• 한국콘텐츠학회논문지
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• 제9권7호
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• pp.171-183
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• 2009

고대의 정신세계는 인류의 사상의 근원이 되는 소중한 가치를 가지고 있다. 본 연구는 과학의 발달로 점차 소멸되어가는 인류의 근원적 정신세계를 고대 신화적 요소에서의 상징적 표현으로 나타나는 고대이집트 신들의 장신구로부터 연구하여, 신들의 장신구를 통해 반영되어진 고대인들의 정신세계의 독특한 인간관을 재조명하고자 한다. 이집트에서 장신구는 장식적 역할도 분명하지만, 그 근본적인 목적은 부적 즉, 신체의 취약한 부분에 지님으로써 신비적이고 적대적 힘으로부터 보호받기 위한 주술적 목적으로 사용되었다. 이러한 단면에서 시사하는 것처럼 인류는 인간 스스로 해결 할 수 없는 초월적인 문제를 초자연의 힘을 빌려 해결하려 하였고, 그 안에서 삶을 영위해가기를 추구하였다. 때문에 본 연구는 인류의 문명을 대표하고 있는 이집트 장신구의 형성 과정을 이집트 문화적 배경과 신화를 통해, 신들의 장신구에 내포되어 있는 정신적 의미와, 신들의 장신구의 역할이 무엇이었는지 알아보고, 또한 이집트인들이 신들의 장선 구를 통해 무엇을 염원하였는지 고찰하였다. 그 결과 이집트 신들의 장신구들은 첫째로 자연을 묘사하고 있었고 둘째는 선분의 상정, 성별의 구분과 종교의식의 의미를 지니고 있었으며 셋째로는 사후세계를 믿었음을 보여주었고 마지막으로 부활을 상징하고 있었다.

• 한국한의학연구원논문집
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• 제15권1호
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• pp.1-11
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• 2009

The eminent brother doctors Cho-Gaek Hur (Young Hur) and Cho-Sam Hur (Eon Hur) represent the medical tradition of the southeastern region of Mt. Jirisan incluiding Sancheong. This study investigated and examined their herediatary testimonies and medico-historical facts described in the literature tale, genealogy and family collection of works. At an early age after their family run away to the southern region from the harm of political struggle, they gave up taking the highest-level state examination to recruit ranking officials and set their heart on learning medicine. Their choice of medicine was the second best plan for the survival of their family and descendents from the influence of their ancestors who suffered from the party strife during the late Joseon Dynasty. The case is a good example of the deliberate action of the nobility intellectuals since the late Goryeo and early Joseon dynasties to who made attempts to have the minimum elegance and cause while securing livelihood after they have been collapsed politically. The tale of Cho-Gaek and Cho-Sam is a typical story of eminent doctors which combined reality and fiction about the persons who had outstanding medical skills. In the tale, the elder brother was good at herbal prescriptions and the younger brother was good at acupuncture, contrasting the treatment of administrative internal medicine and insertive acupuncture treatment. It shows that the prepositions for the choice of the treatment method for the public during that period were safety and fast efficacy. In their old age, they wrote a book titled Jinyangsinbang. Another Jinwoosinbang is estimated as a different kind of copy, which was a medical writing from experience that derived from the same original book as Jinyangsinbang. written by Cho-Gaek Hur and it is a valuable medical material that possesses the distinct features of the local medicine during the late Joseon Dynasty. Most of the contents are variations in application using the basis of Dongeuibogam, forming the roots of the traditional Korean medicine in Sancheong region together with the medical activities of the Hur brothers.

• 자연과학논문집
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• 제9권1호
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• pp.153-168
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• 1997

본 연구는 우리 나라 여성 머리 장신구의 시대적 흐름에 따른 그 변천 과정을 고찰하고 머리 장신구가 각 개인의 외모에 뚜렷한 분위기를 갖게 하고 개성을 표현케 하는 이상적 매체, 즉 조형예술의 한 형태로 인식하여 머리 장신구의 조형미를 탐구하는데 그 목적을 두고자 한다. 연구 방법으로는 문헌 자료를 통하여 고찰하였고, 고분 벽화, 정기 간행물, 그리고 학위논문 등을 참조하였다. 연구 내용으로는 우리 나라 고대 여성의 머리 장신구의 기원 및 변천 과정을 살펴보았고, 근대 여성의 머리 형태에 따른 머리 장신구의 조형미를 종류와 형태, 재료, 문양으로 분류하여 각기 그 특성을 파악하였다. 여성의 머리 장신구에 대한 관심은 현대에 와서도 여전하며, 고대에서 근대에 이르기까지의 머리 장신구 디자인의 조형미를 살펴봄으로써 우리 나라의 전통적인 형태와 문양을 반영할 수 있는 머리 장신구 디자인의 개발과 우리 나라의 독특한 재료를 사용하여 기능성과 미적인 측면을 공유한 현대적인 디자인을 고안하는데 기여하고자 한다.

