• Title/Summary/Keyword: Symmetric Style

Search Result 20, Processing Time 0.029 seconds

A Study on Hybird Authentication Algorithm for Security Channel Retention (안전한 통신채널 확보를 위한 혼합형 인증알고리즘에 관한 연구)

  • Lee Seon-Keun;Kim Hwan-Yong
    • Journal of the Institute of Electronics Engineers of Korea TC
    • /
    • v.43 no.2 s.344
    • /
    • pp.22-26
    • /
    • 2006
  • Symmetric cryptographic algorithm is incongruent in network environment by absence of authencation in spite of advantage of easy etc. on data processing and implementation of high speed. Therefore, proposed merging style authentication algorithm that use MAC and MDC so that symmetric cryptographic algorithm can achieve authentication. Proposed algorithm made security can wide of secure communication channel as to achieve authentication to cryptographic algerian itself not that act independently of symmetric cryptographic algorithm.

A Study on the Symmetric Hybrid Cryptosystem Design for Adaptation of Network Environment (네트워크 환경에 적용하기 위한 대칭형 혼합형 암호시스템 설계에 관한 연구)

  • Jeong, Woo-Yeol;Lee, Seon-Keun
    • The Journal of the Korea institute of electronic communication sciences
    • /
    • v.2 no.3
    • /
    • pp.150-156
    • /
    • 2007
  • In this paper, we studied security systems for information security of several systems that use in network environment along with information society. Therefore, we designed symmetry style base mixing style cryptographic system that apply block and stream way to solve problems of complexity and lower processing speed etc. Symmetry style base mixing style cryptographic system including authentication operation holds performance that the processing speed and the calculation amount are more superior than asymmetry style. Result that design system by Synopsys 1999.10 and ALTERA MaxPlus 10.1 and do simulation, mixing style password system that we propose is that information security offers very efficient assistance and performance in necessary field in network environment.

  • PDF

ON BONNESEN-STYLE ALEKSANDROV-FENCHEL INEQUALITIES IN ℝn

  • Zeng, Chunna
    • Bulletin of the Korean Mathematical Society
    • /
    • v.54 no.3
    • /
    • pp.799-816
    • /
    • 2017
  • In this paper, we investigate the Bonnesen-style Aleksandrov-Fenchel inequalities in ${\mathbb{R}}^n$, which are the generalization of known Bonnesen-style inequalities. We first define the i-th symmetric mixed homothetic deficit ${\Delta}_i(K,L)$ and its special case, the i-th Aleksandrov-Fenchel isoperimetric deficit ${\Delta}_i(K)$. Secondly, we obtain some lower bounds of (n - 1)-th Aleksandrov Fenchel isoperimetric deficit ${\Delta}_{n-1}(K)$. Theorem 4 strengthens Groemer's result. As direct consequences, the stronger isoperimetric inequalities are established when n = 2 and n = 3. Finally, the reverse Bonnesen-style Aleksandrov-Fenchel inequalities are obtained. As a consequence, the new reverse Bonnesen-style inequality is obtained.

Symmetric Adiabatic Logic Circuits against Differential Power Analysis

  • Choi, Byong-Deok;Kim, Kyung-Eun;Chung, Ki-Seok;Kim, Dong-Kyue
    • ETRI Journal
    • /
    • v.32 no.1
    • /
    • pp.166-168
    • /
    • 2010
  • We investigate the possibility of using adiabatic logic as a countermeasure against differential power analysis (DPA) style attacks to make use of its energy efficiency. Like other dual-rail logics, adiabatic logic exhibits a current dependence on input data, which makes the system vulnerable to DPA. To resolve this issue, we propose a symmetric adiabatic logic in which the discharge paths are symmetric for data-independent parasitic capacitance, and the charges are shared between the output nodes and between the internal nodes, respectively, to prevent the circuit from depending on the previous input data.

