• 한국의류학회지
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• 제23권1호
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• pp.147-158
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• 1999

This study focused on situational simularity of psychedelic expressed in the mid-1960s with culture including costume in the end of 20th century. So this study is composed of psychedelic concept and the comparision of temporal background and general characteristics of psychedelia in the 1960s and 1990s and relationship with Art-Nouveau which has originated psychedelia and psycheelic image including mysticism play illusionism and narcissism. The New psychedelic revival of the early 1980s came at a time when as in the mid-1960s the world's attentions were firmly focused on British youth. The same could be said of the mid-1990s when 'BriPop' once again has international appeal and the result has been a kind of New New Psychedelic revival with all manner of British youth styles from the 1960s blended together. The swirling patterns hallucinogenic colors and space-aged designs of the psychedelics have become a symbolic representation of cocktail of youth sex and optimism

• 융합정보논문지
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• 제12권2호
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• pp.206-212
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• 2022

본 연구는 사이키델릭 작품의 특성을 활용한 아트 메이크업 디자인 제안이다. 연구방법은 선행연구, 전문서적을 토대로 사이키델릭과 아트 메이크업에 대해 분석한 후, 사이키델릭 특성을 신비성, 착시성, 유희성으로 분류하였다. 또한 사이키델릭 특성이 잘 나타난 작품을 선정한 후, 이를 모티브로 아트 메이크업의 표현기법 중 에어브러시, 회화적, 오브제 기법을 융합시켜 총 6작품을 제작하였다. 이러한 연구 결과는 첫째, 사이키델릭 작품의 특성을 활용한 디자인은 아트 메이크업에 적용 가능하게 나타났다. 둘째, 미술 작품과 아트 메이크업의 융합은 창의적인 디자인을 도출할 수 있는 접근법으로 나타났다. 이로써 본 연구는 아트 메이크업 디자인의 독창성과 다양성을 확대하는데 방향성을 제시하였으며 향후 다양한 분야와의 융합으로 아트 메이크업의 디자인 개발이 지속적으로 이루어지길 기대한다.

• 한국융합학회논문지
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• 제7권5호
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• pp.255-261
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• 2016

연구 목적은 사이키델릭 아트의 작품을 이해하고 작품이 나타내고 있는 특성을 파악하여 네일아트 기법에 융합한 디자인을 제시하여 디자인 발상에 새로운 방향을 모색하는데 있다. 연구방법은 사이키델릭 아트의 개념, 네일아트 개념과 표현기법을 인터넷 검색과 선행논문 연구, 전문서적을 활용하여 분석하였다. 또한 사이키델릭 아트의 특성이 잘 나타난 작품을 모티브로 네일아트 표현기법 중 핸드페인팅, 마블, 네일패치 기법을 융합시킨 디자인으로 총 4작품을 제작하였다. 이와 같은 연구 결과, 사이키델릭 아트 작품을 모티브로 감각적이고 창의적인 네일아트 융합디자인을 제시 할 수 있었다. 본 연구는 사이키델릭을 현대적인 감각과 융합시킨 독창적인 디자인으로 재구성하였고 향후 네일아트 디자인의 발전과 개발에 도움이 되길 바란다. 또한 네일아트의 무한한 가능성으로 네일 아티스트들의 예술성과 창조성을 높인 다양한 디자인으로 발전되길 기대한다.

• 복식
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• 제58권6호
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• pp.69-84
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• 2008

Considering that star reflects the image of current society, analyzing fashion of celebrity is to read ideal type and demands of beauty of the era. Especially the rock music-represents youth culture that last on present day-born in 1960's, and it is considered to a significant decade in pop music history. Thus this research will analysis rock star's fashions in iconological view of E. Panofsky. The aim of this document is Clarifying how the fashion of pop stars appeared and what formed its worth. As a result of analyzing fashions of rock star in 1960's, it is available to find these sameness and difference. The Mods borrowed images of the past, and introduce the elite modernism and shows very urban style. The Folky and the Psychedelic showed post-structuralism propensity against industrial society, in the case of the Folky it induced styles that symbolize labor class to realize social worth. And as an aftereffect of war and repulsion of commercial worth, they embody nature-returning peasant look so that it shows pastoral mood in total. The Psychedelic express somewhat struggling escapism and it generated illusionary images with quests to superego and glorification to psychedelic status. The Folky and the Psychedelic are same in the side of introducing existentialism, this occurred by using ethnic factor. But the Folky showed plain outlook by pop propensity, on the other hand, the Psychedelic showed magnificent outlook such as optical art, pop art, and futurism ought to express merrymaking culture. And common feature of these is introduction of unisex mod which is came after the change of gender role. Thus each star or group has professed special ideology into their culture and it is reflected to acts which is including music and dress style. This affair is analyzed like these two things. The mass of people schemes their identity with inducing special ideology to their culture at the first. And the purpose to archive cultural hegemony in inter-social class at the next.

