• 복식
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• 제59권1호
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• pp.29-46
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• 2009

Aiming at finding symbolistic meanings and characteristics of makeup in Chinese Beijing Opera("BO"), this study formulated a theoretical framework mainly from literature in the Symbolism and symbolistically analyzed materials related to BO makeup from literature, internet web pages and illustrated news concerning performing arts. Main objects to analyze are the characteristics of four main roles in BO and the patterns, symbols, ornaments and traditions of Beijing Opera facial makeup("BOFM"). Four main roles are Sheng, Tan, Ching and Chou, categorized by gender, age, social position and personality. The result to analyze symbolistic meanings and characteristics of makeups for the roles in BO are as follows: the patterns and colors of BOFM function as explanations to help audiences understand each role's personality and dramatic situations as well as provide hints about the development and ending of an opera: that is, BO makeup is a communicative intermediary between audiences and actors in BO. It tends to follow the stereotypes, which conventionally dress and exaggerate the characters of roles, and copy the traditional Chinese perception about colors. Thus, by the metaphysical and typical expression of BOFM, Chinese people have not been pursuing the realism in opera but applying BO makeup to a mutual communication method between audiences and performing artists as to share their collective cultural heritages and spirits. Threfore, BO makeup has been an interacting language between the two entities and grown within the history of BO as a beauty art to highlight a BO by its unique systems, ornaments and beauty.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2000년도 춘계학술대회논문집
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• pp.913-920
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• 2000

The hall and the projection room of the multiplex cinema being constructed on the sixth and seventh floors at Jeonpo-dong market, Pusan, is composed of structural beams and decks considering the structures self weight problem, and the following problems are expected: - Vibration and noise generated on the floors by moving audiences may annoy the audiences in the other hall - Vibration and noise generate on the floor of the nearby hall as the audiences walk through the alley near the projection room - Vibration and noise generate on the floor of the hall nearby the projection room as the film drops This study measured and reviewed the vibration amount of the seven representative transferring routes that were selected for the halls and the alley near the projection room. Based on the analysis, the model hall was constructed and the vibration in the hall was estimated after cutting the deck. Also, this study constructed the steel stairs and investigated the vibration transferring characteristics to decide whether to construct the steel stairs in the building. Finally, the results were evaluated by actually using the stairs and reviewed the appropriateness of the measurement.

• 한국콘텐츠학회논문지
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• 제15권5호
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• pp.88-97
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• 2015

'문화시대'의 도래로 공연예술에 관한 소비자의 관심이 증대되고 있으며, 시장의 저변확대를 위한 마케팅 전략과 이를 위한 연구의 필요성이 제기되고 있다. 따라서 본 연구는 음악 공연에서 관객의 지각된 서비스 품질요인이 관객과의 관계 품질에 미치는 영향에 대해 실증적으로 규명하고자 하였다. 연구 결과, 서비스 품질차원으로서 물리적 환경 품질과 결과 품질은 몰입과 만족에 영향을 미치며, 상호작용 품질은 만족에 유의한 영향을 미치는 것으로 나타났다. 또한 관계 품질에서 몰입과 만족은 충성도에 유의한 영향을 미치는 것으로 나타났다. 본 연구를 통하여 음악 공연을 관람하는 관객들이 몰입하고 만족하기 위해 중요하게 생각하는 서비스 품질요인이 무엇인지를 확인함으로써 관객의 소비 행동을 이해하고 나아가 관객과의 관계 품질을 제고할 수 있는 계기를 제공하고자 한다.

• International Journal of Advanced Culture Technology
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• 제10권4호
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• pp.153-159
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• 2022

This research investigates the accessibility of Korean modern values at screens from the perspectives of North American audiences while consuming Korean films and TV dramas. In order to decode Korean cultural values at screens, this study collects the data of 266 Korean films and TV dramas distributed in North America from IMDb platform, unlocking that the success of box office for Korean projects in North America is positively correlated with the characteristics of Violence & Gore and Profanity. Meanwhile, the audiences' positive responses to the violent project mainly depends on the degree of "Sex and Nudity", the plots of "social groups". The current success of Korean cultural and creative industry as well as the future global markets strengths are analyzed in this research. Stuart Hall's cultural studies approach and cultural psychological account theory are applied to discuss the success of Korean entertainment industry in the transnational cultural communication.

