• 한국의상디자인학회지
• /
• 제14권1호
• /
• pp.97-109
• /
• 2012

Recently, it is concentrated world interest to Korea sensational (Hanryu) exited for not only sports but korean drama, K-pop in public culture. And G20 summit meeting and Winter Olympic open city selection. It is why practical information needs of Korean traditional cooking method and Korean culture, history and architecture and easy way to gain information. Korea has strong power for internet and nuke personal media mini home page, and cafe, blog. Blog is useful for spread information and has efficiency of speedy exchange information. In this study making blog contents of Korean traditional cultural information for not only Korean but foreigner. For method find blog has possibility of cultural information spreading tool, in literature and investigate usefulness and contents of naver blog having Korean traditional costume. In this study, it is helpful to open and construction personal blog of korean traditional costume and traditional culture contents.

• 복식
• /
• 제52권4호
• /
• pp.97-109
• /
• 2002

The purpose of this study was to examine volumes 1 through 51-8 of the Journal of the Korean Society of Costume in relation to past trends In content area of research reported, authorship, and funding source. Six subject matter areas were indentified: history of costume, apparel design and aesthetics, fashion marketing, social psychological aspects of clothing, clothing construction, textile science and etc. Of the 892 articles studies, history of costume research represented 40.1%(358). Studies which focused on apparel design and aesthetics increased in number as the journal matured. 51.8%(462) were authored by a sole individual. 48.2%(430) were authored by above two persons. Funding sources were indentified in 15.7%(140) of the 892 articles. College and university grants 72.9%(102) were acknowledged most frequently as a funding source.

• 복식
• /
• 제53권3호
• /
• pp.73-87
• /
• 2003

The custom and shroud for funeral rites of the early 17th Century based on the excavated costume from the grave of Mrs. Jung (1565 - 1614) are studied in this paper. The grave was located in the Pohang, Kyungbuk Province and was excavated in, April 1999. The remains consist of one set of epitaphs, 33 pieces of costume, 7 pieces of cloths, and 14 pieces of funeral accessaries. From these remains, this study newly reveals : 1) a specific funeral custom for the upper class from the fact that her husband, Ja-Hun Ki, was in the position of Prime Minister for the Chosun government when she died, 2) a fact that women also wore a formal dress with round-shaped collar (Dalryoung) and a concubine could use rectangular tablets ((Hyungbae) with peacock pattern according to her husband's rank, 3) a whole set of shroud used for women in the early 17th Century, and 4) specific construction methods for individual shroud.

• 복식문화연구
• /
• 제7권2호
• /
• pp.242-256
• /
• 1999

A Study on the construction of Chulik in the early 16th century based on the shrouds from the excavated grave of Kim, Heum-Jo(1461∼1528) is reported in this paper. This paper first reviews the general construction methodology found in the shrouds from other graves in early 16th century revealed from a report on Chulik from the excavated grave of Kim, Heumjo. This paper finds that there exist at least three different Chulik forms according to the ratios between upper portion and lower portion in Chulik. The upper portion to the lower portion ratio grows with time. Among the three forms, this Chulik of interest falls in the first one of the three forms. This new finding of the chronological evidence for the first category of the three forms provides us the latest chronology for the first category, which is up to the year 1567. This paper also shows that the second and the third categories of Chulik in early Chosun Dynasty lasted until 1580\`s and until 1590\`s, respectively. Several remarks on construction methodology found in the Chulik of interest are also reported in this paper.

• 복식
• /
• 제61권6호
• /
• pp.1-14
• /
• 2011

With the trend of wearing mountaineering wear as casual apparel as well as a continuous increase of mountaineers, mountaineering wear market has rapidly grown. New techniques to improve mountaineering apparel have been developed. Construction Without Sewing(CWS) is one of them. It is a sewing technique to improve performance and functions of new functional mountaineering apparel. CWS employs a welding machine with an adhesive tape and press instead of sewing so that it makes the apparel lighter and have better wearability, durability, and windproof and waterproof function, than sewed apparel. This study focuses on the concept, nature, and applications of the mountaineering wear manufactured by CWS. It also made an analysis of manufacturing process, and proposed three designs for the mountaineering wear created by CWS. With introducing the merits of CWS, the costumers will be have better understanding of CWS and break their stereotype that functional clothing is simply expensive without considering its benefits.

• 복식
• /
• 제57권6호
• /
• pp.1-16
• /
• 2007

The study aimed to develop the nightgown considering the construction and design features of the Shimui and the Cheolik. The analysis on the construction features of the Korean traditional costume and the physiological and motional attributes while sleeping resulted into the construction factors of the nightgown developed in the study. Consequently, the nightgown having these traditional Korean costume features were made for the evaluation. 4 different types of nightgowns were designed to be constructed. 20 professional clothing staff evaluated these 4 nightgowns developed and the existing nightgown used in the hotel industry. The results from the wearing test evaluation were: (1) to consider the stable closure of the gowns while wearing, the scores of the gowns developed were higher than the existing one. (2) the evaluations of the wearing comfort of the standing posture for the gowns developed and the existed were more or less similar but considering the lying down posture, the scores of the developed ones were significantly higher. (3) the gowns developed to have the wide-ham lines were considered more appropriate to the leg movement compared to the existing gown. The results from the fit and appearance test evaluation were: (1) throughout the all hight levels, the means of the gowns developed were higher than the existing gown's means in the most of the evaluation questions. (2) in the evaluation of the Korean traditional features, the gowns developed were more appropriate than the existing one. Consequently, the gowns developed were considered better to compare to the existing one in the context of postures, movements, comfort, appearance, fit, and design features.

