• 한국실내디자인학회논문집
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• 제24권4호
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• pp.51-60
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• 2015

This study aims to establish the foundation for a simultaneity research, draw the potential through Bergson's simultaneity, and explore a space with the possibility of a continued change, focusing on the simultaneous process, in which physical mobility and consciousness of space last together. First, this study was focused on understanding Bergson's simultaneity, on the basis of the perspective that space needs to have more active, dynamic mobility. For understanding Bergson's simultaneity, the understanding of Bergson's duration conception, memory and perception was preceded. After that, the characteristics of simultaneity were extracted from the concepts of duration, change, memory and perception and its characteristics, which are connected to space, were analyzed. As a result, the study on simultaneity that was intensively analyzed, based on diverse cases, re-awakened the basis of value or thought, which we must aim at, in space design of the present time. This shows the possibility of another creative form that can be found in spaces of the present time and serves as the foundation to discover an essential and potential value of space in space design. Moreover, the combination of space with science, humanities, art and digital media technology demonstrated once again that there is a good possibility of approaching non-representational space that is pursued today and it is anticipated that using Bergson's simultaneity as a medium for spatial combination in their relationship would help in drawing deeper internal meaning and potential of space.

• 건축역사연구
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• 제15권2호
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• pp.115-136
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• 2006

Colin Rowe's 'Transparency' is one of core ideas applied to 20th Modern Architecture. It implies not only an optical characteristic, the perfectly clear, but also a broader spacial order, a simultaneous perception of different spacial locations. The former connected with physical attribute itself, and the latter deeply with the metaphorical idea of time, 'Simultaneity', embodying a new spacial quality. However, If we analyze the meaning of "Simultaneity" implicated in "Transparency" with the perspective of Henry Bergson's "Duration", there would be only little possibility as a solution to the problem of embodying a new spacial quality in architecture. As such a question emerging, this paper attempts to point out the problem of Colin Rowe's idea, "Simultaneity", and suggest a new architectural design method to overcome its inconsistency by interpretation and application of Bergson's "Image and Rhythm".

• 대한치매학회지
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• 제22권4호
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• pp.148-157
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• 2023

Background and Purpose: Episodic memory is a system that receives and stores information about temporally dated episodes and their interrelations. Our study aimed to investigate the relevance of episodic memory to time perception, with a specific focus on simultaneity/order judgment. Methods: Experiment 1 employed the simultaneity judgment task to discern differences in time perception between patients with mild cognitive impairment or dementia, and age-matched normals. A mathematical analysis capable of estimating subjects' time processing was utilized to identify the sensory and decisional components of temporal order and simultaneity judgment. Experiment 2 examined how differences in temporal perception relate to performance in temporal order memory, in which time delays play a critical role. Results: The temporal decision windows for both temporal order and simultaneity judgments exhibited marginal differences between patients with episodic memory impairment, and their healthy counterparts (p = 0.15, t(22) = 1.34). These temporal decision windows may be linked to the temporal separation of events in episodic memory (Pearson's ρ = -0.53, p = 0.05). Conclusions: Based on our findings, the frequency of visual events accumulated and encoded in the working memory system in the patients' and normal group appears to be approximately (5.7 and 11.2) Hz, respectively. According to the internal clock model, a lower frequency of event pulses tends to result in underestimation of event duration, which phenomenon might be linked to the observed time distortions in patients with dementia.

• 천문학회보
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• 제36권2호
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• pp.80.2-80.2
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• 2011

The sudden decrease of galactic cosmic ray (GCR) intensity observed by ground neutron monitor (NM) is called a Forbush decrease (FD) event. The intensity time profile of FD event looks like the geomagnetic storm visualized by geomagnetic storm index Dst. Oh et al. [2008] and Oh and Yi [2009] classified the FD events into two kinds by criteria of the overlapping simultaneity of main phase in universal time (UT). The FD event is defined simultaneous if the main phase parts observed by the stations distributed evenly around the Earth are overlapped in UT and non-simultaneous if ones are overlapped in each station's local time (LT). They suggested the occurrence mechanisms of two kind FD events related to the interplanetary magnetic structures such as the interplanetary shock (IP shock) and magnetic cloud. According to their model, the simultaneity of FD depends on the strength and propagation direction of interactive magnetic structures overtaking the Earth. Now the STEREO mission can visualize the emergence and propagation direction of the coronal mass ejection (CME) in 3-dimension in the heliosphere. Thus, it is possible to test the suggested mechanisms causing two different types of FD events. One simultaneous FD observed on February 17, 2011 may be caused by a CME heading directly toward the Earth observed on February 15, 2011 by the STEREO mission. The simultaneity of FD event is proved to be a useful analysis tool in figuring out the geo-effectiveness of solar events such as interplanetary CMEs and IP shocks.

