• 제목/요약/키워드: Thing-in-itself

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시적 거주와 세계내 존재의 언어기호적 치환 - 슐츠의 '장소성' 이론을 통한 현대건축의 비평적 이해 - (Poetic Dwelling and, Word-Semiotic Substitution of Being-in-the World - Critical Interpretation of Modern Architecture through C.N.Schulz's 'Genius Loci' -)

  • 변태호
    • 건축역사연구
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    • 제6권2호
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    • pp.53-64
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    • 1997
  • The language of architecture is a kind of tool which helps people to experience the environment not as the thing itself but as a meaningful one. It, gathered by place, constitutes 'genius loci', as the existential structures. It, in other words, gives a thing 'cognitive quality', and serve people to 'dwell' because 'a place is a gathering thing with concrete presence.' Our environment, only when it possesses the language, presents itself as a namable thing or an understood world. Such a meaningful identification is dwelling. The modern world is a complex melting-pot. It is 'complexities' and 'contradiction'. The language of architecture is never created, rather it is selected by needs of the time and the place. In this sense, architectural design means discovery and interpretation of the poetic order of architypal form and style, and the poetic order is a way for people to dwell in the humanistic sense. These reminds me of Martin Heidegger's statement : "Architecture belongs to poetry, and its purpose is to help man to dwell."

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현상학의 근원적 토대로서 '자연' 개념 : 셸링과 메를로-퐁티의 비교 관점에서 (The "Nature" Concept as an Underlying Base of Phenomenology : With a focus on comparison between Schelling and Merleau-Ponty)

  • 심귀연
    • 철학연구
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    • 제142권
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    • pp.145-164
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    • 2017
  • 메를로-퐁티는 "지각의 현상학"에서 현상학이 무엇인지 다시 물을 수밖에 없는 이유를 제시하고 있다. 본고에서는 이 물음이 '자연'을 통해 해소될 수 있다고 보며, 그것의 가능 근거를 셸링과 메를로-퐁티의 자연 개념에서 찾는다. 셸링과 메를로-퐁티는 데카르트와 칸트 철학에 대한 비판의 관점에서 사유를 전개한다. 특히 칸트의 '물자체'는 셸링 철학에서 해결되지 않으면 안 되는 중요한 문제 중 하나다. 칸트는 물자체를 남겨둠으로써 이원론으로 분리된 세계를 더욱 견고하게 만들고 있다. 셸링은 동일성 개념으로 이 문제를 해결하고 메를로 퐁티는 몸- 주체로 풀어내고 있다. 본고에서 주목하는 것은 셸링과 메를로-퐁티가 자연을 이해하는 방식이다. 셸링은 자연 속에 무의식적인 지성의 창조활동이 있다고 본다. 포텐츠는 무의식적 지성을 최고 지성인 자각적 정신으로 이끌어가는 힘이다. 인간은 자각하는 정신의 담지자로 존재한다. 그러나 셸링의 자연 개념에서는 정신 또는 지성이 실존하는 개별 존재를 도출해 내지는 못한다. 여기서 우리는 셸링이 여전히 전통 인식론의 틀을 벗어나지 못하고 있음을 본다. 자연의 본래성을 회복하기 위해서는 자연의 전체성을 이해하는 데서 시작해야 한다. 또한 자연은 인간과 맺는 관계를 통해 해명되어야 한다. 메를로-퐁티는 몸-주체 개념을 정립함으로써 자연과 정신의 얽힘 관계를 드러낸다. 메를로- 퐁티 현상학에서 몸은 자연의 등가물이기 때문이다. 셸링과 메를로-퐁티가 보여주고자 하는 자연의 생성하는 힘을 이해함과 동시에 정신 또는 인간이 어떻게 자연으로부터 나오는지를 해명할 때, 우리는 비로소 자연의 본래 모습을 발견할 수 있을 것이다.

이제마의 도덕.성명론과 사상의학적 맥락 연구 (Study on the Concepts of Lee Jema's Way.Virtue.Nature.Imperative and the Contexts between Sasang Constitutional Medicine)

  • 노상용;고흥
    • 동의생리병리학회지
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    • 제19권5호
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    • pp.1137-1141
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    • 2005
  • This paper is written in order to investigate how Lee Je-Ma changed traditional Zhu Xi's philosophical view on Way(Tao; 道) Virtue(De: 德) Nature(Xing;性) and Imperative(Ming; 命), which was general concepts of his contemporary age, to practical philosophy and created new medical theories of Sasang(4 symbols) science from it. Lee emphasized the true thing which is able to be done in one's living not the concepts of Sasang. So he induced the concepts of Way and Virtue from the easy and simple way(易簡之道) in the Classic of Changes(I'Ching) for the purpose of practice by anyone. Because Nature and Imperative are derived from Way and Virtue in the context logically, human life is virtual in itself, so the substance of Nature and Imperative became equal with Way and Virtue. Herein the names and concepts of original 'Sasang' were substituted to Business(事), Mind(心), Body(身), Thing(物) which is able to be directly related with human being in his daily life. And he explained variously about the responses of Mind and Body of individuals onto Business and Thing. So it could be applied in medical aspects like emotional, symptomatical, characteristic features. Conclusively man is virtual being, so Nature and Imperative in the level of Human being are based on Way and Virtue in the level of Heaven. For that reason the new concepts of Sasang Business. Mind. Body Thing or Heaven. Human. Nature and Imperative were proposed.

