• Conservation Science in Museum
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• v.8
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• pp.71-79
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• 2007

The Conservation Science Team at National Museum of Korea has Reproduced the silk wrapper that was used the sarira reliquary found from Pagoda in the Bonginsa, in order to use it in the process of alternating the relics on display in the Hangeul(the Korean language) of the Historical Gallery. Silk fabric of the same texture as the original was used for reproduction. As for the process of dyeing silk fabric, fermented Indigo deposits was used for bluish color, while fruits of the alder trees were used to express the parts that have been faded into yellowish. The Korean characters(court style hangeul) written on the wrapper have been replicated through the use of Ink-stick.

• Conservation Science in Museum
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• v.12
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• pp.77-88
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• 2011

The study investigated conservation and fiber of 66 letters of Sukmyeonghancheob (national treasure No.1629) that the National Cheongju Museum kept. Before treatment, the cover was destroyed and inner paper was stained by water and humidity and destroyed by insects. One volume of King Hyojong was kept at separate frame. The author disassembled book and removed old Baejeobji and inspected paper quality of letter and tested fiber by using C-stain: The author reassembled one volume by including one letter separated after repairing destroyed area of the edge.

• Conservation Science in Museum
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• v.6
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• pp.31-37
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• 2005

The copper incense burner inlaid with gold and silver and purchased by the National Museum of Korea in 2002 was to be corroded severely throughout the surface. It was difficult to recognize the part with silver inlaying. Using the abrasive method with alumina, however, its splendid inlaying patterns were restored. Prior to applying the abrasive method, the quality was examined, and a material that could help bring out the patterns without causing too much damage to the artifact, selected. The overall condition of the incense burner was also checked through X-ray equipment to know the condition of the gold and silver inlaying, and by x-ray fluorescence spectroscopy to confirm the composition of the incense burner and gold and silver inlaying. The result of this process is expected to serve as valuable data in future research on incense burners inlaid with gold and silver.

• Conservation Science in Museum
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• v.6
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• pp.39-46
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• 2005

The National Museum of Korea has a collection of various materials. In particular, items made from organic materials such as wood, paper, and leather are vulnerable to the influence of insects and germs, requiring fumigation as well as pesticides and bactericides. The influence of pesticides and bactericides on the change in dyed paper was examined by applying the oddy test used to confirm the toxicity of various materials used in museums. Results revealed that the products of B and H companies had the least influence on the change in dyed paper. On the other hand, the result of the examination of cochineal and curcuma dyed paper revealed a significant change in the control group compared to the one exposed together with dyed paper, probably because of humidity rather than the sample.

• Conservation Science in Museum
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• v.14
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• pp.115-124
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• 2013

Disassembly and restoration work of Janghang-ri Stone Standing Buddha in the outdoor exhibition hall of Gyeongju National Museum were conducted for safe management of the collection due to problems like weathering of bonding materials by the outer environment, fixation of pollutants on the surface, and cracks by unidirectional load of rocks. A drawing was made through three-dimensional precise actual measurement, basic material research was conducted, and cement mortar and resin of the weathered part were removed. The restored part was bonded and restored by new stones using the same kind of rock. In addition, in order to prevent damages from microorganisms, fumigation treatment was made. It is under continuous observation.

• Conservation Science in Museum
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• v.11
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• pp.17-30
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• 2010

Here is an introduction of the conservation process and storing method of 26 garments for exhibition among the excavated garments of Cheonngyeongunju(a princess) preserved in the National Museum of Korea. Before processing, the artifacts were investigated to find out the type of material and the damaged parts, and then surface and wet cleaning were conducted. After that, it were dried and fixed while held by hand for stability of the artifacts. When stored, the artifact was folded minimally in large parts to prevent damage and placed in a neutral box with buffers in between.

