• 복식
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• 제65권2호
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• pp.92-104
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• 2015

Colored thread quilting is sewed up padded with Han-Ji (한지, korean paper) string using colored thread. This showed up geometric pattern with repeated line of straight, diagonal, curve. According to geometric pattern, Colored thread quilting showed visual effects. The purpose of this study is to present manufacturing techniques, kinds, use, shape of traditional colored thread quilting. furthermore, This study has produced fashion items that can be used in modern life by using techniques of colored thread quilting. According to the fashion items, It present succession and utilization of techniques of colored thread quilting. This study was conducted in the following manner First, It studied traditional colored thread quilting techniques through the documents consideration, previous researches and by surveying antiquity in the museum. 2nd, It tried to make a reproduction about techniques of traditional colored thread quilting. 3rd, This study has selected and developed item and design of fashion items that can be used pragmatically in modern life by using techniques of colored thread quilting. And Fashion items that have been produced in this study is a total 10 kinds that was composed of Vest 4ea, Pendant & Brooch 6ea. Colored thread quilting is a unique technique of thread quilting that combines powerful practicality with decorativeness only in korea. These technique hope that it can developed more variety of items in modern life.

• 한국의사학회지
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• 제28권2호
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• pp.73-85
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• 2015

This paper is the result of a research conducted for "Knowledge Resource Development by Excavation and preservation and DB Establishment of Traditional Home Remedy", a part of Korean Medicine knowledge infrastructure establishment and Korean Medicine therapy development project executed by Korea Institute of Oriental Medicine. This paper is a part of the plans to standardize Korean acupuncture and moxibustion and surgical techniques in order to make new techniques derived from Korean traditional medicine patentable, as presented in the Nagoya Protocol. By first reviewing traditional text sources and classifying them into index literature and index techniques, we can see a mutual relationship between these two categories. Based on current research papers, this study has established a total of 121 pieces of index literature as well as extracted 64 types of index techniques in acupuncture and surgery technique. Both index literature and index technique have been concurrently visualized in this paper in the "Korean Acupuncture & Moxibustion Technique and Surgical Manipulation Base Map".

• 복식
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• 제62권1호
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• pp.90-103
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• 2012

Felt, is one of the Korean traditional woolen fabrics, that is thermally excellent and durable, so it has been widely used for various living goods from the ancient time to the modern society. Felt makes various changes in colors and shapes, does not change easily even after a long-term use, and is easy to clean. In this study, the origin and history of felt were researched. Also, different kinds and shapes of felt and the currently used manufacturing technique, and how the Korean traditional pattern-applied cultural products were developed using felt were examined as well. The method of this study were as follows. First, felt manufacturing techniques used after investigating the precedent studies, books, records and literatures of museums, the existing relics of felt were examined. Second, the conditions of the traditional pattern-applied cultural products were found out through the precedent studies after examination of kinds and symbols of the Korean traditional patterns. Third, patterns that were applied to cultural products were selected and designed with new patterns. Fourth, the past techniques were conducted with the following three methods by referring to the range of cultural products manufacturing; )color felt made with one color, pattern felt, and pattern-embroidered felt. Fifth, the following products combined with decoration and practical application by applying felt techniques were used. This study was aiming at the development of practical cultural products made with the traditional wool, felt, which can receive a good response from all age groups. It is allegedly required to develop various cultural products through studies and the rediscovery of the national traditional materials. In the future, it is necessary to study in such a way that diversification and differentiation are made through approaches and attempts with various techniques.

• 교육녹색환경연구
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• 제7권1호
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• pp.29-38
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• 2008

The purpose of this study was to discuss how traditional construction practices could be applied to school buildings. The spatial arrangement and constituents of Seoweon and Hyanggyo buildings were analyzed, and the spatial arrangement and ground plans of current schools were analyzed as well. As a result, it's found that how the characteristics of traditional architecture should be reflected in today's school design is one of critical matters that need an immediate attention. Based on the case study, there are some suggestions about the application of traditional construction techniques to school buildings: (1) The link between internal and external spaces should be stressed. The type of spatial configuration the could ensure nature accessibility is required. (2) The use of environment-friendly materials is recommended, and classrooms should be arranged in a way to let them function as multipurpose educational spaces. (3) It's not advisable to construct school buildings according to the sung-Confucianistic construction techniques of traditional educational institutions, but there should evidently be a change in tasteless school buildings, They should be built in small size and in consideration of harmony with nature and ecosystem, and boarding schools should be constructed in a more careful and discreet manner.

