• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2006년도 International Symposium on GPS/GNSS Vol.1
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• pp.315-320
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• 2006

There have been several problems in treating shipboard sewage due to special environmental conditions of ship, such as limited space, rolling and pitching, change of temperature and so on. It was suggested that Sequence Batch Reactor (SBR) might be suitable process for overcome these problems in terms of small size, high capacity of treating wastewater and full automation. In this study a SBR process was employed for biological treatment of organic wastes in the shipboard sewage. This process was able to remove nitrogen and phosphorus as well as organic matter efficiently. More than 95% of chemical oxygen demand(COD) were removed. In addition, about 97% of total nitrogen (T-N) was reduced. The total phosphorus(T-P) reduction averaged 93%. A disturbance operation caused by the treatment of Methylene Blue Active Substances(MBAS) was not observed.

• 한국실내디자인학회논문집
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• 제11호
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• pp.45-56
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• 1997

In the process of modermization the problem of environment destruction has become a worldwide issue. And now this problem is a concern for all branches of science, including that of architectural desigv. This thesis tries to find the meaning of ecological architectural space, one that encreases the organic relationship, and communication, between architectrual space and urban environmental space, between human beings and architecture, and between human beings and their environment. As an example, we will take a look at the architectural space-design of Frei Otto, who offers diverse creative ecological architectural forms. His concept of architecture has the critical character when compared with the traditionan conventional concept of architecture. The ecological characteristics of his architectural spacedesign can be summarized as follows: The first characteristic is his ample use of natural objects in the architectural structure. An ample use of living things like trees and plants as well as of inanimate thing like water, wind as architectural elements enhances the functional efficiency of architecture. The second characteristic is its ecological architectural system, which saves energy faciliates ventilation by changing the position and direction of the building, by systematically applying the materials, and by efficiently arranging the inner space. The third characteristic is the dematerialization of architecture and the use of materials that are economical and appropriate for the circulation system of nature. The use of natural elements and recycling natural objects, makes it possible to reuse materials of the destroyed building. In short, the ecological architecture of Frei Otto, which shows the relation between human beings and architecture, presents diverse possibilities of the archtectural space as a complex natural system, which is more than a simple combination of separatge elements.

• 디자인학연구
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• 제17권3호
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• pp.255-262
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• 2004

테크놀로지의 발전과 밀접한 관계 속에서 이어져온 디자인의 역사는 디지털 혁명이라는 이름으로 산업혁명에 버금가는 디자인의 혁신과 새로운 역할을 요구하고 있으며, 전통적 인 삶과 생활의 모습의 변화를 이루고 있다. 이러한 시대에 공간에 대한 다양한 새로운 개념과 체계를 이해하여야 하는데 여 기에 작용하는 주요 변인요소는 디지털기기와 생활양식에 의한 물리적 요소와 디지털 적인 공간적 추상성에 근거한 감성적 요소로 나눌 수 있다. 공간 디자인에 있어 이 두 가지 요소는 연구테마의 중심이 되고 있다. 새로운 패러다임에 맞는 디자인 기법과 방법론이 합리적으로 디자인에 도입되면 디자인의 효율과 성과를 높일 수 있으며, 이러한 측면에서 공간디자인 분야에서 다양한 시도가 진행 중이다. 본 연구는 이러한 시도들을 공간 디자인(교육)에 적용하기 위한 연구로서 공간디자인에 디지털 테크놀로지를 적용하는 다양한 방식과 접근방식을 연구하여 공간 디자인의 관점에서 가상의 공간의 의미와 역할을 규정하고 그 기능적 인 상호 작용성에 대한 분석을 주목적으로 한다. 이를 통해 이미 광범위하게 활용되고 있는 사이버스페이스와 전통적인 공간 디자인의 유기적인 통합과 발전을 모색하고자 한다.

