• 한국게임학회 논문지
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• 제12권5호
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• pp.35-42
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• 2012

플레이어의 게임공간에 대한 상호작용이 타 장르에 비해 직접적인 FPS게임은 특정 테마를 바탕으로 공간에서의 유리한 지점 확보 및 적의 제거가 주된 플레이이다. 본 논문은 근미래전테마 위주의 Hullett과 Whitehead 연구의 10가지 패턴을 기준으로 과거전, 현대전, 근미래전 3가지 테마에 대한 9종의 FPS게임 디자인패턴을 분석하였다. 그 결과, 10가지의 패턴 외에 주류 패턴으로써 '엄폐물 요소'의 중요한 역할을 발견하였고 '엄폐물 요소'의 패턴 속성을 분석하여 레벨디자인을 위한 효율적인 엄폐물 패턴의 활용방법을 제시하였다. 이러한 결과는 테마에 따른 FPS게임의 레벨디자인을 위한 실증적인 가이드라인으로 활용 될 수 있다.

• 한국실내디자인학회논문집
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• 제25권5호
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• pp.103-110
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• 2016

In recent years, as selling books on the internet becomes popular, the number of off-line bookstores are rapidly dwindling away. This change on the book market requires, the function and space of the bookstores should be defined again. Now bookstores are the places of experiences on cultures, world-views, and lifestyles around books. The study examines six large bookstores and finds three strategies of space expression as follow. First, Dominicanen bookstore in Maastricht which was built as a church has an expression which contrasts the old and the new as well as the sacred and the profane. Fangsuo bookstore in Chengdu creates a modern underground Sutra Depository. Here, people experience history and religion. Second, Cook & Book in Brussels has nine theme areas, each with a different selection of books, different interior decoration and special food and beverage like a theme park. Zhongshu bookshop in Shanghai has a lattice of nine reading rooms in which each unique design theme is characterized based on each book subject. Third, Cultura Bookstore in Sao Paulo is created to support social interchange. It leads people to the enormous plaza of books where people read books freely and participate in workshops, movies and all kinds of events. Daikanyama Tsutaya Books in Tokyo is composed of three white box-form pavilions which are connected by a 55-meter long aisle, called a magazine street. People walk along the street and choose concierge services as they browse magazines and books. The study finds out three strategies of design in current large bookstores to promote place-experience, which are the story-telling of history and culture, the design of theme parks, and openness for public mingling like plazas and streets. Thus, the study suggests a new paradigm in the design of bookstores in this internet age.

• 복식
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• 제39권
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• pp.39-58
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• 1998

In this research, first of all, the special feat-ures of Haute Couture design world (1990∼1996) prevailed in Paris and Rome are investigated, and additionally the understanding of collection concept and design structure analysis are performed to show the various method-ology of creative design. Expression method and design method are the main criteria in analyzing, and the main results of this research are summarized as follows : 1. Most of designers in Paris and Rome ex-press the traditional costume style. Paris designers are focusing on the expression of design morphology through the abstraction and re-appearance without being confined to theme expression ; Rome designers are expressing their main ideas utilizing the fashion image as their theme in lieu of expressing the design morphology. 2. Most of the designers in Paris and Rome are using simple lines for their design. Paris designers prefer the plastic design based upon formal and symmetrical balance of informal and asymmetrical balance to the partial trans-formation design ; Rome designers are enjoy-ing rather the partial transformation using the detail and trimming than the plastic design.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 추계학술발표대회 논문집
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• pp.179-182
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• 2007

2007 Design Festival on Seongnam Living Design has been held with the theme of "You and I, We" on the basis of harmony through design. This kind of theme has the main concepts as follows: Harmony- the exhibition program that can capture our mind, Communication-the experience program not through personal work but through group work, Design Seongnam-joyful Sungnam which we have made together by regional participation design project. Especially, it also has encouraged active and voluntary participation based on the promotion of the event and design exhibition that are hosted by the universities, elementary and secondary schools that represent the downtown Seongnam. In understanding Seongnam City, it has applied the plan introducing emotional process. These are the programs, which are reading, thinking, listening, watching, touching, making, and dreaming. Through the processes of being with Seongnam by participants, it has helped people know more about Seongnam, and focused on being the exhibition understanding the members of the community Seongnam.

• 디자인학연구
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• 제16권4호
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• pp.267-276
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• 2003

본 연구는 장소 마케팅 전략인 지역 특성화를 위해서 적절한 지역 상징적 테마의 발굴과 이의 효과적 이미지 표현이라는 두 가지 관점에서 접근되어야 한다는 전제하에 최근 20년간 일본 지역 테마전시관에 나타난 지역 상징적 테마와 이의 표현 기법을 조사 분석하는 실증적 연구로 진행되었으며 이는 향후 국내의 지역 상징적 테마 특성과 표현 방법과의 비교연구를 위한 기초 자료로서의 목적을 가진다. 사례 조사 분석의 결과, 자연지형과 생태, 인공시설, 유적과 유물 등 물리적 유형과 지역산업, 지역문화, 지역인물, 역사사건 등의 사회 문화적 유형으로 분류되었다. 또한 전시관에 부여된 지역 상징적 테마를 적절히 표현하는 방법으로 재현, 은유, 환유, 상징 등의 표현기법 사례들이 나타났다. 특히 90년대 후반부로 올수록 다양한 지역을 상징하는 테마적용이 증가하고 더욱 강한 이미지로 표현되고 있었다.

