• 한국의류산업학회지
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• 제14권5호
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• pp.739-748
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• 2012

Modern people gratify their self-satisfaction to express their distinctive image and symbolic significance through various and sensible direction. The image that is formed by each factor of coordination and harmony of aesthetic characteristic has emphasized its importance in modern society. And also, the item which is conflated by the wearer's feeling figures the image and it takes a role that lifts the degree of fashion's completion. For the rapid change of fashion trend in modern society, the role of Jewelry has been emphasized. Even though the shape of Jewelry is tiny, but it has risen as one of the fashion items which could be used for various application. Especially, the Brooches are mainly put on her's top where they hold someone's eyes, so it could be regard as Artwork which assists for wearer's distinctive style and lingering impression. Overviews of Researches Trend in Brooch, they have been concerned about Brooch Design, Internal state of the Accessory in clothes and Accessory Design which is expressed in Fashion. But, the study on the relations between Clothes and Brooch is insufficient. So, in this paper, first of all we arrange the terms according to characteristic of Brooch, and then study empirically for the relations between Clothes and Shape of Brooch, Colors of Brooch, Materials of Brooch in Fashion Collection in order to study for the new physical beauty that is expressed by interaction between Clothes and Brooch.

• 패션비즈니스
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• 제28권2호
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• pp.50-63
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• 2024

Chinese traditional wedding dress is a unique cultural symbol. It had a deep historical background as it went through different productions in each dynasty. However, with the introduction of Western ideas, an increasing number of people are wearing Western-style wedding dresses when they are getting married. Recently, traditional Chinese culture has been increasingly valued. Demand for traditional Chinese wedding dresses among modern Chinese people is increasing. Following this trend, Chinese designer Guo Pei(1967~) is actively innovating elements of traditional Chinese wedding dresses. This study aimed to analyze changes in traditional wedding dress styles by dynasty in China from 1046 B.C. to 1911 A.D. based on museum data and previous research. Changes in traditional wedding dress styles by Chinese dynasty were analyzed and organized. The meaning of wedding dress patterns was analyzed by type using traditional Chinese patterns. This study focused on Guo Pei's 2012 "Chinese bride" series and "Legend of the dragon" series. Starting from the development and characteristics of traditional Chinese wedding dresses, this study analyzed fashion characteristics of Guo Pei's wedding dress series. Goals of this study were to preserve the essence of traditional Chinese wedding dresses; and to determine how to apply the fusion of traditional Chinese design elements into fashion and modern design to wedding dresses.

• 한국콘텐츠학회논문지
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• 제7권9호
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• pp.62-71
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• 2007

인류는 생존과 더불어 먹는 것 다음으로 아름다움에 대한 욕망의 표출로 신체장식을 하기 시작하였다. 이러한 장식은 수치심이나 추위, 더위 등 외부로부터 신체를 보호하기 위한 의복보다 먼저 시작되었으리라 추정된다. 이는 장식 유물이 복식사에 앞서 출토되고 있기 때문이다. 일예로 현대문명의 혜택을 전혀 받지 못하는 오지의 원주민의 경우, 의복이나 도구의 본능적 기능보다 장식이 화려한 경우를 볼 수 있다. 이러한 장신구의 역사는 원시시대의 동물의 이빨 등의 사냥물에서부터 현대의 신소재에 이르기까지 다양하게 발전되어 왔다. 본 논문은 한국장신구의 시대적, 재료적 자료를 통하여 장신구 문화콘텐츠를 연구함으로써 문화유산을 통한 문화상품을 개발하고 발전시키는 과정으로 장신구 콘텐츠개발에 기여하리라 본다.

