• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.156-159
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• 2003

The purpose of this study is to analyze the elements forming traditional houses and to find meaning of them by searching relationships among the elements and paradigms which had been used in making living spaces in that era. For analyzing traditional living spaces, traditional houses in the Namsan valley are sellected and which have been examined with the Pierce's semiotic theory. Through the semiotic analysis of spaces, the meaning of constituents forming spaces can be observed in the systematic as well as comprehensive points of view, and the paradigms that consists of the era can be redefined flexibly and this flexible concepts enables people to see their environment including human being broad and enriched.

• 동의생리병리학회지
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• 제20권1호
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• pp.245-256
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• 2006

This research sought to survey oriental medicine diagnosis methods currently practiced, analyze their advantages and disadvantages, and work out clinical establish direction for oriental medicine diagnosis methods. Oriental medicine diagnosis methods currently practiced in the related circles are categorized into traditional Korean diagnosis methods and holistic auxiliary diagnosis methods. The traditional Korean diagnosis method focuses on treating diseases of traditional Korean health management methods which are based on the bodily self-viability capabilities according to the Orient's viewpoint of health. Under the diagnosis method, based on the cognition of maximizing the state of the bodily self-viability capabilities together with the characteristics of diseases, symptoms, pulse, first face-to-face patient observation, physical constitution, and life principle are managed according to form, color, pulse and symptom which divide the bodily viability capacities into inherent and acquired elements amid both elements interacting.

• 대한가정학회지
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• 제50권8호
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• pp.1-11
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• 2012

The purpose of this study is to compare and analyze the application of raditional elements in Lie Sang bong and Vivienne Tam's Fashion Design. The methods of research, the references to the precedents of prior research, fashion related journals, articles, and websites of designers were examined to analyze how each designer reinterpreted the respective homeland's traditions. The designs of Lie Sang bong and Vivienne Tam studied were from the 2002-03 F/W to the 2012 S/S collections. The results are as follow. First, both designers use traditional marks when reinterpreting the traditional clothes of Korea and China. In the case of Lie Sang bong, traditional Korean marks were linked to the western structure. For Vivienne Tam, designs which revived realistic marks identically were displayed. Second, in terms of the modern reinterpretation of the traditional clothes shapes, there were a number of cases in which the silhouettes of their respective country's traditional clothes were mainly brought into their arts. Lie Sang bong was influenced by the 'line' of traditional Korean design. In addition, the atmosphere of the traditional clothes helped to reanalyze the traditional clothes' figure. In Vivienne Tam's designs, unique Chinese images were produced by, keeping the original form of the Chinese dress. Third, in the use of the traditional ornament techniques, Lie Sang bong partially introduced and applied traditional ornament techniques while Vivienne Tam largely decorated the traditional. Chinese ornaments while directly utilizing the structuring designs.

• 패션비즈니스
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• 제8권3호
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• pp.20-33
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• 2004

The creative energy of the Korean women who pursued spiritual artistic practices under the limited situation of male-dominated confucian society in the Chosun Dynasty(AD 1392 - AD 1910) constituted the background for the development of Gubang Craft. Gubang Craft represented their artistic abilities, moral and family values, and the pursuit of self-esteem. Especially embroidery successfully showed four main elements of Gubang Craft such as embellishment, diversity, femininity, and craftsmanship. This paper is designed to explore how the traditional elements of embroidery works are restored and have influence on the modern Korean fiber art.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 2012년도 춘계학술대회
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• pp.138-139
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• 2012

• 산업기술연구
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• 제26권A호
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• pp.29-38
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• 2006

Efficiency and universality which was the spirit of the modern age, had also an enfluence on our living environment. Various types of individual housing unit were developed and mass-produced. However, the exterior space in our city is a place for our social life and intermediate place to connect the private life of each individual to our society. For the people to adapt themselves well to their environment, it should be well organized which means it is clearly divided and integrated in a hierarchical order. To realize these conditions, adequate boundaries to divide each territory and entrances to connect each territory are two essential elements. One of the possible methods to realize these conditions can be found in korean traditional architecture where the exterior space has the same figural quality like buildings and is the center of the whole composition. Buildings, walls and colonnades are the elements to define space. Gates, pavilions, gabs between buildings and posts are the elements to symbolize the entrance connecting each space. Each exterior space is integrated to a whole composition. One is the gradual differentiation along the axis which is unique in korean traditional architecture. The other is the rectangular connection which is also found in the other area in the world. The results of this thesis are as follows. The exterior space in the housing area should have the figural quality. The elements to make boundaries defining exterior space are classified into horizontal elements such as low buildings and walls, and vertical elements such as tower-shape buildings which define space in a different way. The position of openings in a housing block affects the characteristic and openness of a exterior space. Various types of gates are used to decide the relationship between spaces.

• Human Ecology Research
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• 제52권6호
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• pp.551-560
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• 2014

In this study, we have focused on various types of costumes for traditional Ganggangsullae and daily dance Ganggangsullae. To analyze their costumes, spot photographs of Ganggangsullae contests from 2011 and 2013 were collected from the Department of Culture and Tourism, Jindo County Office and the Jeonnam Information & Culture Industry Promotion Agency. Costumes were analyzed by categorising them as type, shape and color. Traditional Ganggangsullae costumes are two types: traditional hanbok and saenghwal hanbok. Traditional hanbok design dates back to the late Joseon dynasty and saenghwal hanbok design to the middle Joseon Dynasty. They reflects confucianism, a male-dominated society, totemism, shamanism and Yin-Yang and the five elements theory in agrarian society and community life. Daily dance Ganggangsullae has various types of costumes such as the fusion hanbok, saenghwal hanbok, cheering uniform and casual wear. They show modern color schemes. There is not any magical meaning from Yin-Yang and the five elements theory. Instead, they have individualism, liberty, equality and welfare in information-oriented society. So its costumes are easy and comfortable clothes. But traditional hanbok, fusion hanbok and saenghwal hanbok are inspired from Korean identiry. Even though traditional Ganggangsullae and daily dance Ganggangsullae have different costumes and ideology, they have a common denominator 'playfulness.' It will function as a key for Ganggangsullae to be performed continuously over the period.