• 복식
• /
• 제40권
• /
• pp.137-147
• /
• 1998

Fahion as the form construction of decon-structivistic architecture was analyzed by dividing it into the intrinsic aspect and the formal aspect through an introduction of three characteristic architectural principles into fashion. Intrinsic deconstructivistic fashion as the construction of architectural form has the mixurte of genders both in a form of transvestic and in a form of genderless look as dualism, and can be characterized by pluralistic nationlism with the emergence of the Third World alienated from the international society, and so forth. Difference and the prefixes of dis-and de- are schizophrenic mystic illusionism, chance effect and the differance of space and time and is supporting Jacques Derrida's chiasmus that is the perspective of collage in painting and the multiple observation of collage in painting and the multiple observation point as the play of borrowing the surrealistic technique. The formal construction of deconstructivistic fashion the construction of architectural form has intertextuality material, hybridization of items and the blending of modes and another sphere. Trace as icon deconstrucion attains historical analysis. Dis and de in fashion are showing the retrogre-ssion of gravity through decomposition, decon-tinuity and disjunction emerge nonstructural silho-uette, juxtaposition, inversion and replace- ment of underwear and outer garments. Their decentring expression emerged as construction through mixture and repetition as well as overlapping of planes or spaces. And their disjuctive representation appeared in the form of mutual juxtaposition and substitution with the double-side of formal construction in functional terms.

• 복식
• /
• 제24권
• /
• pp.29-46
• /
• 1995

This study is on the classification of Chchori forms in Korea in the 16 th and 17 th Centuries by investigating the patterns an construction of excavated clothong. The characteristic features of the Korean Chchori in the period are as follow. 1. The Chchori shows forms. The diversity is accomplished by varing the components pattern is Chchori, such as collar, sleeve, and bodice. The divertification in Chchori pattern represents an attempt to advance the simple Chchori pattern in the 4 th and 5 th Centuries to the mordern one. 2. Mokpankit (목판깃) has a straight construction line but Kalkit (칼깃), Dangkogit(당코깃) have curved one. This suggests a transformation in the construction line of Chchori. 3. Among Chchori pattern, some Mokpankit and Kalkit Chchori show two kinds in size ; 40-50 cm and 60-70 . However, Dangkokit Chchori has only one size of 40-50cm. Considering the difference in body size between man and woman , Mokpankit Chchori and Kalkit Chchori are jueged to be for man and woman commonly, and Dangkokit Chchori is for woman only. After the period , woman wears only Dangkokit Chchori, whichis thought to come from the sex discrimination. Consequently on the viewpoint of rinsiple of Adaptation to Environments, forementioned facts prove the changes in Korean society in the 16 th and 17 th centuries on the historical basis of costume.

• 복식
• /
• 제56권7호
• /
• pp.17-30
• /
• 2006

The objectives of this study are to research into the traditional costume succession in south and north korea, and to compare similarity and difference of kinds, names, drawing of Jegory. Conclusions are described as follows: 1. In sort of Jegory, south and north korea have same kind of Jegory according to traditional form. But in making method, south korea have pursued various style from traditional type to modern type, north korea have maintained just simple and practical basic style. 2. South and north korea have used same or similar names for the basic part of Jegory. But north korea has made new names for constructional needs, so many differences were shown in the name of details. 3. In drawing of Jegory, north korea has hold traditional method and then tried to seek for rational, scientific technique. Also, due to the influence of south korea that advanced in modern aesthetic, drawing of Jegory in north korea were changed to similar.

• 복식문화연구
• /
• 제16권6호
• /
• pp.1111-1125
• /
• 2008

The purpose of this study was to research the characteristics of the pattern design and the weave construction of 67 fashion fabrics in women's Hanbok. All the fabrics were made by 100% silk. Arrangement, size, and the type of patterns were investigated for research of the pattern characteristics. Pattern weave and background weave were analyzed, then the weight and the thickness were measured for studying the fabric construction. The results were as follows. First, irregular arrangement was more commonly used than regular arrangement, and then the complex arrangement and the combination arrangement were appeared considerably because of the existence of the various patterns in a fabric. Third, the types of pattern weave construction were much more than those of background weave construction. This is caused by the expression of dimensional effect for patterns. This survey can be practically used for development of pattern design for Hanbok industry and furthermore it will contribute to revitalizing of Hanbok market to overcome design limit in the future.