• 한국지반환경공학회 논문집
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• 제18권4호
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• pp.23-29
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• 2017

2013년 환경 정책 개정에 따라 총유기탄소(TOC)항목이 수질 및 수생태계 보전에 관한 법률에 도입되었으며, 이러한 정책 시행에 따라 공공하수처리시설에서의 TOC에 대한 수질관리의 필요성이 대두되었다. 본 연구는 실험실 규모 전기분해공정에서 전기화학적 반응을 이용하여 하수방류수 내 TOC 제거특성을 살펴보았다. 실험실 규모의 전기분해공정에서의 실험 결과를 반응표면법에 적용하여 방류수 내 TOC 제거 특성분석을 실시하였다. 중심합성에 사용된 독립변수로는 전해공정의 주요 운전인자인 전극간격($x_1$), 전류밀도($x_2$), 전해질의 농도($x_3$)를 선정하였으며, 종속변수로는 TOC 제거효율(y)이다. 전해공정에서 최적화 조건은 전극간격 50mm, 전류밀도 $10.3mA/cm^2$, 전해질의 농도 0.1M로 조사되었다. 통계학적 결과를 바탕으로 독립변수는 전극간격 > 전류밀도 > 전해질농도의 순으로 작아지는 것으로 분석되었다.

• 복식문화연구
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• 제18권2호
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• pp.261-276
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• 2010

The analysis of an art trend in the principle dimension starts by observing the object of work in the perspective of formative composition and recognizing it as a universal system. It can be said that it is consistent with an interpretation method for a form theory of formal history by Heinrich W$\ddot{o}$lfflin, a leading form critic in art criticism. Hence, the purpose of this study was to find out what are the formative principles in Renaissance Classicism as a design principle to be applicable to modern fashion by reviewing the formative characteristics of Renaissance Classicism Architecture with which W$\ddot{o}$lfflin directly dealt. As for the theoretical literature review, I used W$\ddot{o}$lfflin's theoretical framework and looked at the Renaissance Classicism Architecture that he studied and examined the possibility of utilizing his theory as a layout principle and the characteristics. As for analysis of design cases, I applied the aforementioned architecture layout principle to modern fashion and conducted case study analysis to delve into distinctive layout principles found in fashion. The study showed that the Renaissance Classicism Architectural Style is marked by linearity, planarity, closing and multiple unity: linearity was expressed in the observation form in fixed frontal view and an emphasis on a tangible silhouette homeogenous and definite line structures; planarity was achieved in the form of paralleled layers of frontal view element, planarity style, and identical and proportional repetition of various sizes.; closing signified the pursuit of complete and clear regularity, and architecture developed in a constructive phase through organizational inevitability and absolute invariability.; multiple unity was expressed in self-completedness and independent parallel of discrete forms and harmony of emphasized individual elements in a totality. Applying these layout characteristics of the Renaissance Classicism Architectural style and to see their individual expressive features, I found out that in adopting layout principles of the Renaissance Classicism Architecture to modern fashion, it turned out to be an emphasis of individual silhouettes, a flattened space, completed objects, organic harmony among independent parts: the emphasis of individual silhouettes was expressed in individual definitiveness of formative lines of clothes in accordance with body joints and an emphasis on formative lines of clothes; the flattened space was marked by single layer structure, planarity of elements of clothes, and listing arrangement by appropriate proportion.; the completedness of the objects was expressed by the stationary state where overall image is fixed, the construction of homogeneous and complete space, and absolute inevitability of internal layout in proportion; lastly, organic harmony of independent parts was stressed in independent completedness of each detail, and organic harmony of the whole. The expressive features would lead to a unique expression style of linear emphasis, proportion, constructive forms, and two-dimensional arrangement. The meaning of this study is follows: The characteristics of art school of thought are given shape by appling & analysing the architectural layout principles of historical art school of thought to modern fashion in the view point of formal construction dimension. The applied possibility of historical art school of thought as the source of inspiration about the fashion design is extended.