• Conservation Science in Museum
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• v.3
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• pp.21-27
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• 2001

In National Central Museum, we recently preserved paper cultural assets, such as ancient maps, books and antique documents etc, to prepare "A Dynamic World of External Relations in Goryeo & Joseon Dynasty". The paper cultural assets generally react sensitively to their environments; temperature, humidity, light and physical force acting. Biological damages, which are caused by microbe, contraction, swelling and damage from insects occurred. Wrinkles on relics, which are made my physical force, stains on relics which are due to moisture, weakening of adhesive strength and damages from insects were found during the recent preservation handling. Therefore we are trying to find out any damage, which could be occurred in paper cultural assets and introduce brief emergency operation to prevent the damages and develop the preservation handling.

• Bangmulgwan gwa yeongu (The National Museum of Korea Journal)
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• v.1
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• pp.306-329
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• 2024

Established in 1909, the Imperial Museum was the forerunner of Korean museums, and its collection formed the foundation of today's National Museum of Korea. However, when the Imperial Museum was first established in Changgyeonggung Palace, a zoo and botanical garden were created in addition to the museum. From 1911 onward, these three facilities were collectively referred to as Changgyeongwon Park. The zoo and botanical garden remained at Changgyeongwon when the museum was relocated in 1938, as did some of the items from the collection of the Yi Royal Household Museum. Among them were palanquins used by the royal family and folk items such as armor, as well as taxidermized birds. These stuffed birds were displayed in the corridor of Myeongjeongjeon Hall in Changgyeongwon, and were also displayed in the specimen hall at the back of Myeongjeongjeon Hall. The stuffed birds in particular should prompt a reconsideration of the nature of the Imperial Museum (Yi Royal Household Museum). The museum had been known as a prominent art museum, mainly collecting masterpieces of ceramics (such as Goryeo celadon), Buddhist sculptures, and paintings. However, this character seems to have been just one aspect of the museum. Along with the zoo, which housed live animals, and the botanical garden, which included greenhouses for tropical plants, the museum also featured specimens like taxidermy, suggesting that its initial aim, from a museological perspective, was to be a more comprehensive museum. Notably, Shimogoriyama Seiichi, who managed the general affairs of the museum, collected and cataloged Korean avian specimens from 1908 to 1917. This suggests that the zoo and botanical garden were not merely for entertainment purposes, but also served a museological purpose. However, the Imperial Museum (Yi Royal Household Museum) lacked the essential research and educational functions necessary for a museum, beyond its collecting and exhibition roles. For instance, although specimens of stuffed Korean birds were collected, they were not thoroughly researched. This indicates that while the museum's collection was acquired from a museological perspective, it did not advance into more specialized research. This study aims to examine how the characteristics of the Yi Royal Household Museum have evolved by analyzing the inventory of the museum's collections and the list of Korean bird specimens it held.

• Journal of Korean Society of Archives and Records Management
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• v.18 no.4
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• pp.1-24
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• 2018

The National Museum of Contemporary Art, Korea began operating the museum archives in October 2013. Although the museum archives have an independent flow that is distinct from discussions of the archival sciences, it is a reality as a record management organization, and therefore, access to and analysis from the viewpoint of archival science is required for efficient operation. The purpose of this study is to diagnose the method of collecting and organizing records from the viewpoint of archival sciences from the Institutional Archives of the National Museum of Contemporary Art, Korea. To this end, we theoretically examined the function of the museum, the role of the museum archives, and the scope and method of collection and arrangement of the museum archives. Based on these discussions, we analyzed the scope of the collection and the system of arrangement of the institutional archives. Then, we suggested some improvement plans.

• Journal of The Korean Association For Science Education
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• v.33 no.2
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• pp.359-372
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• 2013

This study aims to investigate the current status of science museum in terms of evaluating its organization, management, and education program. The analytical framework developed for examination are as follows: First, the lack of professional staff in most target museums is the biggest impediment for domestic science museums to function properly. Second, funding has been very poor. Third, most museums failed to properly sustain exhibits, equipment, and facilities. Fourth, various advertising and marketing efforts for attracting more visitors are hardly done. And lastly, the domestic museums made little effort in pursuing research focusing on improving exhibitions and education program. Based on these findings, the future directions for domestic science museums to step-up opportunities have been discussed in this study.