• KIEAE Journal
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• 제8권5호
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• pp.3-10
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• 2008

The Korean traditional architecture has developed by adapting to the natural environment, and has successfully created a comfortable indoor settings by using the surrounding natural resources. This is reflected in the building layout, space design and even materials. Our traditional wooden windows adjusting ambient temperature and humidity have both the functions of window and door, although they are clearly divided in the West. The opening and closing method of our traditional windows is similar and their dimensions are shown not to be standardized but diverse in terms of the characteristic of wooden furniture and that of components placed between columns. Thus this study aims to research the sound insulation and absorption performance of traditional windows to be varied with thickness, finishing method of window paper and thickness of air layer. Despite increase of the thickness of window paper, sound absorption was reduced, and the same result was shown when both sides of the structure were finished with thick window paper. The sound insulation performance of the windows could be evaluated to be inappropriate with $R_w$ 0 ~ $R_w$ 14.

• 대한건축학회논문집:계획계
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• 제35권4호
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• pp.115-126
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• 2019

Construction of the Pyongyang Railroad Station began in 1907 as an important foothold for the Japanese colonization of the Korean Peninsula and the further invasion of Manchuria. As Pyongyang gradually grew in size and political significance, the Pyongyang Station came to have two responsibilities: Fulfill its functional role and serve as a monument to the growing dignity of the city. This study argues that the Pyongyang Station, newly rebuilt in 1958, was the first building to solve the demands for both functional expansion and the pursuit of monumentality. Stylistically, the original single-story wooden building became a three-story classical masonry building. The stylistic change symbolizes the political shift by which the building was reconstructed. The simple wooden building built by the Japanese, representing Pyongyang's status as a colonial provincial town, was transformed into an imposing gateway for the capital city of a newly born socialist state. Socialist Realism, correctly described by its slogan "socialist in content and national in form," harmoniously blended classical architecture, socialist symbols, and Korean local motifs. This study is significant in that it illustrates the historical changes and continuity of the Pyongyang Station from 1907, when it was first built, through the "liberated space" to the postwar reconstruction period of the 1950s.

• 대한건축학회논문집:계획계
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• 제34권8호
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• pp.129-136
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• 2018

Termites are important sub-baits of natural ecosystems and are beneficial insects that are natural decomposer. However, the building materials used by human beings can not coexist with each other on timber which is a termite food. As of 2017, due to fertile forests, warming, and the spread of boilers, termite damage to timber construction is increasingly occurring day by day. Currently, Korea utilizes fumigation, Beit system, preserved wood, etc. of chemical products as termite control measures. But in the case of control measures, timber that has already been eaten by termites can not serve as a structural material and must be repaired. On the other hand, in the case of overseas, Scale of damage to termites the influence on the construction is also large, and a lot of research has been carried out on the prevention methods. In this thesis, investigate such foreign control measures, Would like to suggest a suitable method for Korea.

• Journal of the Korean Wood Science and Technology
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• 제36권1호
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• pp.54-60
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• 2008

버섯종균에 의해 열화된 신갈나무 버섯폐골목의 흡음성능과 구조적 특징의 변화를 관찰하고자 버섯폐골목을 원반형으로 채취하여 무처리 목재와 구조적 특징의 변화를 비교하고, 전달함수법을 이용하여 흡음률을 측정 비교하였다. 측정주파수범위에서 버섯폐골목의 시험편이 보통의 시험편보다 높은 흡음률을 나타내었으며, 특히 2~6 KHz의 주파수영역에서는 보통 목재보다 2~3배 정도 높은 흡음률을 나타내었다. 버섯폐골목은 무 처리 목재보다 중량이 70% 정도 감소하였으며, 3단면에서 다수의 공극이 관찰되어 이들이 흡음공극으로 작용하여 측정주파수영역에서 흡음률이 증가된 것으로 사료된다.

• 한국실내디자인학회논문집
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• 제22권4호
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• pp.94-103
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• 2013

This study investigated the windows and doors of traditional houses in Jecheon, designated as a cultural assets in Chungcheongbuk-do. It aimed to contribute to the study of korean traditional architecture by finding the characteristics of windows and doors, and to the preservation and reuse policy of local cultural assets. This study was conducted using the research methods of the literature and field survey, and it was to analyze and to compare the existing data and a current status. The result are as followings. Firstly, the windows and doors of kitchen in An-chae were generally installed double swinging type with wooden board door(板張門). Secondly, the windows and doors of An-bang were generally installed double swinging type with slender-ribbed windows and doors(細箭窓戶), were mostly installed Merum(遠音). Thirdly, the windows and doors of Daechung(大廳) towards the backyard were generally installed double swinging type with wooden board door, corrugated cardboard door(骨板門) and slender-ribbed windows. Lastly, the windows and doors of Sarang-bang in a house of nobility(班家) was installed triple windows and doors.