• 한국콘텐츠학회논문지
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• 제11권4호
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• pp.186-195
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• 2011

예로부터 우리나라는 정교한 금속공예기술을 바탕으로 아름다운 여성 장신구를 제작, 착용해왔다. 이러한 장신구 중 특히 조선시대의 장신구는 실용성과 장식성 그리고 사회적 상징성 등을 동시에 지니고 있어 한국문화의 고유성을 표출할 수 있는 대표적 문화원형 중 하나라 할 수 있다. 그 가운데 본 논문의 연구대상인 된 영친왕비 장신구는 개화기 이후, 조선 말기의 유물이지만 궁중의식용으로 제작된 것이기 때문에 조선시대에 엄격히 지켜진 궁중복식 정례(定例)에 따라 전통적 형태나 기준에 맞추어 제작되었을 것으로 추정되며 그 종류의 다양성과 원형에 가까운 보존상태, 국말 상의원 소속 장인들에 의해 만들어진 점 등에 있어서도 예술성 뿐 아니라 궁중 양식과 그 체제 등에 대한 연구에 있어 귀중한 자료가 된다. 따라서 본 연구에서는 조선 말기 영친왕비가 사용한 장신구 가운데 조형적 가치가 있는 수식 11점을 선정하여 연구하고, 그 형태와 문양을 디지털 콘텐츠화하여 전통문화 원형을 보존하고 사회적 활용방안을 추구하고자 한다. 또한 전통여성장신구에 대한 고찰을 통해 문양 자료를 제시함으로써 문화산업과 현대장신구 디자인 에 활용할 수 있는 가능성을 제시하고자 한다.

• 복식문화연구
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• 제19권2호
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• pp.389-401
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• 2011

Jewelry is not only symbolic meaning of the fortune, but also it completes or redound to fashion style and its image in this modern times which diverse culture live together. The instinct for adornment which is long as human cultures is developed as Artwork genuinely to show effective self-expression that is aesthetic and distinguished. It would be from that it made by using metallic materials. In contemporary fashion, jewelry takes so much importance that it sets the trend. They carry a sensible message that expresses esthetic desire and originality. Among the so many kinds of jewelry, especially the necklace is located beneath the face and linked as a part of fashion, so it frequently has showed in Fashion Collection, We tend to study the effect of that the form, hue and character of materials of necklace that is expressed in fashion collection influence fashion image. The method of this study is comprised with precedent studies and analysis of necklace photos in fashion collection. For the analysis of data, we implement content analysis and statistical analysis using SPAW Statistics 18. As the result, fashion and jewelry effect interactively and share esthetic forms, in the view of total image necklace image is more strong than fashion image. Because the hue and the form of necklace take a great role to make fashion image with the sense of its eyesight, its effective coordination go up the delicate feelings of the fashion. So, it is very effective things that we predict the trend of fashion, then, coordinate with well-matched necklace.

• The International Journal of Costume Culture
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• 제8권2호
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• pp.71-84
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• 2005

Fibulae have been used as clothing fasteners throughout history. They were especially popular with the Celts, but were also used by the Greeks, Romans, Saxons, and Vikings, to name a few. The earliest examples are found in the Mediterranean and Middle East, and date from 800 B. C. and earlier. Their use continues today, in the form of the modern safety pin. The first fibulae of the Bronze Age were very simple, much like modern safety pins. The form of this small functional object varies from simple to extravagant since it is also seen as a piece of jewelry, and is thus subject to the evolution of style. Its size depends on the thick/Jess of the clothing to be attached. Its fabrication demonstrates a great mastery of metal work. Fibulae would vary with the taste and wealth of the wearer. The Fibulae were divided into 10 styles according to the shape, Fibulae with Safety pin shaped style, Penannular shaped style, Animal shaped style, Diamond shaped style, Radiated head shaped style, Horsefly shaped style, Arched bow shaped style, Fan-shaped style, Trumpet shaped style, Arched-fan shaped style.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2010년도 춘계 종합학술대회 논문집
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• pp.483-484
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• 2010

