• 한국조경학회지
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• 제30권5호
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• pp.55-65
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• 2002

The Purpose of this study is to suggest the necessity of linking and coordinating Cultural Tourism Festivals among local governments and to propose a plan for maximizing the effects of these festivals. The 'World Ceramic Exposition 2001 Korea' which took place from August 10th to October 28th was selected as a case study for the linkage plan of Cultural Tourism Festivals among local governments. Data were collected from a random sampling of visitors to 'World Ceramic Exposition 2001 Korea' from 24 to 28 October, 2001. 369 samples from a total 375 respondents were used for the final analysis. The contents of the questionnaire consisted of the cognition and satisfaction about the effects of the festival linkage among local governments and the preference of festival linkage types. The results of the analysis showed that not only festival staff but also visitors recognized the necessity of linking festivals among regions. Both visitors and festival staff had a positive attitude about the effects of the linked festival. In addition, they highly rated the 'World Ceramic Exposition 2001 Korea' as a successful festival. Visitors were satisfied with the festival. Furthermore, the number of visitors was more than staff expected. The organizing committee and staff considered the 'World Ceramic Exposition 2001 Korea' as a successful festival. The successful evaluation of the 'World Ceramic Exposition 2001 Korea' was related to the successful linkage of the festival. This study originated in the increased necessity of linking cultural Tourism Festivals among local governments. Since it is a transcendental study, it is not only significant but also limited. However, in the near future, more varied case studies about the linkages of Festivals will be conducted and these will generalize the results of this study and test the effectiveness of the linkage plans through positive analysis. For the effective linking of festivals among regions, it is necessary to study the definition of factors that affect visitors satisfaction, and determine which methods will improve visitors satisfaction.

• 오토저널
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• 제24권2호
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• pp.66-68
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• 2002

• 디자인학연구
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• 제11권3호
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• pp.58-67
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• 1998

전시는 사회의 미래지향적인 변화와 기존 문화와의 상호영향에 관한 이해를 우선적으로 요구한다. 전시기획과 설계와 관련된 기초적이고 일반적인 연구에 대해서는 많은 문헌이 존재한다. 그러나 국제적 규모로 개최되는 박람회장의 전시에 대한 구체적인 연구사례는 극히 미미한 실정이다. 이와 관련하여 본연구에서는 특히 박람회장 내의 특수전시연출과 전시기획에 초점을 맞추었다. 전시연출기범에 혁신을 일으키며 환상적인 공간창출을 한 적절한 사례로 일본 국제 과학기술박람회(THE INTERNATIONAL EXPOSITION ' 85 TSUKUBA), 세계 디자인박람회(THE WORLD DESIGN EXPOSITION ' 89 NAGOYA), 국제 꽃 박람회(THE INTERNATIONAL GARDEN AND GREENERY EXPOSITION ' 90 OSAKA)등을 선정하여 개념적 특성을 검토하였다. 전시기획의 사례로 대전 엑스포 ' 93중 정부관을 선정하여 기본이념과 주제를 가장 효율적으로 표현할 수 있는 전시설계의 기본방향과 구성, 전시배치, 특수효과 시스템 개념에 대헤 총체적 연구를 수행하였다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.73-74
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• 2007

As the characteristics of national economy is getting more complicate, the value of exposition is regarded as of great importance day by day. The world's Products Exhibition in which our companies and organizations take part is held all abound world, we also held the international exposition and Products Exhibition. In foreign countries, there are a lot of special organizations relate with the exposition and Products Exhibition display, which play the role to coordinate and mediate the display. Display space of exhibition must achieve functional role that can accomplish communication with spectator as well as function as place that possess products of accumulative value. Therefore, we must establish effective communication exhibition plan by position and form of display space as well as property of Products Exhibition, display contents, exhibit program to achieve purpose of Products Exhibition. We will can grope contents and method for successful exhibit through Products Exhibition that is connected form and position of exhibit between exhibit space of such Products Exhibition and we may achieve purpose of Products Exhibition.

• 오토저널
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• 제22권2호
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• pp.69-73
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• 2000

• 월간포장계
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• 통권374호
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• pp.100-105
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• 2024

• 한국실내디자인학회논문집
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• 제20권1호
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• pp.173-181
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• 2011

Contemporary architecture has shown interest in surface after breaking off the relation with structure. Also, the development of contemporary media has brought the great change to the surface of architecture. Interaction among the people, architecture, and environment is also the main point of interest in adapting the role of media to the architecture. But contemporary media itself have been applied on surface in architecture lately. So, it is purpose of the study to analyze the contemporary media characteristics application on the surfaces of EXPO pavilions based on the related characteristics of interaction effects. The categories and the contents for the frame of case studies were arranged through document research and field study. Case studies were focused on the pavilions of the World Exposition Shanghai China 2010. Surface can make the interaction between human and architecture more dramatically by the application the role of media. It was analyzed through the study that the interaction level of people is the important issue shared in digital or analog media application on surface of pavilion. The complementary relationship between surface of contemporary architecture and contemporary media can be manipulated and enriched by the application of various style of media on surface.

