• 패션비즈니스
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• 제10권2호
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• pp.166-180
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• 2006

The purpose of this study is to analyze the fashion images and the aesthetic characteristics of hand work imaged design. The 'hand work' has not only affected the contemporary life style but also the current fashion trend. The primary source of data has been a collection of recent books, news repots, and many articles from various kinds of mass media and fashion magazines since the year 2000. The results of this study can be summarized as follow. First, hand work imaged fashion design can be divided the background into three parts : post-materialism, aesthetics of slowness, personalize trend. Second, hand work imaged fashion design can be identified with the following images : folklore & craft image, second hand image, high touch image. Third, the aesthetic characteristics of hand work image reflects the concepts of sustainability and process communication.

• 인지과학
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• 제17권4호
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• pp.337-356
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• 2006

본 연구에서는 시각디스플레이에서 단어와 배경간의 밝기, 대비부호, 색상 차이가 가독성 및 감성에 미치는 효과를 살펴보았다. 실험 1에서는 밝기차이(대, 중, 소)${\times}$대비부호(정적, 부적) 조건에 따른 가독성, 심미성, 선호도의 효과를 알아보았다. 실험 1의 결과, 밝기 차이가 커짐에 따라 가독성, 심미성, 선호도가 증가하였다. 실험 2에서는 실험 1 조건에 네 가지 색상 요인(초록, 빨강, 노랑, 파랑)을 추가하여 수행하였다. 그 결과 가독성에서는 밝기와 대비부호의 주효과, 밝기와 대비부호간의 상호작용효과가 유의미하였으며, 심미성과 선호도에서는 밝기, 대비부호, 색상의 주효과, 밝기와 색상간의 상호작용효과가 유의미하였다. 즉 밝기의 차이가 커짐에 따라 가독성, 심미성, 선호도가 증가하였으며, 정적대비가 부적대비에 비해 가독성, 심미성, 선호도가 더 좋았으며, 색상은 빨강, 파랑, 초록, 노랑 순으로 심미성과 선호도가 높은 결과를 보였다. 또한 가독성에서 밝기와 대비부호간의 상호작용효과는 밝기의 차이가 작은 조건에서 부적대비가 정적대비보다 반응시간이 길게 나타났기 때문인 것으로 보인다. 심미성과 선호도에서 밝기와 색상간의 상호작용효과가 나타난 것은 밝기 차이가 작은 조건에 비해 큰 조건에서 색상에 따른 심미성효과가 유의미하게 차이가 있었기 때문인 것으로 보인다. 실험 3에서는 텍스트 디자인과 단일색을 대상으로 18개의 감성 어휘를 평정하게 하여 감성의 유사성을 측정하였다. 그 결과, 특정 색이 지닌 주관적인 느낌이 텍스트 디자인에 잘 반영되기 위해서는 배경에 그 색을 사용하는 것이 더 적절하다는 결론을 얻었다.

• 한국가구학회지
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• 제29권1호
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• pp.24-30
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• 2018

George Nakashima (1905-1990) is a second-generation Japanese American who was one of the pioneers of the American Studio Furniture movement. Known for the use of natural timber shape of furniture design, Nakashima's furniture shows the aesthetic characteristics of Japan, which distinguishes it from the furniture of other American studio designers. But Nakashima has been regarded as simply a studio furniture designer, designing furniture that takes its natural form. Therefore, research is needed from a more diverse point of view, and the process of interpreting the cultural backgrounds of a designer becoming a design may be an important subject of study. Thus, this study attempts to interpret the hierarchy of design cultures belonging to a studio designer and to identify cultural characteristics that are not apparent. Therefore, through a process of studying from visible to invisible levels of cultural hierarchy, the study analyzed the aesthetic characteristics of the Nakashima's furniture, his personal experience of Japanese culture, and philosophical background.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2003년도 가을학술발표대회
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• pp.12-13
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• 2003

• 한국의류산업학회지
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• 제17권3호
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• pp.392-404
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• 2015

This study investigated how the image exaggeration influence consumer attitude toward product in mobile shopping. Image exaggeration was manipulated by adding light effects on image and adjusting the width for slender mirror effect. Subjects were randomly allocated to four mock-mobile website stimuli. The overall results showed that the image exaggeration had negative effect on product attitude mediated by diagnositicity. First, the mediation effect of diagnositicity between exaggeration and product attitude was tested by bootstap method. The diagnositicity fully mediated between two variables and exaggeration had negative total effect on diagnositicity. The image exaggeration had no direct effect on product attitude. Second, to test the moderating effect of image congruence between the image exaggeration and diagnositicity, conditional indirect effect of diagnositicity was analyzed. As a result, the moderating effect of image congruence was significant. When consumers perceived high self-image congruence with picture image on mobile website, the exaggeration had no negative effect on product attitude. This indicates self-image congruence counteracts the negative effect of the exaggeration on diagositicity. And the moderating effect of image aesthetics between the image exaggeration and product attitude was examinated by the conditional direct effect model. The analysis found that image aesthetics had significant moderating effects particularly on high or low levels of aesthetics. When image aesthetics was perceived as high, image exaggeration had negative effect on product attitude, whereas image aesthetics was low, image exaggeration had positive effect on product attitude. This result indicated that the positive exaggeration effects existed when images were aesthetically appealing.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2005년도 추계 학술발표대회 논문집
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• pp.170-171
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• 2005

