• 한국실내디자인학회논문집
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• 제23권5호
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• pp.41-50
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• 2014

In relation to spatial expression, the remediation theory of Jay David Bolter & Richard Grusin shows a sufficient possibility of providing extended idea and experience through the space of critical representation. The remediation theory discussed in the scope of new media says about the existence method and the development process of media through immersion into media and awakening, and one attribute of remediation which aims at the extension of another realistic experience and recognition through various media, contains common denominators which display diversity and complexity of installation space, and use the audience as expression elements. Therefore, this study aims to apply the remediation theory in order to interpret space using more diverse and multisensory expression methods. For achieving this purpose, this study found the connection among characteristics of hypermediacy which is an axis of installation and remediation theory, and analyzed diverse cases regarding installation space and characteristics of hypermediacy, depending on external aspects of form and expression and internal aspects of experience and cognition. The method of hypermediation expression in installation space converts the recognition about the basic custom of new experience, space and representation. This means that the logic of remediation could approach space by leading to more extended form and recognition. In conclusion, the characteristics of space and the possibility of extended expression revealed in the relationship between installation space and hypermediacy logic would provide another developmental significance for research on space design.

• 설비공학논문집
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• 제24권5호
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• pp.443-453
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• 2012

This study examines visual perception and spatial satisfaction according to lighting conditions. Field measurements and surveys were performed in three rest space of university buildings where various lighting conditions were employed. Results indicate that overall impression of space improved when low color temperature, such as 3,000 K governed overall lighting environment and accent lighting was used for wall surfaces. Lighting conditions that kept uniform illuminance levels using area light sources containing fluorescent lamps with 6,500 K failed to keep favorable spatial satisfaction for space. High color temperature was not recommended for lighting in rest space. Asymmetrical illuminance levels formed by low color temperature such as 3000 K is recommended to keep positive mood and improve spatial satisfaction in rest space. Overall impression of the space was influenced by visual comfort, color temperature, spatial satisfaction and brightness. Spatial satisfaction for space was effectively impacted by psychological comfort, color temperature and overall impression for lighting conditions. Psychological comfort in space was influenced by color temperature, spatial satisfaction and visual annoyance from reflected light.

• 건축역사연구
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• 제16권2호
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• pp.23-41
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• 2007

The main purpose of this study is to reveal the properties and specialities of architectural space after Modernism. Space was the main theme of Modernity in architecture and they insist Modern architectural space had its own characteristics compared with the earlier period. With view that another paradigm of space is rising as a criticism of and departure from Modernity, this study try to show what is the contents of difference and how it express in reality. We can find a new trends in architectural spaces, that are the production of totally different circumstantial background as like information society, digital media environment, post structuralism, new science and heterotopian situation in urbanism. We can call it Post Modernity in architectural space that would find the 'Otheness' and expand the territory of architecture. It means not only the change of architectural space itself but also different cognition and perception of space is taking place. Contemporaru architectural space has lost its materiality and conventional socio-cultural functions. Dematerialization and media or image -like being is the new characteristics instead. It demands a new way of being in a different life-world as well as the new expenence of architecture.

• 교육시설
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• 제11권5호
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• pp.5-13
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• 2004

To develop a master plan of a university campus, we need to know how students view and use their campus. For this purpose, the well-known Linch's(1960) cognitive mapping methods are used to figure out the image of Yonsei University and its surrounding area which is perceived by the students of Yonsei University. Major findings are that the cognition levels for the edge which divides Yonsei University from the surroundings and the paths which the students commute along are relatively high. The students mainly use campus space near the main gate rather than the space deep inside of the university, which shows they use the campus space unevenly. Therefore, when considering a new master plan of Yonsei University, it is needed to develop methods which increase the even use of the campus space such as developing new commuting paths.

