• International Journal of Advanced Culture Technology
• /
• 제10권3호
• /
• pp.174-183
• /
• 2022

The abstract should summarize the contents of the paper and written below the author information. Use the word "Abstract" as the title, in 12-point Times New Roman, boldface type, italicized, centered relative to the column, initially capitalized, fixed-spacing at 13 pt., 12 pt. spacing before the text and 6 pt. after. The abstract content is to be in 11-point, italicized, single spaced type. Leave one blank line after the abstract, and then begin the keywords. All manuscripts must be in English. When it comes to the issue of "virtual and real" in traditional Chinese painting, the first impression is to describe the problems of painting strokes and ink, layout of pictures, etc., but it runs through the initial conception of the work, creation in the middle and aesthetic appreciation of the work. It exists in the whole process of artistic creation and appreciation. In essence, it is a problem of aesthetic thinking and philosophical thinking. Because the traditional Chinese painting theory is influenced by Taoism, when the concept of "virtual and real" is implemented in the specific picture of Chinese painting, it is contained in the specific shape of "physics", that is, the painting theory research of "blank space" in the picture. Based on the traditional Taoist philosophy of China, this paper takes the "virtual and real" view in Lao Zhuang's thought as the research object, deeply analyzes and compares its relationship with the "virtual and real" in Chinese landscape painting, and finds out their artistic spirit, essential characteristics and how to present them. This paper mainly discusses the internal relationship between Taoist philosophy and "virtual and real" in Chinese landscape painting from the following aspects. The introduction expounds the origin, purpose, significance, innovation and research methods of the topic. This paper analyzes the philosophical thoughts about landscape in the philosophical thoughts represented by Lao Tzu and Zhuangzi. The development of Chinese traditional aesthetics theory is closely related to Taoist philosophy, which has laid the foundation and pointed out the direction for the development of Chinese painting theory since ancient times. It also discusses the influence of the Taoist philosophy of "the combination of the virtual and real" on the emergence and development of the artistic conception of landscape painting. Firstly, through the analysis of the artistic conception of landscape painting and its constituent factors, it is pointed out that the artistic conception is affected by the personality and the painting artistic conception. Secondly, through the Taoist thought of "the combination of the virtual and real" in landscape painting, so as to reflect that it is the source of the artistic conception of Chinese landscape painting. It is the unique spiritual concept of "Yin and Yang" and "virtual and real" that creates the unique "blank space" aesthetic realm of Chinese painting in the composition of the picture. Finally, it focuses on the "nothingness" in Taoist philosophy and the "blank space" in Chinese landscape painting. The connotation of the "blank space" in Chinese painting exceeds its own expressive significance, which makes the picture form the aesthetic principle of emotional blending, virtual and real combination and dynamic and static integration. Through the "blank space", it deepens the artistic characteristics of the picture and sublimates the expression of "form" in Chinese painting.

• 한국디지털건축인테리어학회논문집
• /
• 제5권1호
• /
• pp.40-47
• /
• 2005

As we know usually architecture of Korea landscape painting inside, pavilion(Jung-ja) and many-storied building(Ru-gak) have painted mainly. But besides general building that home, mountain fortress wall, temple, royal palace was expressed by a real view landscape painting. The main purpose of this research is to enhance the basis that can understand well tradition architecture by korea landscape painting. To achieve this goal, Even if it is same kind of building, a lot of differences become by material of roof, position of building, expenditure of building. Division of inside and outside is precious data that can know life physiognomy of general peoples. In Structural side, Expression of fabrication and value as data that can know composition and arrangement of plane are important.

