 이에 따른 제주도 특성에 맞는 학교수용계획 수립이 필요하다고 판단되었다. 그리하여 제주도의 지역적 특성을 면밀히 조사 분석하여 제주도 지역의 적정 규모학교 정책 수립에 관한 기초자료를 제공하기 위한 주요 연구결과는 다음과 같다. 첫째, 제주도 전체 113개교 중에서 최근 30년내에 신설된 학교는 장기하락 유형3(56)이 가장 많았고, 30년이상된 학교에서는 유형9(W자형)이 24개교로 그 다음으로 많았다. 제주도의 특성이 잘 나타나고 있는 4가지 유형으로는 유형1, 유형2, 유형8, 그리고 유형9이다. 특히 지속상승형인 유형2와 하락-상승-재하락-재상승 유형9(W형)의 발견은 아마도 제주도의 고유한 인구특성에서 나타나는 것으로 보인다. 둘째, 2018년 12월 31일 기준으로 제주도내 제주시와 서귀포시(2개시) 전체 초등학교 113개교 재학생수를 조사한 결과 초대규모학교는 6개교(5.3%), 대규모 학교는 13개교(11.5%), 적정규모학교는 17개교(15.0%), 소규모학교는 27개교(23.9%), 극소규모학교는 50개교(44.3%)로 나타났다. 소규모학교(300명 이하)가 77개교로 전체의 68.1%를 차지하고 있다. 특히 읍면지역에서는 몇 학교를 제외하면 거의 모든 학교가 소규모학교라고 해도 과언이 아니다. 따라서 일반적인 적정규모학교 정책과는 별도로 제주지역만의 특성을 고려한 소규모학교 활성화를 위한 적정규모 정책 수립이 필요한 실정이므로 본연구 결과를 바탕으로 제주도의 동지역을 3개 지역으로, 그리고 읍면지역은 4개 지역으로 구분하여 지역별 적정규모학교 육성방안 개발 방향을 제안하였다. 특히 낙후된 원도심지역과 농어촌지역, 도서벽지지역별 차별화된 소규모학교 육성방안 개발이 시급하다.

• 대한안전경영과학회지
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• 제15권3호
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• pp.37-50
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• 2013

It is not an exaggeration to say that modern chemicals take a leading place in our life, and people live with the chemicals, having a huge impact on their daily life. The chemical industry in South Korea, ranked seventh in the world, is one of the key industries that are forming greater part of Korean economy. The actual state of the chemical industries, however, is that over 14 tons of hazardous chemicals are being discharged annually and threaten people's lives with a lack of knowledge of its potential danger. In this way, not only beneficial to us, some of these substances, All chemicals, but also present a threat fundamentally our living environment to hazards to human health and the environment, accidents such chemicals, unlike accidents general understanding the scale of damage and propagation velocity has a complex very difficult risk profile, that can occur during deployment of an accident type is also very diverse. Is the actual situation of public concern against harmful chemicals management's is amplified by the chemical accident in the wake such accidents, government and corporate and reactive system and management system prior to the chemical accident the need for communication to exchange ideas with each other between residents, providing information is important. Therefore, the government departments and corporations, which manage variety of chemicals, ought to contribute toward a development of national security by rigid control over the Hazardous chemicals.

• 한국의상디자인학회지
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• 제7권2호
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• pp.61-74
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• 2005

Wonsam, a type of korean women's gown in Choseon Dynasty, was used as a small ceremonial costume for queens, crown princesses and princesses and as a grand ceremonial costume for royal concubines and wives of high rank officials. It was also worn as a wedding dress for commoners. In the families of illustrious officials, it was also used as burial accessories or garments for the dead. In this context, Wonsam is a formal dress for the people's most important four ceremonies of coming-of-age, marriage, funeral, and ancestor worship. It is worth emphasizing the costume since it was widely and importantly used by all ranks of women, from royal families to commoners. Through the Wonsam of An-dong Kim Clan's, we can see what the society was like at the end of Choseon Dynasty. First, a status system that strictly divided costumes for each class, was, in many parts, broken down. Second, the highly wrought patterns and texture of fabrics of the Wonsam reveal that it was granted from Court, or, if woven by the Kim family, it is considered to be produced by the Court's craftsman or through technical transfer, considering that the weaving skills used are as good as those in Courts. Third, regarding the precise needlework that is uncomparable to textiles used by other illustrious officials families, the Wonsam is considered to be granted from Court or, produced through the needlework skills that were handed down from needlewomen in Courts. The Wonsam of An-dong Kim Clan's has noble beauty in it, with outstanding weaving skills, fabrics, needlework and shape. Thus, it is no exaggeration to say that it has those qualities to be the standard costume that inherits the tradition of Korean people.

