• Proceedings of the Korean Institute of Interior Design Conference
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• 1999.04a
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• pp.122-125
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• 1999

The purpose of this study is to dlassify into types of traditionality reflected in modern Korean houses in 1990's designed by architec Modern houses were divided into five types through qualitative analysis. Analysis is categorized into three parts, space-pl structural elements ornamental elements. Characteristics of each type were defined as 'Indicative expression of the traditionalit', 'Decorative expression of the traditionality', 'Eclectic expression of the traditionality', 'Contemporary expression of the traditionalit', 'Abstract expression of the traditionality'. The results showed that 'Contemporary or Abstract expression of traditionality(type IV and V) were major types of modern Korean houses expressed traditionality. This reveals that in order to apply traditionality to the modern houses, simplifed and sbstracted for were preferred comparing with the direct imitation of traditional forms.

• Journal of architectural history
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• v.7 no.1 s.14
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• pp.109-120
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• 1998

Mekuro-Kazoen BLDG. is a complex of office, hotel, and banquet halls, builted in 1991, Tokyo, Japan. This building suggest us various issues about the representation of traditionality in current architecture. We can find the possibility of representation of traditionality in large complex, in past, rarely applicated. Even in Japan, such trial in official building as New Office Building of Tokyo in Sinzuku shows a application only in the elevation plan. In Mekuro-Kazoen BLDG, the applications of traditionality are found not only in external appearance, but also in interior design. And the traditional Japanese gardens in front of building and in atrium enrich the traditionality And the modenity and traditionality in this building are represented simultaneously not deteriorating each other. The issue of representation of traditionality in architecture should be succeed not only in now but also in the future. The method of application need to be studied and improved. The fields of application also should be extended such as large complex buildings and future-oriented buildings.

• Korean Institute of Interior Design Journal
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• v.21 no.5
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• pp.280-288
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• 2012

The objective of this study was to analyze the characteristics of traditionality expressions at modernized Chinese restaurant in Hong Kong. As a case study, the study examined 12 modernized Chinese restaurants in Hong Kong. The gathered data were categorized and examined according to the ways of traditionality expressions, which included reproduction, transformation, and reinterpretation of traditional components. Each of the components was measured for the amount of traditional or modernity expression on a five-point scale. The five-point scoring system put an emphasis on tradition; 1 point was given to principal modernity(modernity: 90-100% + tradition: 0-10%), 2 points were given to principal modernity + auxiliary tradition(modernity: 70-90% + tradition: 10-30%), 3 points were given to the same ratio between tradition and modernity(modernity: 40-60% + tradition: 40-60%), 4 points were given to principal tradition + auxiliary modernity(modernity: 10-30% + tradition: 70-90%), and 5 points were given to principal tradition(modernity: 0-10% + tradition: 90-100%). The analysis performed according to those criteria and methodologies led to the following findings and conclusions: TM style, in which modernity was principal, usually did transformation and reinterpretation of traditionality. As for the design attributes of the styles, the TM style, they processed a majority of the spatial components as modern or reinterpretation of traditionality, which would be easily considered to be modern without careful observation, and applied a small amount of direct reproduction or transformation, which gives out a direct hint at traditionality, to attract more attention. Many of the spatial components did not express traditionality directly, expressing it indirectly or metaphorically. Traditionality was expressed in a small number of the spatial components, thus serving as a focus or impact point in the given space.

• Proceedings of the Korean Institute of Interior Design Conference
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• 1999.04a
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• pp.110-113
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• 1999

Mekuro-Kazoen BLDG. is complex of office, hotel, hotel, and banquet hall, built in 1991, Tokyo, Japan. This building suggest us various issue about the representation of traditionality in current architecture. We can find the possibility of representation of traditionality in large complex, in past, rarely applicated. Even in Japan, such trial in official building as New Office Building of Tokyo in Sinzuku shows a application only in the elevation plan. In Mekuro-Kazoen BLDG. the application of traditionality are fond not only in external appearance, but also in interior design. And the modernity and traditionality in this building are represented simultaneously not deterioating each other. the issues of representation of traditionality in interior design should be succeed not only in now but also in future. The method of application need to be studied and improved. The fields of application also should be extended such as large complex buildings and future-oriented buildings.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2005.10a
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• pp.90-95
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• 2005

Tradition is defined as cultural qualities of a regional social group a race, which is transmitted from generation to generation through history. The purpose of this study is grasp of the tendencies of expressional methods of korean traditionality in contemporary korean interior design. Therefore, this study analyzed expressional methods of korean traditionality according to observing the cognitive activities in design process of korean primary designer's works. As a result, it seem that expressional methods of korean traditionality using a traditional space construct and properties of materials.