심근세포의 동기리듬에 관한 공학적 연구 (A Study of the Factors of Synchronization Model on Myocardial Cell Rhythms)

  • 박민용
    • 대한의용생체공학회:의공학회지
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    • 제5권1호
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    • pp.33-38
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    • 1984
  • Biological rhythms are very important phenomena to generate, grow a living thing. However, the origin of rhythms are not disclosed completely until now. Eack myocardial cell has a natural rhythm of itself, and synchronization is happened when two cells are come in contact with each other. In this research, a simple synchronization model has been proposed and studied, refering to the physiological model. The changes of the synchronization rhythms in experimental results are compared with that of the model.

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메탈베어링 시험기의 설계와 평가 (Design and estimate of metal bearing test machine)

  • 황영모;전재억;박후명;김수광;하만경
    • 한국공작기계학회:학술대회논문집
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    • 한국공작기계학회 2004년도 추계학술대회 논문집
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    • pp.480-484
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    • 2004
  • Despite is product that existent higher hrust engine, ship, vehicles, development equipment and Metal Bearing for plant equipment Cast White Metal Lining Bearing that is Bimetal Bearing standing 2 generation is accomplishing master and servant and this is foreseen to be used widely on industry whole in hereafter but Cast White Metal Bearing need minuteness processing, price competitive power is depending on income from superior another thing area than itself manufacture already in advanced nation to lowdown that the technique is generalized widely.

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여백에 관하여 (A Study on Margin)

  • 진정식
    • 한국콘텐츠학회:학술대회논문집
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    • 한국콘텐츠학회 2004년도 춘계 종합학술대회 논문집
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    • pp.121-127
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    • 2004
  • 우주의 암흑이 빛이 없음이 아니고 암흑물질이며, 무극ㆍ태극이 하나이고 빈 공간을 비어 있다고 하지 않고 무로 꽉 차 있다 하는 것처럼 미술에서 여백은 따로 존재하는 것이 아니고 negative space와 positive shape가 서로 연결되어 하나의 통일된 공감을 형성하고 소멸되는 살아있는 공간이다.

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인간과 동물 사이 -아동문학의 동물 형상화 『버드나무 사이로 부는 바람』을 중심으로 (Between Man and Animal: Figuration of Animals in Children's Literature Focused on The Wind in the Willows)

  • 강규한
    • 영어영문학
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    • 제56권1호
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    • pp.79-101
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    • 2010
  • In "The Animal That Therefore I Am (More to Follow)," Derrida notices that he is being watched by his cat. He becomes ashamed of being naked in front of his cat. The sense of shame is a response to being reduced to the level of an animal. He is ashamed of being as naked as an animal. His next move is, therefore, to cover his nakedness from the gaze of his cat. By contrast, he realizes, the animal is not self-conscious of being naked and so does not shield its nudity. In a truer sense, then, the cat is not naked. Humans do not see animals for what they really are but what they project on them. Whereas the gap between man and animal is clearly identified by Derrida's philosophical discourse, the possibility of going beyond the gap can be suggested by fantasy stories in children's literature. Children's literature in Britain arose in the eighteenth century with the revival of traditional fairy tales and growth of literary fairy tales. Romanticism in the early nineteenth century contributed to opening up a new horizon for the concept of the child, in which the child is no longer defined as the object to be tamed and childhood imagination is glorified as a powerful means to reach the higher state, the spiritual origin prior to separation of Man from the 'thing-in-itself.' In The Wind in the Willows, animals talk and behave like humans. The anthropomorphic figuration of animals can be understood as a result of the one-sided projection of anthropocentric perspectives on animals rather than an interaction between humans and animals. Significant contradictions also emerge in this story, however, as traits particular to animals are vividly delineated even as the main didactic theme of good triumphing over evil reflects an anthropocentric projection on animals. An attempt to capture the true characteristics of animals and locate them in the text constitutes a remarkable achievement in The Wind in the Willows. This can be evaluated as an important step toward a more ecopocentric perspective on animals which appears in later children's fantasies like Charlotte's Web.