• 복식
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• 제54권6호
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• pp.101-117
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• 2004

Opposed to following the contours of the human body, the voluminous enlargement in costume, which characterizes the distinguished enlargement in space rather than the contour of human body, mean the enlargement aspect involving the vertical protrusion and the expansion of shape and volume as well as the extension of length. The costume enlargement as a different method of expression is a symbol showing a meaning of something and an aesthetic expression containing man's will. This voluminous enlargement of costume, as an aesthetic expression, has different formative characteristicsand immanent meanings according to ideals and thoughts as well as social and cultural background of each age Accordingly, the aesthetic consciousness also differaccording to the change of the times. To study the aesthetic consciousness of costume's voluminous enlargement, focous had been given to milieus that show comparatively conspicuous voluminous enlargement Periods that have been subjected to this study include costumes of the ancient Egypt, the Gothic period in the Middle age, the Renaissance, the Baroque Rococo of the recent times, and the modern era (Empire, Romantic, Art Nouveau. etc) With focus given to the principle of design obtained through this study were used to analyze the aesthetic characteristics, Futhermore, based on the spirit of the times and the socio-cultural symbolism, research on immanent meanings, as supported by objectivity and universal validity, was also made, the enlargement beauty of costume had been placed under the aesthetic category and, by interpreting the analogies of presented in aesthetic consciousness, the true nature of the voluminous enlargement in costume had been traced. To Conclude, the aesthetic consciousness of the voluminous enlargement of the costumes in history was found to have following characteristics: (l) Metaphorical (2) Unlooked-for irregularity (3) feeling of satisfaction driven by self-enlargement (4) Dignified sublimity (5) Symbol of wealth and class (6) Ceremonial dignity (7) Tradition of the nobility (8) Aesthetic ornament (9) Ideal contour of the body

• 복식
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• 제61권4호
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• pp.103-116
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• 2011

The purpose of this study is to investigate the revision of the western-styled court costume in the Daehan Empire. For this purpose, 1) historical documents were reviewed, 2) one set of the court costume of Chigimgwan and another set of the court costume of Juimgwan were probed, 3) the photos of people wearing court costume were analyzed. The results of this study are as follows. First, the $14^{th}$ Imperial order of "official costume statute" had been revised in 1904, 1905 and 1907 through official gazettes. The last version of official costume statute enacted the more detail than the first rule. Second, the $15^{th}$ Imperial order of "official costume rules" had been revised in 1904, 1905, and transformed into official costume rules reform on $12^{th}$ Dec., 1906. The revision in 1905 made gold embroidery of court costume more simple than the first rule. The form of court costume was totally revised by change of the shape of adjusting on the top in the revised rule of 1906. Third, the revision in 1905 was actually manufactured and worn by the people because it can be confirmed in the relics of the court costume of $2^{nd}$ Chigimgwan in Yonsei University Museum, and the court costume of juimgwan in Kwangju Municipal Folk Museum. The relics made by the revision in 1906 had not been reported until now, but they can be confirmed in the photos left. Fourth, the sovereignity of the Daehan Empire was actually lost by $22^{th}$ Imperial family order which urged the servant having the title of nobility of Japan to wear the court costume of Japan. Therefore, the endeavor of the Daehan Empire which wanted to establish and develop the costume system of modern independent nation was discontinued.

• 패션비즈니스
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• 제6권5호
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• pp.72-86
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• 2002

Recently the fashion design has been expressed mixing trend of antipodal concept. There are shown disorganization of existing standard with eclectism, pursued more sensational fashion by the sense of unease. And there are spreaded body exposure in producing on a commercial scale for sex, are shown the phenomenon by wearing innovation inner-wear in private area are exposed out. The purpose of this study are to consider preponderantly the fashion design using corset, shown up as the motive of costume design from 1990's to 2002's, define the character of molding. and extend the width of understanding of modern fashion. The results of the study are as follows: 1. The trend of deconstructionism as one line of fashion world in the 1990's make into outer garment of inner-wear, corset has been using the main item of infra costume. The past corset was existed innerwear, but it is revived various forms by transforming outer garment of body expression consciously. 2. Corset look is shown double faced factory of the beauty of tradition and decadence, vulgarity and nobility, concealment and exposure, and are expressed boldly the free consciousness outer about woman's sex with the improvement of woman's social position. 3. The molding character of Corset look divided Eroticism, Fetishism, Deconstructionism. Futurism. The trend of Corset look design is the emphasized sexual part of lace-up and cutting line of corset, and various details of see-through, kitsch, glitter look. Therefore, the trend of Corset look will be applied the modern fashion and used as motif of new design, affected the inspiration of more developed design with grafting of up-to-date fabrics and processing technique.