• 디자인학연구
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• 제18권3호
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• pp.117-128
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• 2005

프랑스의 벨 에포크는 파리를 중심으로 문예활동이 가장 활발하던 시기이다. 큐비즘도 그러한 분위기 속에서 태어났으며 19세기말과 20세기초의 모든 분야에서 일어났던 패러다임의 변화를 반영하는 현상이다. 큐비즘 형성의 배경을 다양한 각도에서 조명할 수 있겠으나 미술사가들이 빼놓지 않고 언급하는 것이 베르그송의 철학이다. 그러나 그의 사상이 큐비즘 화가들에게 미친 영향력을 가늠하기는 쉽지 않지만 그들에게 수용된 베르그송의 영향력은 커다란 편차가 있는 것으로 보인다. 그의 철학은 피카소나 브라크에게는 자신들의 예술적 영감을 고양시켜줄 수 있는 시대정신의 역할을 하였고 글레즈나메셍제와 같은 화가들에게는 큐비즘의 이론을 공고히 할 수 있는 사상적 배경의 역할을 하였다. 큐비즘의 이론에 대한 베르그송의 사상의 영향을 이야기 할 때 등장하는 중요 개념이 동시성이다. 동시성은 오브제에 대한 복수적 시각의 공간적으로 재구성하는 것과 의식 속에서 공존하고 있는 시간적 흐름의 내용을 공간적으로 재배치하는 두 측면이 있는데 사실 어떤 경우도 베르그송의 이론과 정확히 일치하지는 않는다. 사실 베르그송은 큐비즘의 예술관에 특별한 관심을 보이지는 않았다. 큐비즘의 이론과 베르그송 철학과의 관계는 이론적 틀의 제공자의 의도보다는 수용자의 의지가 결정적이지만 글레즈나 메셍제의 경우에는 자의적 해석의 위험에도 불구하고 그들의 이론화 작업에서 베르그송의 철학은 중심적 역할을 하였다. 사상과 예술의 역사는 종종 오해가 엄밀한 이해보다 더 큰 영감과 창조성의 원천이기도 했으며 양자의 관계에는 이러한 두 가지 측면이 공존하고 있다.성에 대한 실험참가자의 선호경향에는 큰 편차가 보였고 군집분석을 통해 몇 그룹으로 세분화할 수 있었다. 그러나 팔이라는 조형요소의 유무에 따라 민감한 반응을 보인 점과 인체와 같이 신장과 팔길이 사이에 강한 상관성이 존재하는 것은 흥미로운 발견이었다. 프로세스를 제안하고자 한다.0 이용과 복제제한에 관한 주기(terms governing use and reproduction notes), 541 직접적 출처주기(immediate source of acquisition note), 545 행정연혁/개인이력주기(biographical or historical note), 581 출판주기(publication note), 850 소장처(holding institution) 데이터필드의 식별기호를 재구성, 추가하였다.근방법과 컨조인트 분석)의 조화를 이룰 수 있는 이론적 기초가 될 수 있다. 즉, 제품디자인의 결정요인 분석결과는 QFD의 접근방법에, 제품 디자인 파급효과 분석결과는 컨조인트 분석에 각각 보완적 기여를 할 수 있다. 이와 동시에, 실증적 분석결과는 Ettlie(1997)의 디자인 통합(DI) 이론에 대한 실증적 기반을 제공할 수 있다. 마지막으로, 성공적인 디자인 경영(DM)을 위해서는 최고 경영자의 지원뿐만 아니라 부처 간 의사소통의 장애요인을 제거하고 CFT(cross-functional team)를 운영함으로써 동시적 엔지니어링(CE) 및 제품 및 공정 디자인의 개발이 제품 개발의 속도를 가속화하고 디자인 품질을 높이며 시장 성공을 보증할 수 있도록 해야 한다.임과 채팅은 긍정적인 상호관련을