• 한국의류학회지
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• 제40권2호
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• pp.353-364
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• 2016

This study analyzes French designer Hedi Slimane who has received recent attention from the fashion world. He changed sub-culture 'Rock Fashion' into high fashion and altered the stereotype of the existing menswear with the skinny look. His extreme slim-fit style also has changed the menswear market dramatically. Hedi Slimane was mainly inspired by various rock music genres from the 1960 to 2000s such as glam rock, psychedelic rock, grunge rock, and garage rock. He showed in his own rock style when creating his collection. The collections inspired from the specific rock music and style were selected from Dior Homme (2001F/W-2007F/W) and Saint-Laurent (2013F/W-2015F/W), and analyzed by the 4 genres of rock music and fashion style as follows. First, glam rock style appeared in Dior Homme 2005F/W and Saint Laurent 2014S/S with glamorous full make-up, animal printings, and glitter textures. Second, psychedelic rock style appeared in Saint Laurent 2015S/S with flower patterns, afro hair, fur vests, and western & ethnic bohemian styling. Third, grunge rock style appeared at Dior Homme 2005S/S and Saint Laurent 2013F/W with messedup hair, destroyed jeans, and layering style. Fourth, garage rock style appeared mainly at Dior Homme 2006 S/S with messed-up hair, slim suit, fedora, and sneakers. This result is expected to be used for research and development on modern rock style for contemporary menswear.

• 한국산학기술학회논문지
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• 제17권9호
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• pp.694-699
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• 2016

대중음악은 천한 것으로 여겨져 학술적인 가치를 인정받지 못하였고 이와 관련한 연구는 상당히 미흡한 실정이다. 따라서 지금의 음악교육은 전통음악을 제외하고 나면, 역사, 이론, 실연에 관한 모든 분야가 외국의 사례를 통해야만 하는 상황이다. 다소 늦은 감이 있지만 비로소 이 분야에 관한 연구의 필요성을 절감했다. 우선 비교적 가까운 역사인 미 8군으로 부터 시작된 밴드 음악에 초점을 맞추고, 그 중심에서 가장 큰 활약을 했던 신중현의 사이키델릭 음악을 시작점으로 하였다. 신중현의 편곡 기법이나 화성을 사용하는 방식은 미국의 것을 가져왔으나 선율 자체는 우리의 색깔을 지니고 있다. 그의 음악은 그 당시는 물론 시대를 뛰어넘어 후배 음악가들에 의해 계속 연주되고 있다는 점에서 높이 평가 받아야 마땅하다. 비록 일부분에 한정되어 있지만 본 연구는 우리 대중음악 역사의 한 장면을 되짚어보고 이에 관한 자료들을 남겨서 후배들에게 우리 대중음악의 뿌리를 조금이나마 알리고자 한다.

• 대한가정학회지
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• 제35권6호
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• pp.1-13
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• 1997

Hipp8ie style was introduced in 1960s when young generation's movement against industrial society and mass culture was spread. Its value was to go back to "Real and Pure Nature". Hippie originated from "Human Be-in" which was on-violent revolution held in sanfrancisco. American Hippie style was represented through freedom and love based on drug and psychedelic culture which were created by the young generation who were against traditional esthetic value as well as the moral and material value. However, Hippie style was represented differently in France. The privilege classes such as artists who were interested in surrealism, art negro and primitive culture, the intelligentsia like Montparnass in Paris, accepted Hippie style faster than ordinary people did. therefor, Hippie style in france was represented as an esthetic mode not a symbol of anti-culture and anti-policy. The general public imitated the style of the privileged classes and coordinated their style according to their personality without any standard such as blue jeans, ethnic, psychedelic, mini, mods, beatnik, etc. Yves Saint Laurent who was influenced by hippies led the mode of Paris to introduce "Africa", "Saharienne", "Pathwork". therefore, in 1960's fashion in Paris, everything was possible because of too many changes in fashion and refusal of accepting vogue.

