• 한국정보과학회논문지:소프트웨어및응용
• /
• 제33권3호
• /
• pp.277-288
• /
• 2006

프로덕트 라인 공학(Product Line Engineering, PLE)은 소프트웨어 재사용을 위한 새로운 접근 방법이고, 핵심자산은 인스턴시에이션(Instantiation)을 통하여 어플리케이션을 개발하기 위한 큰 재사용 단위이다. 따라서, 핵심자산은 PLE의 중요한 요소이므로 핵심자산의 재사용성은 PLE 프로젝트의 큰 성공을 결정한다. 핵심자산은 전체가 아니라 재사용 부품(Part)에 불과하며, 고정된 기능뿐만 아니라 가변적인 기능도 포함, 지원하고 있다. 그러나, 기존의 품질모델로는 이러한 특성을 가지고 있는 핵심자산을 평가하기에는 한계가 있다. 따라서, 본 논문에서는 이러한 문제점을 해결하기 위해 ISO/IEC 9126을 기반으로 하여 핵심자산의 재사용성을 평가하기 위한 체계적인 품질시스템을 제안한다. 핵심자산의 중요한 특징들을 식별하고 식별된 재사용성의 특징을 기반으로 품질속성(Quality Attribute)을 도출한다. 이렇게 정의된 품질속성을 이용하여 메트릭을 정의한다. 또한 제안된 메트릭을 이용하기 위한 지침 및 대여 프로덕트라인에서의 적용사례를 제시한다. 이러한 품질시스템을 이용하여 핵심자산의 재사용성을 보다 효과적이고 정확하게 평가한다.

• 마케팅과학연구
• /
• 제20권1호
• /
• pp.89-97
• /
• 2010

本文研究共同特性对于无选择权的影响, 并涉及到了调节焦点理论. 本文主要着眼于这三个因子以及他们之间的关系. 之前的研究已经广泛涉及到这三个方面. 第一, 共同特性影响已经被广为研究. Tversky (1972) 开创了这个理论, EBA 模型: 通过消除方面. 根据这个理论, 消费者在比较的过程中更易于注意特殊的特性, 而忽略共同特性. 最近, 更多的研究开始针对于此模型对于消费者行为的影响. Chernev (1997) 认为增加共同特性可以减少选择距离. 但是, 随后Chernev (2001) 的研究指出共同特性可能是消费者认知上的负担, 所以他们更喜欢启发式的过程而不是系统式的过程. 这些研究提出了一系列问题: 共同特性是否影响顾客选择? 如果是的话, 这些影响是什么样子的? 第二, 一些研究指出没有选择的状况是消费者最好的选择, 他们在犹豫不决时用这种方法回避选择. 其他关于这一理论的研究是时间的压力, 消费者自信, 以及可供选择的数量. 第三, 调节聚焦理论在目前非常流行. 消费者有两个焦点目标: 促进和制止. 促进聚焦主要和希望, 野心, 成功, 获得等有关; 而制止聚焦和责任, 职责, 安全, 规避等有关. 调节聚焦理论预测了顾客的感情, 创造, 态度, 记忆, 表现, 和判断. 而这些都是市场营销研究的领域这些文献为本文的研究提供了一些理论支持. 特别是增加共同特征而不是忽略他们可以增加选择过程中克制消费者的没有选择状况的比重, 其对于促进消费者的作用确实相反的. 本文通过两个试验进行验证. 第一个是2 X 2 组间的设计(共同特性X调节聚焦), 数码相机作为相关的客体. 特别的是, 调节聚焦变量是从11个问题中取得的. 共同特性包括焦距, 重量, 记忆卡, 电池, 而像素和价格作为独特特性. 结果证明了我们的假设, 那就是增加共同特性增加了克制消费者的无选择比重, 而对促进消费者没有作用. 第二个试验被用来复制第一个实验的结果. 这个实验和之前的基本相同, 只有两个方面不同—主要控制和研究客体. 在促进的前提下, 研究对象必须一些词例如: 利润, 野心, 高兴, 成功, 发展等. 在克制的前提下, 他们必学写下坚持, 安全, 保护, 规避, 损失, 责任等词. 实验证明我们假设是成立的. 本研究说明了共同特性对于顾客选择的二重效果. 增加共同特性可以提高或者降低无选择状况. 本文对于理论研究和实践上都有着贡献. 对于市场营销人员来说, 他们可能需要根据顾客的划分来考虑产品的共同特性. 理论上, 研究结果支持共同特性和无选择状况的调节变量. 最后, 本文也有一些不足, 例如过于强调态度的重要性等. 我们希望本文能够为未来的研究做出抛砖引玉的作用.