• Korean Institute of Interior Design Journal
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• v.19 no.5
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• pp.140-147
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• 2010

The objectives of this study are, first to define the concept of restaurant total coordination and establish its components as a design strategy for planning and managing all elements comprising a restaurant, and second, to survey the total coordination of Japanese restaurants in foreign countries and examine how traditionality, which is an element for globalizing Japanese restaurants, is expressed. This study was conducted through literature review for defining the concept of restaurant total coordination and extracting its components and a field survey for analyzing the current state of restaurant total coordination and traditionality expression methods. The results of this study are as follows. First, Japanese restaurants categorized into Type A with relatively high traditionality expression(3.3 or higher) were 25% of the surveyed restaurants. These restaurants showed the traditional characteristics of Japanese style as they are without contemporary adaptation for all components of restaurant. Second, 41.7% of the restaurants were categorized into Type B with traditionality expression between 1.7 and 3.3. They were mostly popular casual restaurants at which people can enjoy Japanese food comfortably. In visual and spatial design elements, traditional and contemporary styles appeared in the equal percentage, and decoration, table setting and food design were styled according to Japanese traditions. Third, 4 cases(33.3%) were categorized into Type C with traditionality expression below 1.7. Because they were fine dining restaurants that sold high priced dishes, formality and consistency were also high. Through all design elements including visual, spatial, table setting and food design elements, elegant and simple contemporary images were dominant. The results of this study will be used as basic materials to establish the concept of total coordination that views the visual, spatial, table setting and food design elements comprising a restaurant, which were approached separately in previous studies on restaurants, together from the viewpoint of integrative deigns, and to make design strategies for globalizing Korean restaurants based on Japanese restaurant cases.

• Korean Institute of Interior Design Journal
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• v.15 no.5 s.58
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• pp.60-67
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• 2006

An architecture is a result from representation of design knowledge by architect's creative thinking, and operated only in his internal organization system. Design knowledge based upon the experience that they have achieved in the past as well as the informations they have accumulated over the time. In this point of view, the Schema that formed by problems settlement and process repetitions for the best conclusion, not only play an important part in the designer's thinking system about a specific problem but also appeared by distinctive features. This research looks to achieve a new design method by finding out how architects express traditionality in the contemporary house through schema. This research analyze contemporary house built in seoul of 1990's. The result are as followings. First, Schema is a 'frame' that already exist in the architect's thinking, will make a good guide about express the traditionality. Second, We found out several distinctive characters in the form and the space. The form is divided in five types. It is an condensed form of roof image, the metamorphosis of form grammar, the change of part details, the representation of design principle and the directly expression. Lastly, In the space, it is the borrow of the connection method of inside and external space, the three parts composition of the space, the adaptation of 'Madang' and the Independent composition of the space due to 'Chae'

• Korean Institute of Interior Design Journal
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• no.22
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• pp.85-91
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• 2000

The purpose of this study is to grasp the element and method of traditional expression appeared in hotel lobby spaces, and present the direction of traditional expression applicable to the domestic hotel lobby space. Therefore, this study analyzed traditional expression according to its element and method taken out from the prior researches related to it. Specifically, the element of traditional expressions divided into the element of space organization, the element of structure (bottom, wall, ceiling, window, door and pillar), and the element of decorative design(furniture, illumination, artistic ornament, color, and material). The method of traditional expressions divided into the method of prototype reappearance, prototype transformation, reinterpretation, and abstract. The target of analysis has been 27 hotels designed since 1970s. and described as expressed traditionality in architecture-technical journals and books in the inside and outside of the country. considering these results, it seems that the traditional expressions using more various elements and more various element and methods have to used in domestic hotels. Specifically, when expressing traditionality in the lobby space of domestic hotel, it is important to decided the method expressing traditionality at first, and the traditional expressions using the element of space organization, structure, decorative design, and so based on the method expression traditionality was fulfilled with coordination.

• Journal of the Korean Institute of Rural Architecture
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• v.14 no.1
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• pp.91-98
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• 2012

This study is aimed to survey on the perception of residents about general contents and current status of urban traditional houses in Cheongju. A study on methods is using questionnaire which 12 items of attraction in Urban Traditional Houses and experimental study focusing on residents in Seowoon-dong and Seokgyo-dong where traditional houses are concentrated. As a result, residents of urban traditional houses were categorized 6 sectors, which 4 sectors of Seowoon dong and 2 setors of Seokgyo-dong, caused by the road construction. The urban spatial structures of these sectors are maintained, comparing with aerial photography on 1960's. And residents recognize eco-friendly attraction higher than awareness on traditionality, locality and aesthetic beauty. It is proposed to prepare political alternative about traditionality, locality and aesthetic beauty. Low awareness about traditionality and locality have influenced that residents hope the change of the traditional houses.

• Journal of the Korean Institute of Rural Architecture
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• v.2 no.3
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• pp.65-76
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• 2000

This study aims to clarify the characteristics of townhouse corresponding to the changing life style for the future, and suited to the small and medium urban areas of Korea(focused on Chongju area) from its traditionality and regionality's point of view. The results of this study are as follows; 1. The traditional design elements of Chongju area : 1) A court; a court of inner building - light, wind. 2) A balcony; intermediate space, cornice. 3) Eave line; a horizontal line for approach. 2. The regional design elements of Chongju area : 1) Maintenance of skyline which had the same building height as strip of road. 2) The formal spatial design elements to think about natural view. 3) Simple appearance and delicate detail.