• 복식문화연구
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• 제17권1호
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• pp.132-148
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• 2009

The objective of this article is to examine the possibility of 'story-telling' as united concept of causality and subjectivity through sequence combination, and the 'similarity' between object and image in fashion photographs making diversity of meanings. To analyze and investigate the research, as evidential data this paper used the photos of Steven Meisel from 2002 till 2007 Vogue published in Korea, U.S, and Italy, as well as other visual data like graphic collections, catalogs, art-related data and internet data. This research runs both theoretical and positive investigations to suggest the function of story-telling in the Process of opened-communicative roles of fashion photos. Thus this paper investigated Steven Meisel's storytelling in his fashion photos; short moment of event, continuity of time, compound of sequence, and complexity of viewpoint. This paper also studied the aesthetic characteristics of Steven Meisel's fashion photos as categories of overlapped meaning, arbitrariness of interpretation, exclusivity of message, and decoding. The research result suggests that clothing not only includes current age's value but also among social constitutions it includes multilateral characteristics. Ultimately this paper is also making meaning alive by cutting off the chain of 'firm' meanings of fashion photo. That seems like opening the opportunity for correctly understanding fashion's meaning which has the aspects of ambivalence of changing meanings and values by the motivation of context and text.

• 건축역사연구
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• 제11권1호
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• pp.49-64
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• 2002

The recently published papers and essays regarding 'tectonic' bring us to rumination of its importance on comprehending modern architectural process. Many architectural theorists may seem to seek the substance of architecture through the discussion of 'tectonic' for the purpose of overcoming the dilemma of representation which can be easily found in modern architectural forms. Their emphasizing on its double-faced aspect as the manner of representation, that is semantic and aesthetic, may imply the significance of philosophical approach especially to the recent architectural phenomena. From this point, it ought to be meaningful to manifest etymological connection between the terms with semantic analysis and interpret the substance and ontological meaning of 'tectonic' referring Martin Heidegger's existential philosophy. Besides the works of Carlo Scarpa, that are known as the art of making, are exampled to prove the way how the ontological meaning of practical act is exposed on an artwork. The idea of 'tectonic' connotes not only technological aspect as construction of form and space, but also ontological aspect as joint or detail, that is the result of logos. The 'tectonic' means etymologically 'joint' having double-meaning structure, technology and aesthetics. It means 'detail' as minimum units of architectural form and as sites where making relationship or connection takes place in the way of ontological apprehension. The 'detail' as the place of innovation and invention implies the culture of an area, and expresses craftsmanship, which modem architecture buries in oblivion. This study aims to deviate from the aesthetical commercialization in which the modern architecture tends to fall, and further, propose the possible way to succeed traditional locality in an epistemological point of view.

• 한국의류학회지
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• 제40권1호
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• pp.56-68
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• 2016

Popular culture has symbolic meaning and has been constructed through different mass media. Newspapers played a significant role in 1950s and 1960s public culture. In particular, editorial cartoons in newspapers expressed social aspects of the age implicitly through satire and criticism. This study examines delivered culture by reflecting the past social aspects and inquiring on clothing featured in the editorial cartoon "Gobau". As for a research method, literature research was conducted on clothing of the age with a review of "Gobau". As for a research range, examination was done based on the complete works of Gobau composed of 5 volumes published as a first edition by Hankookmunhwasa on November, 1973. Early "Gobau" cartoons from 1951-1963 were published in 5 volumes; therefore, research was conducted for the era from 1950s to the early 1960s. Clothing expressed in "Gobau" were reviewed, classified into formative characteristics and internal meaning. Internal meaning was examined by dividing into the expression of social aspects and criticism of society. The research findings are as follows. First, clothing in "Gobau" reflected characteristic in direct manner. There was a coexistence of Hanbok and western-styled, clear distinction between men's trousers and women's skirt. Besides, various kinds of women's western-styled dress appeared in the 1960s. Second, they showed the dress culture that reflected past social aspects. Many aspects were included to reconstruct old and worn clothes due to scarce resources after the Korean War, and cherishing clothes, buying fabric directly to making clothes, making clothes from dressmaking shop, and restrictions on imported goods and luxury items. Third, the study also examined the social norms for fashion. It contained negative perspectives on women wearing pants, short skirts, and new hair styles (like perms) from western culture as well as lipstick.

