• Korean Institute of Interior Design Journal
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• no.27
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• pp.76-85
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• 2001

The objective of this study is to evaluate the current theory education system and students'awareness about Korean identity by analysing four-year curricula of Interior design programs in domestic universities and questionnaires of 468 junior and senior students who have taken the history of interior design. This study is the first step of continuous research for establishing new model of education related to Korean tradition. Following three issues - $\circled1$degree of knowledge and awareness of Korean university students majoring interior design about Korean identity, $\circled2$extent of the coverage of theoretical education for korean tradition in curricula of interior programs, $\circled3$extent of the application of Korean identity as a design theme in studio classes - were mainly analysed.

• Korean Institute of Interior Design Journal
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• no.27
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• pp.96-103
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• 2001

The purpose of this thesis is to study on the source, the introductive process and the phenomenon of the regional tendency into Korean modern interior design. To achieve the purpose of this study, the methods and contents are as follows : 1. Explaining the regionalism in the architecture as the source of the regional tendency. 2. Explaining the introductive process of the regional tendency in Korean modern interior design.. For that, 1)Explaining the traditional expression, the leo-corbusian expression and the organic expression with nature in Korean contemporary architecture 2)Explaining the vernacular expression and the abstract expression in Korean modern art 3. Studying the regional tendency in Korean modern interior design For that, 1)Studying the expression of Korean traditionality 2)Studying the expression of the vernacular 3)Studying the expression of the environmental affinity By theme methods and contents, we will study the introduction of the regional tendency into Korean modern interior design.

• Journal of the Korean Institute of Landscape Architecture
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• v.30 no.2
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• pp.70-78
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• 2002

The landscape disign of Gamcheon wholesale fish Market was designed around a turnkey base to promote the economy of Busan Metropolitan City, to establish a fishery marketing center and to modernize existing facilities. The objectives of the project were to promote the mood of an old market, while preserving its functions and efficiency as a market, to design outdoor spaces with natural resources and amenities in balance, and to create attractive tourist spots in connection with the wide area development plan. The project was oriented, fast, to enhance the functions of the market. For this purpose, a multi-dimensional space layout was designed in consideration of functions as a wholesale market. The safety of pedestrians was secured by separating lathes for vehicles and for pedestrians. Tree planting with various functions such as sheltering, wind breaking and guiding was planned. Secondly, nature-friendly and human-friendly landscaping design was attempted. For this, the beautiful natural resources of Amnam Park were utilized, and green spaces such as green bridges linking buildings in the wholesale market, and rooftop gardens were to be arranged. In addition, environment-friendly facilities such as roads paved with natural materials(i.e. gravel, shells) and program parking lots were to be planned. Thirdly, landscape design was considered to create attractive tourist spots. For example, a fish farm was created as a theme street for pedestrians and various water-friendly spaces such as pedestrian ramps, observatories and seaside streets were to be secured. The main contents are as follows. First, a green bridge to Ahnnam Park was introduced for a tour source and flower garden, an event plan and viewing deck open to the sea were planned on the bridge's axis. Secondly, for the effective land use plan concerning open space and convenience to visitors, a promenade was planned, which is connected with the theme plaza and small plazas by environmental sculptures in front of the market hall and at the gate. As well, an observatory and a roof garden help create three dimensional multi leveled space, with a good view of the natural landscape of the sea, sky and park Thirdly, landscape materials, such as trees and those for facilities, strengthened for protection against the seawind and salt damage were selected. The commercial market area was intended to be transformed a traditional functional area of efficiency and economy into an attractive marine leisure area where both tourists and neighbors can make use of it.

