• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2019.05a
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• pp.456-458
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• 2019

In this paper, transmission performance of streaming audio as a railway communication service based on LTE-R is analyzed. Performance analysis is perfomed with computer simulation based on NS(Network Simulation)-3, audio frame of MPEG(Moving Picture Experts Group)-4 is used as target application service for straming audio traffic. Results of this paper can be used to implement LTE-R networks and develope application services over LTE-R network.

• Journal of Broadcast Engineering
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• v.14 no.3
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• pp.271-279
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• 2009

The Moving Picture Experts Group (MPEG) and Video Coding Experts Group (VCEG) have developed a new standard that promises to outperform the earlier MPEG-4 and H.263 standards. The new standard is called H.264/AVC (Advanced Video Coding) and is published jointly as MPEG-4 Part 10 and ITU-T Recommendation H.264. In particular, the H.264/AVC intra prediction coding provides nine directional prediction modes for every $4{\times}4$ block in order to reduce spatial redundancies. In this paper, an ABS (Adaptive Bit Skip) mode is proposed. In order to achieve coding efficiency, the proposed method can remove the mode bits to represent the prediction mode by using the similarity of adjacent pixels. Experimental results show that the proposed method achieves the PSNR gain of about 0.2 dB in R-D curve and reduces the bit rates about 3.6% compared with H.264/AVC.

• Journal of Broadcast Engineering
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• v.8 no.2
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• pp.163-171
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• 2003

In this paper, we develop an approach toward Joint Source-Channel Coding for MPEG-4(Moving picture Experts Group) based video coding In fixed and mobile reception environment. We have considered channel environment of AWGN and mobile reception. The source coder used MPEG-4 video. the channel coder used RCPC(Rate Compatible Punctured Convolution) and the modulation method used QPSK(Quadrature Phase Shift Keying) modulation. This study determined optimum Trade-off point between source bit rate and channel coding rate In variable channel states. We compared Joint Source/channel Coding method and general constant bit rate transmission. In this results, Joint Source/channel Coding was appeared better performance than constant bit rate transmission.

• Journal of Broadcast Engineering
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• v.12 no.6
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• pp.542-554
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• 2007

Seamless streaming of multimedia content via heterogeneous networks to viewers using a variety of devices has been a desire for many multimedia services, for which the multimedia contents should be adapted to usage environments such as network characteristics, terminal capabilities, and user preferences. Scalability in video coding is one of attractive features to meet dynamically changing requirements of heterogeneous networks. Currently a new scalable video coding (SVC) is standardizing in the Joint Video Team (JVT) of the ISO/IEC Moving Picture Experts Group (MPEG) and the ITU-T Video Coding Experts Group (VCEG), which will be released as Extension 3 of H.264/MPEG-4 AVC. In this paper, we introduce new technologies of SVC and evaluate performance of it especially regarding on overhead bit-rate and coding efficiency to support spatial, temporal, and quality scalability.

• Broadcasting and Media Magazine
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• v.23 no.4
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• pp.31-40
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• 2018

VR(Virtual Reality), AR(Augmented Reality) 컨텐츠의 획득과 소비가 가능한 사용자 디바이스들이 널리 보급되고 있는 가운데, MPEG(Moving Picture Experts Group)에서는 몰입형(immersive) 미디어의 압축과 포맷, 전송에 대한 표준 제정 작업이 활발히 진행 중이다. 본 논문에서는 몰입형 미디어 표준 프로젝트인 MPEG-I와 그 부속 표준의 하나이며 전 방향 미디어 포맷에 대한 표준인 OMAF 표준의 기술 전반과 표준 동향에 대해 소개하고자 한다.