• 셀메드
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• 제2권1호
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• pp.4.1-4.13
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• 2012

When medicine is unable to cure, and the end becomes imminent, or when the patient is tired of the side effects associated with chronic use of drugs, the search for alternative and new ways of healing is begun. Coincidentally, sometimes the alternative is the origin, as is the case for traditional Arab medicine and traditional American Indian healing. Traditional healing is the first healing that all people have used for 200,000 years, since the beginning of Homo sapiens. The sources and elements of traditional Arab medicine have been examined in books and by consulting with traditional Arab healers. Arabic medicine is a career combining both elements of science and philosophy based on religion and traditions, and includes a diversity of healing approaches: spiritual, physical, and using natural products. These approaches are discussed with emphasis on wet cupping (Alhijamah), a practice that is undergoing a revival nowadays in Arab countries. American Indian healing is a career based on religion, tradition, an innate healing gift and extensive training, both in a medical school setting and as an apprentice. Arabic healing approaches are compared to American Indian healing approaches.

• Human Ecology Research
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• 제52권4호
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• pp.347-354
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• 2014

'Heongbu and Nolbu 1' is a series of the on-line game 'Tales Runner.' It is based on a traditional Korean fairy tale. However, the game characters in Heongbu and Nolbu 1 wear casual clothes even though the game is set in the Joseon Dynasty. Therefore, this paper presents proposed game characters clothes based on traditional Korean costumes from the Joseon Dynasty. This work should help inspire gamers and game designers with the beauty of Korean traditional costumes and familiarize them with an aspect of Korean people's identity. A literature review of online games and game characters was carried out, and game characters' clothes were analyzed. The design motifs of historical relics of the Joseon era were evaluated. Three styles, one traditional and two "fusion" styles integrating traditional and modern elements were proposed for each of the 4 characters: Chowon, Ruff, Bada and Abell. The chulrik and jurip were used as design motifs for Chowon. A traditional chulrik, short chulriks and pants are suggested. Second, the dongari and jeonrip were used as design motifs for Ruff. A traditional dongdari, sapok pants, deck pants and a vest are suggested. Third, the jeogori and chima were used as design motifs for Bada. A traditional female hanbok, arm warmers, short-sleeved jeogori and dress are suggested. Fourth, the dang-ui and daeran-chima were used as design motifs for Abell. A traditional dang-ui and daeran-chima, blouse, skirt, jumper and tight Bermuda shorts are suggested. The length, shape and color were converted into new styles, but some traditional elements such as the git and goreum were retained.

• 한국조경학회지
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• 제37권1호
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• pp.120-130
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• 2009

본 연구는 생태학에 견줄 수 있는 전통적 관념으로서 생명사상과 전통사상에 착안하여 마련된 '전통경관의 생태학적 해석' 방법론에 대한 사례연구이다. 연구를 통해서 당시의 관점에 근접함으로써 선조들의 생태학적 사고와 그를 기반으로 한 조영방식을 설명하기에 유용한 방법론이 될 수 있음을 규명하였다. 생태학적 해석 도구로써 추출한 '본성(本性; 자연의 정체성 고수)' '중절(中節; 절제)' '효율(效率; 경제적 효용)' '상생(相生; 관계 맺기)' '자생(自生; 자연의 원리 취득)' '중화(中和; 인공을 최소화하여 조화)' '방통(旁通; 소통과 순환)' '변통(變通; 가변성과 다양성)'이라는 전통사상의 개념어들은 우리 문화와 경관 속에 함유된 생태학적 개념을 대신한다. 사례연구를 위해서 서유구의 "임원경제지(林園經濟志)"(1827)에 서술된 항목들을 '공간구조' '조경요소' '건축 구조요소'로 구분하여 해석의 대상을 추출하였다. 정온 가옥과 최씨 종택을 구성하는 요소들을 해석한 결과로 생태학적 조영기법들을 제시하고, 전통주택과 조경공간에 대한 생태학적 특성을 다음과 같이 종합하였다. 자연조건과 세밀한 관계 설정 방식을 가지는 풍토건축으로서 첫째, 자연의 형상을 따르는 토지이용방식('본성' '상생' '중화'), 둘째, 자연과 일체감을 이루는 물리적 공간요소('중절' '상생' '중화'), 셋째, 한정된 자연에너지와 자원을 재활용하면서 지속적인 순환체계 유지('효율' '자생' '방통'), 넷째, 지역에서 얻을 수 있는 자연재료 이용('중절' '효율' '자생'), 다섯째, 미기후를 고려한 평면과 구조 결정('효율' '자생' '변통')으로 정리된다. 이에 전통주택과 조경공간은 다른 유형의 전통공간보다 자연 안에서 효율적인 자원 소비 공간을 목표하였다는 점에서 생태학적 의의를 찾을 수 있다.