• 대한가정학회지
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• 제50권8호
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• pp.1-11
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• 2012

The purpose of this study is to compare and analyze the application of raditional elements in Lie Sang bong and Vivienne Tam's Fashion Design. The methods of research, the references to the precedents of prior research, fashion related journals, articles, and websites of designers were examined to analyze how each designer reinterpreted the respective homeland's traditions. The designs of Lie Sang bong and Vivienne Tam studied were from the 2002-03 F/W to the 2012 S/S collections. The results are as follow. First, both designers use traditional marks when reinterpreting the traditional clothes of Korea and China. In the case of Lie Sang bong, traditional Korean marks were linked to the western structure. For Vivienne Tam, designs which revived realistic marks identically were displayed. Second, in terms of the modern reinterpretation of the traditional clothes shapes, there were a number of cases in which the silhouettes of their respective country's traditional clothes were mainly brought into their arts. Lie Sang bong was influenced by the 'line' of traditional Korean design. In addition, the atmosphere of the traditional clothes helped to reanalyze the traditional clothes' figure. In Vivienne Tam's designs, unique Chinese images were produced by, keeping the original form of the Chinese dress. Third, in the use of the traditional ornament techniques, Lie Sang bong partially introduced and applied traditional ornament techniques while Vivienne Tam largely decorated the traditional. Chinese ornaments while directly utilizing the structuring designs.

• 한국멀티미디어학회논문지
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• 제6권4호
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• pp.736-745
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• 2003

Traditional slicing techniques make slices through dependence graphs. They also improve the accuracy of slices. However, traditional slicing techniques require many vertices and edges in order to express a data communication link because they are based on static slicing techniques. Therefore the graph becomes very complicated, and size of the slices is larger. We propose the representation of a dynamic object-oriented program dependence graph so as to process the slicing of object-oriented programs that is composed of related programs in order to process certain jobs. We also propose an efficient slicing algorithm using the relations of relative tables in order to compute dynamic slices of object-oriented programs. Consequently, the efficiency of the proposed efficient dynamic object-oriented program dependence graph technique is also compared with the dependence graph techniques discussed previously As a result, this is certifying that an efficient dynamic object-oriented program dependence graph is more efficient in comparison with the traditional object-oriented dependence graphs and dynamic object-oriented program dependence graph.

• 헤리티지:역사와 과학
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• 제48권2호
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• pp.142-157
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• 2015

이 연구는 옹기장인들의 옹기제작기술을 전통지식이라는 관점에서 접근한 것으로 구체적인 옹기제작기술 속에 전통지식들이 어떻게 내재되어 있는지를 살핀 것이다. 특히 옹기제작 관련 전통지식들이 어떤 범주들로 구성되어 있으며 제작기술과의 관계에서 어떤 양상을 띠는가 하는 점들에 주목한다. 옹기제작 과정은 크게 재료의 준비, 기물의 성형, 소성 단계로 나누어지는데, 매 단계마다 고유한 전통지식들이 존재한다. 먼저 재료준비 단계에서는 각종 흙에 대한 지식들이 주를 이룬다. 흙의 색깔과 성질, 좋은 옹기흙의 지역 분포에 대한 정보, 옹기 제작에 적합한 것으로 흙을 재조정하는 기술 등이다. 그리고 두 번째의 기물 성형단계에서는 물레의 구조와 형태, 흙을 쌓아올리는 데 필요한 기술, 각종 도구를 사용하는 방법, 완성된 형태의 옹기를 건조하는 기술 등이 주를 이룬다. 마지막으로 소성 단계에서는 가마에 대한 지식과 가마 제작 기술, 가마 내 옹기를 쟁이는 기술, 화목에 대한 지식과 불 때는 기술, 불의 종류 등이 주를 이룬다. 이들 지식들은 각각 별개로 존재하지 않고 상호 밀접한 관련을 맺고 있다. 이는 어느 한 과정이 잘못되어도 완전한 옹기의 생산이 어려워지기 때문이다. 지식의 내용을 중심으로 볼 때 이들은 재질 색상 형태 분포양상 용융점 강도 물리적 성질 등과 같은 과학적 범주에 속하는 것들이 많다. 하지만 이들 지식들은 공식적 제도교육과정을 통해 얻은 것들이라기보다는 비공식적인 도제교육을 통한 오랜 경험속에서 터득한 것들이 대부분이다. 그리고 지식의 체계는 쉽게 드러나지 않는데, 주로 민속과학(ethnoscience)적 분류와 범주 속에서 이해될 수 있는 것들이 대부분이다. 이들 지식들은 유네스코 세계무형문화유산의 개념으로 보면 '자연 및 우주에 관한 지식'범주에 속한다. 이와는 달리 신체와 사용 도구, 그리고 제작하고자 하는 기물을 일체화시켜 내는 것으로 '신체기술(body techniques)'이라 부를 수 있는 것들도 있다. 이에 대해서는 옹기장인들 스스로도 설명하는 데 어려움을 가지며, 그들이 굳이 설명을 하더라도 해당분야에 대한 경험과 식견이 없는 한 이해가 쉽지 않다. 이러한 지식들은 습득 및 전승방식에 따라 구분해보면,'옹기 장인의 일반적 지식'과 '특정 옹기 장인만이 갖춘 고유한 지식'들로 구분할 수 있다. 그리고 지식이 갖는 축적된 시간의 깊이에 따라 '역사가 긴 지식'과 '최근에 만들어진 지식'등이 있을 수 있다. 옹기제작과정에서 드러난 옹기 장인들의 기술과 전통지식은 재료의 준비과정에서부터 최종 완성품이 만들어지기까지의 전 과정에서 수많은 범주와 층위의 기술들이 긴밀하게 연계되어 있다. 이러한 양상은 '기술의 사슬(techniques chain)'이라고 할 만하다. 이때의 기술은 반드시 자연과학적 범주의 기술(techniques)만을 의미하는 것은 아니며, 솜씨(skill)를 비롯하여 장인들 스스로도 의식하기 어려운 습관적 행위들까지를 포함하는 다양한 층위의 기술과 지식들이라고 할 수 있다.

