• 영어영문학
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• 제58권6호
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• pp.1085-1101
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• 2012

This study, guided by Engeström's (1999, 2001) activity theory which owes its theoretical lineage to sociocultural theory, explores how roles (peer feedback givers and receivers) and tasks are distributed among EFL students who engage in peer response. More specifically, as an extension of previous research of focusing on "stances" ESL students adopt, I investigate whether different roles in peer response groups make a difference in the nature of peer response and identify what underlays the different roles in peer group interaction. In addition, I examine whether different roles to the peer response create tensions and contradictions in peer response and how these created conflicts lead to changes in peer response activity system. The data I wish to consider is first-person narratives elicited from two EFL college students. I use Won's and Choi's (both pseudonyms) stories as a heuristic, which is a method that allowing one to proceed fruitfully in finding information. Foregrounded in this study are the students' different roles in the same peer response activity. A division of labor exists between Won/Choi and their peers - the way tasks are divided up and the way roles are structured. Yet Won and Choi adopted rather divergent roles when participating in peer response activity and carried out qualitatively different peer response activities. It is obvious here that the distribution of their roles in carrying out this particular peer response is shaped by Won' and Choi's perception about the validity of their peers' responses.

• 한국정보과학회논문지:소프트웨어및응용
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• 제30권10호
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• pp.944-954
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• 2003

인터넷과 디지털 방송 둥의 확산으로 영화나 음악과 같은 시간 기반 컨텐츠(time-based contents)와 이를 이용할 수 있는 디지털 TV와 같은 새로운 정보기기가 급속하게 보급되고 있다. 이에 따라 시간 기반 컨텐츠를 위한 여러 가지 다양한 항해 지원 시스템이 개발되고 있으나 이에 대한 이론적인 연구나 실증적인 연구는 이루어지지 않고 있는 실정이다. 본 연구의 목적은 사용자가 시간 기반 컨텐츠를 항해하는 과정을 설명할 수 있는 이론적인 체계를 구축하고, 이에 따라 현재 제공되고 있는 시간 기반 항해 시스템의 유용성을 실증적으로 평가하는 것이다. 이를 위해서 본 연구에서는 인지과학 분야에서 발전되고 있는 에피소딕 인덱싱 이론을 기반으로 시간 기반 항해 과정을 설명하고자 하였으며, 이 이론에 따라서 서로 다른 역할을 할 것으로 기대되는 두 가지의 항해 지원 시스템으로 키 프레임(key frame)과 자동 되감기(auto-rewind)를 선정하고 그 유용성을 평가하기 위해서 두 차례에 걸친 실험을 수행하였다. 이 두 가지 시스템에 대한 유용성을 평가한 실험 결과, 시간기반 항해 지원 시스템은 사람들이 시간기반 컨텐츠를 항해하는데 도움이 된다는 것과 함께 채널 선택시 에피소딕 인덱싱에서 인출이 이루어지는 것으로 나타났으며, 이러한 효과는 컨텐츠의 장르 특성에 따라 달라지는 것으로 나타났다. 본 논문은 끝으로 이러한 연구 결과의 시사점 및 한계점을 제시하였다.

• 만화애니메이션 연구
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• 통권15호
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• pp.73-88
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• 2009

이 논문에서는 시각적으로 명암이 인간의 정서에 영향을 미친다는 그레이브스의 명암이론을 적용하여 "라이온 킹" 에서 사용된 명암의 유형을 분석하고 작품 내에서 시각적으로 표현된 명암이 내러티브에서 전개되는 정서의 흐름과 어떠한 관계를 맺고 있는지에 대한 유형을 분석하였다. 이를 통하여 명암이 시각이미지에 끼치는 영향과 더불어 정서적인 분위기 표현에 중요한 요소로 작용한다는 점을 규명하고자 하였다. 애니메이션에서는 실사 영화와는 달리 내러티브상에서 전개되는 캐릭터들의 정서적 변화에 따른 이미지 연출이 더욱 강조 된다. 이는 관객들의 감정이입을 강화시키는 중요한 수단이 된다.

