• 제목/요약/키워드: Village Festival

검색결과 51건 처리시간 0.026초

탈춤축제의상개발에 관한 연구 (Development of the Maskdance Dress Design)

  • 김희숙
    • 한국의류산업학회지
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    • 제12권2호
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    • pp.156-161
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    • 2010
  • To improve the standard of living of its citizens, local festivals is located in one axis of the new culture. These symptoms shows that there is increasing awareness of traditional culture such as Hanryu. The purpose of this study is to develope the presentative Dress of Andong International Maskdance Festival to stimulate curiosity and participate easily. 24 villages in Andong were present to represent appropriate Dress of Maskdance Festival which have been announced through the fashion show. The characteristics of the maskdance dress which presented in this study has the purpose of making the specialties of each village to tourism resources. Characteristics of the maskdance dress which designed to blend on the mask was as following. (1) Maskdance dress should shown well and must have strong durability of strenuous exercise in maskdance (2) Maskdance dress should be able to get the sympathy of the spectators. (3) Maskdance dress should be sympathetic as modern costumes. (4) Aesthetics as custumes and requirements as product must be met. (5) Acceptance of Andong region's traditional beauty is required. (6) Maskdance dress is likely to require long-term use. (7) Maskdance dress must be able to accommodate a variety of body conditions. Through customer satisfaction survey of 158 spectators and 48 members of fashion show, the relevance of masks and costumes, aesthetic and motility of costumes, commercialization potential, especially costume' motility and functional fitness of clothing sizes was highly evaluated. So maskdance dress or stage costumes as long-term development is likely to be considered. And continued research is needed.

농촌관광개발정책이 농촌지역사회에 미치는 공익적 효과에 관한 연구 (A Study on Public Effect of Rural Tourism Development Project on the Rural Community)

  • 박미정;전정배;손호기;신민지;박로운
    • 한국농공학회논문집
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    • 제61권5호
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    • pp.57-68
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    • 2019
  • Rural tourism has been identified as providing opportunities to revitalize the rural economies since early 2000s. During last decade in South Korea, government has enacted many policies aiming to establish tourism support programs as well as instigating activities between rural and nearby urban districts. In particular, the promotion of the rural tourism has been actively sought in various forms of products and services, such as green tourism village, village festival, one-company one-village campaign and etc. However, in order to prepare effective policies, it is very crucial to identify measureable evaluation criteria that can be used to assess socio-economic situations of the rural districts. Such criteria should be objective, timely and provide insights about living conditions of local residents and relevant properties. They can also be used to evaluate if progress is being made after the policies are implemented. While considerable efforts and resources have been invested to aid the tourism programs in South Korea, we still lack such systematic means to quantify and evaluate its impact on rural districts. In this work, we have applied regional deprivation analysis on well-established community experiential and recreational business in rural villages throughout the country based on three criteria (i.e., population, local commerce, and buildings). Surprisingly, the result shows that the implementation of the community experiential and recreational businesses did not bring any noticeable changes to at least one of the evaluation criteria. We concluded that the current government policies on revitalization of rural tourism at the village scale is insufficient for bringing meaningful socio-economic impacts to rural districts, with rare exceptions.

주민참여에 의한 농촌관광마을 만들기 : 장흥군 진목마을을 사례로 (Rural Tourism Village Building with Residents' Participation : In Case of Jinmok Village in Jangheung County)

  • 안종현
    • 한국경제지리학회지
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    • 제10권2호
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    • pp.197-210
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    • 2007
  • 본 연구는 농촌관광마을 만들기에 있어서 주민참여 확대를 위한 시사점을 제시하고자 농림부의 녹색농촌체험마을사업이 진행중인 전남 장흥군 회진면 진목마을을 사례로 주민참여가 어떤 형식과 수준으로 이루어지고 있는지 주민참여의식의 실태를 고찰하였다. 연구의 결과, 농촌관광마을 만들기의 궁극적인 목표와 방법론 등 인식의 전환이 필요한 것으로 나타났으며, 마을주민 모두를 공동체로서의 '마을'로 인식시키고 공동작업 속으로 이끌어내는 것이 중요하게 대두되었다. 이를 위해 사업초기에 소규모라도 주민들에게 이익이 돌아갈 수 있는 사업의 발굴 및 실행이 필요하고, 사업단계별 주민의 적극적 참여와 역할이 요구되었다. 민박이나 숙박시설의 운영도 검토되어야 할 사항으로 나타났으며, 사업에 부정적 견해를 가지거나 방관자적 입장을 취하는 마을주민들에게 주민교육을 통한 참여의식 고취가 시급한 과제로 밝혀졌다. 끝으로 주민참여 활성화 방안으로 교육, 견학 기회 확대를 통한 주민교육 및 능력개발이 중요하며, 마을주민 스스로가 자립할 수 있는 동기부여가 매우 중요함을 알 수 있다. 과소화 노령화된 우리나라의 농촌현실을 감안하면, 농촌관광은 지속가능한 농촌발전을 위한 현실적인 대안이 될 수 있다.

