• 대한가정학회지
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• 제44권4호
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• pp.1-9
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• 2006

This study examines the esthetic characteristics in the haute couture work of Jean Paul Gaultier, who represents the fashion in France and is famous for avant-garde and experimental works through dismantling, from the first haute couture collection in 1997 to the present. The materials for the study are the precedent studies, the related literature, and the photographs of the works and the interview articles in domestic and international fashion journals. Three characteristics are revealed in his works. First of all, he provided a transcendental fashion different from the established wearing or ornamental ways by dismantling the dichotomies between male and female, time and space, and beauty and ugliness. Second, he reflected the decadent beauty recognized as representing women's sexual and provocative expression based on exposure, suppression, perversion, and grotesque manifestations by shaping an esthetic value within a different point of view. Finally, he was characterized as being transcendental with an eclectic fusion of intercultural differences or dynamics, items in costume formation, time and space, and eastern and western. This transcendental expression, Gaultier's desire for creativeness, can be an ideal characterizing this era.

• 한국실내디자인학회논문집
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• 제13권1호
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• pp.46-53
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• 2004

This study has importance of that it verifies applicability of a new interpretation of surrealism to spatial design. Transcendental cognitive form of idealism, concept of time and space are premise of reality and surreality is finally condensed to the matter of time and space. Surrealistic techniques are automatic description, double association, montage and etc, and all of them are trials to approach to essence of images expressing unconsciousness through spatiotemporal changes of object. The purpose of this study is to find the surrealistic methods that can be applied to spatial design.

• 인지과학
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• 제29권2호
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• pp.105-120
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• 2018

현대 신경과학은 인간의 마음이 신체기관인 뇌 활동의 산물이며, 뇌의 활동이 멈추면 마음의 작용도 함께 정지한다는 심신 일원론을 지지한다. 그러나 상당수의 일반인은 여전히 일원론적 입장으로 설명하기 어려운 마음영속성과 사후세계에 대한 믿음을 갖고 있다. 본 연구에서는 죽은 사람의 마음이 단순히 작동정지하거나 약화된 마음이 아니라, 살아있는 사람의 마음과 구별되는, 시공간의 물리적 제약을 초월하는 마음으로 간주되는지 살펴보았다. 참가자들은 주인공이 교통사고 후 사망하거나, 생존하거나, 또는 뇌사상태가 되는 가상의 시나리오를 읽은 뒤, 각 상태의 주인공이 보유한 '일반적 정신능력'과 '초월적 정보수집 능력' 수준을 평정하였다. 연구 결과, 주인공이 사망한 조건에서는 주인공의 일반적 정신능력이 높다고 평가할수록 초월적 정보수집 능력도 높다고 응답하는 상관관계가 관찰되었으나, 생존 조건에서는 이러한 경향성이 관찰되지 않았다. 이는 죽은 사람과 산 사람에게 기대되는 정신능력의 속성이 서로 달라서, 죽은 사람이 소유한 높은 일반 정신능력은 초월적인 능력을 함축함을 시사한다. 추가적으로, 참가자의 종교적 믿음 또한 사망한 사람의 초월적 정보수집 능력에 대한 태도에 영향을 주는 변인임을 확인하였다.

• 영어영문학
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• 제56권1호
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• pp.3-23
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• 2010

This essay questions and attempts to answer why and how Shakespeare set his plays in time and space other than his own England. Bakhtin's concept of chronotope as integrated time-space offers a model of establishing "a historical poetics." Shakespeare's chronotope has been either negated as mere names for transcendental ideas by universalists, or reduced to a "cover" for contemporary England by historicists. Refuting such either/or approach, this essay claims chronotopic dynamics of both/and as Shakespeare's intentional poetics of ambiguity. While Shakespeare clearly wants to build fictional chronotope distant from reality and does so through verbal repetition, character names, alternation of locales and speaking directly to the audience, he also brings in reality through the figure of clowns and the theatrical space of platea. Anachronism and topological errors ensuing from chronotopic collision register desire to produce multiple meanings. Shaped by historical forces such as Renaissance poetics, education, censorship and new geography, chronotopic form itself is a witness of historicity as much as the coded ideological messages New Historicists industriously delve out. Shakespeare's chronotopic dynamism offers the space for dialogue and appropriation to modern readers, a practice no less worthwhile than history lesson.