• 한국생활과학회지
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• 제21권3호
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• pp.453-468
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• 2012

The number of Healthy Family Support Centers has dramatically increased during the past eight years since the Framework Act on Healthy Families was enacted. This phenomenal growth is largely credited to Certified Healthy Family Specialists (CHFSs). Despite their contributions, the job and working conditions of the CHFSs have rarely been explored from the insiders' perspective. In this study, we aim to delineate CHFSs' job and working conditions from their own narratives in order to improve an understanding of CHFSs' profession and work environment. We conducted in-depth interviews with nine CHFSs and a focus-group interview with five CHFSs. Our findings revealed that CHFSs took pride in their professions, internalized their professional mission of enhancing family strengths, and highlighted CHFSs' unique professional role in comparison to other human services professionals. In conclusion, CHFSs showed a strong professional identity consisting of rich professional knowledge, solid career goals, and integrated socio-political values. Contrary to the positive perception of the CHFSs' job, CHFSs expressed challenges in their working conditions in terms of small-scale organizations at local Healthy Family Support Centers, a heavy workload, hierarchical relationships with local government officers, and the unsatisfactory payroll and promotion system. This study contributes to a better understanding of CHFSs' job and their working conditions and provides insights on how to enhance professionalism among CHFSs and their work environment. As for policy implications, we suggest advancing qualifications for CHFSs, improving professional training programs for current CHFSs, and expanding small-scale organizations.

• 대한수학교육학회지:수학교육학연구
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• 제25권2호
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• pp.139-155
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• 2015

본 연구의 목적은 공동체의 맥락에서 일어나는 교사 학습을 관찰하는데 있다. 이를 위하여 공동체에서 교사가 노티스(주목) 하는 것의 종류와 공동체를 구성하게 한 파트너십의 역할에 관한 연구 문제를 제기하였다. 본 연구에서 관찰한 학습 공동체는 PRIME이라는 전문성 발달 프로젝트를 통해 대학과 학교간의 파트너십을 기반으로 생성된 팀들 가운데 하나로 세 명의 멘토교사와 세 명의 예비교사, 한 명의 대학에서 온 감독관이 참여하였다. 연구를 위하여 학교에서의 미팅은 오디오 녹음으로 자료화하고 관찰 노트와 인터뷰 등의 여러 자료를 내러티브 분석법을 이용하여 분석하였다. 연구 결과 참가자들은 학습 공동체에서의 활동을 통하여 교실 활동 상황을 포함한 교수 학습에 관한 활동과 자신들의 교수 학습에 관한 신념 등을 새롭게 노티스하게 되었다. 파트너십은 교사들 간의 관계를 강화하고 임무를 할당하며 다양한 공동체를 구성하는데 필수적인 역할을 하였다.

• International Journal of Advanced Culture Technology
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• 제5권4호
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• pp.31-37
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• 2017

This study was initiated with the aim of suggesting a further step in the program of literary therapy by revealing the mechanism by which the body heals through the discharge of neural network codes. Sentence is encoded as neural signals in our body as it is being read. If the neural networks in the human body are activated and created, the code in which the neural networks are encoded is a code composed of sentences. That is, Sentence is a code. And if the Sentence connects to the human body again and activates the human neural networks, it can be said that Sentence is encoded. At this time, the relation of "neural network codes = Sentence codes" is established. In other words, human narrative and literary narratives are the mediums that convey the same kinds of neural network codes. Cho Ji-Hoon's Poem "White Night" draws sadness through the path of loneliness in 1strophe. Through the Sentence of Loneliness, it activates neural network codes of sadness. 2strophe for the 'pure white snow' is the encoding of the Sentence. In 3strophe, the sentence for 'sadness' is encoded. This flow causes a healing mechanism in this Poem, because the neural network codes about the loneliness, sadness, and eyes of the human body are passed to the other. Here, the other is "White Night". In the future, it is expected that more effective healing results will be obtained if a literary therapy program on the encoding of the sentence of Cho Ji-Hoon's Poem is performed in the future.

• 문화기술의 융합
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• 제4권3호
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• pp.75-86
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• 2018

데스크톱 다큐멘터리는 카메라로 촬영하는 대신 인터넷 오픈 아카이브에서 검색하고 선택한 멀티미디어 콘텐츠를 재료로 컴퓨터 인터페이스 상에서 그것을 재조합하는 창작자의 멀티태스킹 과정 자체를 스크린 캡쳐 기술을 사용해 녹화하여 완성하는 새로운 다큐멘터리 양식이다. 본 논문에서는 뉴 미디어 환경에서 잠재적 아카이브를 데이터 베이스 내러티브로 전환하고, 영화적 미장센을 컴퓨터 미장인터페이스로 바꾸며, 의식의 흐름을 통한 큐레이션으로서의 창작 메커니즘을 통해 창작과 비평의 경계를 오가는 메타-시네마이자 뉴 미디어 아트의 실험적 시도로서, 주류 호러 영화의 새로운 혼성 장르적 시도로서, 극영화 창작의 새로운 방식으로서, 새로운 모큐멘터리적 시도로서, 그리고 창작과 비평의 경계를 오가는 비디오 에세이와 비평 영화의 새로운 양식으로서 2010년대를 기점으로 부상하고 있는 데스크톱 다큐멘터리의 개념과 유형 및 특성을 연구한다.