• 한국조경학회지
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• 제37권6호
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• pp.85-95
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• 2010

근대이전 동아시아의 상류사회는 시서화 삼위일체의 통합체제를 유지해왔고 이에 따라 정원조성의 원리 또한 산수화의 작화원리를 참조하며 발전해 왔다. 본 연구는 중국의 산수화론과 원림론을 비교, 양자 간의 상호관계를 검토함으로써 동양그림의 경관관이 원림의 작정원리에 미친 영향을 고찰하고자 하였다. 양자 간의 비교는 내용과 형식의 양 측면에서 이루어졌다. 여기서 내용은 주로 가치와 의미 등 비가시적 측면을 말하고, 형식은 주로 시각과 공간 등 가시적 측면을 말한다. 먼저 산수화론에 있어 내용면의 주요 주제는 무엇보다도 '기운생동(氣韻生動)'이었다. 이는 음양사상을 기반으로한 동양문화 고유의 가치인데, 남조의 사혁이 이론화한 것이다. 이에 대응하는 원림론의 주요 주제는 '풍수(風水)'와 '의경(意境)'이었다. 풍수 역시 음양사상을 기반으로 한 지기(地氣)의 원리이고, '의경'이란 시서화 공동의 가치로서 마음의 경지를 의미하는데, 특히 원림론에서는 가시적 경관 이면의 상징적 의미를 말하고 있다. 형식면에서 산수화론의 두드러진 주제는 북송조 곽희에 의해 정립된 '삼원법(三遠法)'이라는 일종의 동양화의 투시도법으로 다원적 조망을 특징으로 한다. 이에 대응하는 원림론의 주제는 '인지(因地)'와 '차경(借景)'으로 명조의 계성이 이론화하였으며, 각각 대상지 내외부 경관자원의 조성과 차용을 의미한다. 특히 차경의 세목들은 삼원법의 각 관점에 대응하고 있다. 결론적으로 동아시아 원림론에 등장하는 주요 개념들은 화론과 매우 긴밀하게 연관되어 있었으며 이로서 원림술은 예술의 한 분야로 인정받아 왔다.

• 한국의류학회지
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• 제33권11호
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• pp.1733-1743
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• 2009

The LOHAS trend is based on a present and future culture with a sustainable influence on the life of modem humans. This study examines the LOHAS trend to create a design that is practical and reflects a notion of LOHAS in quality. Design making is selected with three sub-themes under the concept 'With Us, Nature & High Touch' and the dress design that is suitable to the type and purpose of the parties following the concept. Theme A, "Neo-Classicism" is for a reception party. It made efficient use of 'Type of environmentally friendly material practical use + Type of multi-function design + Type of order production + Type of society morals design'. Theme B, "Between Virtual & Reality" is for a wedding reception. It made efficient use of 'Type of environmentally friendly material practical use + Type of multifunction design + Type of retrenchment design + Type of order production + Type of society morals design'. Theme C, "Arty Illusion" is for a cocktail party. It made efficient use of 'Type of Re-design + Type of nature motive practical use + Type of the higher sensitivity pursuit design + Type of order production + Type of society morals design'. This study explained that nature, environment, and a sense about society are put to practical use in fashion design through the creation of a fashion design to apply a LOHAS fashion design notion and a special quality.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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• pp.183-186
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• 2006

The growth in human has a close relationship with circumstances and there are two different types of form as a method. One of them Is a great influence of which the environment has a certain effect to human and that is called environmental effect. The other one Is a great reaction of human against the environment which is environmental experience. Human's being loved nature and conservation of nature as a living condition have already processed out for a long time. However, in these days, it is different that a special emphasis on the conservation of nature is being destroyed and it Is perceived the principal of the destruction is human itself. The Museum of Natural Environment has no doubt in a relation with conservation of nature. The main subject of this thesis Is to restore the disappearing beauty in natural environment, an importance of resources in general needs and a change in futuristic perceptions against preservation of the species. Therefore, to produce a complexity in a combination with education and entertainment to a water resource as a main theme is now relieved from its original deteriorated public information center with its simpleness. It Is purposed to secure a cultural space for a community activity and regional peculiarities, dams and lakes, localities of rivers as a main theme to specify their details, to maximize its educational space furtherance with a value as a tourist resource in particular.

• 한국조경학회지
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• 제33권5호통권112호
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• pp.104-113
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• 2005

This landscape design proposal was presented for a competition for mixed-use development project by project financing in Asan Baebang which was held by the Korea National Housing Corporation in July of 2005. The site is a center of Asan Baebang New Town Development District and has a commercial area of $57,929m^{2}$. Design guidelines and judging criteria of this competition were to build a symbolic center and cultural core for district, to elevate positive image and identity of Asan New Town by attractive place making, to link with separated block in the site and regional context, and to make environmentally sustainable design by creating an attractive waterfront of Jang Jae stream passing through the site. This is the most important condition for the design. Therefore, the authors developed design concept and strategy within the guidelines and this conditions. The schema of the design was introduced by the water in the site. To evolve design concept, we reinterpreted water and context in the site combining with landscape design strategy. So the proposal set the main design concept as 'all that is solid melt into water' as if Marshall Berman said. By doing that, design concept of the proposal evolved as follows: 'extension' of water and greer, 'a joint' of space,'newness' of experience, 'breath' of consensus with each other. The spatial concept of this project was developed by expressing five theme spaces; eco zone, entertainment zone, art zone, culture zone, leisure zone. These theme spaces were consecutively placed along the pedestrian path and to consists of vertical layer in each level and diverse design technique and spatial effects are used.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2001년도 Bulletin of The 5th Asian Design Conference International Symposium on Design Science
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• pp.22.1-22
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• 2001