• Journal of Ecology and Environment
• /
• 제41권3호
• /
• pp.78-84
• /
• 2017

Recently, great demands are rising around the globe for monitoring and studying of long-term ecological changes. To go with the stream, many researchers in South Korea have attempted to share and integrate ecological data for practical use. Although some achievements were made in the meantime, we still have to overcome a big obstacle that existing ecological data in South Korea are mostly spread all over the country in various formats of computer files. In this study, we aim to handle the situation by developing a semi-automatic data conversion tool for Korean ecological data standardization, based on some predefined protocols for ecological data collection and management. The current implementation of this tool works on only five species (libythea celtis, spittle bugs, mosquitoes, pinus, and quercus mongolica), helping data managers to quickly and efficiently obtain a standardized format of ecological data from raw collection data. With this tool, the procedure of data conversion is divided into four steps: data file and protocol selection step, species selection step, attribute mapping step, and data standardization step. To find the usability of this tool, we utilized it to conduct the standardization of raw five species data collected from six different observatory sites of Korean National Parks. As a result, we could obtain a common form of standardized data in a relatively short time. With the help of this tool, various ecological data could be easily integrated into the nationwide common platform, providing broad applicability towards solving many issues in ecological and environmental system.

• 한국컴퓨터정보학회논문지
• /
• 제12권6호
• /
• pp.207-212
• /
• 2007

최근 소득의 증대와 삶의 질의 향상에 따라 패션에 대한정보 습득의 욕구가 증대되고 있다. 많은 인터넷 쇼핑몰이나 패션 업계에서 패션과 관련된 정보들을 웹사이트를 통하여 제공하고 있다. 그러나 사람들에게 단편적인 패션정보가 아닌 패션과 관련된 종합적인 연관 정보들을 제공하는 시스템은 미비하였다. 본 논문에서는 언제 어디서나 휴대 가능한 모바일 디바이스 상에서 패션과 관련된 종합 정보들을 습득 할 수 있는 모바일 패션 정보 제안 시스템을 제안한다. 제안하는 시스템은 패션 온톨로지를 XML문서로 구현하며 듀이 넘버(Dewey Number)를 체계를 통하여 LCA(Lowest Common Ancestor)를 빠르게 찾아 사용자가 원하는 정보와 관련된 정보들을 모바일 브라우저 상에 제안한다. 또한 사용자가 촬영한 패션 UCC(User Created Content)를 서버에 등록하는 기능을 제공한다. 본 시스템은 패션 정보 모바일 종합 디스플레이 시스템으로서 모바일 기기와 패션 분야의 접목을 통하여 사용자 맞춤형 패션 정보들을 지능적으로 제공받을 수 있는 새로운 시스템이다.

• 한국콘텐츠학회논문지
• /
• 제9권6호
• /
• pp.126-133
• /
• 2009

본 연구는 제품에 있어서 감성제품의 성공사례를 중심으로 소비자들이 생각하는 감성디자인 제품에 대해 어떠한 요소가 창의적 사고와 관련성이 있는지 조사하였다. 실험에 사용된 디자인 창의성 속성은 2007년 김은주(Kim Eun-Ju)의 디자인 창의성 평가도구 개발에서 밝힌 형태, 기능, 크기가 다양한 MP3를 대상으로 실험하였다. 실험결과, MP3는 차별성, 호감성, 유모성, 편리성과 관련이 있는 것으로 나타났다. 따라서 감성제품에 대한 디자인 창의성 항목의 공통적 특성을 파악하였다. 위의 2가지 실험 내용을 종합해보면 감성디자인은 디자인 창의성 평가 항목 중 독창성의 흥미성 항목과 실용성의 기능성 항목과 관련이 높은 것을 밝혔다. 따라서 향후에는 MP3 이외에 다른 제품의 디자인 창의성 항목간의 공통적 특성을 조사할 필요가 있다.

• 대한건축학회논문집:계획계
• /
• 제35권4호
• /
• pp.61-68
• /
• 2019

As high schools implement credit completion system these days, concerns about the dissolution of classes, which are the original stable groups of studying and living, and the instability of the basal space, is growing due to the extended operation of moving optional classes. The purpose of this research is to understand the effect that environmental features of the basal space within the school and the operation method have on the students' space use and formation of attachment place within the school. For this, the main activity places, attachment places, school life satisfaction and others were investigated at 2 Japanese credit-based comprehensive high schools, which are different in the physical environmental features of school buildings. Based on this, a quantitative analysis about the distribution of activity places and attachment places was implemented. The space use features for each student attribute were compared, and the school life satisfaction for each type of attachment place formation was analyzed. As a result, the change of the territorial consciousness about the class space according to the implementation of moving optional classes could be understood. And it was confirmed that the students' space using behavior and place evaluation change according to the physical environmental feature of the class space and common space, and that this is affecting the life satisfaction of students.