• 한국의류학회지
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• 제30권11호
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• pp.1636-1647
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• 2006

The purpose of this study was to provide data that can be used to suggest idealistic anchor's image to capture ratings for the news program and to suggest guide for casting and training anchors for the broadcasting stations by examining the idealistic looks and images of TV news anchors by asking the general viewers who watch TV, The research methods was questionnaire survey. The subjects were 839 male and female audiences in theire 20's and 40's who residing in Seoul and Gyeonggi area. The study results are as follows: 1) The factors that decide impression of a female anchor The factors that decide female anchor's impression were 'specialty factor, friendliness factor, elegance factor, dynamic factor, and attractiveness factor'. 2) The difference in formation of impression according to makeup and hair style of a female anchor In case of specialty and friendliness factors scored high when putting on natural makeup, dynamic factors scored high when putting on elegant makeup, and attractiveness factor when putting on natural and romantic makeup. All factor were high when a female anchor had short-cut style and straight hair 3) Formation of anchor's impression from makeup and hair style according to the perceiver's variables (gender and age) Male and female audiences both gave hish score for a female anchor's specialty such as 'confident and reliable' and friendliness such as 'warm and comfortable' when a female anchor puts on natural makeup. They gave high score for attractiveness factor such as' good impression and refined' when putting on romantic makeup and high score for dynamic factor such as 'positive and confident' when putting on elegant makeup. Both male and female audiences gave high score fur all except friendliness factor when a female anchor had short-cut style compared to bobbed hair and high score far specialty factor when a female anchor had straight hair. The audiences both in their 20's and 40's gave high score for specialty and friendliness when a female anchor put on natural makeup while the perceivers at their 20's gave high score for elegance and dynamic factor when a female anchor put on elegant makeup. The audiences both in their 20's and 40's gave high score for all factors when female anchor had short-cut hair.

• 트랜스-
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• 제12권
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• pp.173-222
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• 2022

이 논문은 현재 K-pop분야 콘텐츠 전략으로 활용되고 있는 '세계관' 수용 현상에 대해 K-pop수용자 관점에서 살펴본 후, 그들의 수용 경험과 세계관의 의미 인식을 파악하고자 하였다. 이를 위해 현재 가장 활발하게 세계관을 콘텐츠 전략으로 활용하는 그룹 에스파의 세계관 수용경험과 관련된 트윗을 수집하여, 이 자료를 개인 경험의 의미구조 및 현상의 본질을 탐구하고자 하는 접근방식인 현상학적 접근방식에 따라 분석하였다. 무스타카스의 방식을 활용하여 분석한 결과, 총 21개의 주제를 통해 K-pop 수용자들의 세계관 수용 현상의 의미구조를 도출하였다. 현재 K-pop 수용자들은 세계관 수용을 통해 일방적이거나 수동적이기 보다는 능동적인 문화소비 경험을 하고 있는 것으로 나타났다. 이는 의미를 생산하고 팬덤 내부의 활발한 상호작용을 통해 외부 영향력을 행사하는 대안적 공동체인 능동적 수용자의 특성을 K-pop 수용자들이 지니고 있으며, 동시에 이 특성이 세계관을 수용하는 세부 행위들에 영향을 미치고 있음을 의미한다. 다음으로는 능동적 수용 경험을 통해 K-pop 수용자들이'마케팅 자산', '팬덤 공동체 자산', 'K-pop 산업 확장 자산'이라는 의미를 세계관에 부여하고 있음이 발견되었다. 이 중 '마케팅 자산'인식은 관련 선행연구들의 논의들을 뒷받침하는 근거로 재확인 되었다. 뿐만 아니라, 기존의 생산자적 측면의 선행연구들이 발견하지 못한 '팬덤 고유의 자산'과 'K-pop 산업의 확장 자산'의미를 발견하여 K-pop 분야 세계관의 새로운 가치를 도출하였으며, 향후 세계관의 가치 확장 측면에서 그 의미 및 방향성을 논의하여 제시하였다. 결과적으로, 이 연구는 세계관 수용 현상의 의미구조를 밝혀냈다는 것과, 기존에 논의되지 않았던 K-pop 세계관의 새로운 의미를 발견했다는 데 의의가 있으며, 관련 주제의 후속 연구를 다각도에서 제언하는 것을 통해 연구의 장을 넓히는데 기여하고자 하였다.