• 조형예술학연구
• /
• 제6권
• /
• pp.119-139
• /
• 2004

The intention of the research is to look into the form reflecting the spiritual image due to Oriental aesthetic from a realistic point of view. In this regard, I will pay attention to examining the process from figurative perspectives, in which painting image by subject acquires the beauty of form. Of the main subjection this paper, figure is an image itself appearing in painting. At this point, I will attempt to show how the meaning and value of image have been interpreted and judged on the aesthetic standard in Oriental painting in particular. For this process, I generalize the conception of the image as 'figure' and through this I will reconsider the standard of understanding and the value of perception regarding painting images on the method which are more applicable to the expressions of Oriental painting. The reason why I try to find out the true nature of images in Oriental painting from a figurative viewpoint is to convert a conventional sense of value which recognizes the images of Oriental painting only as results of idealism, into more practical field. If the true nature of Oriental painting is fixed and restricted to natures of idealism, any productive development and any changes in form for future couldn't be expected at all. In fact, what the ideological and aesthetic values of art suggest is clearly a proof of real art form. However, it is not a hard thing to prospect that only a superficial idealism will be ceaselessly produced, while the practical study about aesthetic values, meaningful results of painting expressions, is totally ignored, if ideology itself is used as criteria to judge the identity of it or if only the idealistic aesthetic values are emphasized while any clue to show a real existence of oriental paintings is not certain. Actually, nobody can deny the fact that interests about real natures regarding art expressions have been relatively ignored while armed with mental ideology for esthetic view of oriental painting in traditionalism Therefore, it is clear that 'spiritual status' itself can generate any form. Traditionally, in the Orient, the standard of judging a real value of things, which put a focus on a spiritual view of value rather than on a materialistic view of it, has been vaguely positioned the identity of images in painting As a result, the aesthetic convention has finally committed to an error that for images of oriental painting, ideological criteria like so called spiritualism are applied as a judging way, and esthetic meanings and values of real painting are considered as strategic results and spiritual intentions.

• 품질경영학회지
• /
• 제42권3호
• /
• pp.325-338
• /
• 2014

Purpose: The purpose of this study was to explain de-painting phenomenon of KUH-1 tail blade and to propose useful solution of it by test. The proposed solution was evaluated by real flight, and then it applied to mass product to improve the paint qual ity of KUH-1 tail blade. Methods: This study investigated an adhesive ability of primer following surface sanding condition. The cross cut and scratch test were conducted to evaluate the adhesive strength. And the water flow test was designed to simulate a real flight condition under rain. Through water flow test, an optimal condition of tail blade to prevent a de-painting phenomenon was deduced. Finally, the improvement method was evaluated by real flight under rain. Results: The results of this study are as follows; The sequential polishing was most excellent method in primer painting quality. The results of test including cross cut, scratch and water flow showed that MIL-DTL-53039 paint with epoxy primer has excellent adhesive ability. To proof the effect of improvement, a real flight during a rain condition was conducted. Finally, the comparison between original and improved configuration was conducted. Conclusion: The painting quality of KUH-1 tail blade was improved through deriving an optimal painting condition. In detail, a condition of optimal sanding and a sort of primer and paint was showed. Finally, the reliability of tail blade was guaranteed through improving the quality of painting.

• Corrosion Science and Technology
• /
• 제18권6호
• /
• pp.253-257
• /
• 2019

A deep learning based real-time painting surface inspection algorithm is proposed herein, designed for developing an autonomous inspection drone. The painting surface inspection is usually conducted manually. However, the manual inspection has a limitation in obtaining accurate data for correct judgement on the surface because of human error and deviation of individual inspection experiences. The best method to replace manual surface inspection is the vision-based inspection method with a camera, using various image processing algorithms. Nevertheless, the visual inspection is difficult to apply to surface inspection due to diverse appearances of material, hue, and lightning effects. To overcome technical limitations, a deep learning-based pattern recognition algorithm is proposed, which is specialized for painting surface inspections. The proposed algorithm functions in real time on the embedded board mounted on an autonomous inspection drone. The inspection results data are stored in the database and used for training the deep learning algorithm to improve performance. The various experiments for pre-inspection of painting processes are performed to verify real-time performance of the proposed deep learning algorithm.

• 한국정보과학회논문지:컴퓨팅의 실제 및 레터
• /
• 제14권8호
• /
• pp.818-822
• /
• 2008

본 논문에서는 가상환경에서 페인트를 분사하여 시간으로 물체를 도색 하는 시뮬레이션을 위한 충돌처리 및 시각화 알고리즘을 제시한다. 이를 통하여 물체에 페인트가 뿌려지면서 도색 되는 모습을 사실적으로 표현해 줄뿐만 아니라, 페인트 누적 모델을 이용하여 물체에 누적된 페인트의 두께 정보까지 시뮬레이션 하여 시각화함으로써 가상훈련 시스템에 적용할 수 있도록 한다. 분사되는 유체시뮬레이션을 위해서 기존에는 파티클 시스템이 이용되고 있으나 실시간으로 도색이 되는 과정을 시각화하기 위해서는 수백만 개의 파티클에 대하여 충돌 검사를 수행해야 하기 때문에 적절하지 않다. 따라서 본 연구에서는 소수의 레이와 텍스처 기법을 이용하여 효율적으로 충돌 검사를 수행하는 알고리즘을 제안하고 이를 구현하였으며 실시간 페인트 시뮬레이션 구현 결과와 수행 시간 분석을 통하여 알고리즘의 효율성을 검증하였다.