• 한국의류학회지
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• 제27권11호
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• pp.1229-1240
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• 2003

The purpose of this study was to review such results of the scientific and technological development as women's changed status, sexual identity and their views of physique in the cyber space based on cyber feminists' theories, and thereby, examine the concept of space during the medieval age, and then, the fundamental spiritual concept involving the fetishism of women's body as sexual objects in the materialistic space of the digital age in terms of the consciousness of trend or supra-sensual perceptions, and thereby, review the effect of the cyber terrorism and violence on the fashion in sub-cultural terms. Some researchers distinguish psychedelic styles from cyberdelic ones to assume such psychiatric visions as psychedelic fashion characterized by resistance and delinquency-cyber punk fashion, cyber hippie fashion, cyborg fashion- and then, define them all as cyber resistant culture fashion or as a sub-cultural style of the cyber culture. As a result, it was found that human bodies are being encoded with the networks, various cyber characters or avatars are emerging, while human bodies are being distorted or exaggerated with human beings and machines being imploded.

• The Korean Journal of Pain
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• 제22권1호
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• pp.39-46
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• 2009

Background: Ketamine has an indirect sympathetic stimulation effect. We investigated heart rate variability (HRV) as a marker of cardiac autonomic function after a target controlled infusion (TCI) of ketamine with a plasma concentration of 30 or 60 ng/ml. Methods: In 20 adult volunteers, the mean of the R wave to the adjacent R wave interval (RRI), the range of RRI, the root mean square successive difference of intervals (RMSSD), the total power, the low frequency (LF, 0.04-0.15 Hz) power, the high frequency (HF, 0.15-0.4 Hz) power, the normal unit HF (nuHF), the normal unit LF (nuLF), the LF/HF ratio and the SD1 and the SD2 in the Poincare plot were measured before and after a TCI of ketamine. We observed for any psychedelic symptoms or sedation. Results: There were no differences in the mean and range of the RRI, RMSSD, total power, LF power, HF power, nuHF, nuLF, LF/HF ratio, SD1 and SD2 between before and after ketamine administration. The OAA/S score was higher and there were more psychedelic symptoms with a 60 ng/ml plasma concentration than with a 30 ng/ml plasma concentration. Conclusions: This study did not show any effect of a low plasma concentration of ketamine on the autonomic nervous system.

• 복식문화연구
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• 제11권2호
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• pp.231-242
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• 2003

This study was aimed at analyzing how the dualism of hippie style in the modern retro-fashion, namely, the neo hippie style and the hippie chic style were expressed. For this study, domestic & foreign fashion magazines, preceding theses, literatures, an encyclopedia, and Internet sites were reviewed. The results of this study could be summarized as follows; 1. Silhouette : The neo hippie style was expressed in slim and long silhouette to show the natural beauty. The hippie chic style was expressed in various silhouettes depending on designer's tastes. 2. Color : The neo hippie style was expressed in strong color and analogous color coordination to show richness of human nature. The hippie chic style was expressed in psychedelic color, multi-color, and fluorescent color to show an unconventional and a future oriented idea. 3. Material . The neo hippie style used such soft, thin, and flexible materials as chiffon, satin, silk, knit, etc. to show the natural beauty The hippie chic style used expensive and luxurious materials, high-technological materials, harmony of different materials, etc. 4. Pattern . In the neo hippie style, it was generally used various patterns including plant, animal, insect. In the hippie chic style, it was widely used the natural pattern as well as the ethnic pattern. The neo hippie style was characterized by the natural beauty, purity, elegance as style symbolizing the social problem, on the other hand, the hippie chic style was characterized by designer's identity suggesting an idea of new style rather than a symbol of the social problem.