• 한국작물학회지
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• 제27권4호
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• pp.470-479
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• 1982

Researches on industrial crops in Korea before 1962 were concentrated on fiber crops such as cotton, kenaf, hemp, ramie and flax. Then research works on oil crops, sugar crops and other high income crops were followed. However, no land is shared for the production of kenaf, flax, sugar beet, sweet sorghum and sunflower at present in Korea, while the cultivation of cotton, hemp, ramie and mat rush is decreasing continuously to the marginal point. At present researches are emphasized on oil crops such as seasame, peanut and perilla and high income medicinal herbs of which cultivating acreages are increasing. Numerous varieties were released as a result of active breeding works on industrial crops since 1962, i.e. 3 sesame varieties including "Suweon 21", 3 peanut varieties including "Seoduntangkong", and 6 rape varieties including "Yudal" in oil crops, one cotton variety "Mokpo 7", one hemp variety "MS4-1", and one kenaf variety "Suweon 2" in fiber crops, and two stevia varieties "Suweon 2" and "Suweon II" in sugar crops. Quality improvement of rape seeds and development of hybrid rapes utilizing male sterile lines are the most significant results of breeding works, while the establishment of vinyl mulching cultivation of sesame and peanut are the most successful results in agronomic researches during the last 20 years.re the most successful results in agronomic researches during the last 20 years.

• 대한가정학회지
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• 제44권4호
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• pp.1-9
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• 2006

This study examines the esthetic characteristics in the haute couture work of Jean Paul Gaultier, who represents the fashion in France and is famous for avant-garde and experimental works through dismantling, from the first haute couture collection in 1997 to the present. The materials for the study are the precedent studies, the related literature, and the photographs of the works and the interview articles in domestic and international fashion journals. Three characteristics are revealed in his works. First of all, he provided a transcendental fashion different from the established wearing or ornamental ways by dismantling the dichotomies between male and female, time and space, and beauty and ugliness. Second, he reflected the decadent beauty recognized as representing women's sexual and provocative expression based on exposure, suppression, perversion, and grotesque manifestations by shaping an esthetic value within a different point of view. Finally, he was characterized as being transcendental with an eclectic fusion of intercultural differences or dynamics, items in costume formation, time and space, and eastern and western. This transcendental expression, Gaultier's desire for creativeness, can be an ideal characterizing this era.

• 복식
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• 제52권2호
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• pp.19-30
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• 2002

This is the research of Abject Art which was originated aesthetically in Abjection Theory of Julia Kristeva, a french psycho-analyst who argued liberational discussions about feminine identity against patricentric ideology which had fastened existing beautiful and elegant oedipal-feminine image and femininity as the secondary sex or the other's sex. and which became known by the planning display at whitney Museum of American in 1993. In Julia Kristeva's Abjection Theory which was written in her book(Power of Horror : An Assay on Abjection, 1992), she named pre-oedipal stage in which there is no sexual difference and has the same significance to both sexes instead of the oedipal stage which is becoming male-supreme reality as the semiotic and reinterpreted that an infant disregards feminine body--mother's body (Julia Kristeva, named it as Chora) as the love and the pain which carries her baby in herself and creates the baby which belonged to herself--which belongs to the semiotic to enter the symbolic smoothly. So the Abjection art is partly consist of some works which express the concertion of the boundary rebated with infant Identity which is not yet the other perfectly nor the subject perfectly, and of some works called Excretory Arts which express the excretion and vomiting which is the original experience of the abject. I expect that this research can be the chance of breaking from the fastened identity which was granted on female and feminine costume in this masculine-view centric society and creating the new position of costume and dress in the field of art by analyzing the costumes especially among these works.

• 대한인간공학회지
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• 제36권3호
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• pp.245-254
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• 2017

Objective: This study aims to investigate the effects of organizational support, risk perception and job satisfaction on safety consciousness in confined space works. Background: Confined space works are rated as hazardous works with high injury frequency and fatalities. But there were few researches for the occupational injury of the confined space workers. Method: Questionnaire survey targeting 236 workers working in confined spaces were carried out to construct the structural equation model on safety consciousness. The participants were all male workers, and they install and maintain or clean facilities mainly in the confined spaces. Results: A structural equation model for safety consciousness was proposed, and validated based on perceived organizational support, risk perception and job satisfaction factors. Perceived 'organizational support' contributed significantly to 'worker's safety consciousness' both directly and indirectly. Also, perceived 'worker's safety consciousness' was also affected by perceived 'job satisfaction' and 'risk perception'. In terms of magnitude of relationships, the direct effect of perceived 'job satisfaction' on 'worker's safety consciousness' was the greatest among the interrelationships among latent factors. Conclusion: Workers' safety consciousness can function as a leading indicator for safety and hazard prevention of workers. Application: The results can be used in developing safety prevention programs for confined space workers.

• 미술이론과 현장
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• 제10호
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• pp.63-84
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• 2010

This essay examines how the figure of Liberty has been refashioned in the streets of post-apartheid South Africa, addressing three public art works installed in Johannesburg over the past decade: Reshada Crouse's oil painting Passive Resistance, Marlene Dumas' tapestry The Benefit of the Doubt and William Kentridge's and Gerhard Marx's sculpture Firewalker. Even as these monumental works all reprise Delacroix's Liberty on the Barricades-an icon of the city street and its revolutionary barricades-so too this trio of Liberties have become mere phantoms of their vaunted archetype. Haunted specters, they quarrel with the mythologized chimera of Liberty, taking issue with the fraught tradition of pinning regime change onto the body of the female nude. Drawing instead on South African histories of women's resistance, in which female nudity has been repeatedly marshaled as a form of dissent, the Liberties circling Johannesburg hybridize their European template with local traditions of female political opposition to colonial and postcolonial male authority.