• 한국화재소방학회논문지
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• 제29권2호
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• pp.54-63
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• 2015

의용소방대는 소방업무를 보조하기 위하여 특별시, 광역시, 특별자치시 도(이하 시 도) 시 읍 면에 설치된 민간 소방조직이다. 화재예방 진압은 물론 각종 재난의 방지와 그 수습에도 적극 참여하여 주민의 생명과 재산을 보호하고 지역 발전을 도모하기도 한다. 그러므로 그 지역에 거주하는 주민 중에서 봉사와 희생정신을 가지고 희망하는 자로 하여금 자신의 생업에 종사하면서 소방업무를 보조하고 있는 무보수의 자율적 민간봉사 조직이다. 이러한 숭고하고 참된 의용소방 조직이 활성화 되지 않아 이에 대한 연구가 소방조직 및 학계에서 조심스럽게 진행되어 왔다. 따라서 본 연구 역시 의용소방대 조직의 활성화 방안을 시론적으로 연구함에 있어 신임 의용소방대원 기본 소양교육실시, 의용소방대장 및 대원의 임면권 일원화, 의용소방대원의 정예화, 여성의용소방대원의 활성화 등을 통한 의용소방대의 현 실태의 문제점을 분석하고 이에 대한 활성화 방안을 제시하고자 한다.

• 건축역사연구
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• 제3권1호
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• pp.161-172
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• 1994

This is part of a study on the origin of modernist forms and settings. Forms in Modern Architecture are totally new as though they seemed to be originated from some remote culture. Archaeological studies and Laugier's primitivist attitude to the classical architecture provided a way leading, in the end, to pure structures and abstract forms. An application of the classical elements was combined with the ultimate image of nobility, simplicity and rationality. What the seventeenth and eighteenth century theorists realized in the ruines of the classical structures were not the ones with their original organic vitality but the deteriorated, naked and abstracted ones. The essence of the classical structures has been the one of the main references of the modern white architecture. Ration and Nature were the quintessential terms in the design process of the Enlightenment architects of the late eighteenth and nineteenth centuries as they were in the twentieth century architecture. Pure geometric and symbolic forms were new inventions for the new revolutionary age after the development of architectural Styles, successive until Baroque and Roccoco, ceased to go on to the next phase. Many of their buildings appeared so modem in character, for they were omitted all but the essential structure and decoration. Other sides of rationality in the pre-modern age were evolved in terms of the paradigmatic research and the logic in structure. Durand developed a systematic typological approach to the forms. Geometry was the basis of his designs and his illustrations resembled endless simple geometrical problems. One of the other rational approaches was mainly developed by Viollet-le-Duc. To him, Gothic architecture was the model in which each members functioned actively and exerted counterpressure and the Middle Ages invented new fantastic forms. The several ways of rational approaches in architecture were led to the 'tabula rasa' planning in modern architecture. Nature was remained untouched and not deformed as Ledoux's houses in the $H{\hat{o}}tel$ de $Th{\acute{e}}lusson$ were setted on informal gardens. It is part of the modem image that Nature flows or interpenetrates through the white prisms of the strictest classical purity and machines.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2008년도 춘계 종합학술대회 논문집
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• pp.187-190
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• 2008

예로부터 중국에서는 Red Color를 선호하여왔으며, 이는 원시적인 태양숭배에 대한 고귀함, 순결함, 정직함, 흥망성쇠, 성공, 행복, 길함(吉), 경사로움 등의 상징으로 대대로 전해 내려온 것이다. 본 논문에서는 중국역사로부터 현대에 이르기까지 중국 포스터디자인에 표현되어진 전달대상에게 중국이라는 이미지를 강하게 나타나고 중국문화라는 것을 인식하게 되는 Red Color에 대한 분석이다. 20세기 중반부터 중국포스터에 나타난 Red Color는 당시 객관적인 영향으로 정치적 의미를 지닌 컬러로 변모 하였지만 오늘날에 와서는 글로벌화의 영향으로 다시금 중국 5000년의 문화를 대표하는 컬러로 재 표현되고 있음을 알 수 있다. 날로 발전하는 중국포스터디자인에서 Red Color가 세계인의 의식에 반영됨으로써 전달대상에게 중국이라는 이미지를 전달하는 매개체로 자리 잡고 있다. 이러한 Red Color에 대한 분석을 통하여 새로운 포스터디자인의 의미를 새기고자 한다.

• 대한전자공학회논문지TC
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• 제46권4호
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• pp.13-28
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• 2009

DTN(Delay/Disruption Tolerant Network)에서 라우팅 프로토콜은 전송 지연 및 성공적인 전달 확률의 성능을 개선하기 위해 중요하다. 이 논문에서 우리는 이동성 유형 기반의 라우팅(MPR ; Mobility Pattern based Routing)이라는 효과적인 DTN 라우팅 알고리즘을 제안하는데 이는 이동 노드의 이동성 유형에 근거해 복사되는 메시지의 수를 제어하게 된다. 또한, 우리는 인간 이동성 유형을 가장 잘 나타낼 수 있는 확산성이 매우 큰(super-diffusive) 성질을 가지는 실제적인 "Levy Walk" 이동성 유형을 고려하였다. 우리는 제안된 MPR 알고리즘과 Levy Walk 이동성 유형의 검증을 위해 ONE simulator를 이용한 DTN simulator를 구현하였다. 시뮬레이션 결과 이동성 유형이 DTN 라우팅 성능의 정확한 분석을 위해 매우 중요하다는 것과 제안한 MPR이 실제 이동성 유형 하에서 성공적인 전달 확률이나 전송 지연 측면에서 라우팅 성능을 향상시킴을 보였다.