• Electronics and Telecommunications Trends
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• v.17 no.4 s.76
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• pp.51-64
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• 2002

Through the activities of MPEG (Moving Picture Experts Group), a number of issues have been identified within the scope of IPMP (Intellectual Property Management and Protection). This paper aims to address parts of them in the aspects of overall structure of MPEG-21 IPMP and to result in increasing the understanding of MPEG standardization works. In particular, this paper will address the major issues such as hooks, interoperability, and authentication architecture. Based on the architectures, this paper will explain how the MPEG-21 IPMP works with its components.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.10 no.6
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• pp.1003-1010
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• 2006

The usage increase of digital contents required solution for protection technology and interoperability of system. MPEG(Moving Picture Experts Group) proposed MPEG-21 Multimedia Frameworks. MPEG-21 IPMP is standard that provides the means to enable digital item and rights information to be persistently managed and protected across networks and devices. In this paper, MPEG-21 IPMP based system to protect digital contents designed by four structures of license server, production server, consumption server, tool server. License server create rights information document using the XML-based REL about multimedia contents of users. Production server makes a digital item by packaging multimedia resource and metadata, which is combined by REL information and IPMP information of multimedia resource. Consumption server takes care of the functions of players that use digital item, and tool server was implement to transmit for missing tool that might occur in all procedures.

• Broadcasting and Media Magazine
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• v.17 no.4
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• pp.35-46
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• 2012

현재 ITU-T Video Coding Experts Group(VCEG)과 ISO/IEC Moving Picture Experts Group(MPEG)에서는 고효율 영상 압축 기술(High-Efficiency Video Coding; HEVC) 표준화에 대한 막바지 작업을 진행하고 있다. 본 원고에서는 기존 H.264/AVC 대비 동일 주관적 화질 대비 압축률 2배를 목표로 하고 있는 HEVC 영상 압축 기술에 대해, 그 배경 및 주요 구성 요소 기술에 대해 설명하고, 표준화 진행과정에 대해서 간략하게 소개하고자 한다.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.40 no.5
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• pp.417-425
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• 2003

H.264, which is the latest video coding standard of both ITU-T(International Telecommunication Union-Telecommunication standardization sector) and MPEG(Moving Picture Experts Group), adopts new video coding tools such as variable block size motion estimation, multiple reference frames, quarter-pel motion estimation/compensation(ME/MC), 4${\times}$4 Integer DCT(Discrete Cosine Transform), and Rate-Distortion Optimization, etc. These new video coding tools provide good coding of efficiency compared with existing video coding standards as H.263, MPEG-4, etc. However, these new coding tools require the increase of encoder complexity. Therefore, in order to apply H.264 to many real applications, fast algorithms are required for H.264 coding tools. In this paper, when encoder MacroBlock(MB) mode is decided by rate-distortion optimization tool, fast mode decision algorithm by skipping variable block size ME/MC and spatial-predictive coding, which occupies most encoder complexity, is proposed. In terms of computational complexity, the proposed method runs about 4 times as far as JM(Joint Model) 42 encoder of H.264, while the PSNR(peak signal-to-noise ratio)s of the decoded images are maintained.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2011.11a
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• pp.99-101
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• 2011

MPEG-DASH(Dynamic Adaptive Streaming over HTTP)는 MPEG(Moving Picture Experts Group)에서 표준화 중인 HTTP를 이용한 적응형 비디오 스트리밍 기술이다. MPEG-DASH는 인터넷 방화벽에 의해 차단되는 RTP/UDP를 이용한 AV 스트리밍 대신 현재 HTTP/TCP를 이용하여 AV 스트리밍을 하는 추세에 맞춰 유무선 인터넷에서 망 환경 및 단말 환경에 동적 적응적으로 AV 스트리밍을 달성하기 위한 기술에 대한 표준이다. HTTP를 이용한 AV 스트리밍은 서버의 부담을 최소화하고 클라이언트의 지능적 처리에 전적으로 의존하는 스트리밍 방식이다. MPEG-DASH 클라이언트는 HTTP의 파일 전송 요청 또는 파일 일부 전송 요청만을 사용하여 스트리밍을 달성한다. 2011년 7월 제97차 MPEG 회의에서 MPEG-DASH DIS(Draft International Standard) 2차 버전이 승인되었다. 본 논문에서는 이 DIS 2차 버전에 따라 MP4 파일 포맷 기반의 MPEG-DASH 클라이언트를 구현하고 그 동작을 실험을 통해 검증하였다.