A Study on Victorian Wedding Dress Design and Making Techniques of America (미국 빅토리안 웨딩드레스의 디자인과 제작기법 연구)

  • Lee, Sang-Rye
    • Journal of the Korean Society of Costume
    • /
    • v.57 no.9
    • /
    • pp.161-176
    • /
    • 2007
  • The objectives of this study are to select and analyze unpublished wedding dresses in the 19th century, to investigate the design characteristics and making techniques of Victorian wedding dresses, and to examine the correlation between the wedding dress style and the fashion style in those days and the influence of the wedding dress style on contemporary's styles. The materials of this study were 9 wedding dresses owned by the Historical Costume and Textile Collection at the University of Connecticut in USA. The dresses were made during the mid and late Victorian Age. As for silhouette, the bustle style was popular in the 1870s and 1880s, and the hourglass style in the 1890s, and different from contemporary dresses there were no big differences in structural pattern and details between ordinary dresses and wedding dresses. In addition, colored wedding dresses were used until the mid and late Victorian Age, but since the wedding ceremony of Queen Victoria in 1840, white wedding dress was widely accepted and settled as the tradition of today's wedding dresses. While the Western dress style had been basically a one piece style, there appeared simple two piece designs in which the upper garment was separated from the lower one, from the mid Victorian Age. This is considered the reflection of those days' pragmatic social trend in dress style. It seems around 1875 when asymmetric design was first introduced in the Western dress style, which had been mostly symmetric. The asymmetric style that pursued atypical beauty, though not common during the late Victorian Age, shows a change in the typical Western dress style. With regard to dress making techniques, sewing machines were distributed widely during the early Victorian Age but they were not used in all parts of dress. Most of details and trimming works were done manually and some parts were attached and detached by hand sewing. In addition, not like today, there were no generalized rules of making such as the form of closings and composition.

Automatic Identification of Fiducial Marks Based on Weak Constraints

  • Cho, Seong-Ik;Kim, Kyoung-Ok
    • Korean Journal of Remote Sensing
    • /
    • v.19 no.1
    • /
    • pp.61-70
    • /
    • 2003
  • This paper proposes an autonomous approach to localize the center of fiducial marks included in aerial photographs without precise geometric information and human interactions. For this localization, we present a conceptual model based on two assumptions representing symmetric characteristics of fiducial area and fiducial mark. The model makes it possible to locate exact center of a fiducial mark by checking the symmetric characteristics of pixel value distribution around the mark. The proposed approach is composed of three steps: (a) determining the symmetric center of fiducial area, (b) finding the center of a fiducial mark with unit pixel accuracy, and finally (c) localizing the exact center up to sub-pixel accuracy. The symmetric center of the mark is calculated tv successively applying three geometric filters: simplified ${\nabla}^2$G (Laplacian of Gaussian) filter, symmetry enhancement filter, and high pass filter. By introducing a self-diagnosis function based on the self-similarity measurement, a way of rejecting unreliable cases of center calculation is proposed, as well. The experiments were done with respect to 284 samples of fiducial marks composed of RMK- and RC-style ones extracted from 51 scanned aerial photographs. It was evaluated in the visual inspection that the proposed approach had resulted the erroneous identification with respect to only one mark. Although the proposed approach is based on weak constraints, being free from the exact geometric model of the fiducial marks, experimental results showed that the proposed approach is sufficiently robust and reliable.

A Study on the Floral Pattern in Baroque Textile (Baroque직물에 나타난 Floral 패턴의 텍스타일 디자인 연구)

  • Lee, Sun-Hwa;Kwon, Young-Suk
    • Fashion & Textile Research Journal
    • /
    • v.4 no.2
    • /
    • pp.117-127
    • /
    • 2002
  • Patterns presented at baroque were mostly floral pattern. Abstract anonymous flower, tulip, Acandus leaf, pomegranate were blended with one another and had a distinct leaning toward continuation and repetition. Components of design could be classified into flower and leaf, flower and fruit, flower and circumferential ornament, bunch of flowers, flower and pot, flower and geometry, and flower and animal. Floral patterns in this era were mostly fullness type being large, simple, and having more formalized motive and were fronted with unit type and vine shape. Unit type shows reflection of baroque style which aims to present absolute unification rather than freedom, which was inherent property of baroque style, by using symmetric pattern. Vine type were unfolded with C type curved line which was main characteristics of that time and showed flowage as a whole and pliable beauty. Floral pattern was filled the whole surface of fabric, thus background of fabric can not be discerned. So, it showed extreme decorative tendency and lavishness.