• 우주기술과 응용
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• 제3권1호
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• pp.26-43
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• 2023

우리나라의 첫 달 탐사선 다누리호가 달 궤도에 진입을 성공하면서 이후 화성 탐사와 같은 우리나라의 새로운 우주탐사 계획을 기대할 수 있게 되었다. 우리나라의 우주탐사 탑재체는 한정적인 분야에서만 개발되어 새로운 우주탐사 탑재체를 개발할 필요성이 있다. 국외에서는 우주탐사에 거의 기본적으로 탑재되는 장비로 질량분석기가 있으며, 탐사 대상의 대기와 휘발성 물질 관측과 더불어 유기물 분석을 통한 생명체 탐사까지 아우르는 매우 유용한 탑재체이다. 하지만 우리나라에선 우주탐사용으로 질량분석기 탑재체를 개발한 전적이 없으므로 앞으로의 우주탐사를 대비해 기술을 확보해야 할 필요가 있다. 그에 앞서 국외의 우주탐사용 질량분석기 탑재체의 과학적 성과를 살펴보고 동향을 파악해본다.

• 한국실내디자인학회논문집
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• 제34호
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• pp.45-52
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• 2002

It is noted that the expressionistic feature appears as one of characteristic phenomena for representing the regional culture and economic level. In architecture, it seems to be difficult to define the expressionism in a concrete way because of lots of meanings the word originally has. In this study, the expressionistic feature is defined as a mode which impresses the users emotionally with strength or as a touching and stimulating one, contrary to the designing conception which pursues only the rationality and the functionality. These features can be expressed as designing methods such as organic form, adoption of natural design factor, decisive opening of space or its extreme closing, contrast of mutually opposite components, or application of basic design components.These methods described above are largely categorized into spatial form, openness, scale and design component and also are studied for each example within the scope of these categories. This study has significance in conceptualizing this expressionistic tendency and in analyzing some detailed aspects for expression.

• 한국실내디자인학회논문집
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• 제12호
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• pp.100-108
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• 1997

A human body can be called the scale of all things and the most perfect and sensual presentation of form. Its beautiful proportion has been used as the most important measure of all the natural organic beings. The attitude of research based on the human scale is so traditional both in East and West, and especially in the field of architecture. It has been the ground of most standards in various buildings and cities from the ancient times. This study aims to examine the way the human body has been investigated in history and to find out how it is applied and expressed as the scale in architecture or interior spaces. It takes a step forward from mere research of proportion by studying even the emotional and psychological relations between space and human beings. It may contribute to the creation of the space for human beings.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 춘계학술발표대회 논문집
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• pp.140-144
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• 2006

Modern architecture after enlightenment period of Korea has been defamed indifferently before preparing devices for preservation. Many modern architecture has been underestimated by the feeling of being cultural victimized for Japan and economic logic. Other advanced countries make laws for their historic heritage with a concept for past-present-future. Also they re-create their cultural heritage to help their local economic. As the Registration System is established at july 2001, we have to find organic, positive interior space utilization methods about modern architecture. Modern architecture is private property in real using but it has historic trace. Therefore, modern architecture can be affirmative social property because it is a base of historic, cultural circumstances for local identity. The purpose of this study is to construct preservation and utilization methods of interior space for modern architecture.

• 한국실내디자인학회논문집
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• 제41호
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• pp.88-95
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• 2003

The paradigm of contemporary times became different from paradigm of modem times. The change of paradigm is caused by the side effect of paradigm of pre-times. It could be said that contemporary paradigm is pluralism. In the forms of contemporary building and interior design, the informal form is the result of pluralism. This study is researching and analyzing the informal design tendency in the interior space composition of contemporary architecture. the 1950's free form movement, 1960's Informal movement and pluralism after 1970's affected the latest informal forms. The tendencies of contemporary informal design are organic-degital tendency and deconstructive tendency. Along this two kinds of tendencies, I studied the specific characters in expression and analyzed some natural-degital, deconstructive building.