• 한국심리학회지 : 문화 및 사회문제
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• 제20권4호
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• pp.365-389
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• 2014

본 연구는 역경으로서의 재수를 한 대학생이 그 경험을 어떻게 인식하고 있는지를 알아보았다. Lee와 Jung(2014)의 연구에 참가한 재수경험이 있는 대학생 중에서 대학 만족 수준(더 만족/덜 만족), 재수 경험에 대한 긍정적 인식 수준(더 긍정/덜 긍정)의 4개 유형에서 각 3명씩 총 12명의 참여자를 선정하여 현상학적 질적 연구를 진행하였다. 그 결과, 재수경험에 대한 7개의 구성요소와 19개의 하위구성요소가 도출되었으며 이를 세 가지 시간적 맥락에 따라 범주화하였다. 재수경험에 대한 인식이 각 관점에 따라 달랐는데, 첫 번째는 재수과정에 대한 실천적 관점으로서, 재수는 '한계와 고통을 주지만 목표를 위해 이겨내야 하는 것'을 의미했다. 두 번째는 재수의 결과에 대한 평가적 관점으로서, 재수는 '나를 발전시키지만 보이지 않는 상처를 남기는 것'을 의미했다. 세 번째는 앞의 두 관점에서의 긍정적 또는 부정적 영향에 대해 전체적인 의미를 부여하는 의미적 관점으로서, 재수경험이 '내 삶을 있는 그대로 받아들이게 해준 것'을 의미했다. 이러한 결과를 토대로 연구의 의의와 제한점 및 추후연구에 대한 방향을 제시하였다.

• 산업경영시스템학회지
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• 제20권44호
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• pp.217-227
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• 1997

There are six perspectives of fit in strategy research, each implying distinct theoretical meaning and requiring the use of specific analytical schemes. But there is a few literature of the perspective in the discipline of Organizational Decision-Making and DSS. This study is a prior research which objective is to investigate the perspective of fit emprically in the discipline. The data were collected throughout the sampled business firms with premade questionaire and analysis were conducted with correlation analysis, regression, ANOVA and so forth. The research finding is that both predictors, one of which can be the moderator, influence the performance, and that the joint-effect of them influence the performance. Thus,'Fit as Moderation' would be suggested to be a proper model for the research in the discipline of Organizational Decision-Making and Decision Support Systems.

• 대한수학교육학회지:학교수학
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• 제9권1호
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• pp.13-28
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• 2007

학생들이 분수 나눗셈을 이해하기 어려워하는 이유 중 하나는 분수 나눗셈의 구체화가 어렵고 불충분하기 때문이다. 측정 맥락과 분할 맥락의 구체화에 비해 곱과 인수 맥락에서의 구체화는 상대적으로 부족한 실정이다. 이 연구에서는 카테시안 곱의 역 맥락에서 분수 나눗셈 알고리즘을 구체화하였다. 카테시안 곱의 역 맥락에서 이루어져 있는 기존의 분수 나눗셈 구체화의 한계를 논의하고, 세로의 길이를 고정하고 가로의 길이를 1 또는 자연수로 만드는 방법과 넓이가 1인 직사각형을 이용하는 방법으로 분수 나눗셈을 제시하였다. 이와 같은 방법은 제수의 역수의 의미, 제수를 1로 만드는 것의 중요성, 기존 학습 내용과의 연결성, 다양한 접근 가능성 면에서 장점이 있다. 이와 같은 장점을 살려 카테시안 곱의 역 맥락에서 분수 나눗셈 알고리즘을 도입하는 것을 고려할 수 있다.

• 한국노년학
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• 제30권3호
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• pp.1005-1020
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• 2010

본 연구의 목적은 한국 노인 부양가족들이 자신의 부모님을 요양원에 입소시켜야 하는 입장에서, 요양원 입소 전 후 경험하게 되는 오명의 내면세계를 사회문화적 관점에서 확인, 기술 및 이해를 돕고자 하는 것이다. 정보제공자는 가족 내에서의 부양의 어려움으로 요양원에 입소한 노인의 주부양자 가족 총 12명으로 자발적 참여와 동의서 작성으로 선정되었으며, 참여관찰 및 심층면담을 통해 자료를 수집하였다. 자료의 분석은 Spradley의 분류분석 방법을 이용하였다. 연구결과 4개의 문화적 영역과 8개의 범주, 24개의 속성이 도출되었다. 본 연구결과 문화적 중심주제는 <자신의 무능력: 불가피한 현실 적응, 경제적 독립의 어려움, 주체적 자기주장의 어려움>으로 확인되었으며, 기타 문화적 영역은 <모순된 자기인식: 마음과 다른 행동, 가족 간 인식차이>, <의사결정의 자기합리화: 의사결정의 자기위로>, <책임전가: 가족요구와 차이나는 서비스, 관계책임기관의 무성의>로 나타났다. 요양원 입소노인 가족의 오명에 대한 이론적 모형은 노인부양의 과업을 성취하는 과정에서 자신의 무능력으로 인해 지속적으로 모순된 자기인식을 나타내고 의사결정을 자기합리화 시키며 책임전가를 하는 순환적 체계의 사고원형으로 표출되고 있음을 확인할 수 있었다. 이러한 결과를 바탕으로 요양원 입소 노인가족의 오명의 의미를 논의하고 후속 연구를 위한 제언을 제시하였다.