• Korean Institute of Interior Design Journal
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• no.10
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• pp.28-33
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• 1997

The primary purpose of this thesis is to offer users for the better surroundings in planning subway wall design through analyzing the Wall Environmental Design at Subway Statiov. As the urban circumstances were developed by the economic growth, the new city plan, re-development evoked the radical changes in the urban circumstances. In processing the industrialization and urban surroundings. This range has enlargened and provided the localism, the function, the purpose with the visual informations. The method of this paper was the spot survey simultaneously the photographing of the mould's size. theme, colour, material, compossitiov. In conclusion, concerning about the artificial and subterranean space, the Wall Environmental Design at Subway Station needs more practial approach in the using the space.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2004.11a
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• pp.185-186
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• 2004

Modeling exercise course in interior design has a very important meaning as a foundation course for processing ideas and developing creativities. Therefore, this study helps pupils in processing and developing ideas and dragging out the various thoughts. So it brings the motives out against the studying design and plays the role against the idea development, which means it helps them to produce their own identities through this course. Hence, it is important, now, to understand the main theme of this course to sort out the matters-to-be-improved in the field of design.

• Transactions of the Korean Society of Automotive Engineers
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• v.13 no.6
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• pp.177-186
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• 2005

Today the tastes of consumers change rapidly and the kinds of the products become diverse. Therefore the product life cycle becomes shorter and shorter. Moreover the save of resources and the recycling for the environmental preservation are the essential theme. On this the necessary information for the product development increases enormously. For the right use of the information the design process should be supported by the proper design tool. For this the 'design catalogue system for recycling' is suggested here. This system consists of four parts, that is, 'the existing automobile system database', 'working principle database', 'assessment system of the ease of disassembly' and 'one's own product development database'. By the use of this system the product development period could be reduced about $30\%$ drastically.

• Proceedings of the Korean Society of Precision Engineering Conference
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• 2005.10a
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• pp.452-455
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• 2005

Today the tastes of consumers change rapidly and the kinds of the products become diverse. Therefore the product life cycle becomes shorter and shorter. Moreover the save of resources and the recycling for the environmental preservation are the essential theme. On this the necessary information for the product development increases enormously. For the right use of the information the design process should be supported by the proper design tool. For this the 'design catalogue system for recycling' is suggested here. This system consists of four parts, that is, 'the existing automobile system database', 'working principle database', 'assessment system of the ease of disassembly' and 'one's own product development database' By the use of this system the product development period could be reduced about 30% drastically.

• Korean Institute of Interior Design Journal
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• no.7
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• pp.87-96
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• 1996

In today's man's domestic environments, the development of furnishings in their various shapes and functions is as complex as human lives. Architecture, Interior, and Furniture, each one of these have the relationship closer and closer to the direct human environments. In this study, by choosing the theme of sitting , the transformation of man's behavioral models would be examined in sociological terms. By viewing the chair as an emblematic objects made for more than just sitting, the chair has revealed the relations of man with his environment since the history of furnishings began. Qualified architects and designers know that chairs are no longer the objects, but the primary subject of furnishings. Through this examination of the emblematic typologies of periodic chairs in the history of the Western culture, in terms of their relationships with politics , religions, monarchies, societies, and etc., the meaning of the designs could be find and which could be the resolutions for the future innovative design. These refound or recreated meanings in the history of design could create another typology for the future reality.

• Korean Institute of Interior Design Journal
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• no.26
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• pp.49-56
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• 2001

Science, technology and machine aesthetics were the main theme of architectural design in the first machine age. Modern architecture used the theory of science as its framework. But the theory of science was used not as a professional way, but as a pseudo-scientific way by modern architects. It was because that modern architects relied on the spiritual, mystical realm of science and mathematics. Moreover, the avant-garde movement in modernism used the theory of science and mathematics for its complicated and ailenated nature and scientific image. The pseudo-scientifism in architectural design in the first machine age was expressed mainly as a concentration on the 4th dimensional space and the use of symbolic image of science and technology.

• Journal of the Korea Furniture Society
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• v.19 no.4
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• pp.235-242
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• 2008

Increasing consumers' individuality and their desire of revelation, owing to accumulation of economic wealth, are making furniture designs more differentiated and various in its method and theme. Trends of contemporary furniture designs are changing from pursuing the functional efficiency of mere usage of their product in the past to satisfying the desire of consumers with full consideration of their emotional aspects, that is, the design that helps consumers communicate with products. In these trends, it is necessary to analyze the emotional factor of consumers for the examination of their emotional desire and apply its analysis to the furniture design.