• 한국의상디자인학회지
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• 제14권3호
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• pp.147-160
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• 2012

The costumes as an expression system in film are inserted intentionally for a particular purpose. Costumes in film, namely the cinematic dress code, and that in reality are dissimilar in meaning structure. The costumes in film perform a role of a complicated eye-catcher in correlation with the other filmic factors. But the previous studies on the costumes in film are focused on the keywords 'fashion style', 'fashion trend', or 'PPL (product placement)'. In film studies, however, the costumes should be observed from the point of view as semiosis, not as fashion, in other words, from the angle of symbol, icon and index. And the meaning and the process of the communication, which that produce, should be pointed out. It could expose, that costumes play one of the key roles for the developing of narratives and the creating of characters in film. Therefore, this study's aim is to examine the semiosis of costumes in film and to analyse the dress code, dress plot, and dress message in (1990) by Garry Marshall. But this work does not try to indicate the problems of the film-semiotics or to intensify the concept of the semiotic terminology. Thus, this study attempts to approach the theme of costumes in film from the perspective of the semiosis and its meaning process. With this, it has been proved, that semiotic systems are in hiding beyond the conventional forms of cinematic costumes and its natural harmony with characters.

• 복식
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• 제61권1호
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• pp.69-83
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• 2011

This study applied cartoon-like simple and implicit symbol of Keith Haring works to tubular jacquard knit, designed woman casual knit wear with fun, explicit and activities using fluorescent yarns with explicit features. This study aimed to propose the directions for new market pioneering that meets the emotional requirements of modern people by raising the level of utilization and expression area of knit fashion, and to present the constructive directions for high value-added knit wear by designing highly effective knit wear. Methods of this study examined the lifetime and artistic background of Keith Haring and collected his works through searching of internet, scholastic publications or thesis. Formative types and colors of works collected were analyzed and classified according to characteristic standards of Haring and characteristic formativeness and color of works were extracted. The result of this study is as shown below: First, the feature of his works can be summarized into motif that has symbolic and implicit cartoon-like lines including narratives as well as enormous number of works. Such feature is very suitable for variation and recombination in realization of design and has unlimited potentials for development. Second, image colors can be extracted such as black and white, original color and fluorescent paints, which reflects the intention of artist who put focus on communication with the public. Such color feature is very suitable for design motif that has explicitness of reflecting the intention of artist through use of special fluorescent yarn. Third, I made it as reversible wear that has effects of increasing or decreasing the explicitness according to color area ratio using the feature of textures allowing use of both sides as well as form stability of tubular jacquard. Fourth, by adjusting the thickness of fabric with controlling of ply in fabric using poly yarn and wool union yarn, I could obtain good results of study in terms of technique that can express various materials with embossed dynamic effects of unevenness on flat surface.

• 종양간호연구
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• 제12권2호
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• pp.186-193
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• 2012

Purpose: The purpose of this narrative study was to understand how family caregivers interpreted themselves life during caring for dying patients with gliobalstoma, and how they integrated these experiences into their personal biographies. Methods: Three family caregivers were recruited for the study. Data were collected through a series of audio-taped unstructured interviews and conversations with participants. The interviews and observation were conducted between October and November, 2011. Data were analyzed using psychosocial analytical methods that combined case based, in-depth staged analysis of narratives. Results: The life experiences of the family caregivers with a dying family member were summarized as, in their own voices, 'the repetition of gliobalstoma,' 'a smart patient,' 'being obsessed with rehabilitation treatment,' 'the frustration from nothing but just looking at the suffering of the patient,' and 'a stubborn son'. Conclusion: Caregiving was characterised by various roles and life changes from the moment of diagnosis. Family caregivers of brain tumor reported experiences similar to those described by caregivers of people with other cancers. What differed for this group was the rapidity of change and the need for immediate information and support to assist with caring for a person with high-grade glioma.