The Characteristics of the Late Neoclassical Style in American Gardens - Focused on the analysis of Dumbarton Oaks by Beatrix Farrand - (미국 후기 신고전주의적 조경양식 특성 - 파란드의 덤바튼 오크(Dumbarton Oaks) 분석을 중심으로 -)

  • Lee, Hyung-Sook;Park, Eun-Yeong
    • Journal of the Korean Institute of Traditional Landscape Architecture
    • /
    • v.32 no.2
    • /
    • pp.159-166
    • /
    • 2014
  • Beatrix Farrand was America's first female landscape architect and Dumbarton Oaks in Washington, D.C., USA site of her best known garden design. The purpose of this study is to identify characteristics of the American Neoclassical tendencies in the early 1900s and Farrand's style through an analysis of Dumbarton Oaks. The results of analysis indicated that although Dumbarton Oaks was influenced by many European classic gardens, the garden has the unique style which reflects regional contexts and culture based on the philosophy of arts and crafts movement, The major characteristics of the late Neoclassical style in America can be summarized as follows. First, A series of terraced gardens were connected by paths and stairways and natural terrain was preserved as much as possible. Second, the formal and informal style coexist and the symmetric and asymmetric forms are well-balanced throughout the garden. Third, selection of plant materials and planting methods, influenced by both classical gardens and the Arts and Crafts style in UK, are in harmony with the space configuration and shape.

A Study on the Figuration of Floral Pattern of Baroque Textiles (Baroque직물에 나타난 floral 패턴의 조형성)

  • 이선화;권영숙
    • Journal of the Korean Society of Costume
    • /
    • v.52 no.7
    • /
    • pp.1-11
    • /
    • 2002
  • The shape of floral Pattern in the Period of Baroque could be divided single. bunch and vine. The style of representation was stylized, abstract and realistic. the most of style was stylized. The type of composition was fullness, independent and scattered. Floral patterns were shaped simple and complex and components of design could be classified into flower and leaf. flower and fruit. flower and band. bunch of flower, flower and geometry. flower and pot, flower and animal. flower and crest. Kinds of flower were tulip. common marigold, lily, carnation, small bel]flower. lotus, acandus leaf, pomegranate, strawberry. pine cone and abstract anonymous flower which were unfolded by repeat. Characters of floral Pattern were classical elegance, taste of royalty and lively and damask, velvet, brocade which made with gold and silver so, those were a very brilliant and gorgeous. Characters of design were illustrated plane style and stylization where developed arranged on front by repeat or repeat symmetric of vertical. Art, costumes and textiles in this era were a very rich and colorful. The result of study on Baroque's floral pattern will be used to develope a various textile design and chance to be adopted classical pattern into aesthetic value in our time.

Accelerating Symmetric and Asymmetric Cryptographic Algorithms with Register File Extension for Multi-words or Long-word Operation (다수 혹은 긴 워드 연산을 위한 레지스터 파일 확장을 통한 대칭 및 비대칭 암호화 알고리즘의 가속화)

  • Lee Sang-Hoon;Choi Lynn
    • Journal of the Institute of Electronics Engineers of Korea CI
    • /
    • v.43 no.2 s.308
    • /
    • pp.1-11
    • /
    • 2006
  • In this paper, we propose a new register file architecture called the Register File Extension for Multi-words or Long-word Operation (RFEMLO) to accelerate both symmetric and asymmetric cryptographic algorithms. Based on the idea that most of cryptographic algorithms heavily use multi-words or long-word operations, RFEMLO allows multiple contiguous registers to be specified as a single operand. Thus, a single instruction can specify a SIMD-style multi-word operation or a long-word operation. RFEMLO can be applied to general purpose processors by adding instruction set for multi-words or long-word operands and functional units for additional instruction set. To evaluate the performance of RFEMLO, we use Simplescalar/ARM 3.0 (with gcc 2.95.2) and run detailed simulations on various symmetric and asymmetric cryptographic algorithms. By applying RFEMLO, we could get maximum 62% and 70% reductions in the total instruction count of symmetric and asymmetric cryptographic algorithms respectively. Also, performance results show that a speedup of 1.4 to 2.6 can be obtained in symmetric cryptographic algorithms and a speedup of 2.5 to 3.3 can be obtained for asymmetric cryptographic algorithms when we apply RFEMLO to a processor with an in-order pipeline. We also found that RFEMLO can effectively improve the performance of these cryptographic algorithms with much less cost compared to issue-width increase available in Superscalar implementations. Moreover, the RFEMLO can also be applied to Superscalar processor, leading to additional 83% and 138% performance gain in symmetric and asymmetric cryptographic algorithms.