• Journal of Physiology & Pathology in Korean Medicine
• /
• v.17 no.3
• /
• pp.617-623
• /
• 2003

The following conclusions are drawn from a review on the theory of correlation between the jang-bu organs in 'Ojangchunchaklon(五臟穿鑿論)' which is quoted in 'Uihakipmoon(醫學入門)' and 'Donguibogam(東醫寶鑑)'. The three yangs and three yins are trisections each of yang ki and y1n ki. They represent three aspects of change in powers of yin ki and yang ki. The theory of Kaehapchu(開闔樞 the opening, closing and pivot) is thought to be the concept which explains the three states of jang-bu organs and meridians in terms of three yangs and three yins. The three yangs and three yins are assigned to twelve months according to the generation, prosperity and vanishment of the water, the fire, the wood and the metal in the circulation of nature with the lapse of time. Most of all, the change of the water and the fire is the main guide to the assignment. Both the theory of exterior-interior relations in jang-bu organs and meridians and the theory of Kaehapchu are founded on the assignment of three yangs and three yins to twelve months. The correlation between jang-bu organs is based on the monthly assignment of three yangs and three yins described in 'Internal classic(內經)' and the theory of Kaehapchu. In the correlations between jang-bu organs and meridians, the exterior-interior relations are the correspondences of Hand to Hand and Foot to Foot. but the relations of Kaehapchu are those of Hand to Foot and Foot to Hand. Jeesan's diagram of pulse is grounded on the correlations between jang-bu organs. On the left of the diagram, jang organs are arranged in the order of hierarchic positions in body. On the right, bu organs are disposed according to the correlations with the jang organs. Jeesan's diagram includes the principles of triple harmony and diagonal groups in twelve earthly branches(十二支). Jeesan's diagram is the frame through which correlations of jung-ki-shin-hyul, five jang and six bu organs, twelve meridians and six intrinsic factors can be observed at once.

• Journal of Korean Medical classics
• /
• v.30 no.1
• /
• pp.87-110
• /
• 2017

Objectives : The purpose of this paper is to study the form, contents and special features found in Qianhuang's life, books, his relationship with his disciples and Shanghansuyuanji's edition and its pass-ons. Methods : The best version among Shanghansuyuanji's copies was selected. Based on this, Qianhuang's life, books and his relationship with his disciples were studied, and Shanghansuyuanji's edition and its pass-ons, form and contents were analyzed. Results & Conclusions: Through study, first I see that Qianhuang was born in the early period of Qing Dynasty and died after the publication of Shanghansuyuanji, Suwen's annotation book probably had not been published yet, his mentor were Fangyouzhi and Yujiayan. Second, I see that he organized Shanghanlun sentences from his own perspective of cause of a disease and cure method. Third, I see that he viewed the diseases of six meridians with the perspective of yinyang and explained the concept of three yins and three yangs in relation to yinyang's ups and downs, and his Yuggyeongjasu theory made possible various interpretations of disease mechanism. Fourth, I see that he held critical views towards the Shanghanlun sentences through the Error Discrimination. Fifth, I see that he viewed disease mechaniam in interdependent relationships or from the point of view of the School of Warming and Tonifying through the Meaning of Herbal Formula. Sixth, I see that he sometimes quoted Neijing in proper ways that fit the disease mechanism in Shanghanlun. On the other hand, he quoted Neijing solely for the reason that identical words are used, but some of these were not proper. Additionally, he criticized the aforementioned annotators for improper quoting Neijing. Consequentially, for reasons mentioned above Qianhuang's Shanghansuyuanji has great importance as a Shanghanlun annotation book.