Journal of architectural history (건축역사연구)
- Volume 6 Issue 2 Serial No. 12
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- Pages.53-64
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- 1997
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- 1598-1142(pISSN)
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- 2383-9066(eISSN)
Poetic Dwelling and, Word-Semiotic Substitution of Being-in-the World - Critical Interpretation of Modern Architecture through C.N.Schulz's 'Genius Loci' -
시적 거주와 세계내 존재의 언어기호적 치환 - 슐츠의 '장소성' 이론을 통한 현대건축의 비평적 이해 -
Abstract
The language of architecture is a kind of tool which helps people to experience the environment not as the thing itself but as a meaningful one. It, gathered by place, constitutes 'genius loci', as the existential structures. It, in other words, gives a thing 'cognitive quality', and serve people to 'dwell' because 'a place is a gathering thing with concrete presence.' Our environment, only when it possesses the language, presents itself as a namable thing or an understood world. Such a meaningful identification is dwelling. The modern world is a complex melting-pot. It is 'complexities' and 'contradiction'. The language of architecture is never created, rather it is selected by needs of the time and the place. In this sense, architectural design means discovery and interpretation of the poetic order of architypal form and style, and the poetic order is a way for people to dwell in the humanistic sense. These reminds me of Martin Heidegger's statement : "Architecture belongs to poetry, and its purpose is to help man to dwell."
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