• 한국실내디자인학회논문집
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• 제20권2호
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• pp.120-130
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• 2011

The purpose of this study is to propose cognitive ecological effects of fractal patterns in space design. This study investigated the perception and cognition problems regarding landscape patterns showing fractal properties from the cognitive perspective instead of the traditional speculative approach. In particular, the researcher has verified that fractal geometry theory and fractal pattern concept provide insight in space aesthetic values and cognitive effects. Research results are as follows. First, most environmentally-friendly fractal urban forms provide cognitive connectivity. In particular, this space provides a positive emotional response and preference to humans and displays self-organized complexity. This study found that such complexity of space form has characteristics corresponding to parallel cognitive structures of the human brain. Simultaneously, the researcher suggests that the fractal landscape pattern is an alternative for stiff and homogenized modern space. Second, fractal patterns provide hierarchical connectivity within the brain through continuous difference and repetition. In particular, self-similarities of fractal patterns administer significant visual grouping and coherence in human perception. It can be determined whether scaling coherence facilitates easier organization in cognitive organization. Third, fractal patterns in space design provide the basic method for achieving the connection between concept, construction, and urban factors. As a result, the researcher has suggested that scale distribution of geometrical factors, such as fractal patterns, an be a design method to connect various space typologies.

• 한국실내디자인학회논문집
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• 제14권4호
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• pp.122-133
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• 2005

This study could begin with the improvement of computer graphic technology The graphic technology is the standards of computer technology level and up-to-date technology intensive. Above all, the technology of virtual reality has developed rapidly and the development of the program has changed from professional one only for the experts to easy of access ones for the space designers. Moreover, the program which major internet user's can experience the virtual model has been made, as the development of virtual reality technology that is based on the web. These graphic technology and the development of the web helped to extract human experiences on the space design step. However, to find the meeting point with real recognition is not easy though the virtual reality technology develops. Because the real space is made up of various senses that people feel in their surroundings. But, this study was possible because most of the space recognition is based on the visual organ, even though it can't satisfy all sensible factors that we feel in reality. Therefore, the significant of this study is the standards and criteria of evaluation, the technological proposal, expecting to make more advanced alternative design than before.

• 한국소음진동공학회논문집
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• 제17권4호
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• pp.289-297
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• 2007

SAFRS is the system designed to reproduce the harmonic sound into the space according to the environmental factors. Here the harmonic sound means the sound which judged by the subjective tests, and the methods were suggested in the former studies. In this research, SAFRS was applied into the Square of D University to evaluate and verify the effectiveness of the system and a few evaluations were carried out as follows; 1) sound perception, frequency, volume and harmony with the space, 2) images of the square and acoustic environment and 3) acoustic environment with existing sounds, fountain sound, produced sound by SAFRS, and both of them respectively. The results can be summarized as follows; 1) According to the evaluation on acoustic environment, no relationships were shown between the cognition of sounds produced by SAFRS and the frequency or volume, but inverse proportion was shown between the volume and special harmony. 2) As the result of image evaluation. the relationship between space and sound image was shown proportional only except the evaluation on main road at night time, it means that the sound proposal with the visual contents matching with the sounds would be more effective than the proposal of sound only. 3) Results of evaluation on acoustic environment showed that the cognition effect at night time was shown higher than that of day time when only the acoustic element was given and the effect was increased when the visual elements matches with the acoustic elements if both of them were given. It confirmed the harmony between visual and acoustic elements was very important.

• 인지과학
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• 제20권4호
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• pp.439-479
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• 2009