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중국 하북성 마을제 연구 - 하북성조현범장이월이룡패회중룡신적여인(河北省趙縣范庄二月二龍牌會中龍神的與人) - (A Study of Local Festival for the China Hebeisheng)

  • 박광준
    • 헤리티지:역사와 과학
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    • 제36권
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    • pp.347-377
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    • 2003
  • China is a country with large agricultural areas and subject to frequent calamities. Drought is the top of them. It has been a key problem for development of agriculture in the country. In the long struggle against drought, Chinese have accumulated many rational and irrational experiences. The Dragon Kings Belief, which is popular in North China and discussed in a thesis, is one of their irrational experiences. The belief was passed together with Buddhism from India to China in the Tang Dynasty. After it settled down, it was incorporated with the local five dragons belief and a set of beliefs in dragon kings came into existence. The emergence of the dragon kings belief ended the history that the title of rain got was not clear in China and Dragon kings finally got the status. Irrigation is the lifeblood of agriculture in China. In a Chinese mind, Dragon kings are the most important gods who take charge of rain and thus offer the lifeblood. In understanding the nature and characteristics of Chinese traditional culture, it is important for us to make clear the origin and evolution of the belief, find out its nature, function and operation. In the every year beginning of February of the Fanzhuang calendar in the people of Hebeisheng Zhaoxian, would all hold a festival to offer sacrifices to the $^{{\circ}TM}^{\prime}longpai$. Longpai was regarded as the core of the temple fair, thus the native sons came to call this festival; "longpaihui". In this region the'Fanzhuang longpaihui'developed into a well knownand grand temple fair. It was able to attract numerous pilgrims with its special magic power, occupying a place in $China^{{\circ}TM}$ 'eryueer'festival with festive dragon activities. The dragon is a common totem among Chinese nationals. The belief worship of the dragon dates from the start time of primitive societies. Dragon oneself the ancients worship's thunder lightning. In the worship of the great universe, at first afterwards this belief with the tribe's totem worships to combine to become the animal spirit. In ancient myths legends, along with folk religion and beliefs all hold a very important position. The longpaihui is a temple fair without a temple; this characteristic is a distinction between longpaihui and other temple fairs. As for longpaihui must of the early historical records are unclear. The originator of a huitou system has a kind of organized form of the special features rather, originator of a huitou not fix constant, everything follows voluntarily principle, can become member with the freedom, also can back at any time the meeting. There is a longpaihui for 'dangjiaren', is total representative director in the originator of a huitou will. 'banghui' scope particularly for extensive, come apparently every kind of buildup that help can return into the banghui, where is the person of this village or outside village of, the general cent in banghui work is clear and definite, for longpaihui would various businesses open smoothly the exhibition provides to guarantees powerfully. Fanzhuang longpaihui from the beginning of February to beginning six proceed six days totally. The longpai is used as the ancestry absolute being to exsits with the community absolute being at the same time in fanzhuang first took civil faith, in reality is a kind of method to support social machine in native folks realize together that local community that important function, it provided a space, a kind of a view to take with a relation, rising contact, communication, solidify the community contents small village, formation with fanzhuang. The fanzhuang is used as supplies for gathering town, by luck too is this local community trade exchanges center at the same time therefore can say the faith of the longpai, in addition to its people's custom, religious meaning, still have got the important and social function. Moreover matter worthy of mentioning, Longpai would in organize process, from prepare and plan the producing of meeting every kind of meeting a longpeng of the matter do, all letting person feeling is to adjust the popular support of, get the mass approbation with positive participate. Apart from the originator of a huitou excluding, those although not originator of a huitou, however enthusiasm participate the banghui of its business, also is too much for the number.