• 건축역사연구
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• 제14권3호
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• pp.119-128
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• 2005

In ancient times, architectural design was seen as a critical task in building technologies. Specifically, form, dimension and structural design are of significant. These aspects are associated with each other and to be emerged as a whole. Designing plan dimension was deemed to be the core of design technology due to its close relationship with module system. Thus, its evolution as well as development process typically represents and reflects the spirits and contents of design technologies in ancient China. In China, the materials regarding ancient architectural technology include Yingzaofashi(營造法式) of Song Dynasty and Gongchengzuofazeli(工程做法則例) of Qing Dynasty. They show many aspects concerning materials, structure, scale system and building. In Yingzaofashi, although the length of objects are decided by 'cai(材)' and 'fen(分)', there are no regulations on length, width and height of a building. However, in the construction of ancient buildings, the above mentioned basic scales are very important in both design and construction. The present paper attempts to discuss the significance, namely, the design principles of length, with and height of ancient chinese architecture.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.44-52
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• 2011

Louisiana Museum of Modern Art near Copenhagen is the most visited art museum in Denmark. It was originally founded by the director of the time, Knud W. Jensen and designed by two Danish architects, Vilhelm Wohlert and J${\o}$rgen Bo. The first part of the museum was built and opened to the public in 1958. The first part consisted of just a few exhibition spaces and glass corridors. But museum has been expanded step by step into a large park-like museum throughout 40 years of time. Louisiana museum has a unique environment in which art, architecture and nature are inter-related together. There was a very clear background for this museum atmosphere that was created by Knud W. Jensen from the very beginning. He wanted to make 'a sculptural park' or 'a low pavilion in the park'. The concept of 'park' was the key element. The architects, especially Vilhelm Wohlert who studied at the western area of the United States and influenced by the bay area architecture as well as the oriental wooden structure, interacted with the director's idea fully and made an invisible architecture in which 'Experience of Space' is the most important aspect. This thesis aims to analyze several crucial spaces of the museum and to find a hidden design characteristics. Chapter 2&3 explains general backgrounds and main design philosophy. Chapter 4 studies each parts' spatial experience and design methods with 3-dimensional diagrams. Chapter 5 tries to make an overall design characteristics that underlines the whole museum environment. The significance of Louisiana museum is not only in the fact that it is the most visited, but also in the fact that the role of architecture is to make a better environment where human and art are harmonized together within nature. The utopian idea of the founder started in doubt almost 50 years ago has been already successful in this small but vibrant park.

• 대한건축학회논문집:계획계
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• 제36권2호
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• pp.63-70
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• 2020

In the ancient Buddhist temple area, various metal artifacts are still excavated. Therefore, the aim of this study is to approach the characteristics of ancient architecture through ancient metal artifacts. First, metal decoration of ancient architecture appears for the purpose of structure, decoration, arson. Then, as the method of wood structure is developed, the application is separated into structural, functional and decorative purposes. In ancient times, metal decoration has reduced the role of structure, but its decorative role has expanded. Second, various metallic ornaments were used on the roof of ancient architecture. As the wooden technology developed, the metal decoration was gradually omitted while applying the curve to the roof. Third, the metal ornaments used on the roof of ancient architectures include the ridge central decoration, roof top decoration, a nine-ring decoration, gable board Ornamental Metal, corner flower decoration, eaves nail, wind bell. And subsequent research requires a terminology that can link the results of archeology and Buddhist art through excavation as a result of architecture.

• 대한건축학회논문집:계획계
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• 제34권1호
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• pp.15-22
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• 2018

Raymond, who adopted Le Corbusier's Errazuris House Project, built Karuizawa Villa by incorporating Japan's aspiration for Western modern architecture and strong convictions regarding the preservation of traditional culture heritage, which were prevalent in Japan at the time. Despite the controversy over his plagiarism, Karuizawa Villa shows several unique architectural characteristics. First, in terms of the arrangement and access system, the villa has a common space that affords a view of the lake by accessing from the mountain side. Second, in terms of spatial composition, the common space is connected to the mesonnette by placing a trail to enable enjoyment of natural scenery. In particular, personal space is planned in the shape of a cross by connecting several surfaces to the outside in order to secure enjoyment of the natural environment. Lastly, in the aspect of structure and materials, both architectural buildings adopted masonry by using natural stone as well as building materials suitable for each region and climate by using logs in constructing the main columns and beams. Through Karuizawa Villa, Raymond is considered to have established his own style by combining the standard of Western modern architecture and the elements of Japanese traditional architecture while valuing local architectural technology.

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.87-95
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• 2015

Aldo Van Eyck and Herman Hertzberger explained 'In-between space' as an intermediate space between opposite elements such as whole and parts, inside and outside, open and close, central and decentral. From this idea, the meaning of 'in-between space' has developed and applied to works of Bernard Tschumi and Sou Fujimoto. In this study, the meaning of 'in-between space' was compared and analyzed based on two architects' works to reveal the design approach in terms of 'in-between space' Final Wooden House, N House, and Serpentine Gallery Pavilion among Sou Fujimoto's work were selected and Le Fresnoy, Lerner Student Center, and Acropolis Museum among Bernard Tschumi's work were selected to analyze. To understand their design approach, their works were compared and analyzed in architectural attitude, tools, construction style and the approach, concept, theme, relation, direction of in-between space. As a result, Sou Fujimoto uses 'in-between space' as a nebulous approach as intermediate space between opposite elements. For Bernard Tschumi, 'in-between space' is also an intermediate space to emphasize and make a tension between opposite elements. It is a method of solving the contradiction condition between old city environment and new architecture.