• 복식문화연구
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• 제32권2호
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• pp.299-320
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• 2024

Traditional culture contributes to the diversification of modern fashion design and the inheritance of local cultural identity. This study aims to identify the characteristics of traditional handicrafts reflected in modern fashion design in India. For this purpose, it focused on Sabyasachi Mukherjee, Manish Malhotra, and Ritu Kumar, who are currently leading the Indian fashion design field. The methodology involved conducting literature research and analyzing case studies. In the literature, the techniques of Indian traditional crafts such as embroidery, dyeing, and weaving were examined and five design elements of traditional crafts were defined. Through content analysis of 30 images from the three designers' Instagram accounts, the design characteristics of traditional handicrafts expressed in contemporary Indian fashion design were derived: cultural inheritance using traditional Indian clothing items, traditional materials and practices applied to contemporary clothing, craftsmanship that artistically improves complex details using embroidery techniques, various combinations based on the traditional meaning of colors, and narrative expression using patterns containing India's cultural identity. Incorporating these traditional handicrafts into fashion design, closely linked to everyday life, aids in conveying and enhancing their significance. The cases demonstrate the successful integration of conservation into contemporary fashion design. This study sheds light on the application of traditional culture in modern fashion design.

• 한국도서관정보학회지
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• 제39권3호
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• pp.457-477
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• 2008

본 연구는 전통(傳統) 제묵법(製墨法)의 부원(復元)을 위한 묵(墨)의 제조법(製造法)에 관하여 고구(考究)한 것으로, 그 주요 내용(內容)은 다음과 같다. (1) 묵(墨)은 탄분(炭粉)(그을음)과 아교(阿膠)를 섞어서 고체(固體)로 제조한 묵괴(墨塊)로 송연묵(松烟墨)과 유연묵(油煙墨)으로 구분된다. (2) 송연묵(松烟墨)은 소나무를 태운 탄분(炭粉)에, 유연묵(油煙墨)은 식물성이나 동물성 및 광물성의 기름을 태운 탄분(炭粉)에 아교를 섞어서 고체로 굳힌 묵(墨)이다. (3) 우리나라 전통(傳統)의 제묵법(製墨法)은 여러 문헌기록(文獻記錄)으로 전래되고 있으며 오늘날 전통(傳統)의 제묵법(製墨法)은 단절(斷絶)되어 더 이상 계승(繼承)되지 않고 있으나, 현대에 들어서 관심있는 묵장(墨匠)들에 의해 전통적(傳統的)인 제묵법(製墨法)이 부원(復元)되고 있다.

• 한국도서관정보학회지
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• 제21권
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• pp.57-86
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• 1994

The purpose of the study is to understand the research trends in the hypertext information retrieval. Around 30 related papers were investigated, from which three distinctive streams of research trends are grasped: 1) a trend of incorporating the traditional retrieval models, especially the query-based searching model into the hypermedia system. 2) a trend of a n.0, pplying the hypermedia system as an interface to the OPAC system, 3) a trend of incorporating the artificial intelligence techniques into the hypermedia techniques. The research on the hypermedia is going on, and the research directions will be increasingly intend to incorporate the traditional retrieval models and artificial intelligence techniques into the hypermedia system.