• 복식문화연구
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• 제24권6호
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• pp.903-919
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• 2016

This study aimed to contribute to the development of various female fashion designs by reviewing the genderless styles in androgynous trends that have loomed large in women's fashion, as well as through analyzing and organizing the changes in women's fashion that were required in a society in which various values coexist. A literature review was conducted to identify the genderless concepts, through which a total of 1,273 materials were selected from 10 brands of the S/S collections, during the period of 2006~2016. The results were as follows: first, without the juxtaposition of incongruous objects or images and a fixed type of color arrangements, the compromise shown in women's fashion were mostly expressed through various tones and diverse colors, and with the mixed use of heterogeneous patterns and materials. Second, the enjoyment of genderless styles was expressed with the unexpectedness that occur through symmetry/asymmetry and harmony/disharmony, as well as through the deviation from conventional notions regarding clothing structures. Third, the exaggeration expressed in women's clothing collections perfectly covered up a woman's body shape with the silhouette of exorbitantly expanded bulk and dimensions. These were done with extended lengths, expanded adornments, and modified clothing design types or structures. Fourth, the sensuality of genderless styles analyzed in women's fashion was expressed with mannish clothing that accentuates the beauty of the female body. Lastly, the historicity shown in genderless styles was expressed through clothing that represented traditional styles of the past, the symbolic meanings expressed in the clothes' colors and patterns, and the methods in which the decorative factors were utilized.

• 복식
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• 제65권5호
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• pp.1-13
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• 2015

The purpose of this study is to make a contribution to men's fashion by analyzing changes related to excessive and decorative expressions of latest men's wear design in the viewpoint of Maximalism, and using the results to develop a new fashion style. Results of the study are as follows: The characteristics of Maximalism in men's wear collection in the last 5 years can be classified as 'Fusion Maximalism, 'Decorative Maximalism', 'Exaggerative Maximalism', 'Humorous Maximalism', and 'Duplicative Maximalism'. The characteristics of each type of Maximalism can be summarized as follows: First, Fusion Maximalism creates new men's fashion style by fusing designs from different cultures in clothing items as well as dismantling gender boundaries in clothing design, and by having designs which transcends time and space. Second, Decorative Maximalism expresses ambiguous decadence by implementing feminine decoration that applies handicraft technique, as well as exaggeratedly using details and trimmings of contrasting images, and applying women's clothing items. Third, Exaggerative Maximalism represents extreme avant-garde that changes the idea of fashion design by changing the styling or the exaggerated silhouette. Fourth, Humorous Maximalism expresses not only the creation of new men's fashion look, but also expresses humanism with exaggerative enjoyment and pleasant ideas. Fifth, Duplicative Maximalism expresses creative design by implementing vivid images of different period and culture, and reproducing successful images of the past into modern fashion.

• 한국의상디자인학회지
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• 제23권4호
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• pp.39-56
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• 2021