한국어에서 '길다(길이)', '짧다'; '넓다(너비/폭)', '좁다'; '높다(높이)', '낮다'; '깊다(깊이)', '얕다'; '두껍다(두께)', '얇다' 혹은 '가로', '세로' 등의 어휘가 일반적으로 공간적 차원을 지칭하는 데에 사용된다. 본 논문에서 우리는 이들 어휘가 어떠한 인지적 토대에 근거하여 공간 개체의 차원 축을 지칭하게 되는가를 밝히고, 그 차원 낱말들 사이에 성립하는 추론 원리와 제약을 밝히고자 한다. 우선 Lang(1987)과 Lang et al.(1991)의 연구를 바탕으로 차원 개체를 8가지 유형으로 하위범주화하고, 각 범주 유형의 특징을 살펴본다. 차원 개체의 형태적 속성을 정의하는 본유적 구성 도식(inherent proportion schema)과 관찰자의 감각기관과 축의 관계를 일차적 인식 공간(primary perceptual space)으로 정의하고, 이 두 부분의 연계 관계를 개체 도식(object schema)을 이용하여 표상한다. 차원 추론이 가능한 경우는 항상 일차적 인식공간을 구성하는 차원 할당 값에서 본유적 구성도식을 구성하는 차원 할당 값으로 일정한 방향으로 일어난다는 점을 밝히고, 이를 바탕으로 모든 차원 추론에 적용되는 규칙을 두 개로 축약하여 제시하고자 한다. 또한 한국어에 특수하게 존재하는 '가로'와 '세로'가 차원 축을 지칭할 때 적용되는 제약을 형식화한다.

• 한국지역지리학회지
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• 제16권5호
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• pp.441-456
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• 2010

동해(東海)는 애초 방위에 따라 붙인 명칭이었지만, 오랜 세월의 역사적 연고를 온축한 고유명사이기도 하다. 동해는 자연의 지리공간인 동시에, 숱한 역사적 사연과 문화적 의미를 내포하고 있는 역사문화의 공간이기도 하다. 이 글은 동해의 역사 문화적 사연 중, 동해에 대한 선인들의 지리 인식을 검토하고, 나아가 문학작품에 그려진 여러 형상을 살펴본 것이다. 조선의 지식인들은 큰 차원에서 세계의 지리를 파악했고, 그 구도 속에서 국토의 지리와 지세를 인식했다. 이에 따르면 백두산은 천하의 조종(祖宗)이 되는 두 산 중 하나로 요동별관과 한반도와 일본의 지리를 통어한다. 고래로 역사지리가들은 백두산과 백두대간을 거론하며 동해를 짝 지워 언급하였다. 백두대간과 동해는 짝이 되면서 크기와 너비, 높이와 깊이, 그리고 위엄과 도량을 함께 갖춘 온전한 국토지리의 표상이 된다. 동해의 다채로운 문학적 형상을 네 범주로 나누어 다루었다. 우리문학에서 동해는 첫째, 이 땅에 살았던 사람들의 의기를 거칠고 드세게 확충시켜 주었다. 둘째, 세상과 삶의 이치를 사유하고 통찰하게 하는 계기로 작용하였다. 셋째, 백두대간에서의 동해 조망은 국보 인식을 새롭게 해주었다. 넷째, 어촌민들의 고단한 삶이 펼쳐지고, 각종 풍속이나 교역이 활발하게 진행되는 삶의 현장이었다.

• 한국실내디자인학회논문집
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• 제19권5호
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• pp.3-10
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• 2010

In the history of art and architecture, there are different characteristics in relationship between light and space. Among them, two characteristics seem to be fundamental : The first is that contrast between light and darkness is more articulated. Direct sunlight penetrates into the dark interior space made by heavy masonry structure. This is generally found in the traditional western religious buildings. The second is that light is mixed with darkness and becomes shade. Shade is different from shadow that is usually perceived as the opposite of light. Sunlight is filtered under through the big horizontal roof and rice paper walls in the traditional far-east Asian architecture and becomes weak ambient light. In this shade, there is no strong contrast between light and darkness. This difference is not only originated from the architectural differences, but also originated from the conceptual differences about light, space, and the world in two cultures. This paper tries to study the philosophical, aesthetical backgrounds as well as case examples in art and architecture of two characteristics. Based on the case studies, this paper aims to analyze the main perceptual structure. Finding the relationship between light, space, and human body by making three dimensional models is the crucial analysis method of this research. Although in real life and experiencing the world, these two characteristics are not clearly separated, comparative study based on different cultures gives opportunity to think of diverse perspectives on light and space.