• 미술이론과 현장
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• 제9호
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• pp.123-150
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• 2010

In his non-hierarchical approach to art making, Robert Irwin questions how art is made. In the process, he seems to come down on both sides of the Modernism versus Postmodernism debate. Insofar as he wants to advance the avant garde tenets of modern art, he can be thought of as a modernist. But insofar as he denies Modernism's claims for transcendental status, he can be thought of as a postmodernist. Irwin's light and space environments, in particular, are conditioned by their basic attachments to their surroundings. They reveal the commonplace, but largely overlooked, richness of visual perception. By encouraging his viewers to open their eyes, Irwin wants them to engage in an act of looking, one that manipulates the basic syntax of seeing. This paper discusses Irwin's contributions to the art of his time (basically the transitional period between Abstract Expressionism and Minimalism) using as an example a light and space environment he created as the backdrop for the "First National Symposium on Habitability." This work was later reprised in 1980 as an independent installation. These works are examined to show how Irwin's art displaces modernist notions of authoritative (and authoritarian) quality with postmodernist ideas of direct (and demotic) value.

• 비교문화연구
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• 제28권
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• pp.37-53
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• 2012

This paper examines 'an active nihilism' in Suk-je Sung's novels in detail. The focus of this study is formed from the critical mind in a critical perspective that in Korean novels before and after 2000s, characters who embody 'problematic individuals' of $Luk{\acute{a}}cs$ have disappeared and those close to 'active nihilists' has become the mainstream. The most representative example of this phenomenon is Suk-je Sung's novels. 'Active nihilists' in his novels are described as 'ascetics' who mastered various spheres such as 'billiard', 'baduk gambling', 'alcohol', 'dance', and 'book collecting', and so on. In the sense that they reject the transcendental conditions of the modern world and live in the space and time of play in which they can display their passion and potentiality to the maximum, they beings jumping over the 'reality principle'. Also, what they want to repeat is not the endless exchange of labor and capital according to the capitalist system of exchange but rather the repeated existence of their power and passion. This 'anthropology of power and passion' is 'active nihilism' which could be expressed as the 'subject of creating new value' and 'Dionysian affirmation' by Nietzsche. Suk-je Sung's novels sharply prove the stylistic essence of 'a novel' which has to create its own form every time, constantly renewing the narrative style of the past ideal model. In this respect, they are very problematic and his innovation of a form draws the attention. Further, this will certainly be the important object of research in the diachronic dimension of contemporary Korean novel.

• 복식문화연구
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• 제18권5호
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• pp.824-841
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• 2010

In 21st century, subordinated relationship of fashion from the body has been disappearing, and fashion is understood as variable and creative field. This research aims at analysis about the relationship between the body and fashion depending on the theories about the authority and the desire. So, this utilizes between theoretical study and empirical analysis. For concentrated study, research period limits from 2000 to the present time 2010. Contemporary body and fashion have being changed into various forms and values, become complex and de-territory. Especially, body is symbol of ambivalence eroticism that gives point to sexual property, and the object of fetishism and machine having a desire. This study's purpose draw a parallel with between the limits of contemporary body that couldn't be rid of the capital and desire, and the liberty of fashion that escape from the body's influence has being changed independent and fluid space. This research's results are as follow as; contemporary de-territory fashion is expressed as 1) symbol of the object and physical material property, 2) self-transcendental instrument fashion, 3) independent spatial molding, 4) de-centering fashion.

