• 한국심리학회지 : 문화 및 사회문제
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• 제14권4호
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• pp.39-69
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• 2008

한국 사회의 다문화, 다인종 사회로의 이행 과정에서 중요한 사회 변동의 축으로 자리잡은 여성결혼이민자들에 대한 지역사회 수용성의 제 단면을 질적 연구를 통해 알아보았다. 여성결혼이민자들이 거주하고 있는 도시(안산)와 농촌(영암) 지역의 내국인 주민 23명을 대상으로 심층면접을 실시하여, 여성결혼이민자에 대한 인식과 접촉 경험, 그리고 여성결혼이민자에 대한 개방성 및 다문화 사회로의 변화에 관한 인식을 조명하였다. 심층면접 결과, 조사된 지역주민들은 여성결혼이민자에 대해서 전반적으로 긍정적 인식과 개방적 태도를 지니고 있지만 이러한 긍정적 인식의 실체는 한국사회에 깊게 뿌리박힌 가부장제와 성역할 고정관념에 기반하고 있음을 시사하는 결과를 얻었다. 또한 여성결혼이민자들의 한국 문화 적응에 대한 지역주민들의 인식 역시 한국문화에 대한 일방적 동화를 전제로 공생관계를 인정하는 수준에 머물러 있는 것으로 나타났다. 전반적으로 본 연구의 결과는 현 단계로서는 여성결혼이민자들의 유입 및 그들과의 상호작용 경험이 문화적 다양성을 인정하고 양방향의 문화통합을 추구하는 형태의 문화적 다원화 과정으로 연결되지 못하고 있음을 시사한다. 본 연구 결과의 시사점 및 의의, 그리고 장래연구의 방향을 논의하였다.

• 한국조경학회지
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• 제38권2호
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• pp.109-118
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• 2010

본 연구는 랜드스케이프 어바니즘을 적용한 도시재생적 실천전략을 모색하기 위해 연구되었다. 특히, 랜드스케이프 어바니즘을 산업사회를 넘어 지식정보산업사회의 도래와 함께 나타나는 도시화의 새로운 특성과 양상, 또 산업화시대의 신도시 이상을 넘어 도시재생이라는 새로운 도시 이상과의 상관성 맥락에서 도시재생에 어떻게 적용할 것인가의 관점에서 수행되었다. 본 연구의 결과, 랜드스케이프 어바니즘에서의 랜드스케이프의 의미가 도시를 대상으로 시각적, 장식적 차원의 정태적 풍경이 아니라, 변화, 진화 등의 맥락에서 동태적 과정을 대상으로 하고 있고, 지식정보산업사회가 지식 정보의 흐름 등 가속적 변화와 과정적 특징을 보이며, 이러한 사회적 특징에 따라 도시화도 형태와 기능 중심에서 흐름, 네트워킹, 중심성과 결절성, 지표면 등의 개념으로 구성되는 가치지향의 과정적, 동태적 특성을 보인다는 점에서 이들 3자간에는 그 본질적 개념에 있어 상호 관통되고 소통되고 있는 것으로 나타났다. 특히, 산업화시대의 도시화에 대한 반성으로서 21세기 새로운 도시이상으로서 대두되고 있는 도시재생은 본질적으로 아스팔트와 콘크리트로 점유된 도시 경관판을 그린 인프라 구축과 디자인이라는 맥락에서 생태판에 문화를 도입한 문화판으로 구축해야 한다는 당위성에서 랜드스케이프 어바니즘과 일정의 괘를 같이 하고 있었다. 본 연구에서 제시된 랜드스케이프 어바니즘을 적용한 8개의 도시재생전략으로는 도시가 자연과 역동적으로 소통하고 진화할 수 있는 생태판의 구축, 생태와 도시민과의 소통을 위한 생태판의 문화판으로의 전환, 주택 및 상업지역에서의 그린 인프라 구축 등의 관점에서, 건폐율 규제, 높이 규제 완화 등의 필요성이 제시 되었다. 또한, 도시이전적지의 공원화, 하천 등 도시워터프론트의 공원화 등의 전략에서 공원의 도시적 관입 및 확산과 더불어 공원혼합용도에 대한 도입이 논의되었다. 이러한 새로운 경관판을 형성하기 위한 실행전략으로 사회의 변화에 역동적으로 부응할 수 있는 전략계획제의 도입이 논의되었고, 특히, 이미지니어링을 통한 가치계획을 추구함으로써 기능중심의 도시화에서 가치창출과 브랜드형성 차원의 도시화로 진화시켜 나아가야 할 것을 제시하였다. 이 모든 전략을 위해 기존의 경관, 토지이용 등 건축 및 도시개발 관련 각종 제도가 개선되어야 할 것으로 제안되었다.