The purpose of this study was to observe the expressive characteristics of Neo-Deconstruction design, examine the expressive characteristics of Neo-Deconstruction design in the collections of Jacquemus, and analyze their internal meanings. For research, observations were made based on the concepts and expressive characteristics of Deconstruction through prior research and literary review, and analysis was conducted focusing on the expressive characteristics of Neo-Deconstruction. The scope of analysis included a total of 605 photographs collected from a total of 17 season collections of Jacquemus from the 2013 S/S to the 2021 S/S season. The results are as follows. First, the Neo-Deconstruction of Jacquemus expresses the youth culture using bright images such as diverse colors and patterns with 'positive playfulness' and pass on positive messages with deconstructive and playful forms, such as exaggeration and reduction and recombination and reconstitution. Second, with tendencies of 'symbolic receptivity', Jacquemus gained inspiration from his own life, memories, and hometown, and attempted to express the street women of places such as southern France, Paris, and Monaco in a number of collections. Also, he proposed designs that can be worn easily by anyone, regardless of gender, and as plus size models began to become more common respect was given to the tastes and preferences of diverse individuals without distinctions based on body type or sexuality. Third, 'geometric simplicity' was generally expressed by pursuing simple and practical fashion with the addition of details, such as geometric forms including stripes or asymmetrical expressions centering around everyday material that is used in clothing. Fourth, with "open communication," Jacquemus constructed his identity by addressing the various needs of consumers based on social network services and continuously sharing his creative ideas with the public. He is gaining popularity in a unique way by responding quickly to the changing atmosphere of society.

• 한국콘텐츠학회논문지
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• 제19권2호
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• pp.379-392
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• 2019

공익광고는 공중의 이익 증대를 목적으로 집행되는 설득커뮤니케이션 활동의 한 형태이다. 공익광고의 효과를 제고하기 위해서는 공중의 긍정적인 태도나 적극적인 행동 변화를 실질적으로 유발할 수 있는 광고전략이 구체화 되어야 한다. 중국은 급격한 사회 변화로 인해 발생한 문제들을 해결하고자 공익광고를 적극적으로 집행하고자 노력하고 있지만 창작에 대한 정부의 통제가 효과 제고에 걸림돌로 작용하고 있다. 따라서 본 연구는 중국 공익광고에 나타나는 커뮤니케이션 전략으로써의 소구방식을 살펴보고 설득 효과를 높이는 방안을 고찰해보고자 했다. 2016년 황하상 수상작 공익광고 포스터 중 공포소구를 활용한 33편을 대상으로 공포소구의 시각적 표현방법을 분석함으로써 효과적인 표현 전략을 구체화하고자 했다. 분석 결과 안전운전과 금연캠페인에서 공포소구가 가장 빈번하게 활용되는 것으로 나타났다. 또한 검정과 흰색이 주로 사용되었으며 메인비주얼 표현방법은 '사실적' 형식, '사실적 구상' 형태, '사진' 유형, '암시연상' 및 '과장된 표현'이 주로 사용되었다. 본 연구는 중국 공익광고의 제고를 위한 이론적, 실증적 정보를 제공한다는데 의의가 있다.

• 산업진흥연구
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• 제8권2호
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• pp.157-164
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• 2023

대한민국의 탐정(private investigation) 산업은 관련 법률 규제가 없어서 누구나 세무서에 사업자 신고를 하면 자유롭게 운영을 할 수 있다. 보편적으로 개인 의뢰가 주를 이루고 있으며 기업들이 특정 이유로 경쟁 업체나 직원 등을 조사하기 위해 탐정을 고용하고 있는 실정이다. 대한민국 탐정 산업의 주체는 두 가지로 나뉜다. 첫 번째는 경찰공무원이나 수사관 등 범죄 조사나 형사 수사 등의 경력을 가지고 있는 전직 공무원이 있다. 두 번째는 세무서에 사업자 등록을 마친 후 조사 서비스 활동을 하는 민간인이 있다. 민간인은 상대적으로 수사관 또는 법률 전문가보다 법률 지식이 부족하므로 조사 서비스를 진행하는 과정에서 현행법 저촉과 같은 법적인 문제를 발생시킬 가능성을 항상 가지고 있는 것이 현실이다. 문제는 이로 인한 피해가 고스란히 의뢰인에게 돌아간다는 점이다. 탐정을 통한 전문서비스를 필요로 한 의뢰인에게 오히려 또 다른 피해가 가중될 위험을 내포하고 있는 것이 대한민국 탐정 산업의 현 위치라고 해도 과언이 아닐 것이다. 따라서 본 연구는 탐정업의 개념과 유형, 역대 탐정 법률안의 비교분석, 탐정 산업의 현황과 실태 파악, 탐정 산업의 효율적 관리를 위한 현황 분석과 문헌 고찰을 통해 국내에서 탐정 산업이 신뢰를 기반으로 안정적으로 운영될 수 있도록 입법화에 기여하고자 한다.