• 동의신경정신과학회지
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• 제8권1호
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• pp.2-35
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• 1997

• 한국실내디자인학회논문집
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• 제34호
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• pp.3-9
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• 2002

Entering into the 21st century, digital culture and the innovation of media technology have drastically changed our understanding of the concept of space. Increased availability of information made possible by technological advancement has, directly or indirectly, contributed to the development of space design, which, in turn, offers a possibility for a new paradigm in space design. Given these fundamental changes, this study seeks to explore how to understand the expansion of the concept of space. In order to answer this question, this study investigates de-materialization tendency in modern architectural design such as transparency, anti-gravity, complexity and simultaneity of space. It examines the interaction-oriented nature of space among human, information and time. Finally, based on concepts such as new hyper-surface, which transcend the limitations of space and time, it explores new emerging trends in space design.

• 한국의상디자인학회지
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• 제15권4호
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• pp.209-221
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• 2013

This study has attempted to investigate the effect of cubism on fashion and figure out how its formative characteristics have been expressed in contemporary fashion in the 21st century, focusing on the period since 2010. The propose of the study is to broaden research scope in fashion design through analysis and inspection on formative aspects among the cases which have proposed brand - new fashion designs by adapting cubism in fashion. To find out the characteristics of cubism in painting and formative characteristics of contemporary fashion in which the characteristics of cubism are reflected, a literature review has been conducted by referring to domestic and foreign books, previous papers, academic journals and Internet resources on cubism. For an empirical study, in addition, photos of cubism-applied modern fashion have been collected and analyzed through http://www. samsungdesign.net. The following results have been obtained: First, the formative characteristics of cubism were obtained in following categories; character of figure, simultaneity, reiteration and facticity. Second, according to analysis on cases after applying the formative characteristics on contemporary fashion design, the character of figure by the geometric shape of cubism was observed in fashion as well. After dismantling and reconfiguring garments, simultaneity has been expressed in an exaggerated and distorted manner through regular and repetitive overlapping or overlapping of irregular shapes. In terms of facticity, novelty has been delivered with the use of heterogeneous materials, using collage and patchwork techniques. Third, simplicity and functionality in cubism - style garments in the early 20th century have disappeared in contemporary design in the 21st century. Now, a dynamic aspect is only found. Fourth, unlike common paintings, 2D textiles are added to a 3D body in fashion design. In addition, it can be observed from multiple angles depending on the movement so that it can display more diverse shapes. Therefore, it could be the origin of inspiration to many designers.

• 한국응용과학기술학회지
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• 제38권4호
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• pp.1195-1208
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• 2021

본 연구는 체육교사로서 회의감의 근원적 문제를 찾는데 목적이 있다. 이를 위해 이준호 체육교사를 연구 참여자로 선정하고 생애사 연구방법을 활용하였다. 그 결과, 1) '스테레오타입과 문화', 2) '훈육의 변화', 3) '혼란과 자책', 4) '참교사가 아닌 보통교사'의 내용이 도출되었다. 그 결과, 이준호 교사를 괴롭혀온 회의감은 '변화의 아이러니'로 설명될 수 있었으며, 그것은 '비동시성의 동시성'이라는 근원적 배경에서 비롯된 것임을 확인시켜주었다. 결국, 학교 내 존재하는 '비동시성의 동시성'의 모순으로 인해 이준호 교사의 감정적 소진은 필연적 귀결이었으며 그것은 한편으로 그가 이 시대의 평범한 체육교사임을 보여주고 한국사회 평범한 체육교사들의 삶과 고민을 이해하는데 도움을 주었다고 판단된다.

• 한국우주과학회:학술대회논문집(한국우주과학회보)
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• 한국우주과학회 2006년도 한국우주과학회보 제15권2호
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• pp.49-49
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• 2006