『울산농군행렬』, 전통문화를 기반으로 지역 축제 발굴을 위한 토대 연구 -『국극요람』(1932) 기록을 중심으로 (Proposal for the recreate and Restoration of Local Traditional Cultural Festival by the data Excavation of Ulsan Nyoung-Kun Parade: Focusing on "Guk-Geuk-Yo-Ram" (1932))

  • 최흥기
    • 공연문화연구
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    • 제42호
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    • pp.205-231
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    • 2021
  • 조선의 민속연극 '농군행렬'에 관한 기록은 와세다대학 쓰보우치박사 기념 연극박물관에서 1932년 발행한 『국극요람(國劇要覽)』 <조선연극>편에 나타나 있다. 이 자료는 일제강점기 사회문화적 분위기인 '조선에 연극은 없다'라는 보편적 인식 상태에서, 조선에 연극이 있음을 나타낸 귀중한 자료이다. 이 기록에는 조선의 연극을 5가지로 구별하였는데, 그 첫 번째 연행이 농군행렬이다. 이에 대해 민속학자 송석하는 이를 울산지역에서 전래한 농군들의 행렬 풍습이라 하였다. 이 연구는 현재 사라진 울산의 무형문화유산인 농군행렬을 발굴하여, 그 형상을 재현하기 위한 토대를 제안한 것이다. 방법은 연구자의 민속축제에 대한 현장경험과 문헌자료를 고찰하여, 이를 실행적인 형태로 형상화하였다. 연구 기대는 첫째, 사라진 울산의 전통적인 마을축제에 대한 지역사회의 관심을 이끌게 한다. 둘째, 울산농군행렬의 문헌적 근거를 구체화하여 그 형상을 제시한다. 그래서 향토성을 기반으로 하는 축제를 형성하여, 지역 공동체의 정체성을 이끌게 한다.

'장자못 전설'문화콘텐츠 개발을 통한 민속의 현대적 계승 (Modern Succession for Folk Lore through the Creation of Culture Contents of 'Jangjamot Legend')

  • 이규훈
    • 한국콘텐츠학회논문지
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    • 제10권9호
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    • pp.220-231
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    • 2010
  • 이 연구는 '장자못 전설'의 활용 양상을 살펴보고 콘텐츠 개발을 시도해 봄으로써 민속의 현대적 계승에 대해 논의한 것이다. 오랜 세월 동안 민간에서 전승된 민속인 설화는 익명의 다중에 의해 향유된 이야기 콘텐츠이다. 특정 연못, 바위의 유래를 알려주는 '장자못 전설'의 원천서사와 문화요소들은 문화콘텐츠로 개발될 수 있다. '장자못 전설'은 영상콘텐츠로 개발되거나 지역에 따라 축제나 동제의 기원으로 활용되고 있다. 전설과 관련된 축제나 대회가 활성화되려면 민속 관광 분야에서 원천서사와 관련된 다양한 문화콘텐츠가 개발되어야 할 것이다. '장자못 전설' 원천서사 보존은 전설에 대한 대중들의 접근 가능성을 높일 수 있다. 전설에 내재한 각종 문화요소들은 일관되고 효과적인 콘텐츠로 개발되고 활용될 수 있다. 이와 같은 콘텐츠 개발을 통해 설화 등 민속은 현대에도 보편성을 획득하여 계승될 수 있다.

제의적 마을 탈춤의 분석 -제의적 변천과정을 중심으로- (Analysis on the Village-Centered Masked Dance based on Rituals -On the Rituals Transitions-)

  • 백현순
    • 한국콘텐츠학회논문지
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    • 제10권4호
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    • pp.175-185
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    • 2010
  • 본 연구는 제의적 마을 탈춤의 의미를 제의성의 변천을 중심으로 하회별신굿탈놀이와 강릉관노가면극을 비교 분석하여 보고자 한 것으로 그 결과는 다음과 같다. 하회의 별신굿은 하회마을 사람들이 마을을 보호해 준다고 믿었던 신에 대한 숭배의식으로 탈 제작에 있어 제의적 의미가 포함되어 있음을 알 수 있었으나, 춤사위에는 제의적 요소는 없었다. 그리고 극 전체를 통해 볼 때 공연 방식이나 내용이 마을의 안녕과 풍농을 기원하는 동제인 하회별신굿탈놀이는 제의적 요소로 볼 수 있는 종교적 의미를 함축하고 있었다. 강릉관노가면극의 탈은 등장인물의 배역에서부터 제의성을 찾아볼 수 있는데, 양반광대, 소매각시, 시시딱딱이, 장자마리 등 모두가 제의적 벽사의 기능을 갖고 있음을 알 수 있었다. 그러나 춤사위의 대부분이 강릉지방 민속에 맞게 안무한 것으로 보아 춤사위에는 제의의 본질적 요소가 없다고 볼 수 있다. 마지막으로 강릉관노가면극의 특징적인 면으로 볼 때 강릉관노가면극의 경우는 단오제라는 행사와 같이 하나의 놀이로써 지방의 안녕과 풍농을 기원하고, 지방수호신에게 제사하는 의식과 깊은 연관을 가진 서낭제 가면극의 특징을 그대로 간직하고 있음을 알 수 있었다.