• 의료법학
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• 제11권2호
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• pp.11-74
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• 2010

This article analyzes legal meaning and definition of medical practice examining Korean Supreme Court cases. Until now, there is no right answer about the meaning of medical practice and it is also hard to define of it. Moreover, not only Acts and regulations containing medical practice but also many cases ruling a person who practice medicine, the concept of medical practice involves various meanings. So, it has caused confusion. In order to solve this problem, this article divides the medical practice's meaning into range and nature within prohibition article of the Medical Act about unlicensed personnel who practice medicine. After providing a explanation of the meaning of medical practice according to amendment of the Act, this article disputes the meanings of the several cases following the amendment. And then analyzing non-medical person's unlicensed medical practice and medical person's unlicensed medical practice. In order to provide more accurate legal concept of medical practice when Korean government amends the Medical Act or making policies in this field, this classifying analysis approach should be needed. Looking at the result, in general, Korean Supreme Court has interpreted unlicensed prohibition clause of the Medical Act widely; not only non-medical person's unlicensed medical practice but also medical person's unlicensed medical practice. Therefore, this article suggests that the prohibition clause needs to be careful applying to non-medical practice. Because, in fact, even though there are some necessity of non-medical practice, there are no qualificatory or license system of non-medical practitioner in the Medical Acts or regulations forbidding whole non-medical practices. Furthermore, the Supreme Court has decided medical person's unlicensed medical practice too narrowly, thus it does not keep up with rapid change of medical development and people's demands these days. Regarding this subject, in order to take advantage of medical practitioners effectively and cope with increasing people's medical demands, this article proposes that medical person's unlicensed medical practice only to be prohibited in case of endangering our public health.

• 한국가정과학회지
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• 제6권1호
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• pp.35-44
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• 2003

In Anthropology, ceremonies which human should pass in lives are difined as ‘Rites of Passage’. Each Rite has its own Clothing style, which is little different from general Clothing in shape, composition, color, meaning, etc. This Study shows composition and characters on Birth Ceremony Clothing through Documents and Survey around Chonnam Area. Survey Area is subdivided into 3 parts : Koksung(A Basin of Sumjin River-Eastern Area of Chonnam), Na-ju( A Basin of Yeongsan River-Western Area of Chonnam), and Kangjin(Southern Area of Chonnam). This Study analyses characters on Baenaet Jogori, 100th-day Clothing and First-birthday Clothing in Chonnam Area. In case of Baenaet Jogori, its shape in Survey is similiar to that of documents. In case of 100th-day Clothing, New Jogori and Baji have been made usually. First-Birthday(called “Dol”) Clothing shows difference between male and female infant. Male clothing consists of Pungcha Baji, Jokki, Magoja, Doltti while Female clothing consists of Pungcha Baji, Chima, Jumoni, and Doltti. In making of infant Clothing, 5-colors(Blue. Red, Yellow, White, Black) which consists of basic color in the Theory of the cosmic dual forces and Shape of Letters such as 壽ㆍ福ㆍ亞ㆍ卍 are used usually. This kind of colors and Shape of letters symbolize longevity and fortune. As a result of study, I find what Ritual Clothing in Birth has many symbolic meaning which reflects life-style culture. This study lay meaning on that deals infant clothings as a kind of Ritual Clothing.

• 한국가구학회지
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• 제20권4호
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• pp.290-306
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• 2009

This article aimed at broadening the view on 'the concept of function' in furniture design. In this context, we argued that the established concept of furniture function has confined itself to the rational perspective, so that the emotional action and influence of furniture hardly regarded as an important issue in furniture design, and this has been a hinderance to multidirectional discussions on the meaning of furniture in our life. Starting from the investigation on the basis that forms the different dimensions of our experience of furniture, we clarified that we should view the meaning of furniture within a wider sphere where the actions of furniture on our perceptional, behavioral, and emotional levels are inclusively considered. In this light, 'emotional function' of furniture was defined as a concept that explains a multidimensional action of furniture, which leads creative aesthetic experience which enrich the interplays between designer, furniture, and user. The feasibility of the concept has been examined by an analysis on the characteristics of contemporary Art Furniture, which is experimental approaches towards various aesthetic values of art and design. In order to realize emotional function of furniture, furniture should become an experiment for the new perception and emotion; invite more of the user's interplay and action in the meaning-making process; and arouse emotional echoes and reflections within user's mind.