인터넷 전자상거래 환경에서 부품구성기법 활용 연구 (Part Configuration Problem Solving for Electronic Commerce)

  • 권순범
    • 한국경영과학회:학술대회논문집
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    • 한국경영과학회 1998년도 추계학술대회 논문집
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    • pp.407-410
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    • 1998
  • Configuration is a set of building block processes, a series of selection and combining parts or components which composes a whole thing. A whole thing could be such a configurable object as manufacturing product, network system, financial portfolio, system development plan, project team, etc. Configuration problem could happen during any phase of product life cycle: design, production, sales, installation, and maintenance. Configuration has long been one of cost and time consuming work, because only high salaried technical experts on product and components can do configuration. Rework for error adjustments of configurations at later process causes far much cost and time, so accurate configuration is required. Under the on-line electronic commerce environment, configuration problem solving becomes more important, because component-based sales should be done automatically on the merchant web site. Automated product search, order placement, order fulfillment and payment make that manual configuration is no longer feasible. Automated configuration means that all the constraints among components should be checked and confirmed by configuration engine automatically. In addition, technical constraints and customer preferences like price range and a specific function required should be considered. This paper gives an brief overview of configuration problems: characteristics, representation paradigms, and solving algorithms and introduce CRSP(Constraint and Rule Satisfaction Problem) method. CRSP method adopts both constraint and rule for configuration domain knowledge representation. A survey and analysis on web sites adopting configuration functions are provided. Future directions of configuration for EC is discussed in the three aspects: methodology itself, companies adopting configuration function, and electronic commerce industry.

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근대주의 건축에서 모더니티 표상의 문제 - 장식의 배제와 표면의 부각을 중심으로 - (Presentation and Representation of Modernity in Modern Architecture - On Exclusion of Ornament and Emergence of the surface -)

  • 강혁
    • 건축역사연구
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    • 제15권4호
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    • pp.37-56
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    • 2006
  • Introducing International Style, P. Johnson and H. R. Hitchcock gave three standards to be the Modern, volume and surface, regularity, and exclusion of applied decoration. In spite of the negation of stylistic, formal approach in the Modernist Manifestoes, one usually have understood Modernity in Architecture with its formal character, especially with no ornament and flat, abstract, white surface. Modernism as a new paradigm in architecture have emphasized that there is no representation of anything outside and only present architecture in itself. They said that Modernism only cared about the language of Architecture without figural reference. So apparently there is no way to prove to its Modernity with formal condition. Modernity is in Spirit and contents. But actually we understand well its existence by visual communication This study deals with this difficult situation how Modernity represents itself without visual media and asks the question how simultaneously it presents its thingness and materiality In order to analyse contradictory situation between representation and presentation in Modern Architecture we need to survey the historical process of changing position of ornaments and its meaning in time. With the crisis of representation the role of ornament have seriously changed and divided. It caused the two situation in pre-Modern Architecture. Firstly, Architecture tend to be a high art and formal expression became important much more. The Use of Ornament became a kind of fashion to show the power, class, money. Secondly, Ornament lost its cultural weight and the structure and material aspect became the central in architecture. Rational Structuralism would be the essential character in Modern Architecture. Here the theory of G. Semper and A. Loos on cladding(dressing) and Ornament can help its problems and limits. In the situation without conventional ornament Modernists need to present modernity with new media that only show the thing itself and by that it does not represent any thing else as like the value, idea outside buildings. They believed that only it concerned esthetics and morality in architecture. But in reality it referred to art and machines as like ships, aircraft, and cars. By excluding Ornament and showing the process of clearing, abstract, flat, white surface 'represent' Modernity by the indirect way referring the concept of transparency, reason, sanitation, tectonics, etc. An Ideology and myth intervened architectural discourse to make the doxa about the representation in Architecture. Surface must be a different kind of media and message that can communicate in different way with compared to conventional Ornament. Decorated Shed by R. Venturi and Post-Functionalism by P. Eisenman, that are the most famous post-modern discourse, shows well difficult and contradictory condition in contemporary architecture concerning representation and form, meaning and form.

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2륜 이동로봇의 합리적인 하드웨어 설계 노하우 : 세그웨이를 중심으로 (Reasonable Hardware Design Methods for 2-Wheeled Mobile Robots : Based on Segway Type Mobile Robots)

  • 조정우;박귀태
    • 대한전자공학회:학술대회논문집
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    • 대한전자공학회 2009년도 정보 및 제어 심포지움 논문집
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    • pp.109-111
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    • 2009
  • In this paper, we discuss how to design 2-wheeled mobile robot hard wares as reasonable and practical as possible. A segway type mobile robot consists of 2 wheels only, placed in parallel rather than horizon. 2-wheeled mobile robots make you overcome high cost and time consuming maintenance procedures of the robot by reducing the number of robot hardwares. The most challenging thing in a 2-wheeled mobile robot that has many more valid virtues than the traditional mobile robots is to make it balance itself whenever it stands still or goes forward. But balancing itself is not an easy matter and there are many researches and experiments on this issue. When researchers test theories on 2-wheeled mobile robots to improve its self balancing performance, they should consider how to design hard wares of that mobile robot. No matter how great those new theories are, if a testbed for those theories is not suitable, performance output would be poor and meaningless. In this point of view, to design a proper 2-wheeled mobile robot as a testbed is a very important issue with development of new theories. So we define 4 guide lines to design segway type mobile robots reasonably; about motor, battery, and MCU selection and shock-proof design with robust motor setting.

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