• 한국실내디자인학회논문집
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• 제17권3호
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• pp.3-14
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• 2008

The purpose of this study is to clarify the historical circumstances under which the Korean Pavilion was established at the 1900 Paris Exposition Universelle, and the construction process and design features of the pavilion building. At that time, even though Korea faced difficulty due to lack of experience in the world exposition and funds, Korea attempted to positively participate in the international cultural event by establishing the Korean Pavilion under an official contract with assistance of the French Government. Moreover, the Pavilion shows significant architectural features which had not been shown until then in terms of the structure and design of the pavilion building. In this connection, in this thesis, among others, the historical circumstances under which the "Korean Pavilion" was established at the 1900 Paris Exposition Universelle, and the construction process as well as the process and features of the draft design prepared at an early stage by Baron Delort de Gleon on the part of France among the above parties to the project for construction of the Korean Pavilion, which have never been addressed in the field of architecture or interior due to lack of existing data, will be clearly studied based on relevant literatures. According to analysis of the study, it reveals that the representation method for the Korean tradition of Korean Pavilion designed by Baron Delort de Gleon was based on the Chinoiserie, the style widely seen in Europe. In addition, Delort de Glean's commerce-oriented concept is integrated into the design of the Korean Pavilion as well.

• 한국지역지리학회지
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• 제5권1호
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• pp.91-100
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• 1999

본 연구는 1998년 9월 11일부터 11월 10일까지 경주에서 개최되는 '98 경주 세계 문화 엑스포를 중심으로 한 관광상품을 개발하기 위한 목적으로 연구를 수행하였다. 그 결과 경주지역의 기존관광코스의 경우 경주시내의 사적지 관광에만 국한하였고, 경주시에서 설정한 5개 관광권의 경우에 기존의 관광루트에 전혀 포함되지 않는 관광권(동해안권 북부문화권)이 있어 새로운 관광코스의 개발이 절실하다 하겠다. 따라서 본 연구에서는 이에 대한 해결책으로 6개 관광권을 묶어 '테마가 있는 문화 엑스포 관람'이라는 주제로 관광상품을 계획하였다. 경주시내권 서악권 불국사권을 묶어 '신라 유적 답사', 보문단지권은 '새 천년의 미소와 함께', 남산권은 '남산 불교 박물관 견학', 동해안권과 북부문화권을 끓어 '자연과 문화의 조화'라는 테마가 있는 여행을 제안한다.

• 한국실내디자인학회논문집
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• 제20권5호
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• pp.125-134
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• 2011

Art Deco is a decorative and eclectic design style, popularized at the interwar period. The term Art Deco derives from the Exposition Internationale des Arts D$\acute{e}$coratils et Industriels Modernes held in Paris in 1925. The aim of the exposition was to create new modern aesthetics. This exposition introduced the modern decorative and industrial art to the world and influenced all designers of area, including architects, interior designers, industrial designers, craftsmen, fashion designers, etc. Art Deco designers applied inspirations from a variety of sources and movements such as the Cubist abstract, the Neoclassical refinement, Egyptian exotic elements, Babylonian and Aztec temples, the machine aesthetic, avant-garde movements, etc to their modern works. Art Deco style rapidly spread all over the design areas nationwide in America. In Art Deco architecture, in particular, its inception was French but its domination was American. Skyscrapers, airplanes, automobiles, ocean liners, jazz, Hollywood film, streamline, and native Indian symbols are the defining features of American Art Deco. This study began from questions on how these features are expressed and stylized to decoration elements as the modern aesthetics in American Art Deco architecture. Thus, the purpose of the study is to find out the ornamental and eclectic factors of Art Deco style and to define a concept of the modernity and the regionalism of Art Deco architecture in America. This article provides an overview of the decoration style of Art Deco architecture in America through the analysis of ornamental and eclectic factors reflecting diverse roots. It also analyzes the wide variety of building examples of American Art Deco which represent regionalism. In addition, this study focuses on Art Deco architecture in Miami, Florida. Miami is one of typical cities that has the most unique regional aspects of 1920's to 1940's in Art Deco architecture. Miami Art Deco architecture reveals the tropical and nautical references such as streamlined and curved walls, exotic animal motifs, flora and fauna motifs, and marine motifs: use of glass block, porthole window, terra-cotta, and pastel color stucco.