• 한국의류산업학회지
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• 제14권5호
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• pp.701-712
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• 2012

This study examines the various expressions and immanent value of fashion and beauty style based on Craig Owens's Allegory theory. I analyzed four application elements of Borrow, Site Specificity, Accumulation of Strategy, and Hybridization in? Ladygaga's Music Videos. The results are as follows. 'Borrow' presents a kitsch style and playful Pop-art style, transformation of gender from Mini Mouse body suit, telephone headpiece, and can hair. 'Site specificity' presents the temporarity of fashion material through rebirth, aging, natural extinction from the chain over the black jump suit, crime scene tape, and skull-face makeup with masculine style. 'Accumulation of strategy' presents a futuristic chic fashion style from a layered style, retrospective fashion, repetition and duplication in Music Videos. It shows the physical beauty of an Asian warrior style in Poker Face. 'Hybridization' present Cyborg feminism and 'Will of Power' from iPOD LCD glasses and Pyro-Bra. The Pyro-Bra represents how the female body can be used as a weapon in the outfits of Lady Gaga. In addition, Immanent value is as follows. Textual interaction with high art is accomplished through a combination of contemporary social and cultural significance to understand the cultural code and to extend the value. Combined with high culture, popular music genre is accomplished through musical appreciation by a woman in fashion styling and sensual pleasures of the body as a tool to express a sublime advantage. Fashion style is accomplished by overcoming a self-transcendent body image representation. The way in which mutual coupling dismantling, destruction, and uncertainty is to re-launch the static, with a pluralistic context of Textuality.

• 한국실내디자인학회논문집
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• 제25호
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• pp.103-110
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• 2000

The material world around human is normally composed of opaque one, with which human has made the spaces. The opaque material to make space has played a role to control the relationship among people and has produced socio-cultural things since the history started. The opening of opaque material(wall) connects one space with the other. Therefore, the meaning of opening is a connection among people who are in different spaces in terms of sociology. In conjunction with this, socio-cultural situation has been deployed differently. In the traditional european domestic space, the glass has been applied to this opening since they found the glass. It disconnects two spaces physically but connects them visually. Therefore, without blocking the opening visually, the glass became to protect people with their interior space from outside environment. The important thing is that the application of the glass in a building had been restricted because of opening size. However, after Industrial Revolution with the advanced technology of architecture, the glass came to be applied to the building and it became widen. So, the concept of glass window became to be the one of glass wall. This change made a transformation of visual character between two spaces which are separated with glass wall. This means that the glass wall gave two directional visibility while the glass window gave one directional visibility from inside to outside of space. This is because the amount of the natural light to the interior space increased due to widen glass in a space. This gave a change of visual authority and the space of surveillance(interior space) became to the one of communication. The space of surveillance, Michel Foucault mentioned in his book surveillance and punishment, is a very private one that is not visually permeable from the people outside, while the space of communication is a public one which needs other eyes. In the space of publicity, there needs a rationality, morality and ethics because of public surveillance and in the space of privacy, there restores a desire for sex and assaults.