• 철학연구
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• 제141권
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• pp.287-311
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• 2017

이 논문의 주된 목적은 이제마의 '수신' 개념을 검토하여 한의학이나 성리학의 '수양' 개념과 그 의미가 다르다는 것을 드러내는 데 있다. 이를 위해 필자는 한의학과 유가의 수양 개념을 살펴본 다음, 사상의학 이론의 철학적 근거를 분석하여 이제마의 수신 개념이 이들의 수양 개념과 본질적으로 다른 점이 무엇인가를 분석했다. 한의학이나 유학의 수양 개념은 자연의 변화원리나 천과의 합일을 추구한다는 점에서 초월적이다. 그러나 이제마는 경험의 관점에서 인간의 존재구조와 성명, 그리고 사단을 재해석하고 이를 토대로 의학이론을 전개했다. 그는 인간을 경험적으로 인식 가능한 시 공간과 인륜관계 안의 존재로 재해석하고 성명과 사단 또한 인간의 지행 능력과 심신의 기능으로 재해석하여 천인합일을 지향하는 초월적인 해석을 벗어나려고 했다. 또한 그는 감정(도덕/사적)의 편착이 발병의 가장 큰 요인임을 발견하고 편착된 감정은 심신 기능에 영향을 미쳐 발병의 원인이 된다는 인과관계를 검증하여 의학이론의 기초로 삼았다. 따라서 그의 수신 개념은 감정의 편착을 경계하는 것으로 한정된다. 이것은 사상의학이 비록 한의학에서 파생하고 유학의 도덕이론에 근거하고 있지만 의학이론과 의학이론의 철학적 근거는 이들과 다르다는 것을 의미한다. 이러한 관점에서 필자는 이제마의 수신을 변화원리나 천인합일을 지향하는 수양 개념과 구별하고자 하였다.

• Structural Engineering and Mechanics
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• 제4권5호
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• pp.553-568
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• 1996

Finite element stiffness matrix methods are presented for finding natural frequencies (or buckling loads) and modes of repetitive structures. The usual approximate finite element formulations are included, but more relevantly they also permit the use of 'exact finite elements', which account for distributed mass exactly by solving appropriate differential equations. A transcendental eigenvalue problem results, for which all the natural frequencies are found with certainty. The calculations are performed for a single repeating portion of a rotationally or linearly (in one, two or three directions) repetitive structure. The emphasis is on rotational periodicity, for which principal advantages include: any repeating portions can be connected together, not just adjacent ones; nodes can lie on, and members along, the axis of rotational periodicity; complex arithmetic is used for brevity of presentation and speed of computation; two types of rotationally periodic substructures can be used in a multi-level manner; multi-level non-periodic substructuring is permitted within the repeating portions of parent rotationally periodic structures or substructures and; all the substructuring is exact, i.e., the same answers are obtained whether or not substructuring is used. Numerical results are given for a rotationally periodic structure by using exact finite elements and two levels of rotationally periodic substructures. The solution time is about 500 times faster than if none of the rotational periodicity had been used. The solution time would have been about ten times faster still if the software used had included all the substructuring features presented.

• 정보관리학회지
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• 제22권1호
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• pp.105-123
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• 2005

이 연구는 보존 기록 자료로서의 우리의 고전 장서를 보다 안전하게 보호하고 연구자나 이용자들에게는 시공을 초월한 열람이 가능토록 하기 위한 디지털 도서관으로서의 방법을 모색하는 데 목적이 있다. 즉, 우선 동양 전래의 사부 분류법과 현대적인 주제 분류, 그리고 색인어 등을 통해 다양한 접근점을 제공하고, 둘째, MARC나 XML 등을 활용한 DL시스템을 구축하되, 서지적 기술요소를 최대한 확대시키며. 셋째, 쉬운 해제와 색인어로 이용자의 이해를 극대화하고, 마지막으로 원본의 손상을 막기 위해 원문 DB를 구축하여 열람용으로 사용한다. 이는 향후 국내외 한국 고전 관련기관과 협력, 공유할 수 있는 네트워크 체제를 통해 국제적 서지통정으로 발전될 수 있을 것이다.