• 한국산학기술학회논문지
• /
• 제13권8호
• /
• pp.3687-3691
• /
• 2012

다양한 디지털 콘텐츠 생성 기술은 최근의 컴퓨터 및 태블릿 PC의 발전으로 더욱 널리 활용되고 있다. 본 연구에서는 실제 화가의 스케치 작품을 분석해, 그와 유사한 스케치 효과를 생성하는 기법을 제안한다. 이를 위해, 우리는 반 고흐의 실제 드로잉 작품을 분석하고, 각 객체별로 사용된 스케치 스트로크의 패턴을 분석하고 DB를 구성한다. 그리고 이를 기반으로, 각 오브젝트별로 해당 스트로크 패턴을 적용하여 스케치 효과를 재현하였다.

• International Journal of Contents
• /
• 제8권4호
• /
• pp.36-41
• /
• 2012

We present a novel watercolor painting drawing system which can work even on low powered computing machine such as tablet PC. Most digital watercolor systems are generated to perform on desktop, not low powered mobile computing system such as iPad. Our system can be utilized for art education besides professional painters. Our system is not a naïve imitation of real watercolor painting, but handles with properties of watercolor such as diffusion, boundary salience, and mixing of water and pigment.

• 한국컴퓨터그래픽스학회논문지
• /
• 제8권2호
• /
• pp.31-38
• /
• 2002

본 논문은 수묵화 기법에 의한 3차원 영상을 하드웨어 가속을 이용하여 실시간 렌더링하는 알고리즘을 제안한다. 기존의 수묵화에 관한 비사실적 렌더링의 연구는 2D 혹은 2.5D 수묵화 드로잉 시스템에 초점이 맞추어 왔었다. 이들 시스템들은 사용자의 세밀한 붓 터치 입력이 필요하고 2D 혹은 2.5D의 수묵화 영상만을 생성해 낼 수 있었다. 본 논문에서는 3차원 수묵화를 위한 자동화된 렌더링 시스템을 제안한다. 본 시스템에서는 별도의 사용자 입력을 받아들이지 않고 임의의 3차원 모델을 받아들여 이를 기반으로 3차원 수묵화 영상을 생성한다. 이를 위해 본 논문에서는 기존의 2D 드로잉 기법에서 벗어나 3D 수묵화 효과를 위한 새로운 모델링 과정을 제안한다. 2차원 기법을 3차원으로 확장 적용하는 데에는, 차수 증가와 더불어 계산량이 증가하여 결과 영상물을 얻기까지 많은 처리 시간이 요구되는 난점이 있다. 본 논문에서는 동양화 풍의 3D 게임과 가상 현실 환경에 적합한 실시간 렌더링을 위하여 상용 그래픽스 하드웨어 가속 기능에 기반한 실시간 렌더링 알고리즘을 제안한다. 그리하여 결과 영상물의 품질, 실시간 처리 능력 그리고 상용성을 동시에 만족시키고자 한다.

• 대한전기학회:학술대회논문집
• /
• 대한전기학회 1987년도 전기.전자공학 학술대회 논문집(II)
• /
• pp.1492-1494
• /
• 1987

This paper describes a hardware architecture called Edge Painting Machine for real time generation of scan line images for raster scan graphics display. The Edge Painting Machine consists of Scanline Processor which converts polygon data sorted in their depth priority into a set of scan line commands for each scan line, and Edge Painting Tree which converts the scanline commands set into a raster line image. Edge painting tree has been designed using combinational logic circuit. The designed circuit has been simulated to verify the proper functioning. A salient feature of the EPT is that hardware composition is simple, because each processor is constituted by only combinational logic circuit.