• 한국정보통신학회논문지
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• 제26권7호
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• pp.1019-1025
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• 2022

최근 들어 잘못된 보행 습관과 생활환경으로 인한 족부 질환자들이 늘어나고 있다. 신발디자인 특성에 따른 경증 족부질환 환자가 정형 신발 구매시 만족도와 구매 의도에 어떠한 영향을 미치는지 살펴본다. 신발 디자인 특성은 기능성, 편의성, 심미성으로 구성하였다. 심미성이 정형 신발 구매 시 영향을 미치는 것으로 나타났다. 기능성과 편의성의 요소가 영향이 적더라도 심미성이 높다면 구매의도와 만족도에 영향을 준다. 경증 족부질환별 사회활동 참여 빈도와 착용 목적에 따라 디자인 또한 다양한 요소들이 요구된다. 연구 결과를 통해 알아본 정형 신발디자인 특성 요인을 더욱 보완하여 경증 족부질환 환자들이 일상생활에서 착용할 수 있는 유용한 정형 신발 디자인 개발과 현실적인 활용과 만족으로 이어지길 기대한다.

• 복식
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• 제60권10호
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• pp.1-15
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• 2010

A Korean knot is one of the ornamental elements that our ancestors used intimately in their daily lives, and the diverse forms and structural features of the Korean knot have sufficient creative and aesthetic value for it to be recognized as one of beautiful products that was relished by individuals of the times. Starting from two strands, Korean knots make unique forms as they are overlapped or plaited, crossing each other in many ways. The forms of Korean knots were given names such as "nabi maedeup"(butterfly knots) and "gukwa maedeup" (chrysanthemum knots), in reference to things in the surrounding environment that were perceived as being similar in their appearance. It is considered that with their unique structure, such Korean knots may provide a good motif for creative design. As well, it is believed that combining the traditional beauty of Korean knots with a contemporary sensibility will lead to the creation of truly forward-looking design. Against this backdrop, this study aims to inquire into and analyze the formative characteristics and aesthetics of Korean knots, with an eye to their use in future design. In addition, it aims to help to put such historical knotting practices into practical and functional use in the future, through a study of previous uses of historical knotting practices with a modern sensibility. It is thus expected that this work will contribute to the inheriting and development of traditional culture, and ultimately to enhancing the status of Korean design in the world.

• 디자인학연구
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• 제11권1호
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• pp.173-184
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• 1998

본 연구는 미래 도시경관 ·건축환경에서 요구되는 미학적 질에 관한 연구로 다수가 선호하고 즐거워할 수 있는 과학적이고 객관적인 미적 가치, 시각적 특성들을 제안하는 것이 목표이다. 연구의 이론적 접근방법은 경험 과학적 미학으로 이를 통한 인간지각.인지.행동의 본성을 이해하고자 하였으며 미적 환경이 갖는 시각적 질의 특성을 범주화하고 그 효과를 설명, 예측하고자 하였다. 그리고 환경지각.인지이론과 새롭게 제시된 환경미학모델들을 검토하였으며 환경디자인에 적용될 수 있는 미학적 특성들을 제안하였다. 첫째, 시각적 질에 대한 미적 경험은 심리 생물학적 특성과 인간활동의 결합과정으로 환경의 형식적.상징적 그리고 내적인 표상체계의 상호작용에 의해서 이루어짐을 알 수 있다. 또한 시각적 질은 사회 문화적 가치, 개인적.집단적 가치 등으로 인해 다양성과 차이가 있으므로 절대화 할 수 없는 복잡한 영역으로 간주되었다. 둘째, 시각적 질의 효과, 미적 반응은 궁극적으로 즐거움, 선호, 인간생존을 위한 적응과 자율성 등에 관계된다. 셋째, 미학은 더욱더 통합적인 학제간 연구를 통해 발전될 수 있으며 이러한 미학적 경험자료는 디자인, 계획, 평가를 위한 기초적인 정보가 될 수 있을 것으로 판단된다.

• 복식
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• 제50권2호
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• pp.59-80
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• 2000

In February 1947, Christian Dior startled the world with his spring collection. He transformed the unflattering square shouldered outline of women's wartime fashion overnight. It was not only fashion that made a pivotal point for opulence and elegance, The style of architecture, furniture, glass, and silverware also made a radical change. The new style emerged after war called " organic modernism'. This study is to define the visual characteristics of fashion, architecture, furniture and craft after World War II and examine the social factors and aesthetics that generated a new style. The common asthetic characteristics are freedom, abstraction of symbolic from, asymmetry, and exaggeration of form. The social factors, values and aesthetics are economic reconstruction and renaissance of design , technical development and new materials, fredom and optimistic view after the holocaust of war, and organic aesthetics and humanism.