• Journal of KIISE:Software and Applications
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• v.30 no.10
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• pp.938-943
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• 2003

In this paper, we Propose a method using the Tikhonov-Miller process to improve the robustness of watermarking under various attacks. A visually recognizable pattern watermark is embedded in the LH2, HL2 and HH2 subband of wavelet transformed domain using threshold and besides watermark is embeded by utilizing HVS(Human Visual System) feature. The pattern watermark was interlaced after random Permutation for a security and an extraction rate. To demonstrate the improvement of robustness and similarity of the proposed method, we applied some basic algorithm of image processing such as scaling, filtering, cropping, histogram equalizing and lossy compression(JPEG, gif). As a result of experiment, the proposed method was able to embed robust watermark invisibility and extract with an excellent normalized correlation of watermark under various attacks.

• Journal of the Institute of Electronics Engineers of Korea TE
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• v.39 no.3
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• pp.21-27
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• 2002

The digital watermarking methods have been proposed as a solution for solving the illegal copying and proof of ownership problems in the context of multimedia data. But it is still difficult to have been overcame the problem of the protection of property to multimedia data, such as digital images, digital video, and digital audio. This paper describes a watermarking algorithm that embeds non-linearly audio logo watermark data which is converted from audio signal of the ownership in the components of pixel intensities in an original image and that insists of ownership by hearing the audio signal transformed from the extracted audio logo through the speaker. Experimental results show that our algorithm using audio logo proposed in this paper is robust against attacks such as particularly lossy JPEG image compression. 

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.43 no.6 s.312
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• pp.97-104
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• 2006

The state-of-the-art H.264/AVC standard was designed for the lossy video coding so that it could not yield the best performance for lossless video coding. In this paper, we propose two efficient intra lossless coding methods by embedding a pixel-wise prediction into the H.264/AVC. One is based on the pixel-wise prediction for the residual signal of the H.264/AVC intra Prediction and the other suggests a newly additional intra prediction mode for the conventional intra prediction. We found that the proposed lossless coding algorithms could achieve approximately $12%{\sim}25%$ more bit saving compared to the H.264/AVC FRExt high profile for several test sequences in terms of a compression ratio.

• The Transactions of the Korea Information Processing Society
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• v.7 no.12
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• pp.3885-3895
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• 2000

The emergence of digital imaging and digital networks has made duplication of original artwork easier. In order to protect these creations, new methods for signing and copyrighting visual data are needed. In the last few years, a large number of schemes have heen proposed for hiding copyright marks and other information in digital image, video, audio and other multimedia objects. In this paper, we propose a technique for embedding the watermark of visually recognizable patterns into the frequency domain of images. The embedded watermark can be retrieved from the decoded sequence witbout knowledge of the original. Because the source image is not required to extract the watermark, one cannot make the fake original that is invertible to watermarking scheme from the waternlarked image. In order to recover the embedded signature data without knowledge of the original, a prediction of the original value of the pixel containing the information is needed. The prediction is based on a averaging of amplitude values in a neighborhood around the pixel itself. Additionally the projxJsed technique could survive several kinds of image processings including JPEG lossy compression.

• The Journal of the Korea Contents Association
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• v.15 no.9
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• pp.11-20
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• 2015

Digital watermarking provides electronic means for proving the copyrights of distributed digital media copies. Research on digital watermarking for images is recently directed toward that for color images extensively used in real life, based on the substantial results in digital watermarking for gray-scale images. Color images have multiple channels, each of which corresponds to a gray-scale image. While there are some watermarking techniques for color images that just apply those for gray-scale images to one channel of the color images, the correlation characteristics between the channels are not considered in them. This paper proposes a zero-watermarking technique that makes keys via combining an image dependent watermark, created through comparing two channels of the color image and copyright watermark scrambled. Due to zero-watermarking, it does not change anything of cover(host) images. Watermark images are robust against some common attacks such as sharpening, blurring, JPEG lossy compression, scaling, and cropping.