• 복식
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• 제67권4호
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• pp.131-152
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• 2017

The purpose of this study is to analyze modern fashion culture in the 20th century through changes in transmedia in order to better understand characteristics of fashion contents. The study also strived to identify the characteristics of remediation in modern fashion and media by exploring the cultural code, and use it to establish an integrated view. The subjects and the method of the study are as follows. First, the study analyzed the development of transmedia and fashion culture since the 20th century. Second, it identified the transitional characteristics of transmedia. Third, the study analyzed the characteristics of remediation in modern fashion culture by using the characteristics of mediation, which appeared with the transitional characteristics of transmedia. The study results are as follows. First, the types of remediation are 'borrowing,' 'Representation,' 'Expansion,' 'Refashion,' and 'Absorb.' In old and new media, each type can be aesthetically experienced in 'transparency,' opaqueness,' 'Hypermediacy,' and 'Immediacy.' Second, fashion culture can undergo a transformation from its original form to a second and a third iteration, and this process allows for possibility of an expansion of multiple plots and well-rounded character settings. This opens up the possibility for fashion consumer participation, and signifies a transition into an environment where expansion of time and space is possible. The third finding is the non-mediation of fashion objects. The mediating relationship between clothes and media is directly connected to the development of new media. The immersion of new media by fashion consumers has the characteristics of 'transparency'/'Non-mediation,' and the reinterpretation and reproduction of original fashion styles have the characteristics of 'opaqueness'/'Hyper-mediation.' Fourth, fashion culture has data variability. Through 'Borrowing,' 'Representation,' 'Expansion,' 'Remodeling,' and 'Absorption,' the cultural hierarchy of reproduced fashion forms a multi-layered integrated network. Mediation code, which repurposes fashion culture contents, also creates new media fashion through transmedia.

• 한국주거학회논문집
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• 제18권5호
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• pp.1-10
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• 2007

This study is to analyze the residential spatial composition structures of vernacular agricultural village which to be called Wanggok in Yeongdong area. The results of this study are as follows; ${\cdot}$ The backyard of farmhouses is surrounded by a fence and a frontyard is open to the road, so that the spatial realm system from the road to the backyard is classified as public-semi public-private realm. ${\cdot}$ The plan type of this village is mainly composed of ㅡ type Gyeobjib (the two row rooms under one roof) and ㄱ type Gyeobjib, the Anmaru (the inner wood floor to be surrounded with wall) in both of which plays an important role that connects Sarangbang (the men's main room) with Anbang (the women's main room) in the residential space. ${\cdot}$ The particular item that not found out in another area is the Sarangbang kitchen which located to Sarangbang's side wall to be furnished with a fire hole. ${\cdot}$ The houses represent the socio-cultural environmental elements of those built days, such as while Sarangbang is faced on a frontyard to be open to the neighborhood, Anbang is faced on a backyard surrounded with a fence to be closed to the one. ${\cdot}$ The Gyeobjib with Anmaru appeared by cultural transformation connecting the 田-shaped house of Hamgyeongdo with the Gyeobjib with Anmaru of Gangwondo and Gyeongsangbukdo. ${\cdot}$ The ㄱ type Gyeobjib is preferred to ㅡ type Gyeobjib because of the sea wind and the north-east wind occurring by geographical and climatic environment elements, the privacy protection according to look into a frontyard, the muck drainage of cowshed to make use of ground unevenness, the economic gains called material saving and the intention to enlarge the frontyard as to be concentrated in a residential space and etc.