• 한국실내디자인학회논문집
• /
• 제16호
• /
• pp.42-48
• /
• 1998

Contemporary space design has based on the framework of academic standards on a number of scientific propositions in order to find out correlation of human and environment and closely examine approaches of a normative design. However the contents are enormous and introductory and have limitation of application to practical business affairs so that we will have to understand them as a thinking to explain the design with,. Therefore this study is an experimental research making use of concrete design approaches applicable to the area of space design ad cinematic construction as a medium. The purpose and significance of it lies in examining its validity and contributing to the future development of space design. Accordingly this study conducted the research through a literature survey for the understanding of space perception in the cinema deduced the language of design concept according to it examined the basic unit of cinematic construction then analyzed the cases of practical architectural spaces. The findings of this study indicate that human's perception to space and the cinema is deduced as a common conceptual language characterized by the ideas of articulation scenery and timeness. These concepts are very organic and interdependent and can probably become a means for human to appropriately analyze an behavior attribute type of investigating environment with. Also in composing space the basic units of cinematic construction can be as instrument to be easily applied to practical affairs as they are correlated with the function of space and a constituent language to be reasonably designed.

• 한국경영과학회지
• /
• 제33권3호
• /
• pp.77-92
• /
• 2008

Commonality strategy is a popular design practice in designing a product line as it enables the firm cost saving and simplification in design, manufacturing, and distribution processes. However the issue of commonality has been mostly analyzed from a profit maximizing firm's perspective and, to our knowledge, there is no literature that deals with the issue from a different perspective. in this paper, we consider the issue of commonality strategy from a social welfare maximization perspective, and argue that commonality strategy used in designing of public goods can bring certain benefits not just for a firm but also for consumers, i.e., for society as a whole. While we assume certain cost saving in production process due to economies of scale under commonality strategy, we conceptualize two different effects of commonality strategy, utility effect due to cost saving and weighted-averaging effect, and show how these two effects interplay to determine the design of common attribute and desirability of commonality strategy. We also discuss how the implementation of commonality strategy differs under different objectives of a product line designer : social welfare and firm's profit maximization.

• 복식문화연구
• /
• 제6권2호
• /
• pp.203-216
• /
• 1998

In the study, conceiving that signifying processes like model, setting, advertisement and description are important to promote the purchase of clothes that would satisfy consumer's desire by their expressing mode, I considered the processes of components of which fashion ads consist. As for the methods to study, I regarded the results presented from prior researches of clothing & textiles and other disciplines for the components of fashion ads and objectified their image that may be interpreted subjectively: and then, I adopted to analyse them using advertisement-semiological method to make clear the signifying processes. The results are as follow: 1. Fashion ad, one of visual symbols to transfer brand image, conveys the image with which various components are combined like model, clothes, setting and description as signs. ① the image of clothes amy be differently expressed according to social, cultural norm and individual characteristics, in the case of clothes, therefore, the signified can be regarded as the transferred image by design of the clothes① sign, and the abstract conception which may be rise to mind by the image in a ceratin culture. ② Each signifier such as countenance, line of vision, attitude and hairstyle of a model conveys different image, or the signified, respectively, and it amy operate as a sign that can express the brand image symbolically. ③ The signifiers like background, color and property symbolize the advertised merchandise of clothes and define it attribute.. 2. In the case of fashion ads, key referent systems are fashion phenomena, contemporary role image, social psychology, common morality, and social, economical and milieu.

• 한국의류학회지
• /
• 제35권6호
• /
• pp.687-699
• /
• 2011

Folk costumes in East Asia are characteristic in their colors of the five-element colors based on natural colors or achromatic colors (such as white or black) that imply the beauty of nature or the beauty of naivety. The Asian look adopts forms of Asian costumes into western costumes in terms of structure, silhouette, ornament, pattern, and color; in particular, color had very limited attributes. This study is a comparative study on colors, shown in East Asian folk costumes and the Asian look. It discovered the differences of color in East Asian folk costumes and the Asian look to discuss the backgrounds of difference. For research, it simultaneously conducted literary reviews and empirical research based on the Asian look. Asian colors that appeared in some costumes of the Asian look were influenced by East Asian costumes, while the primary color of playfulness or color for low chroma or black exuding a contemporary nuance (common in the western fashion) were prevalent. This revealed that the costume that had the attribute of playfulness in terms of structure, ornament, or patterns is adopted in western fashion through the fusion of eastern forms and pastiche. Colors of the Asian look are different from those of East Asia with superficial imitation, in which all the East Asian spirits and symbolism are lost. While folk costumes of East Asia hold symbolism derived from Asian spirits, the Asian look disintegrates the ideology of East Asian costumes and replaces it with a Postmodern playfulness.