• 한국IT서비스학회지
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• 제11권2호
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• pp.229-242
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• 2012

The MICE(Meeting, Incentive travel, Convention, and Exhibition) industry grows steadily. Especially, exhibition industry plays an important role as the effective sales and marketing tools. However, lots of studies have focused on the flow analysis of audience traffic, booth recommendation or formulaic interactions between audiences and contents in the exhibition hall. In this study, we proposed an intelligent Interactive system considering audience's response for providing personalized exhibition service. First, we extracted components of the system architecture through the previous studies. Second, we suggested the system architecture and scenarios for intelligent interactions between audiences and contents. We hope that the proposed system will strengthen the basis for implementing interactive system in the exhibition industry.

• 한국도서관정보학회지
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• 제38권2호
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• pp.373-397
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• 2007

이 논문은 학교도서관의 체제 강화를 위한 마케팅 전략을 탐색하였다. 마케팅 환경 분석 전략에 따라 학교도서관 마케팅 환경을 외부 거시환경, 외부 미시환경, 내부 조직환경, 내부 운영환경으로 나누어 설명하였고 고객 세분화 전략에 다라 학교도서관의 목표 고객을 학교 경영자, 교사, 학생, 학부모와 지역사회로 나누어 각각의 성격과 마케팅 전략을 제시하였다. 그리고 학교도서관 마케팅을 위한 커뮤니케이션 전략으로 커뮤니케이션의 지향과 성격에 따라 관리적 커뮤니케이션, 행동적 커뮤니케이션, 협력적 커뮤니케이션, 사회적 커뮤니케이션으로 나누어 논의하였다.

• 농업과학연구
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• 제41권1호
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• pp.65-73
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• 2014

In Korea, many local governments has hosted the agriculture and/or food EXPO for the promotion of agro-food industry. Some EXPOs were successful to achieve their initial goal, but others were severely criticized due to wasting budget without outcome. The comprehensive debates and studies for the better management of EXPOs are required. The purpose of this paper is to analyze users for Jinju international agriculture & food EXPO 2013 and to suggest the strategies for the development of this EXPO. Survey analyses for two groups (enterprises and audiences) were conducted for this research. The results of studies present a few findings: First, the differentiated strategies for each groups (enterprises and audiences) should be developed. Second, EXPO need to attract more participants from the whole country. Third, the methods of advertisement should be improved, especially on-line ads. Fourth, various complains from participants, which are collected via surveys, need to be handled.

• 디지털산업정보학회논문지
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• 제10권1호
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• pp.147-155
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• 2014

The rapid increase in the penetration rate and diverse utility of smart devices opens an opportunity for a development in creating a user-oriented ubiquitous system. And it allows audiences to deploy the exhibition-helping contents regardless of the restriction of place and time with using the smart devices of audience themselves. Also it needs to build a mobile web-based portal system for the related services. To do this, Firstly, it needs the corresponding strategies on a smartphone-based environment such as technical competence, systematic preparation of exhibition with compatible mobile contents, and a compatible channel for interactivity. Secondly, it needs the differentiation of exhibition guide with the existing system: an adoption of augmented reality, panoramic technology and simulation effect aiming for an improvement in a sense of immersion and reality for audience, and building up additional contents with a diversity of formats of image, sound, and video for customer satisfaction.