• The Transactions of the Korean Institute of Electrical Engineers D
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• v.51 no.7
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• pp.308-316
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• 2002

In this paper, we propose a robust digital copyright-protection technique based on the concept of human auditory system. First, we propose a watermarking technique that accepts the various attacks such as, time scaling, pitch shift, add noise and a lot of lossy compression such as MP3, AAC WMA. Second, we implement audio PD(portable device) for copyright protection using proposed method. The proposed watermarking technique is developed using digital filtering technique. Being designed according to critical band of HAS(human auditory system), the digital filers embed watermark without nearly affecting audio quality. Before processing of digital filtering, wavelet transform decomposes the input audio signal into several signals that are composed of specific frequencies. Then, we embed watermark in the decomposed signal (0kHz~11kHz) by designed band-stop digital filer. Watermarking detection algorithm is implemented on audio PD(portable device). Proposed watermarking technology embeds 2bits information per 15 seconds. If PD detects watermark '11', which means illegal song. PD displays "Illegal Song" message on LCD, skips the song and plays the next song, The implemented detection algorithm in PD requires 19 MHz computational power, 7.9kBytes ROM and 10kBytes RAM. The suggested technique satisfies SDMI(secure digital music initiative) requirements of platform3 based on ARM9E core.

• The Journal of the Acoustical Society of Korea
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• v.30 no.6
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• pp.337-343
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• 2011

With commencing trial 3D digital broadcasting, the studies on next generation digital broadcasting technology for coming UHDTV era is being actively progressing. In this paper, I propose surround audio formats for next-generation digital TV broadcasting, along with comparative study of major surround audio formats in use or under development. I did comparative study on current major competing surround formats such as Dolby True HD and DTS HD MA, along with NHK proposed 22.2 channel surround format for UHDTV system. Upon this comparative study and our housing situation consideration, I propose lossy compression 3D surround 7.1 channel surround format along with loosless 2.0 and 4.0 hi-fi format as next generation digital TV broadcasting standard. In lieu with this, I also propose transmitting binaural 2 channel audio data as sub-audio. It will give holographic sound experience when properly processed with individual HRTF (Head Related Transfer Function) with headphone. The table for data rate of each proposed audio format is also presented.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.31 no.5C
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• pp.490-496
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• 2006

H.264 is the most recent video coding standard, containing improved error resilience tools than previous video compression schemes. This paper shows an analysis of the dependency of error concealment (EC) performance on the expected number of correctly received neighboring macroblock(MB)s for a lost MB, applying error concealment schemes to the raster scan mode that is used in the previous video coding standard and the flexible macroblock ordering (FMO) which is one of error-resilience tools in H.264. We also present simulation results and performance evaluation with various packet loss rates. Simulation results show that the FMO mode provides better EC performances of $1{\sim}9dB$ PSNR improvements compared to the raster scan mode because of larger expected number of correctly received neighboring MBs. The PSNR improvement by FMO mode becomes higher as the intra-frame period is larger and the packet loss rate is higher.

• Journal of the Korea Society of Computer and Information
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• v.16 no.10
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• pp.175-183
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• 2011

Performance of digital video watermarking is an assessment that hides a lot of information in digital videos. Therefore, it is required to find a way that enables to store lots of bits of data into a high quality video of the frequency area of digital contents. Hence, this paper designs a watermarking system improving security with an enhancing watermarking based on invisible watermarking and embedding an watermarking on LH and HL subband and its subband by transforming wavelet after the extraction of luminance component from the frames of video by compromising robustness and invisible of watermarking elements. The performance analysis of security of watermarking is carried out with a statistic method, and makes an assessment of robustness against variety of attacks to invisible watermarking. We can verify the security of watermarking against variety of attacks by testing robustness and invisible through carrying out general signal processing like noise addition, lossy compression, and Low-Pass filtering.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.31 no.8C
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• pp.777-785
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• 2006

H.264 is the prominent video coding standard in various applications such as real-time video streaming and digital multimedia broadcasting, since it provides enhanced compression performance, error resilience tools, and network adaptation. Since compressed video stream is vulnerable to packet loss, error resilience and error concealment(EC) tools are essential for the transmission of video over the Internet. In this paper, we first propose a simple temporal EC method that improves the EC performance for intra-frame in H.264 when the amount of motion is relatively small. Then we propose a new hybrid EC method for intra-frame in H.264, which combines the spatial EC and temporal EC adaptively. The simulations are performed in packet-lossy environments, and the proposed hybrid EC method shows about 0.5-4dB PSNR improvement compared to the conventional spatial EC method that is used for intra-frame in H.264.