장신구라 함은 신변 장식품으로서 태초 인간의 장식본능에 의해 시작되었다. 조선시대 여성수식장신구는 화려한 구성미와 풍부한 상징성을 지니고 있어 우리 문화원형의 콘텐츠화에 충분한 연구대상이다. 전통장신구는 공예미의 결정체로서 뛰어난 조형성과 기능성은 창의력과 상상력의 근원이다. 보존이 유한한 전통장신구를 디지털화하여 영구보존하고 뛰어난 조형요소의 원형을 개발하여 문화산업활용에 공급하고자 한다. 또한 전통장신구를 현대적 시각에서 재해석하여 교육적 근거를 마련하고자 한다. 이에 본 연구자는 여성수식장신구의 분류 및 기법, 소재, 상징적 의미, 등을 디지털 이미지로 개발하여 콘텐츠화 하는 방안을 제시하고자 한다.

• 복식문화연구
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• 제11권5호
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• pp.737-752
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• 2003

The purpose of this study is to understand the medieval culture and medieval religious costume by analysing and grasping the formative characteristics of image of medieval religious costume in the modern fashion that were represented to the modern fashion, and also to offer materials to predict the history of fashion in the future by considering the progress of modern fashion and recognizing the fashion to be progress. To examine the image of medieval religious costume in the modern fashion, this thesis divided it into avant-garde image, symbolic image, and mysterious image. These can be summarized as follows. First, in avant-garde image, the harmony between characteristic eroticism and heterogeneous materials are expressed and the formative change of religious costume into general costume are expressed. Second, in symbolic image, the symbolic meanings of the medieval clergy man's costume is expressed in modem fashion while its religious meanings and senses are expressed with symbolic image. Third, in mysterious image, the abundant and profound lights and colors express the mysterious senses of the costume and sanctity applied with mosaic painting and stained glass techniques, utilizing the splendor jewelry, spangle and materials, and most of its image reflects exotic and embellish tendency. As a result, this thesis could be described as follows; Previous religious costume of clergy man was used as a mediator between general devotee and God in ceremony, and it was worn by the general devotee to express devotion. This religious costume was utilized in modem fashion, and it gave the avant-garde image and symbolic image of religion. In addition to it, mysterious image was expressed with exotic and embellish tendency.

• 디지털융복합연구
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• 제16권4호
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• pp.335-342
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• 2018

현대사회에서 주얼리케이스의 역할은 단순히 내용물의 수납, 보관하는 역할만 수행하는 것에 있다고는 생각하지 않는다. 상황과 환경에 따라 내용물과 함께 특별한 퍼포먼스를 보여주기도 하는데 이런 결과를 얻기에 현재 통용되는 주얼리케이스는 조금 부족한 면이 있다. 이에 새로운 형식의 케이스 디자인을 생각하게 되었고 그 시작점을 현대사회의 주류를 이루는 문화콘텐츠 찾고자 했는데 그 기반이라 할 수 있는 문화원형을 활용, 주얼리케이스를 디자인하고자 했다. 특히 수많은 문화원형중 '이야기'를 주목하였고 그중 케이스와 이미지를 공유할 수 있으며 대중적인 인지도까지 있는 고전문학 '흥부전'을 채택, 디자인 프로세스를 진행한 후 도면과 3D렌더링 후 실제 동작이 가능한 샘플까지 제작하고자 했으며 이러한 문화콘텐츠 융합된 디자인연구는 창의적이면서도 대중적인 관심을 동시에 가질 수 있기에 향후 현대공예의 또 다른 발전방향이 될 수 있음을 확인할 수 있었다.

• 패션비즈니스
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• 제9권4호
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• pp.30-43
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• 2005

The purpose of this study is to examine the ladylike style of Grace Kelly focusing on her costume design of 1950s movie and star image, and to understand how she became a fashion icon today. Her city elegant look was usually composed of A line or H line suits and dresses, pearl jewelry, gloves, handbags and her classic ladylike attitude. Kelly's luxury casual look epitomized a relaxed elegance based on the American sporting image including the Hermes "Kelly" bag. Her sexual elegant look showed the combination of freshness, ladylike virtue and underlying sex appeal. Her self-confident, ladylike style appeals to modern fashionable women who likes to be elegant but also sexy.