• 대중서사연구
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• 제26권3호
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• pp.161-188
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• 2020

이 논문은 현대소설사 연구에서 잊힌 작가 곽하신의 소설세계의 전체 면모를 복원, 분석함으로써 문학사의 외연을 확장하고자 한다. 이를 위해 곽하신 작품세계의 단절 내지 비연속성에 주목하여 식민지기와 전후로 시기를 크게 분절하고, 각 시기 작품세계의 특징을 로컬(식민 시기), 룸펜(전후), 경제적 인간(전후 일부 단편, 장편대중소설)이라는 세 좌표를 중심으로 분석하고자 한다. 2장 '로컬-『문장』지의 세계관'에서는 30년대 후반 『문장』지에 집중 발표된 곽하신의 소설이 사라져가는 것들에 대한 비애, 전근대적인 시간의식, 로컬-향토에 대한 지향성을 뚜렷하게 드러냈다는 점에서 일제 말기 문학의 한 흐름인 반(反)근대의 미의식을 구현하였다고 평가하였다. 3장 '룸펜-전후 남성(성)의 형성(1)'과 4장 '만인에 대한 만인의 투쟁 상태, 경제적 인물의 등장-전후 남성(성)의 형성(2)'에서는 50년대 말 전쟁이라는 비상시국을 경유해 전후 저개발 자본주의 국가에 진입한 한국사회의 현실이 한편으로는 룸펜, 루저 남성으로, 다른 한편으로는 공리주의나 승자독식의 세계관을 체현한 남성이라는 대조적인 남성-젠더의 출현으로 형상화 된다고 파악했다. 50년대 말 '룸펜' 소설들은 한국 경제의 문제점을 허약한 남성(성)을 통해 보여주었다. 남성-젠더/지식인은 삶의 토대가 마련되지 못 한 전후 현실에서 자신의 무능력과 불안을 여성/아내에게 투사하거나 도덕이나 친밀성보다 생존을 도모하는 길을 취한다. 특히 4장에서 분석한 대중소설 <여인의 노래>, <무화과(無花果) 그늘>에는 입신출세를 위해 동료를 배신하거나, 음모를 꾸미거나, 연애관계를 이용하여 여성의 성을 착취하는 성취지향적인 남성인물, 만인에 대한 만인의 투쟁 상태를 체현한 경제적 인간들이 등장한다. 자신이 살아남기 위해서 남을 밟고 일어서야 하는 약육강식의 경제적 인간이 전후 남성 젠더로 구축되는 과정을 선악의 대립이라는 대중소설의 형식을 빌려 보여주는 것이다. 지금까지 살펴본 바와 같이 곽하신은 식민 시기 한국어로 글쓰기, 문학 하기의 마지막 세대에 해당한다는 점, 저널리즘적 세태묘사, 대중소설의 양식을 빌려 전후문학의 범례를 제공했다는 점에서 문학사의 주변에서 외연을 확장한 작가로 재평가될 필요가 있다.

• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2017년도 추계학술대회
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• pp.138-139
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• 2017

In the 21st century, maritime industry is the field, which play an important role in the improvement of human. Due to geographical conditions and the development of technology, the demanding of human can be solved easier by shipping. With the advantage of the location and the help of modern technology, maritime in dustry bring various advantage for HaiPhong. In this field in general or the job such as assistant, marketing and the contribution of women is undeniable. Meanwhile, with the field of shipping, there are some problems, which are preventing women from the work of seafaring. However, in the current, female employees are necessary in all the work, the thinking of the job for only male still exit in the brain of citizen. Therefore, the solutions for this problem need to set not only in maritime industry but also for the others heavy industry.

• 한국임상수의학회지
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• 제33권5호
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• pp.310-312
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• 2016

An 8-month-old, intact male Collie and a 4-year-old, intact male Siberian husky presented with severe wounds on the limbs. Although the wounds were not managed adequately before presentation, there were no remarkable findings except for secondary infections. The lesions were cleaned with a disinfectant and then treated with systemic antibiotics. Additionally, a hydrophilic moisture-absorbing polyurethane dressing was applied to the limbs because a conventional bandage with silver sulfadiazine ointment was not effective. Both cases showed significant improvement in the lesions over a short period of time. These cases show that a bioactive dressing works efficiently to heal refractory wounds in dogs.

• 패션비즈니스
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• 제8권3호
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• pp.20-33
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• 2004

The creative energy of the Korean women who pursued spiritual artistic practices under the limited situation of male-dominated confucian society in the Chosun Dynasty(AD 1392 - AD 1910) constituted the background for the development of Gubang Craft. Gubang Craft represented their artistic abilities, moral and family values, and the pursuit of self-esteem. Especially embroidery successfully showed four main elements of Gubang Craft such as embellishment, diversity, femininity, and craftsmanship. This paper is designed to explore how the traditional elements of embroidery works are restored and have influence on the modern Korean fiber art.

• 대한음성학회:학술대회논문집
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• 대한음성학회 2007년도 한국음성과학회 공동학술대회 발표논문집
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• pp.243-246
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• 2007

This paper aims to propose an intonation labeling method using Momel and to present results of analyzing a speech corpus consisting of 80 passages pronounced by 4 speakers (2 male and 2 female) using the proposed method. The results show that Momel works well enough to derive meaningful pitch targets, which could be labeled with H and L tones. On the other hand, the results of the analysis of Korean speech corpus correspond to earlier work.