• 대한약침학회지
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• 제20권4호
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• pp.230-234
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• 2017

Objective: Neurasthenia is a disease which consists of increased fatigue or bodily weakness and exhaustion plus pantalgia, dizziness, headache and other symtoms relevant to autonomic nerve dysfunction. There are plenty of studies investigating the history of diagnostic criteria of neurasthenia, which is influenced by diverse cultural(or social) environment. The obejective of this study is to provide review of the previous studys on the changes of neurasthenia diagnoses in the context of local area to find meanings of these transition and improve health care for psychiatric patient. Methods: Literature review was conducted on studies demonstrating diagnostic criteria of neurasthenia with cultural(or social) environment. We investigated the literature reviews or observative studies which described alteration of diagnostic criteria of neurasthenia and assessed its significance. After selecting eligible studies, the authors read the articles and summarized the meaningful contents those were significant in clinical practice. Results: Transformation of Chinese Classification of Mental Disorder(CCMD) integrated with internationally utilized DSM-IV or ICD-10 is controversial about its significance in that it had limited effect on public health care due to the variables of sociocultural context, but primarily differentiated neurasthenia from other disorders. The latter one can be the directing point of the diagnostic criteria of other culture-bound diseases, which is the traits of not outstanding mood(or affect) than other neurotic disorders. Conclusion: As diagnostic criteria of neurasthenia varies, the significance of this variation is controversial, but could be the paragon of other culture-bound diseases.

• 패션비즈니스
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• 제23권5호
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• pp.31-47
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• 2019

This study focuses on women and fashion in Korea between the 1960s and 1970s, when the government regulated the socio-cultural aspects of individuals while achieving remarkable economic industrialization, particularly through the representative popular weekly magazine 'Sunday-Seoul'. The scope of this study included 168 issues from September 22, 1968 to December 26, 1971. Two research methods were applied, literature research and content analysis research. First, the literature on Korean society, culture, women's fashion, the sociological, feminine and popular cultural studies were reviewed. Thereafter, the contents, cover, articles, pictorials were collected and analyzed for classification and identification of the women's images and women's fashion. In the case of fashion articles, the contents of vocabulary and description texts were highlighted, and in the case of pictorials, the visual elements such as images, silhouettes of clothes, details of features, and patterns of materials were assessed. The images of women in Sunday Seoul's articles and pictorials exhibited extreme opposite, presenting the most important purpose of marriage, 'wise mother and good wife' and 'image of sexual object' for men. The two images of women differed; however, there was one more female image 'industrial laborer' which was placed in the blind spot of interest. The characteristics of fashion which appeared in 'Sunday-Seoul' were 'uniform modern elegance' based on neat mini-style, and 'sexual image of exposure fashion' which endeavored to selectively borrow from overseas pictorials and trend-oriented articles. This could be viewed as a 'transformation of traditional Hanbok', 'avant-garde trend' and 'de-sexualization & indifference of fashion'.

• 비교문화연구
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• 제37권
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• pp.7-29
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• 2014

The 'discovery' or 'conquest' of the New World in 1492 was the starting point of world history that irrevocably changed the fate of the Latin American continent. The global stream known as 'Columbian Exchange', which was the widespread inter-continental contacts, inter-civilizational conflicts, or bilateral communication, has rendered multifarious effects throughout many historical periods up to the very contemporary time. The propagation of Catholicism initiated along with this 'discovery' transformed Latin America of nowadays in the region that has the biggest Catholic population in the world. The previous studies in Korea regarding Latin American Catholicism has focused on the spread of Catholicism in relation to the European colonization, rather than analyzing the concrete and detailed ways in which Catholicism exerted tremendous influences in the whole continent. They were less attentive to various historical contexts in which the diffusion of Catholicism differed greatly according to cultural landscapes and political specificities. Thus, this essay attempts to examine the diffusion of Catholicism from the perspective of confrontation between royal authorities and the power of church. The essay points out that the royal communities and institutional authorities which facilitated the intial process of Catholic evangelization maintained antagonistic relationship with ecclesial powers. By delving into the gradual transformation of church systems, it reveals that Catholicism in Latin America became a major field for conquerors in power to attain economic and political dominance. And unlike the initial submission and hospitality, the religious convert of the indigenous people attested to the violent inhumanity and opposition. Therefore, the essay aims to pave a clearer way to the understanding of complicated dynamics and conflicts between Catholicism in Latin America and the establishment of Spanish colonization.