안면도 국제 꽃박람회의 지역 화훼산업의 발전방안 (International Flower Exhibition in Anmyon-Do and Its Implications for Flower Industry in Chungnam Region)

  • 권용대
    • 농업과학연구
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    • 제28권2호
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    • pp.162-172
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    • 2001
  • There have been various flower exhibitions in many countries such as Netherlands, Japan and China so as to encourage the growth of flower industry since they recognize the value of flower as cultural goods. Chungnam Province government, also endeavoring to make the. regional flower industry into high valued agriculture and exporting industry, plans to open the international flower exhibition in Anmyon-Do from April 26th, 2002. This flower show, first held by local government and featuring mega-event tourism, is expected to contribute to initiating flower industry and related business in Chungnam region. However, the flower exhibition may not be said to succeed if it does not play enough to trigger the role in expanding its effect on post growth of regional flower industry. This paper aimed at suggesting strategies of maintaining festival boom of post Anmyon-Do flower fair and contributing to take off of flower agriculture and its related industry as follows; 1) inviting various flower business activities into exhibition places 2) establishing flower village town attracted by tourists 3) devising the flower R&D center 4) organizing helping center for infant flower business group.

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DYNAMIC CHARACTERISTICS OF ANCIENT MASONRY CASTLE WALLS

  • SungMinLee;SooGonLee
    • 지구물리
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    • 제6권2호
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    • pp.71-77
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    • 2003
  • Generally the dynamic characteristics of stone wall structures depend on several factors such as contact, the type of interlocking bonding stones, and the filling materials. This paper describes a non-destructive technique for diagnosis of historic masonry stone structures using the measurement of natural frequency technique. For this purpose, the castle wall of Nag-An Folk Town located in Sunchon, Korea was selected as a model. The Nag-An Town Castle is one of the well maintained historical remains constructed in the Chosun Kingdom of Korea. The construction started in 1397 A.D and was finished in 1626 A.D. The non-mortar castle wall is 1470m long and the average height is 4m with a width of 3 4m. The exterior of the wall is bonded with 1 2 m rectangular rough-faced stone and the inside of the wall is filled with gravel. The traditional village still remains inside the Nag-An Town Castle, and they have a regional food festival every October. Transverse vibrations were measured at 8 points around the castle. The measured natural frequency of the first mode was 26Hz 41Hz, and the shear modulus of filling material was 2.142 x $10^3$ ~ 8.915 x $10^3$kgf/$cm^2$ . With these results, it may be assumed that the filling material is gravel or a sand-gravel mixture. It is expected that the information provided by this paper will be useful for addressing the maintenance problems of the old castle walls.

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산업 유휴공간의 문화재생을 통한 지역 변화 비교연구 - 문래동 문래예술공장, 금천구 금천예술공장을 대상으로 - (A Study on The Change of Local through Cultural Regeneration of Industrial Idle Space - Focused on Mullae-dong Mullae Art Factory, Geumcheon-gu Geumcheon Art Factory -)

  • 한민지;이희정
    • 국토계획
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    • 제54권1호
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    • pp.108-117
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    • 2019
  • The purpose of this study is to investigate whether the plan reflecting the place in cultural regeneration was implemented and whether it was a change of place in culture through culture analyze. Mullae-dong has changed its urban structure into a textile factory, a manufacturing industry, an ironworks+artistic complex, and the Mullae art factory has been organizing a festival that has been created by artists and residents alike in the Mullae creative village. However, prior to the creation of the Mullae art factory in the social element, self-sustaining programs of Mullae creative villages were derived, but now commercial space is mainly derived. Therefore, it is necessary to plan for coexistence of ironworks, cultural space and commercial space rather than expanding into commercial space. Geumcheon-gu Geumcheon-gu Geumcheon Art Factory has become an integrated complex where various industries coexist in industrial complex. Geumcheon Art Factory also holds an artist support program every year and actively works as an international creative exchange center in Seoul. However, programs that act as a mediator are not implemented since 2014, and the Open Studio stops once a year. Therefore, Geumcheon-gu needs to expand programs that can include local programs and programs that can be combined with local cultural media.